Greeking Out

Greeking Out

Greeking Out Rating

★★★★★

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Greeking Out reminded me why I love fringe theatre. At its best, fringe is lean and mean, a little scrappy, full of wit and invention and always just outside the norm. Rebecca Perich’s show delivered all of that in spades. This was peak fringe and I loved everything about it.

The premise is deceptively simple: a lecture on Greek mythology, given from a stool with a projector and an easel as props. Yet from that stripped-back set, Perich created an hour of comedy, storytelling and mythological deep-diving that was as enlightening as it was entertaining. The projector doubled as a lecturer’s whiteboard, lighting shifts offered just enough atmosphere and the black cloth-draped brick walls of the pop-up venue made the room feel like the kind of black box theatre where ideas are meant to spark. Even the old school seating added to the classroom vibe. It was, in every sense, authentic fringe.

What struck me most was Perich’s ability to master two seemingly opposite demands: making the audience laugh while also making them think. The show had proper laugh-out-loud moments There were cheeky asides, call-and-response games and even bursts of light choreography that pulled us into her world. But it also had a depth that stayed with me long after. I really loved how Perich didn’t just retell myths. She unpacked their cultural resonance, wove them into pop culture touchpoints and reminded us why these ancient stories still matter. Her skill lay in making the complex simple, without ever dumbing it down.

 

 

Fringe theatre can sometimes alienate, but Perich did the opposite. She met her audience exactly where we were, adapting her pace, her explanations and even her jokes to ensure accessibility. She was like that favourite teacher who can’t help but share their hyperfocus with you, dragging you joyfully into side quests and tangents like the naming of Europe or the complex family tree of Greek gods. These digressions were never wasted, they added texture and charm, much like the best detours on a road trip.

The 60-minute format was exactly right. As one of my favourite theatre sayings goes, “Everything good is better shorter”. Perich clearly understands this. The show was tight, sharp and left me wanting more. By the end, I wasn’t just entertained, I was ready to sign up for Mythology 201.

Rebecca Perich is a gifted storyteller, part comedian and part lecturer, who has found a form that feels utterly her own. She can take a myth thousands of years old and make it feel like gossip you’ve just overheard at the bar. That’s no small feat. Greeking Out was smart, funny and brimming with charm. More importantly, it was a reminder of why myth still holds power in our lives.
I laughed, I learned and I can’t wait for the next class. That’s my takeaway and I suspect anyone lucky enough to see this show will feel the same.

To book tickets to Greeking Out, please visit https://www.melbournefringe.com.au/whats-on/events/greeking-out.

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Powerful, Passionate, and Fantastic

The Comedy Games with Coach Mon

The Comedy Games with Coach Mon Rating

★★★★★

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Comedy Games With Coach Mon is now on at the Ivanhoe Library & Cultural Hub’s Yarra-me Djila Theatrette as part of the Melbourne Fringe. Aimed at children age 4 and up, the show is a really fun way to introduce your junior primary and pre-school kids to interactive live theatre. It’s a great antidote to the effects of too much screen time – it’s upbeat, inclusive, funny and interactive. It stimulates the imagination and reminds us how to play. The age appropriate humour is infectious, and a lot of it is supplied organically by the children themselves. I highly recommend it.

The theatrette is cosy, clean and family-friendly. Coach Mon makes your child feel at home by introducing herself to each child and learning their names before the show starts, so I recommend getting there a little early to settle into the space. There is ample parking at the Ivanhoe venue which also has a lovely café and a library on the same level.

The theme of the show is sports. Coach Mon’s dream is to be a sports coach and she is looking for athletes who are Powerful, Passionate, and Fantastic. There’s a good dose of the ridiculous, which kids love, so we’ll be starting with eyebrow push-ups and weight-lifting with marshmallows on a skewer, for starters. Sometimes Coach Mon might need some coaching herself. Does she really know what hurdles are? Why is she asking for child hurdles – “churdles”? Will she jump over them or fly?

 

 

Adults – you will not be bored! Coach Mon knows how to keep the kids’ attention with singing, acrobatics, jokes, miming and clowning-skills, all with a warm connected personality. She knows how to keep them quietly in their seat, if needed, and, conversely, how to get them up and noisy depending on the scene of the show. You’ll be able to relax and enjoy the antics with your child, and possibly even take part in some synchronised swimming!

The fast pace of the show is underscored by well-chosen classical and pop-rock songs. For example, who doesn’t like a slow-mo running race with Chariots of Fire as the soundtrack? I loved that this show was exposing the young ones to really good music from Peer Gynt Suite’s Hall of the Mountain King to Eye of the Tiger. We might know these songs, but it might just be the first time the little ones get to hear it.

After the show, Coach Mon stayed to chat to kids and adults as they were leaving. I had a chat to her too and discovered that Coach Mon is the multi-talented Monique Warren who is an actor, musician, educator, choir director and clown. She grew up singing in the Australian Girls Choir and then stayed on as a choir teacher for 12 years. Her inspiration for the show came out of blue one day while she was teaching an online co-curricular drama class online during COVID lockdown in 2021. Worn out by the sheer boredom she had had enough and walked away from the faces on the computer screen. A minute later, she was back with sports cap on and tennis ball in hand and announced “I’m Coach Mon. Let’s play!”.

Monique Warren’s dream is to build her kids show to be a regular school holiday gig. The joy she gets from doing the show is from bringing people together and that is her passion. It’s a Passion that is Powerful and her show is Fantastic! Go see it before it closes. Let’s play!

To book tickets to The Comedy Games with Coach Mon, please visit https://www.melbournefringe.com.au/whats-on/events/the-comedy-games-with-coach-mon.

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Break a Leg at The MC Showroom

Break A Leg

Break A Leg Rating

★★★★★

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Imagine a bunch of social-media influencers landing roles in a high-stakes, Broadway-bound production—with zero stage chops. Rehearsals devolve into diva meltdowns, ego clashes, and utter mayhem. Then, in a desperate bid for team-building, they conjure spirits with a fake Ouija board
 but the real ghosts show up. Cue the body-swap chaos—suddenly everyone’s in each other’s shoes, and opening night is just around the corner.

This is Break a Leg, a two-act comedy written and directed by Jason Ekonomides, playing at The MC Showroom from August 20 to 24, 2025

Prahran’s MC Showroom is an ideal match for this story. The intimate black-box layout ensures every grimace, costume flop, and ghostly flicker is close enough to touch. With seating capacity hovering around 80–100 depending on layout , the audience becomes part of the mayhem—not just observers. With minimal props, set design and an intimate atmosphere, actors are forced to rely on their craft- which is a huge pay off. It makes the production that much more authentic, as though we are just voyeurs, invited in for a sneak peek.

 

 

The performance offers quick pacing and over-the-top personalities ensure there’s never a dull moment. Body-swapping naturally demands expressive performance—from mannerisms to vocal tone—and the comedy thrives on it. The supernatural element isn’t just for show; it fuels plot momentum and raises the stakes. There are so many relatable moments for anyone who’s ever worked in a creative project—full of egos, deadlines, and “what even is blocking?” which garnered quite a few laughs from the audience. There are so many moments that garnered laughs, it’s hard to pinpoint the best one, which adds credibility to the skills of the cast, making the show incredibly entertaining. After all, when there’s no huge set and props are minimal, actors are left to their skills to draw the audience in, and they manage to succeed in this quite well.

Break a Leg is a rambunctious backstage farce that pairs clever body-swap hijinks with a comedic look at influencer culture and theatrical chaos. Performed in the cozy, tech-equipped intimacy of The MC Showroom, it’s a sharp, delightful night of theatre.

If you’re into rowdy humour, spirited performances, or backstage shows gone wildly off script—this one’s for you.

To book tickets to Break A Leg , please visit https://www.themcshowroom.com/whatson/break-a-leg.

Photographer: Billie Kennedy

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An Unlikely Couple

Waterloo

Waterloo Rating

★★★★★

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‘Waterloo’ is modern day theatre from clever performance artist, Bron Batten, a multi award-winning Australian performer, theatre-maker and producer, in collaboration with non-artists and audience members. (Outside Eye Direction by Gary Abrahams.)

From the people who created ‘Onstage Dating’, ‘Waterloo’ turns their observations inward, exposing us to Bron Batten’s ill-fated affair and deconstructing the ideological distance between right and left.

This unique show explores what happens when a self-confessed “lefty, Greens voting, almost vegan theatre artist” dates a right-wing, cigar smoking Margaret Thatcher-loving Tory soldier. Batten met this “2nd protagonist” when she was on an arts residency in Paris in 2015 – and he turned out to be a conservative, highly decorated, high-ranking UK military official. Clearly, they had different political views yet found an intense connection and their time together formed the core narrative of Waterloo.

Batten tells us this story as one would tell a friend about her unlikely romance, a couple obviously drawn to each other in ways just as unknown as the violence we bury our heads in the sand about daily. With her warmth, creativity and truthfulness, often heavy themes of love, war and politics prove easier to digest than they first sound.

Developed in Maubourguet France, with Vitalstatistix Incubator Residency in Adelaide, a creative residency at Brunswick Mechanic’s Institute, Melbourne, with an Arts House Development Award and North Melbourne Stalker Residency, and then at Melbourne Fringe in 2019, while still morphing, this edgy piece has won awards in Melbourne and Perth and won the Summerhall Edinburgh Fringe Touring Award, in 2019.

 

 

You’ll find Waterloo strangely entertaining and thought provoking. You’ll be thinking on it for days afterward, even questioning your usual beliefs. As the daughter of a Lieutenant Colonel, my beliefs seemed lonely in a room full of students and Arts workers, but Batten wrote her questions to the audience so well, I’m sure they were also surprised at some of the final audience views.

Batten said in a recent interview she “Hoped the work would provoke reflection and discussion amongst the audience and perhaps a healthy debate in the car on the way home.” I believe her hopes have become reality.

That’s the beauty of Waterloo. Moments of divisiveness lead to moments of poignant clarity, followed by moments of humanity and the realisation we are all connected and desire human connection.

This production is not only enjoyable, it’s important, giving those of us on both sides of politics a safe space to debate our differences, respectfully.

Bron’s work has toured throughout Australia, New Zealand, the USA, France, the UK, Germany, the Czech Republic, Lithuania and Romania and has been presented at festivals and venues including The Soho Theatre London, Summerhall Edinburgh, Komedia Brighton UK, The Prague Quadrennial, Performing Arts Festival Berlin, RISING, Darwin Festival, Brisbane Festival, Dark MOFO and the Edinburgh Festival Fringe.

Founded in 1979, Theatre Works is an independent theatre group with a lot to say. Check it out. Waterloo plays at Theatre Works – 14 Acland Street, St Kilda – from 8th to 12th July, 2025.

To book tickets to Waterloo, please visit http://theatreworks.org.au/2025/waterloo.

Photographer: Lucy Parakhina

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