Last Two Weeks At The Foundry Theatre For Putting It Together

Feature-Putting It Together

The dazzling celebration of Stephen Sondheim’s greatest work, Putting It Together, has only two more weeks to play at Sydney’s Foundry Theatre. This wonderful show, which garnered four and five stars from critics and huge acclaim from audiences, must close on 15 February. Set at a glamorous cocktail party, the show blends wit, charm and razor-sharp insight as the cast navigate the complexities of love, ambition and desire.

Featuring a seamless revue of Sondheim’s most iconic songs, audiences are taken on a journey through the genius of one of musical theatre’s most influential composers and lyricists, all wrapped within a clever and intimate story set at an all-night, black tie party.

★★★★ “For charm and sophistication this superb show can’t be beaten” – Sydney Morning Herald
★★★★ “Superbly staged and performed” – Limelight
★★★★★ “musically spectacular” – Stagenoise
“Do not miss this!” Broadway World
“A once-in-a-lifetime ensemble, and the performances are genuinely extraordinary” – Sydney Travel Guide

This once-in-a-lifetime event brings together some of Australia’s finest performers – Caroline O’Connor (Chicago, Gypsy, Sweeney Todd), Michael Cormick (The Phantom of the Opera, Beauty & the Beast), Bert LaBonté (Moulin Rouge! The Musical, The Book of Mormon), Nigel Huckle (Miss Saigon, West Side Story) and Stefanie Caccamo (Into The Woods, The Lord of the Rings) – alongside Australia’s finest creative team.

Putting It Together was first performed in Oxford, UK in 1992, directed by Julia McKenzie and produced by Cameron Mackintosh, with a cast led by Diana Rigg and Clive Carter. The original US production in 1993 by the Manhattan Theatre Club featured Christopher Durang, Rachel York and Dame Julie Andrews, making her return to the New York City stage after an absence of more than 30 years. The Broadway production in 1999 starred Carol Burnett, George Hearn, Ruthie Henshall, John Barrowman and Bronson Pinchot. Hearn was nominated for the Tony Award for Best Actor in a Musical. The revue received its West End premiere in 2014 featuring Janie Dee, David Bedella, Damian Humbley, Caroline Sheen and Daniel Crossley.

Don’t miss this extraordinary, once-in-a-lifetime musical event.

www.foundrytheatre.com.au/putting-it-together

PUTTING IT TOGETHER
Words and Music by Stephen Sondheim
Devised by Stephen Sondheim and Julia McKenzie
Starring Caroline O’Connor, Michael Cormick, Bert LaBonté, Nigel Huckle, Stefanie Caccamo

SEASON DETAILS
Venue: Foundry Theatre, Pirrama Road, Pyrmont
Season: To 15 February
Performance Times: Tue-Thurs 7pm, Fri-Sat 7:30pm, Matinees Wed 1pm, Sat 2pm, Sun 1pm & 6pm (performance times vary each week)
Prices: From $69.00 (Transaction fees apply)
Bookings: ticketmaster.com.au or 136 100

 

Spread the word on your favourite platform!

Funeral – King IV at Midsumma 2026

Funeral

Funeral Rating

Click if you liked this article

2

FUNERAL
KING IV
Thursday, 29th January, 2026

Inspired by the words; “It’s time to lay your old self to rest — and be reborn as the ultimate version of yourself, as you were always meant to be. This is your ending. This is your beginning. This is FUNERAL”, I ventured over to Howler in Brunswick on 29/1/26 to see ‘Funeral’, a “live music performance from dark, electronic, alt-pop phenomenon, KING IV.” (Pronounced I-V-Y.)

‘Funeral’ is the live performance of KING IV’s dance-pop album, ‘Psychopomp: the other side.’ Melbourne artist, Cheyenne Harper, is professionally known as King IV, who imagines herself as a conduit between two worlds, which provides her – and in turn, us – with a feeling of freedom and power.

The MIDSUMMA festival program is made up of diverse art forms and genres, so I knew ‘Funeral’ by King IV would be far from vanilla. I certainly got more than I expected – as I’m sure crowds discovered from King IV’s past gigs at Beyond the Valley, Melbourne Music Week and previous live and large events.

All songs are originals, written and composed by Harper and backed by a visual feast of cinematic projections and dark choreography, to live and synth-ed music. Don’t fear or judge the synthesizer. These songs are truthful and from the soul. There is a rawness and honesty thrown artistically and boldly in-your-face, and each track leaves you wanting more.

Beginning with a video wall as wide as the stage and evocative words conveying her “red being” crossing to the other side, we meet a sensual King IV with her 2023 single, ‘See you later’, a song about seeking pleasure and letting the light of passion free one from darkness.

King IV told Australian Music Scene in 2022 the song “…poured out of her after a night out clubbing and being love-bombed by the person she was out with.” When writing ‘See you later’, she was also influenced by psychotherapist, Carl Jung, and his quotes on passion, including, “…they must be on fire even if they make a fool of themselves…”

 

 

‘See you later’, is both erotic and clubby so, everyone at Howler moved towards the stage where we could be closer to even more surreal imagery from this extraordinary artist and her voice-over, asking;

“Did you become the forest? Or the space between the stars?
The wind crossed through the valley, or the harsh and ancient jars?
I reach for you in the wind…. in earth, in flame, in sea.
Whatever form you’ve taken, please leave a space for me.
Tell me if you’re alright, even if you’re not.
Even if you’re gone now. Is your soul forever lost?
Welcome to the cosmos and floating on the stars.
A break inside the universe. You’re always in my heart.”

She has taken us to the Afterlife. It’s something we’ve all considered, especially after profound loss.

King IV, as her “red being”, then returns with a plethora of pumping poetry.

A funky kick-beat of a song, ‘Wicked’, was one of my favourites.
“We can cross the seasons. We can reach the stars.”
I resonated with her “wicked witchy woman” story.

Next, ‘Night and Day’ with IV singing inside a red-lit coffin, standing centre stage. Loved the electric guitar riff on this one.
“I like it when you taste it. I do. I do. I like it when we’re naked. I do. I do.”

‘Murder’ mixed ethereal vocals and electronic layers.

‘Psychopomp’ was a stand-out.
“I’m a fire-breathing dragon. Always ready for some action.”

Ultra-talented Pat Gabriel, composer and musical director – @pattyboomba – plays the keyboard, the strings and other recorded pieces throughout the whole show and, it’s obvious to everyone he loves what he’s doing. Heavy on the bass, he interprets his talents within King IV’s compositions.

The Funeral dancers are fit and fast with dynamic and demonic moves, framing King IV fabulously along this unique journey she’s created for us.

‘Psychopomp; the other side’ is an excellent electronic, dance compilation, moody and theatrical, exploring hedonistic lifestyle, personal transformation and pushing each of us to claim our own unique identity.
“To truly transform, you must let the old self die – and trust that something greater is waiting to be born.”

Words of wisdom to live by as we venture into 2026.

Purchase King IV’s ‘Psychopomp: the other side’ album from Bandcamp, an online site that directly support the artists who make music.

@kingivsound

To book tickets to Funeral, please visit https://www.midsumma.org.au/whats-on/events/funeral-king-iv/.

Spread the word on your favourite platform!

A Very Naughty Christmas: An Irreverent, Rude and Slightly Nude Cabaret

A Very Naughty Christmas

A Very Naughty Christmas Rating

Click if you liked this article

The Twelfth Night Theatre in Bowen Hills is packed out for A Very Naughty Christmas, an evening of festive filth and perfect end-of-year leer, courtesy of Woodward Productions. Billed as Australia’s longest running adults-only Christmas show, mixing stand-up, sketches, powerhouse vocals and dancing you don’t want you Mum to see, AVNC prides itself as a loud, proud and gloriously unholy comedy-concert-cabaret mashup, and a must see for merry mischief.

The concept is clever and perennially popular, now entering its 9th year of production; AVNC parodies favourite Christmas numbers, borrowing musically from popular culture while also comically satirizing more topical and serious issues; Because Santa is a foreigner with a beard and headdress, he may need to be detained at Christmas Island this festive season in “Santa Won’t Be Welcome Here”. “The Snowflakes are Ruining Christmas” is another highlight, the ode of a Sky News Australia watching ‘Trad Dad’, bemoaning social progress and inclusivity to the detriment of his bigoted and entitled world views. There is also an enjoyable skit where an Olympic Games bid for the North Pole is mooted, before running into predictable (and somewhat familiar!) logistical concerns.

 

 

The standard and versatility of the Cast is very high, each singing and dancing and many taking on distinct characters; They all blend beautifully together with dynamic chemistry and charisma. Highlights include Steve Hirst as Santa, bringing cheeky cheer and everyman likability, even though we are in the end slightly concerned for Santa’s missing sack! Sam Ward is perhaps my favourite individual vocalist, with a smooth jazzy croon and striking presence on stage, while the female singing trio (I believe they were Nina Carcione, Olivia Horne and Aurélie Roque) harmonised beautifully and looked just as great. Lara Trevor stood out among the dancers, with mesmerising rhythm and remarkable flexibility, with Anthony Craig, Lachlan Greenland and Croft Phillips commendably completing the talented Cast.

The Live Band are another first-rate feature, effortlessly elevating the atmosphere and tone of the evening.

So much work goes into this type of a show, and enormous credit is due to the entire team of creatives, led by Director/Choreographer Daniel Venz, with special mention also to the work of Skit Writer and Composer of Original Songs, Matt Semple. Great comedy is easy to watch but very hard to create; Judging by the opening night crowd’s response, AVNC delivers like Santa Claus on Christmas eve. The show is as full of surprises as it is double entendre, and the Cast are equal parts fearless and shameless. As the name suggests, this isn’t A Slightly Naughty Christmas; But if you are prone to blushes, don’t worry – red is a very festive hue. AVNC is an irreverent, rude and slightly nude cabaret- that promises tremendous fun.

To book tickets to A Very Naughty Christmas , please visit https://twelfthnight.com.au/.

Spread the word on your favourite platform!

Blanc de Blanc Encore

Blanc de Blanc Encore (World Champagne Day)

Blanc de Blanc Encore (World Champagne Day) Rating

Click if you liked this article

4

Blanc De Blanc Encore is a cheeky cabaret-cirque fusion that contains more fizz than the champagne it’s themed around. Masterfully weaving elements of comedy, cirque, dance, cabaret and singing; it’s a titillating time. Furthermore, the West End Electrique feels like the perfect venue allowing for action in, on, amongst and over the audience proving to never allow a dull moment. The interactivity between the performers and audience provides an experience that will be ever changing with each show, making it feel fresh and unpredictable. An all-star cast also elevates this performance to be a next-level experience.

Dylan Ingwersen and Eric Allen enthrall the audience, be it through their comedy or the anxiety of knowing no-one is safe from their crowd work. Ingwersen does a great job embodying his outrageous French character, and has an almost sweet chemistry with Allen. Allen is no-joke, flexing his muscles in skillful work on a static pole as well as for some fun bits that play with physicality and sound recordings. The entire cast show great skill in group dance numbers, most with a fun champagne flair or mischievous twist. Abi Wells uses her talent to mesmerise us with great fluidity and control throughout her dance numbers, showcasing her temptress abilities. Brett Rosengreen is equally as established, showcasing a diverse dance skillset from thigh-high heels to isolations to feather fans. Rosengreen had great on-stage presence, constantly flirting with the audience.

 

 

Ruby McQueen makes a great addition to the dance team, but really proves herself in her aerial number. McQueen shows confidence and makes her technical movements through the air look effortless, all while remaining connected to the audience. Similarly, Maria Moncheva does expert work on the aerial chains, captivating attention skyward. Moncheva interestingly doesn’t emphasise the ‘danger’ or metallic clanking of the chains during her performance, which assists it to feel gentler and more high-class. Finally, Lily Bourne offers some vocal talent to the mix, with sassy powerful vocals that feel stylistically perfect for the show. She teases and at times bullies the audience all through song, showcasing her vocal range and character capabilities.

All the great talent on display really shines through thanks to adventurous and creative staging. Performers are often situated right amongst the audience, or doing numbers that include interaction such as a giant parachute being sent out over everyone. These interactive additions elevate this from a show to an experience that really includes everyone present. The choreography felt well suited, combining elements and style from more classical jazz with a contemporary flare. The lighting design created a heightened atmosphere, with fantastic use of backlighting to provide silhouettes at times, or spots to highlight performers situated throughout the venue. The content of the show was unique and didn’t feel contrived or dated; bringing an exciting modern feel to the classic tropes of cabaret. With the exception of two numbers, the pacing felt perfect throughout the show with well placed transitions driving us forward. Blanc De Blanc Encore is an exceptional, classy and playful experience that ensures every member of the audience will leave with a smile. Be sure to catch this one before February, when the fizz runs out and they leave the West End Electrique.

To book tickets to Blanc de Blanc Encore (World Champagne Day), please visit https://strutnfret.com/shows/blanc-de-blanc-west-end-electric/.

Spread the word on your favourite platform!