Bright Star – A Bluegrass Musical

Bright Star - A Bluegrass Musical

Bright Star – A Bluegrass Musical Rating

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The spectacular Bright Star musical presented by Sport For Jove Theatre Company, in association with Hayes Theatre Co, is a spellbinding must-see. Co-Directed by Miranda Middleton and Damien Ryan, Musical Direction by Alec Steedman and produced by Christopher Tomkinson and Isabella Milkovitsch, this creative team – along with their cast – have created an absolute masterpiece.

The magnificent cast left me in awe of their radiating talent. In the theatre world we talk about “triple-threat” performers who can sing, dance, and act. Well, this sensational cast raised the bar adding instrumental skills into the mix-quadruple threats!

This highly acclaimed production transports audiences to the 1920s and ‘40s in the American South. Steve Martin and Edie Brickell were inspired to write Bright Star after discovering an old newspaper article about the “Iron Mountain Baby” – an incredible true story of a baby’s miraculous survival after being thrown from a moving train inside a suitcase. Rescued and adopted by an elderly couple, this miraculous story sparked a reimagining that became this heartwarming, bittersweet tale.

Now to the music: the score is brilliant-one you’ll want to add to your playlist. The powerful bluegrass songs resonate with heartfelt emotion, striking the audience with every note. Congratulations to the Musical Director, Alec Steedman on an outstanding job of directing this talented cast to deliver an exhilarating performance. The impeccable harmonies and the all-round musicianship of the singers and instrumentalists were absolutely inspirational.

 

 

Hannah McInerney is sensational in the lead role of Alice Murphy. She took my breath away from the opening number with her angelic vocals, rich with Southern warmth. Her playful, engaging acting was both charming and humorous yet deeply moving in the poignant moments. At times, I was wiping away tears; at others, laughing in hysterics. Hannah kept me captivated throughout her intoxicating performance.

Kaya Byrne gave an electric performance as the charismatic Jimmy Ray. Kaya sings, plays guitar and harmonica with utmost professionalism, and conveys his character’s heartbreak and anguish with depth and honesty. Kaya’s emotive performance was deeply impactful, leaving my heart in my throat.

Cameron Bajraktarevic-Hayward is utterly delightful as Billy Cane. Expertly playing the cello during the show, he delivered the role with skill, energy and heart. His agile dance moves and magnetic stage presence enhanced an already brilliant performance.

Deirdre Khoo shines as Lucy, flawlessly showcasing her talents on accordion, vocals, dance and acting. Her show-stopping moves illuminated Shannon Burns’ masterful choreography. Deidre, alongside Jack Green who played the comedic Daryl, brought plenty of laugh-out-loud moments which kept the audience well entertained. Jack Green also played the sincere Daddy Cane, a contrasting character full of emotional depth and sincerity.

Genevieve Goldman, as the comedic relief character Margo,brought dynamic energy to the story. With fabulous comedic timing, striking vocals and impressive acting, Genevieve provided an engaging performance.

As the villainous Mayor, Seán van Doornum was remarkable. Portraying a detestable character convincingly can be difficult, but his superb performance captured the proud, unfeeling, and truly evil nature of the role.

Katrina Retallick and Rupert Reid as Mama and Daddy Murphy were a powerhouse duo. Katrina’s stunning vocals, especially her harmonies with Hannah, were unforgettable. Her raw intensity in the harrowing scenes amplified the emotional impact. Rupert’s portrayal of an uncompromising father, weighed down by regret, was equally striking—his natural, convincing delivery perfectly suited the show’s era.

Bright Star will make you laugh, cry and fall in love with its story and musical score. This impactful production, with its incredible stellar cast, is not to be missed. I am certain you will fall in love with it, just as I have.

To book tickets to Bright Star – A Bluegrass Musical, please visit https://www.sportforjove.com.au/bright-star-2025.

Photographer: Robert Catto

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Adventures Under The Sea, On Earth and To The Moon (And Back)

Twenty Million Thousand Leagues Under The Sea

Twenty Million Thousand Leagues Under The Sea Rating

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To say this show is just a theatre performance would be simplistic. Twenty Million Thousand Leagues Under the Sea by Pummel Squad cannot be boxed into just one category. Presented onstage by creators and performers Harry McGee and Cooper Donald McDonald, together with sound designer and composer Yanto Shortis, the show is a lively explosion of creativity—a brilliant blend of comedy, live-action illustration, and music, all brought to life with quirky narration and the classic overhead projector (OHP)!

The three performers tell the story of Rasthomas Bulge, an ordinary fellow with an extraordinary name, represented in 2D illustration in various poses, depending on the storyline. He’s drawn in 2D but at times is represented by larger than life 3D narrators, who voice his thoughts. At other times, his thoughts are cleverly interspersed and gently made known, projected onto a screen. Combining shadow puppetry with stencils and rolling overlays, along with narration and acting, the creators move beyond the ordinary to present the story in the most original way possible.

Rasthomas is a car salesman with a bushy moustache. He is drawn with three curly springs of hair sprouting from his head, bright eyes and a snappy suit. As the audience is being seated, his creators are sketching him to life on the overhead projector bit by bit. It was fun watching Rasthomas become himself, and it felt like we were getting an art lesson as the lines morphed into a cartoon man.

He’s got a steady job, a steady social life, (albeit with a shady school friend, drawn to “look bad, and is worse on the inside”) and a steady, ordinary life with his family. At the heart of the story is Rasthomas, feeling unsatisfied with this steady life. He is clearly experiencing a mid-life crisis where he feels that there’s something missing. After meeting and selling a sportscar to a man who surprisingly looks a lot like him, Rasthomas goes in search of adventure.

 

Following Rasthomas to literally the ends of the Earth and sky, the audience is entertained with stories of him travelling from the depths of the ocean to the moon and back. In a nod to the novel Twenty Thousand Leagues Under the Sea written by Jules Verne, there’s danger, daring escapes, sea monsters and even a bit of Casablanca cleverly woven in that ties right back to his wife. He realises after he has stepped out of his own shadow, that his ordinary life is something to be treasured, and perhaps looking at things from a different perspective brings acceptance.

Along with the lo-fi music and an almost continuous sound design accompaniment to the show, musician Yanto came out from his music station at the side to take centre stage. Standing in front of the screen, he sang an original song with his banjo ukulele as the projection rolled along, with the drawn buildings floating past with song. The audience loved it!

A memorable moment for me was one where we were introduced to Rasthomas’ four sons, drawn in lines, their portraits smiling. Their names were announced and revealed, read aloud as a list, with the first three son’s names rhyming, culminating with the youngest son being named Rasthomas Junior, which made me laugh as it was so silly. It was these witty bits of comedy, seamlessly woven in and delivered at surprising moments throughout the show, that gave the show a comedic charm which I thought was reminiscent of Roald Dahl.

Twenty Million Thousand Leagues Under the Sea was a 50-minute performance that seemed at times to be an improv. However, the Pummel Squad team cleverly crafted their skills to only make it seem this way, involving tag teaming the precise placement and flipping of stencils on the OHP, and quick delivery of quips and cheeky lines. Part of the 2025 Sydney Fringe Festival and already an award-winning show, this is one quick-draw scribby art combo comedy show (I did say it was hard to categorise it!) which will capture your sense of humour and your heart. Don’t miss this truly unique performance—there’s nothing else like it!

Season: 10- 13 September (matinee and evening performance on Saturday 13 September)
Run time: 50 minutes
Venue: New Theatre, 542 King St Newtown
Tickets: www.sydneyfringe.com/events/twenty-million-thousand-leagues-under-the-sea

To book tickets to Twenty Million Thousand Leagues Under The Sea, please visit https://sydneyfringe.com/events/twenty-million-thousand-leagues-under-the-sea/.

Photographer: Tom Noble

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About The Production – The Bridge

The Bridge

Today, we had the pleasure of catching up with the vibrant and talented cast of The Bridge. This inventive production dives into the dynamic world of the Aussie music scene, bridging the gap between the raw, grunge era of the 1990s and the flashy, digital age of today.

About The Bridge

What is this Production about?

THE BRIDGE is about the Aussie music scene in the 1990s and now, told through the experience of Amber, a grunge force-of-nature who was “too loud” and “too much” when she broke out, and is unexpectedly thrust back into the spotlight, thirty or so years later, when her most personal song goes viral… for all the wrong reasons.

If the culprit, TikTok darling Alyssa, is anything to go off, the ‘biz might look different but it’s the same old wolf (just in a very pink sheep’s clothing). But both women are immovable objects, and their collision course is well and truly set… and both will have to reckon with what the other means for their place in the world.

The Bridge is about the choices we make in a world that’s determined to misunderstand us, and how we can both push back against the systems that shape us, or get lost in the rapids… but ultimately, it’s about how MUSIC transcends, regardless of our differences.

What character are you playing, and what can you share with us about them?

I’m playing “Alyssa”, who is… a lot of fun to perform. She’s a TikTok tragic, impossibly obsessed with the colour pink, incredibly determined, but let’s just say… not so well-suited to a life outside her bedroom (just yet). I think she encapsulates a lot of what’s awesome about her generation – but she’s definitely a liiiittle vulnerable to some criticism, too.

What’s challenging about bringing this script to life?

The Bridge is this awesome, chaotic collision of the “old” and “new” worlds of the music industry – so, good old fashioned live music combined with the fast paced, sometimes boggling world of the internet – and we are well and truly bringing that to life on-stage with a blend of digital and live-performance elements. It’s going to be different to any other show you’ve seen, and different to any other show we’ve all been a part of bringing to life…

Why did you want to be involved in this production?

Myself and other co-writers Sunny Grace and Richie Black are all complete music nerds; our tastes converge around Aussie riot rock and a deep appreciation for the bad-ass trail-blazing women who brought truth and righteous rage to the world. I think we were all excited by the idea of writing something for the theatre that could really capture what Aussie’s really love about live-music… and as a musician myself, I was really excited about what that might end up looking like.

I’m also really inspired by my friends’ styles and tastes as writers and I wanted to be a part of creating something together; I’d never co-written for theatre before so it was an awesome experiment in how we can combine our voices, as three writers from three different generations (Zillenial, Millenial and Gen X), to not just talk the talk about intergenerational conversations but WALK THE WALK!

What sort of person is going to love this show?

Anyone who votes religiously in the Triple J Hottest 100.

What will the audience be thinking about in the car as they drive home after this show?

They’ll no doubt be thinking a lot about wigs, but also maybe speculating about the more human parts that their fave musicians might not show in the public arena.

What’s going to surprise people about this show?

I think the audience is constantly going to be thinking, holy shit what’s going to happen next, because the show is such a rollercoaster of energy.

Call someone out by name: who must come see this production?

Ella Hooper, Myf Warhurst, Yumi Stynes… we salute you. We request your attendance.

Who in the show is most like their character?

I really hope no one in the cast thinks it’s me.

Who’s the least?

Everyone (thankfully, in most cases).

Where can patrons purchase tickets to this production?

The Bridge is showing now to the 13th of September. To book tickets to The Bridge, please visit https://www.kingsxtheatre.com/the-bridge.

Thank you so much for sharing a glimpse of The Bridge with us! Best of luck with the upcoming show; it sounds like an unforgettable mix of nostalgia and new-age flair.

Other production interviews can be viewed in our About The Production Series.

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Wits and Whisky – Dorothy in Oz, An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure Rating

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Writer and director Alex K. Wregg brings his lifelong love of the Oz books by L Frank Baum to life at the 2025 Sydney Fringe Festival. His latest imaginative experience Dorothy in Oz is introduced as an experience where guests attend a birthday celebration for Princess Ozma of Oz. I had no idea about what lay ahead in our adventure and the mystery of this added to the suspense.

We started our journey in Kansas, sitting on hay bales and drinking a preshow drink from the bar titled Baum’s Marvellous Medicines – Potions, Tinctures, Remedies. It is here we met Dorothy, played with girlish charm by Bethan Williams. She was the guide that lead us safely into the world of Oz after she suspects a tornado was on the way.

The theme of the different lands where we begin is clear when we step through the tornado tunnel. There are tables beautifully decorated in vibrant colours, representing the different lands. As with all things magical, there were fairy lights adding to the atmosphere. The guests were greeted by The Scarecrow, played by Adam Watt, and we were able to gravitate to whatever table colour we wished to sit at to begin our night. Throughout the performance, Adam maintained the thoughtful and sweet nature of the Scarecrow and deserves a shout out for when he answered some of my questions with quick witted Oz related answers multiple times.

Production designer and build, Paul Bujak created a space that appealed visually and made me want to explore the area (the different lands) immediately! I did go for a wander around when I first came in.

 

 

On one wall, there was a poster of Oz, titled “The Marvellous Land of Oz” and it pulled together the five different lands; Winkie Country, Gillikin Country, Munchkin Country, Quadling Country, all of which surrounded the famous Emerald City. Bordered on four sides by the Great Sandy Waste, Shifting Sands, Impassable Desert and Deadly Desert, this map’s artwork was truly beautiful, and I could have studied it for hours.

In dual character roles, Marni Collier played Tip with a light-heartedness zeal and Ozma, and Kirsty McGuire’s performance as Mombi and Glinda made me laugh a few times! The four cast members bounced off each other to keep the flow going throughout the night and were there to support the guests if we got into any confusion about how to solve the given puzzles. There were lots of puzzles to be solved as a team (your country), and this was one of the highlights of the experience! I didn’t find the puzzles too difficult – think Escape Room meets family friendly World of Oz, and you can understand the fun to be had when working together with other people. I was on a table of five, but this number can vary, depending on the number of guests on the night. The puzzles were cleverly thought out to space separately the places where we went to complete the challenges.

Dorothy in Oz, An Immersive Cocktail Adventure, wasn’t your typical sit-down theatre performance. Instead, it was an interactive experience where guests became part of the story. Without giving too much away, it turned out to be a wonderfully fun journey into the Land of Oz that will captivate everyone, from the young to the young at heart. Although it has ‘cocktail’ in the title, the experience also caters for non-drinkers and has family friendly sessions, which will suit younger guests who have curious minds and wonderful imaginations.

If you want a diversion in our busy and hectic world, use your wits then relax with a delectable whisky-based cocktail, transport yourself to Marrickville Town Hall this September! For Sydneysiders, my message borrowed from The Wizard of Oz is “If I ever go looking for my heart’s desire, I won’t look any further than my own backyard.” Explore your own backyard and book tickets to this experience, before the tornado hits town!

Season Run: September 3-28, 2025
Venue: Marrickville Town Hall
Run Time: Approximately 1 hour 20 minutes
Tickets: www.dorothyinoz.com

To book tickets to Dorothy In Oz: An Immersive Cocktail Adventure, please visit https://www.dorothyinoz.com/.

Photography: Phil Erbacher

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