Ethnically Ambiguous

Ethnically Ambiguous

Ethnically Ambiguous Rating

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Ethnically Ambiguous is a silly and heartfelt comedy that explores three actors disappointing experiences as culturally diverse individuals in a shallow industry. Max Nunes-Cesar, Jo Malta and Zac Rose created and performed Ethnically Ambiguous as an exploration and presentation of their upsetting experiences as actors. This show contained a skit like format, moving between storytelling, faux game shows, musical numbers, and heartfelt monologues. This show also broke the fourth wall in frequently funny ways.

Ethnically Ambiguous contained a plethora of clever self-referential jokes and audience participation. The most powerful audience participation is the game of ‘guess the ethnicity’ with a wheel of origin as a practical gag. This worked well in combination with the actors and creators, it had an immediate and powerful impact on the audience. This skit was a clear and powerful moment of the actors creating tension, and using themselves and their experiences to cut the tension and connect with the audience.

The actors felt authentic, which makes sense given their roles as creators of the show, sharing their own experiences of the world. In particular, Zac Rose stood out as a powerful story teller, conveying his experiences and personal narrative in a touching and meaningful way. Rose was able to explore his ongoing feelings of shame and guilt, accepting that his ancestors were discriminated against because of the colour of their skin, and acknowledging that he carries the trauma of those experience, with the understanding that no one can see it, and he doesn’t experience it himself (due to his white passing presentation). Rose is told by his friends that “you choose what defines you,” as he decides to reclaim his sense of self, and falls into a space of acceptance.

 

 

The show’s theme of disconnection of perception and sense of self was well established and maintained. However, the show at times lacked direction and focus, with skits between the characters stagnating the pacing of the show. There were moments of the show that felt non-sensical. A sharp and clear perspective was missing at times, which meant the impetus of the show fell flat. As a result, the long-lasting impact of the show might not be as clear as the creators intended.

Acting is a visual and audible job, how you look and sound impacts how you are perceived, and although Nunes-Cesar, Malta and Rose don’t state it, to me it felt that it important to recognise and accept that there are things you cannot change, like the colour of your skin. This show reminded me that one’s sense of self, confidence, and acceptance of self should be tied to who you are, rather than the success you find in your career.

Ultimately, I came out of this show with the knowledge that pursuing a career in acting is risky, idealistic and irrational, and I’m glad Nunes-Cesar, Malta, and Rose are doing it.

To book tickets to Ethnically Ambiguous, please visit https://www.melbournefringe.com.au/whats-on/events/ethnically-ambiguous.

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Shirley Valentine Starring Natalie Bassingthwaighte Opens Next Week In Sydney

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The joyous, life affirming comedy Shirley Valentine, starring leading lady of stage and screen Natalie Bassingthwaighte, opens in Sydney next week. Playing at Theatre Royal Sydney for one week only from 22-26 October, Natalie as Shirley Valentine has captivated audiences and critics alike, bringing Willy Russell’s iconic, heartwarming story to vibrant new life.

This beloved one-woman play tells the inspiring and hilarious story of Shirley, a middle-aged, working class Liverpool housewife stuck in a life of routine. Talking to her kitchen wall, she dreams of escape and wonders what happened to the adventurous girl she once was. When a friend invites her on a spontaneous holiday to Greece, Shirley takes a bold leap into the unknown. With humour, charm and grit, she rediscovers her passion for life and her sense of self. Will she return to her old ways, or will Shirley find a new life where she can finally be her true self?

Shirley Valentine is brought to life by acclaimed actress Natalie Bassingthwaighte. Known for her incredible versatility spanning film (Elvis), television (Neighbours, Underbelly, X-Factor) and stage (Chicago, Jagged Little Pill), Natalie’s portrayal promises to deliver a fresh, dynamic take on Shirley’s journey, capturing every laugh, tear and moment of courage.

Audiences and critics raved about the play and Bassingthwaighte’s performance in Melbourne and Adelaide:
“An impressive and endearing performance that had the audience on its feet” – The Age
“Deliciously funny, poignantly moving, inspiringly uplifting” – Simon Parris, Man in Chair
“⭐⭐⭐⭐⭐Grab your girlfriends and make a night of it. You’ll leave the theatre laughing, inspired and maybe even planning your own adventure” – MelbourniseMe
“⭐⭐⭐⭐⭐ An exceptional play, performed by an exceptional actor” – Impulse Gamer
“Absolute gold. Don’t miss this stunning production” – Thescoop.au
“Bassingthwaighte truly captivated with her superb portrayal. A phenomenal one-woman performance” – Thescoop.au
“Genuinely moving” – Limelight

www.shirleyvalentine.com.au

SYDNEY SEASON
Venue: Theatre Royal Sydney
Season: 22-26 October (one week only)
Performance Times: Wed & Thurs 2pm and 7pm, Fri & Sat 7:30pm, Sat 2pm, Sun 1pm
Prices: From $59.00 (Transaction fees apply)

BRISBANE SEASON
Venue: Twelfth Night Theatre, Bowen Hills
Season: 29 October– 8 November
Performance Times: Wed & Thurs 2pm and 7pm, Fri & Sat 7:30pm, Sat 2pm, Sunday 3pm
Prices: From $59 (Transaction fees apply)

 

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Hilarious Musical Comedy hits WA: Urinetown, The Musical on Stage This November

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Western Sky Projects returns to Perth’s Liberty Theatre this November with something wildly different – Urinetown, The Musical, a riotous Tony Award-winning satire that’s equal parts bold, hilarious, and just a little bit unhinged.

From the team that brought Perth audiences last year’s acclaimed production of She Loves Me, Western Sky’s brand-new production of Urinetown, The Musical brings together 18 powerhouse WA performers, a live 5-piece band, and a story that flushes conventional musicals down the drain.

Running at the Liberty Theatre in Perth from 7–15 November, Urinetown, The Musical is a fast-paced black comedy set in a town gripped by a catastrophic water shortage. As amenities dry up, even the most basic human rights are privatised – including the right to pee.

When one man leads a rebellion against the corporate-controlled toilets, chaos ensues in this anarchic and hilariously self-aware satire. Expect big voices, big laughs, and more than a few revolutions.

Written by Greg Kotis (book and lyrics) and Mark Hollmann (music and lyrics), Urinetown ran for over 960 performances on Broadway, and won three Tony Awards including Best Book and Best Original Score. Known for its razor-sharp wit, bold political commentary, and gleeful subversion of musical theatre tropes, the show has since been staged in over 30 countries worldwide.

Directed by Andrew Baker, with musical direction by Taui Pinker, choreography by Tess Howieson, set & costume design by Rhi Walker and lighting by Tess Reuvers, Urinetown continues Western Sky Projects’ mission to present ambitious, artist-led productions made right here in Western Australia.

Tickets are now on sale at www.trybooking.com/DBHAY

Audiences can choose between two ticket types:

Executive Tickets: Premium seating and a complimentary drink — perfect for those who prefer to and watch in style.

Rebel Tickets: General admission for the bold and brave.

Urinetown, The Musical
Liberty Theatre, Perth
7–15 November 2025
Evenings at 7.30pm | Saturday matinee at 2pm

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Checked Out: The Musical

Checked Out: The Musical

Checked Out: The Musical Rating

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Checked Out: The Musical – A musical comedy about the mundane lives of supermarket workers in a cost of living crisis.

Check in, deal with angry customers. Check out, repeat again tomorrow. Connell and Lee, the team behind GRAA-nominated musical ‘A Zoom Group Project’ have joined forces again to create this brand-new supermarket musical comedy premiering at Melbourne Fringe 2025. This time they are using their years of retail experience as creative fuel because nothing makes a story sing like hating your job does. In ‘Checked Out: The Musical’ a group of employees are sick of their mundane lives working for big supermarket chain Woles, who still pay them minimum wage despite its recent record profits. What’s the manager’s solution to staff complaints? Throwing a party to celebrate the company’s profits and making attendance mandatory of course!

As I watched this cast of comrades band together to unite against the epitome of capitalism: their workplace, I laughed, laughed and laughed again.

This show deserves the highest accolades and surely it is set to win some of the current Melbourne Fringe Festival awards. The entire audience would agree going by their laughter and cheering. I don’t think there was ever someone not laughing throughout 90% of the show – there are a few serious moments (not!).

 

 

It is simply put together on stage with boxes coloured in like supermarket aisles, something a little like an advanced kinder project so you’re wondering what’s going to go on here… then one by one starting their day in the store enter 5 very different staff members … mops with eyes as fierce customers, register and clock on-off beeps, announcement microphones and the big ‘boss’ guy up the top over the loud speaker of course (we don’t get to see him, but he’s equally as talented as the rest of the cast).

‘Price gouging’ clap along was the best! Finger puppets not dissimilar to ones we all frequently recognise instantly, the team of ‘Woles’ in their blue aprons, Bridget, Jasmine, Taylor, Seb and Jack hit every silly, funny but scarily true to life topic we experience in shopping today and working in retail spot on!

I am personally constantly complaining of how much milk and bread and a few fruit and veg will set me back. These guys take it to the next level, but when I thought about it, it’s not next level, these prices are reality!

Their 10cent per hour pay rise is also reality, and they have to fight for it!

Swapping out ‘Clean Up’ for ‘Love in Aisle 9’ may be the only highlight of a day otherwise full of being scolded by customers, bossy bosses and trying to keep to an impossible down-to-the second time schedule. Of course, don’t take your break early and certainly don’t be 17 seconds over returning to your duties!

Will Jack be able to play his songs at the MCG? Will Jasmine continue to be excited as the newest employee? Will Seb get to take his long service leave in Vietnam? Will Taylor ever do up her apron and will supervisor Bridget finally get to head up the company, or will she decide to band with her team?

The beaming smiles and genuine love for what they do on stage giving it their all, these talented bright bubby actors and actresses totally nailed this plot and I can’t wait to see what they do next!

Hopefully major media will go along and see this show, I could see it tour!

Enjoy!!

Ticket Link: https://www.melbournefringe.com.au/whats-on/events/checked-out-the-musical

Playing 8 – 12 October 2025

Well organised ticketing and access, lots of volunteers helping to get you into the right area – the Fringe Festival is fantastic with so much to choose from, but definitely DON’T MISS this one ‘CHECKED OUT – THE MUSCAL!’

WRITTEN BY
Josh Connell and Steph Lee
LIGHTING DESIGN
Tom Vulcan
DIRECTED BY
Steph Lee
CAST
Anita Mei La Terra
Oscar O’Brien
Jackson Cross
An Dang
Shanu Sobti

Venue: Solidarity Hall at Festival Hub: Trades Hall, Cnr Lygon & Victoria Sts, Carlton

EVENT WARNING
Contains strobe lighting, Mild coarse language
CONTENT WARNING
Misogyny, Sexual References

To book tickets to Checked Out: The Musical, please visit https://www.melbournefringe.com.au/whats-on/events/checked-out-the-musical.

Photographer: Leo Cherry

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