Powerful, Passionate, and Fantastic

The Comedy Games with Coach Mon

The Comedy Games with Coach Mon Rating

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Comedy Games With Coach Mon is now on at the Ivanhoe Library & Cultural Hub’s Yarra-me Djila Theatrette as part of the Melbourne Fringe. Aimed at children age 4 and up, the show is a really fun way to introduce your junior primary and pre-school kids to interactive live theatre. It’s a great antidote to the effects of too much screen time – it’s upbeat, inclusive, funny and interactive. It stimulates the imagination and reminds us how to play. The age appropriate humour is infectious, and a lot of it is supplied organically by the children themselves. I highly recommend it.

The theatrette is cosy, clean and family-friendly. Coach Mon makes your child feel at home by introducing herself to each child and learning their names before the show starts, so I recommend getting there a little early to settle into the space. There is ample parking at the Ivanhoe venue which also has a lovely café and a library on the same level.

The theme of the show is sports. Coach Mon’s dream is to be a sports coach and she is looking for athletes who are Powerful, Passionate, and Fantastic. There’s a good dose of the ridiculous, which kids love, so we’ll be starting with eyebrow push-ups and weight-lifting with marshmallows on a skewer, for starters. Sometimes Coach Mon might need some coaching herself. Does she really know what hurdles are? Why is she asking for child hurdles – “churdles”? Will she jump over them or fly?

 

 

Adults – you will not be bored! Coach Mon knows how to keep the kids’ attention with singing, acrobatics, jokes, miming and clowning-skills, all with a warm connected personality. She knows how to keep them quietly in their seat, if needed, and, conversely, how to get them up and noisy depending on the scene of the show. You’ll be able to relax and enjoy the antics with your child, and possibly even take part in some synchronised swimming!

The fast pace of the show is underscored by well-chosen classical and pop-rock songs. For example, who doesn’t like a slow-mo running race with Chariots of Fire as the soundtrack? I loved that this show was exposing the young ones to really good music from Peer Gynt Suite’s Hall of the Mountain King to Eye of the Tiger. We might know these songs, but it might just be the first time the little ones get to hear it.

After the show, Coach Mon stayed to chat to kids and adults as they were leaving. I had a chat to her too and discovered that Coach Mon is the multi-talented Monique Warren who is an actor, musician, educator, choir director and clown. She grew up singing in the Australian Girls Choir and then stayed on as a choir teacher for 12 years. Her inspiration for the show came out of blue one day while she was teaching an online co-curricular drama class online during COVID lockdown in 2021. Worn out by the sheer boredom she had had enough and walked away from the faces on the computer screen. A minute later, she was back with sports cap on and tennis ball in hand and announced “I’m Coach Mon. Let’s play!”.

Monique Warren’s dream is to build her kids show to be a regular school holiday gig. The joy she gets from doing the show is from bringing people together and that is her passion. It’s a Passion that is Powerful and her show is Fantastic! Go see it before it closes. Let’s play!

To book tickets to The Comedy Games with Coach Mon, please visit https://www.melbournefringe.com.au/whats-on/events/the-comedy-games-with-coach-mon.

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Break a Leg at The MC Showroom

Break A Leg

Break A Leg Rating

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Imagine a bunch of social-media influencers landing roles in a high-stakes, Broadway-bound production—with zero stage chops. Rehearsals devolve into diva meltdowns, ego clashes, and utter mayhem. Then, in a desperate bid for team-building, they conjure spirits with a fake Ouija board… but the real ghosts show up. Cue the body-swap chaos—suddenly everyone’s in each other’s shoes, and opening night is just around the corner.

This is Break a Leg, a two-act comedy written and directed by Jason Ekonomides, playing at The MC Showroom from August 20 to 24, 2025

Prahran’s MC Showroom is an ideal match for this story. The intimate black-box layout ensures every grimace, costume flop, and ghostly flicker is close enough to touch. With seating capacity hovering around 80–100 depending on layout , the audience becomes part of the mayhem—not just observers. With minimal props, set design and an intimate atmosphere, actors are forced to rely on their craft- which is a huge pay off. It makes the production that much more authentic, as though we are just voyeurs, invited in for a sneak peek.

 

 

The performance offers quick pacing and over-the-top personalities ensure there’s never a dull moment. Body-swapping naturally demands expressive performance—from mannerisms to vocal tone—and the comedy thrives on it. The supernatural element isn’t just for show; it fuels plot momentum and raises the stakes. There are so many relatable moments for anyone who’s ever worked in a creative project—full of egos, deadlines, and “what even is blocking?” which garnered quite a few laughs from the audience. There are so many moments that garnered laughs, it’s hard to pinpoint the best one, which adds credibility to the skills of the cast, making the show incredibly entertaining. After all, when there’s no huge set and props are minimal, actors are left to their skills to draw the audience in, and they manage to succeed in this quite well.

Break a Leg is a rambunctious backstage farce that pairs clever body-swap hijinks with a comedic look at influencer culture and theatrical chaos. Performed in the cozy, tech-equipped intimacy of The MC Showroom, it’s a sharp, delightful night of theatre.

If you’re into rowdy humour, spirited performances, or backstage shows gone wildly off script—this one’s for you.

To book tickets to Break A Leg , please visit https://www.themcshowroom.com/whatson/break-a-leg.

Photographer: Billie Kennedy

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An Unlikely Couple

Waterloo

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‘Waterloo’ is modern day theatre from clever performance artist, Bron Batten, a multi award-winning Australian performer, theatre-maker and producer, in collaboration with non-artists and audience members. (Outside Eye Direction by Gary Abrahams.)

From the people who created ‘Onstage Dating’, ‘Waterloo’ turns their observations inward, exposing us to Bron Batten’s ill-fated affair and deconstructing the ideological distance between right and left.

This unique show explores what happens when a self-confessed “lefty, Greens voting, almost vegan theatre artist” dates a right-wing, cigar smoking Margaret Thatcher-loving Tory soldier. Batten met this “2nd protagonist” when she was on an arts residency in Paris in 2015 – and he turned out to be a conservative, highly decorated, high-ranking UK military official. Clearly, they had different political views yet found an intense connection and their time together formed the core narrative of Waterloo.

Batten tells us this story as one would tell a friend about her unlikely romance, a couple obviously drawn to each other in ways just as unknown as the violence we bury our heads in the sand about daily. With her warmth, creativity and truthfulness, often heavy themes of love, war and politics prove easier to digest than they first sound.

Developed in Maubourguet France, with Vitalstatistix Incubator Residency in Adelaide, a creative residency at Brunswick Mechanic’s Institute, Melbourne, with an Arts House Development Award and North Melbourne Stalker Residency, and then at Melbourne Fringe in 2019, while still morphing, this edgy piece has won awards in Melbourne and Perth and won the Summerhall Edinburgh Fringe Touring Award, in 2019.

 

 

You’ll find Waterloo strangely entertaining and thought provoking. You’ll be thinking on it for days afterward, even questioning your usual beliefs. As the daughter of a Lieutenant Colonel, my beliefs seemed lonely in a room full of students and Arts workers, but Batten wrote her questions to the audience so well, I’m sure they were also surprised at some of the final audience views.

Batten said in a recent interview she “Hoped the work would provoke reflection and discussion amongst the audience and perhaps a healthy debate in the car on the way home.” I believe her hopes have become reality.

That’s the beauty of Waterloo. Moments of divisiveness lead to moments of poignant clarity, followed by moments of humanity and the realisation we are all connected and desire human connection.

This production is not only enjoyable, it’s important, giving those of us on both sides of politics a safe space to debate our differences, respectfully.

Bron’s work has toured throughout Australia, New Zealand, the USA, France, the UK, Germany, the Czech Republic, Lithuania and Romania and has been presented at festivals and venues including The Soho Theatre London, Summerhall Edinburgh, Komedia Brighton UK, The Prague Quadrennial, Performing Arts Festival Berlin, RISING, Darwin Festival, Brisbane Festival, Dark MOFO and the Edinburgh Festival Fringe.

Founded in 1979, Theatre Works is an independent theatre group with a lot to say. Check it out. Waterloo plays at Theatre Works – 14 Acland Street, St Kilda – from 8th to 12th July, 2025.

To book tickets to Waterloo, please visit http://theatreworks.org.au/2025/waterloo.

Photographer: Lucy Parakhina

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The Beep Test: An Airtight, Raucous Hoot Of Nostalgia.

The Beep Test

The Beep Test Rating

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The Beep Test follows Jane, Zach, Cooper and Sandra in their year 7 beep test and Sir, the PE teacher enforcing this hell upon them. The show explores the pressures and high stakes of high school, the importance of finding your own worth and what an absolute nightmare the beep test is, all in a short and sweet 60 minute run time.

At the first toll of the titular ‘beep’ you could practically feel the shiver that went down the spine of every audience member. Sat beside a friend of mine from high school, she gripped my arm, bracing for impact. Such a clever concept to take one of the most hated Australian school activities and draw it out to interrogate the themes that affect teenagers of this age.

Like high school, the stakes feel ridiculously high, the perfect vessel for big laughs, which The Beep Test delivered on at every point. The show crammed as much comedy as it could into its 60 minute run time, milking every second of stage time and every ounce of physicality to ensure our cheeks hurt by the end. With a full audience, not a single joke didn’t land. Through this, what I most admired was how each emotional beat still landed. Neylon and Peele balanced the stakes for these characters while keeping us laughing, but never at the expense of rushing through appropriate character development. It was almost pantomime how quickly the show had the whole audience uproariously laughing, to then cooing with a sea of “aww’s” as the romantic storyline progressed, or as another detail was revealed about a student’s depressing home life.

Each actor really shone as well, hitting the comedic beats and every note. The vocals were particularly impressive from the leads Sara Reed and Axel Duffy who portrayed Jane and Zach respectively. Similarly, I adored the chemistry between Sebastian Li, who played Cooper and Carly Jaz, who played Sandra. I was hook, line and sinker for every moment of their storyline. With the exception of the musical number ‘Zachiarah Nicholson’, the songs between these two characters won my heart over every time.

The staging was great. The back wall of the school gym was riddled with graffiti and secret silly details, and my friend and I spent each moment before the lights went down and as the lights came out pointing out to each other and giggling. It was a really well-executed use of space, immersive and simple, with essentially the only key props being a bench seat and the cones the characters had to run between.

There were a few aspects of Jane’s storyline I wanted slightly more from. For me, she was the character who had the least backstory, and her motivation felt a little one note. Sara Reed performed as Jane fantastically; however, with so much of the dialogue in the show putting her down for being a girl, with that simple term being used as an insult, I wanted more rage from her character. It’s clear she wants to beat Zach to prove to herself that she can, but I almost feel like there was further possibility for comedy in pushing that motivation further and tying it into the playground misogyny that is consistently thrown her way.

The Beep Test is an undeniably charming comedy musical bursting with passion, heart and consistent laughs.

To book tickets to The Beep Test, please visit https://www.theatreworks.org.au/2025/the-beep-test.

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