Snowflake

Snowflake

Snowflake Rating

★★★★★

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As the festive season approaches, our thoughts inevitably turn to Christmas and family. But alongside the excitement of celebrations, there is often another, less comfortable side to the season: family tensions, unresolved arguments, estranged relatives, and for some, perhaps a painful question of whether there is anyone to share it with at all.

This is precisely why 'Snowflake' feels so perfectly timed. A beautifully observed, emotionally charged play, it explores the complicated, messy and deeply human relationships that Christmas has a way of bringing to the surface.

At its heart is Andy, a lonely father desperate to reconnect with his estranged daughter. But this is far more than a story about a father and daughter trying to make peace. Written by Laurence Olivier Award-winning and BAFTA-nominated playwright Mike Bartlett (King Charles III, Doctor Foster), this critically acclaimed festive production delves into the emotions we often struggle to express: the unconditional love we have for our children and parents, the judgements we make, the acceptance we sometimes withhold, and the longing to repair relationships that have been broken – often with responsibility lying on both sides.

And be warned: this is a real tearjerker. I cried twice! More importantly, I left the theatre thinking differently about how I approach family disagreements and the importance of listening to the people we love.

James Lugton, as Andy, is absolutely brilliant. His portrayal of a father desperately seeking reconciliation is extraordinarily moving. We see a man carrying years of unspoken emotions, struggling to find the words to express his love, regret and longing.

Claudia Elbourne, as Maya, is equally compelling. She plays a gentle, reserved young woman who eventually finds the courage to confront her father. For Maya, this meeting is not simply about revisiting the past; it is about recognising that she cannot continue carrying the weight of their unresolved relationship.

Lilian Alejandra Valverde, playing Maya's girlfriend, is another wonderful presence. Strong, intelligent and compassionate, she provides a steady source of support as Maya navigates this emotionally difficult encounter. Her character brings warmth and balance to the story, reminding us how important it is to stand beside the people we love when they are facing their own family struggles.

 

The stage design plays almost a fourth character. It is not simply an attractive Christmas setting; it becomes an essential part of the storytelling.

The meeting takes place in a hall Andy has rented for the evening. Since the death of his wife, Andy has been unable to celebrate Christmas. The season has become a painful reminder of his loss. Yet, in an attempt to make peace with Maya and show her how much she means to him, he decides to recreate the Christmas atmosphere of happier times.

Andy is not merely decorating a room; he is trying to recreate a shared memory, to bring back a little of the happiness they once knew and to show his daughter that he is ready to open his heart.

The falling snowflakes are particularly evocative. They add a sense of tenderness and magic to the production, almost reflecting Andy's wish to soften the distance between them. Against this beautiful Christmas backdrop, the emotional weight of their conversation becomes even more powerful.

One particular line from Maya stayed with me long after the performance:

"Just listen to me."

Such a simple request, yet one that carries enormous emotional weight.

It made me reflect on how often we allow our own opinions, frustrations and desire to be right to get in the way of truly hearing the people we love. How frequently do family disagreements become battles in which everyone wants to defend their position, but nobody is willing to stop and listen?

'Snowflake' gently challenges us to reconsider this behaviour. Perhaps reconciliation does not always begin with an apology or an explanation. Perhaps it begins with something much simpler: giving someone the space to speak without interrupting, judging or immediately defending ourselves.

To listen, not to offer advice, not to argue, not to prove a point, but simply to understand.

And perhaps, just as importantly, to accept that we can love someone deeply while disagreeing with their choices, opinions or way of seeing the world.

As Christmas approaches, when family expectations and old tensions can become particularly difficult to navigate, this play feels especially relevant.

A wonderful piece of theatre – and perhaps one of the most meaningful Christmas gifts you can give yourself this season.

To book tickets to Snowflake, please visit https://www.ensemble.com.au/shows/snowflake/.

Photographer: Prudence Upton

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This Still Deserves To Win Best Play And Best Actor Of The Sydney Fringe!!

The Man

The Man Rating

★★★★★

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The Man by James Graham
Old Fitz Hotel Theatre
Second run for Sydney Fringe Festival

It was an utter joy to a return viewing of this glorious play and masterful performance by Mike Howlett.

This is a much better space than better space than Lane Cove – Pottery Lane Performance Space, even with the remanence of set from the other play that’s showing in the same space, at the moment.

I would urge people from Griffin Theatre Company, Belvoir Street Theatre and Sydney Theatre Company to come and see this joyous work and make talks for it to be produced by them. This would also tour extremely well, so Arts on Tour should see this as well or any other funding/touring body out there.

Ben is an earnest, not so confident, neurodivergent, warm, funny and often lonely character who takes us on a journey through the challenges of doing his first ever tax return as a sole trader. The UK tax system is quite different to ours and follows many annoying British bureaucratic systems that don’t make sense, even when you’ve done it many times. Imagine how Ben feels. Through each receipt, that is given out to the audience on the way in, he tells the story of what they were from, what happened at the purchase and why they are important. We get reflection of a year in the life of Ben and what a year he had. No performance is the same as the order of collecting can to which audience member can never be planned. Which is why returning to the show was a joyful experience and felt like seeing a fresh show.

 

This performance was a lot more emotional than the last one that I saw in the first run in Lane Cove. Perhaps it was the order of the receipts or the weight of a sold out opening night in a more central venue. Mike Howlett is a master at naturalistic acting and storytelling and I still believe he deserves to win every single theatre award for his performance.

Claudia Leon is utterly charming as the voice of Lisa, who is Ben’s tax hotline operator.

I take my hat off to the creative team for uplifting this work and getting another run in. I hope it’s the start of many more to come. A little more light on the stage, particularly downstage right would be beneficial to not lose moments of Mike’s masterful performance.

I hope for the cast and creative team that this is a completely sold out run. I definitely plan on returning to see it again.

Run, don’t walk, to the Old Fitz Theatre to see The Man before the run ends on October 2nd!

To book tickets to The Man, please visit https://www.oldfitztheatre.com.au/the-man.

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And The Winner Of Best Show For The Sydney Fringe Is...

The Man

The Man Rating

★★★★★

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This was a masterclass in naturalist acting and storytelling. Mike Howlett deserves to win every single award possible for his performance in this beautiful show. The show deserves to be sold out every single night and in a much better performance space.

Producers who HAVE MONEY need to take this somewhere bigger!! Please go see this show!!!

The description of the plot of the show doesn’t really sound too appealing. The title of the show, without context, makes you think you’re going to see a show about something to with manosphere - yuk. Please look beyond that.

It starts as a quirky interactive comedy about a meek and mannered guy but by the end you’ll have laughed, cried and been changed for the experience.

“Tax makes Ben anxious. As a sole trader, he’s been hoarding receipts all year. Now, he must go through them all and the audience are going to help.

Every receipt tells a story, every audience member gets a receipt (the first three rows). Audience members will be called on at random to produce a receipt, and the performer will deliver the corresponding monologue. Every performance is totally unique, with the order of scenes changing every night.”

I didn’t think a show about doing one’s tax return would so poignant. With every transaction evoking the good times and the bad memories of things gone wrong, gone right, journeys taken, relationships that have begun and ended. Prompted by frequent calls to the Inland Revenue helpline. There are humiliations, successes and tragedies of the last twelve months, stitching together his memories of the last financial year.

 

The story of his twin packs a particular punch. I don’t want to give any spoilers on that.

The character of Ben is clearly neurodivergent in the best way. There is a spark that he starts to realise the powers he has with his particular brand of neurodivergence. I don’t know if this was the playwright’s or lead actor’s plan, but it hits you right in the face in a wonderful way.

I was not in the first three rows, so I did not receive one of the receipts but this device of giving the receipts to audience members is genius. Due to the randomness of which ones come up, it really brings you straight into the moment. This must have been a challenge in rehearsals. I’m sure there are certain plot points to jump back too but each section/monologue would have been like its own separate play to learn. This was masterfully taken care of by Howlett. From the moment he stepped on stage you knew you were in safe hands, and we would have gone anywhere with him.

I would like to give a shout out to the costume and set designer/s. The contrast of the stark set with the magic pop of colour of Howlett’s costume worked perfectly together.

Jo Bradley doesn’t try to heavy handle anything in this production, which to me means they have done their job as a director perfectly.

James Graham has won a ton of awards for his writing for stage and screen. “The Man” is another great example of beautiful work and captivating and very individual point of view.

Handy tip for theatre goers - There is very little parking near the theatre, and it isn’t the easiest place to find if you don’t know the area. You go to the basement of the community centre and there is the performance space.

Run, don’t walk, to Lane Cove – Pottery Lane Performance Space before it closes on Sunday!!!!

To book tickets to The Man, please visit https://sydneyfringe.com/events/the-man/.

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