SLUGS: A Perfect Show About Nothing to Smooth-Brain You

Feature-SLUGS

Making a show about nothing sounds simple enough. For SKINT, it raised a few awkward questions about what we’re actually leaving at the door when we go out for a laugh. Ahead of SLUGS at Melbourne Fringe, the team talks puppets, plastic shirts and whether switching off is ever quite that straightforward.

About The Show – SLUGS

What is this show about?

It’s about nothing! Completely and utterly nothing! A perfect nothing of a show to smooth-brain you for one whole hour. An hour where no one has to think about anything political or existential or anxiety-inducing. What could possibly go wrong?

How would you describe this show to someone who has never seen anything like it before?

It’s part comedy, part techno-concert, part gross-out freak show, with puppets!

How did this show come together? What was the creative starting point?

For many years, we had been talking about making a band called SLUGS, or maybe a puppet band, or maybe a show with puppets and music and high energy comedy. We would often joke, while working on other shows, “oh well, that idea is far too much, but it’d be perfect for SLUGS” but had no real unifying idea for this supposed show. It was a bucket where we’d dump all those “too much” ideas. Then after we began touring the international Fringe circuit for a couple years, we began to notice a tendency present in many “comedy” shows (though by no means was it exclusive to this genre) – shows that asked us to leave the world at the door and be free and laugh for an hour. We felt (and feel) somewhat complicated feelings about this. We began to wonder what if we tried to make a true show about nothing. Could we? Should we? What makes something a “nothing”? What makes it a “something”? What would it reveal about the act of trying to not think about the political nature of our lives?

Creepy Boys

What is the element of the show that is hardest to explain but unmissable in person?

The sweat. We cannot reiterate enough how much this is a high energy show. We actively have to fuel ourselves with electrolytes after. Our plastic shirts will never smell clean, no matter how much we wash them.
That and the live feed camera puppets, they really transform the space in a surprising and delightfully simple way.

Who is this show for? Who is going to have the time of their life?

SLUGS is for everyone burnt out from scrolling, exhausted from headlines, and suspects their best days are behind them. It’s the perfect cocktail of genre-less chaos for that part of our mind that sees a killer meme and can’t decide whether to cry out of laughter or tears.

What is going to genuinely shock or delight people?

We think we look very cute in our plastic-blow-up-chairs-turned-cunty-tops and feel it is the perfect intersection of our desire to look cute and stupid.

What do you want the audience to feel in the final moment?

Joy! Laughter! A reprieve from despair! It has been an increasingly pessimistic few years and finding the energy and drive to keep going is hard. It’s brutal. It’s been on our Sluggie minds quite a lot.

Thanks to the SLUGS team for chatting with us. To book tickets to SLUGS, you can find session details and tickets on the Melbourne Fringe website.

Spread the word on your favourite platform!

Edinburgh’s Underground Hit About Nothing Slithers Into Melbourne Fringe

Feature-SLUGS

The critically acclaimed SLUGS, a breakout hit of the 2025 Edinburgh Festival Fringe from award-winning performance and comedy duo CREEPY BOYS, is coming to Melbourne. Created and first presented during Melbourne’s lockdown, the boys are back to perform the show live and in person at the Meat Market for Melbourne Fringe 2026.

“We CAN NOT express how excited we are to come back to Australia. We spent a year in Melbourne during the initial COVID-19 lockdown, and have such intense, albeit odd, memories of that year,” said the Creepy Boys. “Melbourne is really where we became not just two people dating, but partners, both in life and in art. We’ve said for years, it is our favourite city in the world and we can’t wait to be back.”

Part electro-punk concert, part play, part clown show, and part basement puppet nightmare, SLUGS is a technicolour acid trip. Created by real-life partners S.E. Grummett and Sam Kruger, it features puppet Joni Mitchell, a two-person horse and just about every body part they have. At its heart, SLUGS is two people trying to have a good time while the world burns. For sixty minutes, at least, we are free.

Nominated for Best Show at the 2025 Edinburgh Comedy Awards, SLUGS became an underground hit and earned universal praise with The Guardian calling it “brilliantly smart and beautifully stupid”. Bringing SLUGS to Melbourne has particular significance for the pair, who spent a year living here during the first COVID-19 lockdown, first in Brunswick and later in a “little apartment cube in the sky” in Moonee Ponds. It was an unusual introduction to the city, but one that transformed both their personal and creative lives. This time, thankfully, they get to experience Melbourne with an audience in the room. That relationship between performer and audience sits at the heart of SLUGS, a show designed to exist completely and unapologetically live.

Together as CREEPY BOYS, and through their respective solo works, Grummett and Kruger have toured Canada, the United States, United Kingdom, Europe and Australia, appearing at Edinburgh Fringe, Soho Theatre, Latitude Festival, SummerWorks, PuSh Festival, Prague Quadrennial, Midsumma Festival, Adelaide Fringe and Fringe World. Their work has also been featured on BBC Radio 4.

Now, after delivering one of Edinburgh’s most talked-about shows, CREEPY BOYS are coming home, creatively at least, to Melbourne. Produced by SKINT and presented for Melbourne Fringe Festival, CREEPY BOYS will present SLUGS at the Meat Market from 1 – 17 October at the Stables at The Meat Market. Tickets on sale now.

Expect music. Expect puppets. Expect clowning. Expect body parts. Just don’t expect them to tell you what SLUGS is about.

SLUGS
Created and performed by: CREEPY BOYS – S.E. Grummett & Sam Kruger
Presented by: Melbourne Fringe
Produced by: SKINT

PRAISE FOR CREEPY BOYS
Best Show Nominee – Edinburgh Comedy Awards 2025
“The underground hit of the 2025 Edinburgh Fringe” – The Telegraph
★★★★ The Guardian
★★★★ The Scotsman
★★★★ Chortle
★★★★★ ToDoList
★★★★★ Broadway Baby
★★★★ Financial Times
★★★★ The List
★★★★ The Skinny
★★★★ FestMag
★★★★★ NorthWestEnd UK
★★★★★ Get the Chance UK
★★★★ ‘A gleefully transgressive underground discovery’ – Financial Times

WINNER – Bragi Award, Summerhall Arts (Creepy Boys: SLUGS)
WINNER – Best Theatre at Adelaide Fringe (Something in the Water – S.E. Grummett)
WINNER – Just for Laughs Comedy Award (Fool Muun Komming! etc. etc. – Sam Kruger)

Spread the word on your favourite platform!

Monkey Baa wonders: “Where is the Green Sheep?”

Where is the Green Sheep?

Where is the Green Sheep? Rating

Click if you liked this article

1

Making brilliant live theatre for small children is tricky, but Monkey Baa make it look easy.

A review of “Where is the Green Sheep?” at The Coliseum Theatre, Rooty Hill.

Small children are the best audiences in the world but also toughest. They don’t clap politely. They don’t pretend to enjoy themselves if they’re not having fun. They will just get up and wander off if they are bored. There was no danger of that during Monkey Baa’s Where is the Green Sheep?

“Where is the Green Sheep?” is a beloved picture book, a modern classic created by Mem Fox and Judy Horacek.

So, how do you adapt a treasured children’s picture book into an immersive visual theatre experience?

You’ve got to think about the size of the stage and the size of your audience. The Coliseum is a very big stage, and the stalls were crowded with hundreds of tiny children, slightly bigger children, and their grown-ups. That means you’ve got to fill that space with wonders. Think big!

You’ve also got to work out how you’re going to make the audio work. Monkey Baa wisely decided not to mic up any of their performers. Each of the three performers got to focus on puppeteering, dancing, movement and miming. The audio throughout is a bouncy mix of sparkly original music and lines read aloud by children from Bankstown West Public School.

The stage is a lovely green field with round hills and a big arched screen in a hill for projected animations. Colourful props are carried or rolled on and off stage throughout the show.

The big projection screen is a mixed blessing. Sometimes the interaction of the screen and puppets works brilliantly, for example with animated splashes for water for the Bath Sheep.

 

 

But it was interesting to watch and listen to the reactions of the children in the audience. Their response switched dramatically between animations projected on the screen and live puppetry on the stage. An animated sheep flying across the screen was watched, like it was a movie in the cinema or an animated show on the TV or a phone. No interaction. Just consuming it like filmed media. The reaction to the real live puppet sheep and live performers was completely different. Happy shouts and interaction, clapping and giggling. The difference was obvious from my seat in the audience.

The animated projections added something beautiful when they enhanced the live puppetry. A live sheep puppet flying a kite on screen. The moon and starry night sky. Rain falling. The interior of the circus tent. This brought the scenery alive. But an animation of a sheep? It’s no longer alive and real.

This was most striking with the Near Sheep and the Far Sheep. The Near Sheep was fully projected on screen, duplicating the pages of the picture book, but with the book, when the Near Sheep fills the page, it does look like that sheep is near to the reader. On the big screen on stage that sheep became the Gigantic Sheep, scaling up bigger and bigger until it filled the whole screen, looming over the three performers like Sheep-zilla.

In comparison the simple effect of the Far Sheep being taken off stage by a puppeteer and up the aisles to the back of the audience in the stalls brought whoops of laughter and instant understanding. The Far Sheep was far away from the people on the stage.

The sheep puppets, made by Kay Yasugi, are fabulous. Big, soft and squishy with some sparkles in their wool that catch the light. The three performers, Ebony Tucker, Michael Ho and Paul Grabovac, are absolutely world class.

Highlights? The Bath Sheep, the Rain Sheep and the Far Sheep.

The simplicity of a performer blowing bubbles was met with a huge cheer of ‘bubbles!’ from everyone and the Bath Sheep, splashing and being dried with a towel had the audience in stitches.

The Rain Sheep is beautiful and colourful, dancing around a lamppost and opening an umbrella, in a woolly tribute to Gene Kelly in “Singing in the Rain.”

Knitted hats off to everyone at Monkey Baa, with special mentions to director and writer for the stage Eva Di Cesare, and puppetry director Kailah Cabanas.

Monkey Baa’s adaptation of “Where is the Green Sheep?” is an absolute delight that everyone will love.

Monkey Baa’s “Where is the Green Sheep?” is touring New South Wales, Tasmania and the ACT.
https://www.monkeybaa.com.au/shows/where-is-the-green-sheep

To book tickets to Where is the Green Sheep?, please visit http://www.monkeybaa.com.au/shows/where-is-the-green-sheep.

Photographer: Robert Catto

Spread the word on your favourite platform!

Where Is The Green Sheep? Comes To The West!!

Feature-Where is the Green Sheep?

Monkey Baa’s hit stage adaptation of the much-loved book comes to Western Sydney and the spectacular Coliseum in Rooty Hill in the July school holidays.

Monkey Baa Theatre Company has toured the show all over Australia with sell out performances wherever it has gone.
Now they are bringing Where is the Green Sheep? to families in Sydney’s West on Friday 17 and Saturday 18 July.

Where is the Green Sheep? is an immersive visual theatre experience based on the beloved book by Mem Fox & Judy Horacek, adapted for the stage and directed by Eva Di Cesare.

Audiences meet Blue Sheep who loves blue flowers and Red Sheep who cartwheels in the fields, Bath Sheep who loves bubbles and Bed Sheep who loves to bounce.

But where is that Green Sheep???

Directed and adapted by Monkey Baa’s Artistic Director Eva Di Cesare, and blending puppetry and animation, the production invites young audiences to join three farmers on a playful and surprising quest to find the elusive green sheep.

Co-created with students from Bankstown West Public School, the show integrates their voices as narrators so the world they know is reflected on stage.
As families think more about time online, many parents are seeking real-life moments that help young people feel present and connected. This production creates that space.
Young people sit with their families, watch characters appear in front of them, listen to real voices and respond in the moment. It offers an experience that cannot be replicated on a screen and creates shared memories that last.

And it’s coming to the West!

Judy Horacek, co-creator of the original book and member of the creative team, says:
“From the first tiny green sheep I drew years ago, to making the book with Mem with its beloved flock of quirky sheep, to me being part of the team bringing the book to the stage, has been an incredible experience. We’ve created a play that is very true to the book, but at the same time full of wonderful new surprises – it’s impossible not to adore it!”

Mem Fox, co-creator of the original book, says:
“Where is the Green Sheep? It’s travelling around Australia! This play is the crowning glory of its long and glorious career. It’s been loved by millions of children for over twenty years, but now I love it even more!”

Eva Di Cesare, writer, director and Artistic Director of Monkey Baa, says:
“So many young people know this book by heart. Seeing it come alive on stage lets families share a special moment together. It’s playful, full of big feelings and discovery – in the spirit of the original story.”

Richard Errington, CEO, West HQ, said:
“We’re delighted to welcome Where is the Green Sheep? to the Coliseum Theatre in partnership with Monkey Baa. This much-loved Australian story is a wonderful experience for young audiences and families in Western Sydney and we’re proud to present it on our stage.”

Where is the Green Sheep?
Friday 17 July at 10am
Coliseum Theatre, 33 Railway Street, Rooty Hill
Bookings and info: www.monkeybaa.com.au/shows/where-is-the-green-sheep

 

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.