The Chairs

The Chairs

The Chairs Rating

★★★★★

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The Chairs is a creative vaudeville, circus style play about an elderly couple, simply known as the Old Man and the Old Woman presented by The Melville Theatre Company and directed by Virginia Moore Price.

Written by Eugene Ionesco in the 1950s, it is quite an absurd tale in which the elderly couple reflect on their life over the 70 years they’ve been married. This indicated that they would be in their 90s. At the beginning I struggled to understand what was happening and their conversations seemed nonsensical. A sign of the deterioration of their memories and their minds.

The couple prepare to receive guests for a lecture of some sort which never eventuates and their guest of honour, the Orator. They frantically gather chairs for the guests and dump them onto the rotating floor in a comedic fashion. The guests, however, are invisible to the audience. Whether the old couple are imagining them or whether they are actually real to the couple, left me unsure.

The couple’s fragmented recollections and contradictory chronologies evoke signs of dementia. This is particularly evident when the Old Woman recalls having a son who died when he was a child and reflecting on the grief of losing a child but the Old Man recalls the couple not being able to have any children and instead reflecting on the grief of his mother’s death.

 

 

Although it is clear they both deeply care for each other, there are moments of regret and a sense now that their lives are very soon coming to an end. Throughout the play the Old Woman continuously reminds the Old Man how he could’ve been a head general or a head comedian much to both of their despair. The Orator Raven who whilst is visible to the audience throughout the entire play as he sits on the rotating floor, is only visible to the couple towards the end perhaps signifying death.

Ionesco gives plays into the delusional state of mind of the elderly couple by having them set in a circus ring with both dressed as clowns and the Old Man performing as a mime artist.

Zane Alexander and Solanje Burns deliver a phenomenal performance as the Old Man and Old Woman holding the attention of audience for the entire play without an interval. There were moments of interaction with the audience when they both tumble off the stage and weave themselves into the audience while they continue their nonsensical dialogue.

At the heart of The Chairs is two people longing to be seen and heard, trying to make sense of the lives they have lived.

To book tickets to The Chairs, please visit https://melvilletheatrecompany.au/current-production.

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The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters Rating

★★★★★

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WOW! Just WOW!

King Lear and his three daughters at Belvoir Street Theatre is an epic undertaking and an epic delivery on all fronts. Colin Friels plays the title character of King Lear, and commands the stage with his presence. The story revolves around an aging King Lear and his three daughters. He is dividing up his kingdom to his daughters and this is where the drama begins.

Filled with brutal murders and back stabbing and on stage blood spurts are a delight. The stage is bare but there is so much happening on stage with all parties conspiring against each other, that you barely notice.

There are live musicians scoring the play throughout, and the drums are especially unsettling.

With modern costuming you can picture this to be a family fighting over a will, or politicians fighting for power.

A special mention to the storm scene with the lighting will dazzle you.

The play has a run time of three hours and fifteen minutes with two fifteen minute intervals. You will need the intervals to process and discuss what you are witnessing.

 

 

I personally have a love hate relationship with Shakespeare but this was thoroughly enjoyable. Even if you have a mild love of Shakespeare I truly think this is a must see.

King Lear is a tragedy, but Peter Carroll as the Fool brings hilarity in every scene he is in. A truly unique and remarkable performance which will have you belly laughing throughout.

Tom Conroy as Edgar, delivers a nuanced performance which is sure to delight. His performance is truly heartbreaking.
Brandon McClelland as Kent, (King Lears most loyal companion) gave an unwavering depiction of loyalty and strength.

Special mention to Jana Zvedeniuk who plays Regan, one of King Lear’s daughters exerted a tremendous fierceness in the role. Adding believability with every line uttered.

This show is truly an ensemble piece and every piece fit. The acting was so strong that during the scenes in Dover, I was truly transported to the cliff face and they really brought the words to life. A very well done to all the actors, and backstage crew and Eamon Flacks direction was on point!

This is one of those plays that needs to be experienced to truly grasp the monumental undertaking of such a spectacle.
And dare I say that I think Mr Shakespeare would have enjoyed his play done in the way it was.

Highly recommend this show, as someone who struggles with Shakespeare I have been converted into a fan.

Well done again to all involved.

Run don’t walk to see this show.

To book tickets to The True History Of The Life And Death Of King Lear And His Three Daughters, please visit https://belvoir.com.au/productions/king-lear/.

Photographer: Brett Boardman

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A Fun Melodramatic Musical, Reminiscent of Rocky Horror

The Guy Who Didn't Like Musicals

The Guy Who Didn't Like Musicals Rating

★★★★★

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Written and originally performed by the production company ‘Starkid’, UoN Musos recreation did justice to the quirky and whacky storyline that puts the drama in melodrama, hitting the comedic beats despite, or because of, the chaos unfolding everywhere else.

When the cast and crew all enjoy the show as much as this one did, despite weeks of rehearsals and run-throughs, you know you are in for a treat. While putting on a fantastic show of lights, the techies were laughing along at the jokes, bopping to the sound track, and showing their passion in every movement they made, in tandem with the cast.

 

 

There were some minor tech issues that are common with the opening show - volume issues with lines being drowned out and microphones having a delay in being turned on - but in no way do I fault the crew as the Warners Bay Theatre is well-known to me as one with difficult tech to run.

As well, the cast were a phenomenon to witness, with all members bar two successfully performing multiple quick changes into a variety of characters, giving their all to each of the characters and their idiosyncrisies they played. Paired with a fabulous choreo, a show-stopping soundtrack, and singing voices as strong as the set design, this community show is one our local community can be proud of.

Performances until 23rd of November.

Warnings: Contains heavy use of strobe lights and fog machines, heavy swearing and sexual references. Contains death and gun sound effects.

To book tickets to The Guy Who Didn't Like Musicals, please visit https://www.trybooking.com/events/landing/1462312.

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Don't Panic! (It's Happened Before)

Don't Panic (It's Happened Before)

Don't Panic (It's Happened Before) Rating

★★★★★

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This one-man show is worth seeing purely for the energy and presence of Sam Bowden, its writer and star. The Old Fitz theatre space, downstairs from an excellent pub of the same name and consistently bold and ambitious in its programming, is a perfect fit for this rambling show. “Don’t Panic! (It’s Happened Before)” is closer to a three-drinks-deep conversation than traditional theatre piece, but holds the house’s attention (with both some risky commentary and excellent comedy) for the entire journey.

Bowden doesn’t leave the stage at any point, and in the opening fifteen minutes it feels miraculous that he can catch his breath. Even the premise is ambitious; we begin with the history of human kind and speed-run to the unknowable (and somehow predictable) future. His physicality elevates this show from being an unusual stand-up routine into something with more meat. At the highest velocity moments of the show there were sparks flying everywhere as a disheveled captain steered us through war, plague and queer detours at pace.

 

 

Any piece with brave hopes will inevitably not land every trick, and while Bowden acknowledges his euro/western-centric lens at the top, some of his more sweeping conclusions feel like they could be dismantled by the expansion of that lens. That said, the best answer or counter to this within the show is when he wisely and deftly brings the focus to a micro level, unpacking photos from his own life and vast complexities that run through our personal histories as well as our collective ones. There is a strong enough vein of compassion running through the show that any points of discomfort or disagreement from the audience with the confident tales of our life being shared on stage were brief, and not ruinous to the audience leaning in to all we were hearing rather than away.

There are genuine belly laughs and some persuasive insights amongst quips and the scattered apartment set complements the energy perfectly. The use of PowerPoints and whiteboards, scrunched up papers and marker-drawn horsemen of the apocalypse helps thread the varied directions of this show together. There is a core of hope here, despite all the violence and death forewarned in the beginning. Izzy Morrissey’s lighting design gives a crispness to both the staging and sections of the show, adding a theatricality that elevates it.

This is a well executed piece, full of heart. Both Sam Bowden’s performance and writing, and Artie Gallagher’s direction allow the humanity and humour to shine in a densely written one man show. It closes tonight and is worth a visit!

To book tickets to Don't Panic (It's Happened Before), please visit https://www.oldfitztheatre.com.au/dont-panic.

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