Theatre Royal Sydney Celebrates 50 Years

Feature-Theatre Royal Sydney Celebrates 50 Years

This year, Theatre Royal Sydney proudly marks the 50th anniversary of the current building on King Street, a milestone that honours a legacy of performance, architecture and community in the heart of the city.

The theatre opened in January 1976, designed by eminent architect Harry Seidler, and has since been a landmark cultural venue in Sydney.

Many leading Australian and international performers have graced the Theatre Royal Sydney stage, from Jacki Weaver and John Waters in the 1980 production of They’re Playing Our Song, to Reg Livermore and Russell Crowe starring in productions of The Rocky Horror Show in 1984 and 1987, respectively. Other artists to have trod the boards are Angela Lansbury and James Earl Jones in Driving Miss Daisy, Geraldine Turner and Nancye Hayes in Chicago, Ruth Cracknell, Warren Mitchell and Gordon Chater in The Dresser, Mel Gibson and Noni Hazlehurst in No Names .. No Pack Drill, Gwen Plumb and Amanda Muggleton in Steaming, and Todd McKenney, Georgie Parker and Sheila Bradley in Crazy For You.

The stage has housed some of the biggest musicals in the world, including the Australian Premiere of CATS in 1985 for a two-year season, and a three-year season from 1993 of The Phantom of the Opera starring the legendary Rob Guest, seen by over 1.5 million people, the longest running musical ever staged at Theatre Royal Sydney.

Tim McFarlane (Executive Chairman, Trafalgar Entertainment Asia-Pacific) said “Reaching the 50-year mark is a tremendous achievement and a testament to the vision, perseverance and creativity of everyone who has engaged with Theatre Royal Sydney. We stand on the shoulders of dramas, musicals and audiences which have walked through its doors. Our goal is to ensure this venue continues to thrive and deliver world-class performance for decades to come.

“As Theatre Royal Sydney enters its next 50 years, our focus remains on delivering the finest live performance – musicals, drama, dance, comedy and more – while honouring the heritage of the building and its place in Sydney’s cultural fabric. We invite audiences, artists, producers and partners to join us in celebrating this milestone year, to reflect on the past and to look ahead to new stories, new voices and new experiences that will define the next era of this iconic stage.”

One of Australia’s oldest theatrical institutions, originating in 1832, the current Theatre Royal Sydney was built in 1976 on the same site as the original theatre, designed by acclaimed architect Harry Seidler, offering a broad range of entertainment including dramas, comedy and musicals.

Under the stewardship of premium international live entertainment business Trafalgar Entertainment, co-founded by Sir Howard Panter and Dame Rosemary Squire, the historic theatre re-opened in 2021 after a major two-year redevelopment. This included new seating and staging in the auditorium, designed to an international standard to house world class productions from Australia and around the world. Trafalgar’s redesign of the theatre added one extra row of seats and increased the capacity to 1200. Importantly, under the new two-tiered design, no seat within the auditorium is more than 23 metres from the stage.

Since its reopening in 2021, Theatre Royal Sydney has played host to many incredible productions, including the Australian premieres of Jagged Little Pill, Girl From The North Country and National Theatre’s The Lehman Trilogy. For nine months, the theatre was home to TINA – The Tina Turner Musical which played 301 performances to over 300,000 audience members, marking an epic coup for the Sydney theatre scene.

2025 saw a number of thrilling productions take place at Theatre Royal Sydney including Bluey’s Big Play, the Australian premiere of the Tony and Grammy award-winning musical Hadestown, Agatha Christie’s And Then There Were None, the 40th anniversary production of CATS and the new Australian musical The Lovers.

2026 sees Pretty Woman: The Musical continuing its four-month residency followed by Cluedo in April, Steel Magnolias in May, the classic rock musical Hair in June, Fiddler on The Roof in August and SIX the Musical from October. Next month, Theatre Royal Sydney will also release an exclusive merchandise line to celebrate the anniversary.

 

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Beyond The Neck

Beyond The Neck

Beyond The Neck Rating

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None of the characters in Tom Holloway’s Beyond The Neck have names. This may seem like an odd choice for a play about the aftershocks of the 1996 Port Arthur massacre, given recent efforts in the USA to publicize the names of mass shooting victims, but not the perpetrators. A play about a subject that epitomizes ‘personal meets political’ makes a decision that could easily alienate us from its characters. Theatre Works’ production (directed by Suzanne Chaundy) feeds into this alienation with a bare set of four chairs and a painting of Port Arthur, and actors who seem aware that they are telling a story, speaking out to us more than each other. It’s a little Brechtian, quite funny in some parts and very dark in others.

And yet, the connection was palpable, the audience always laughing, sighing and silent when intended. The Old Man (Francis Greenslade), The Young Mother (Emmaline Carroll Southwell), The Boy (Freddy Colyer) and The Teenager (Cassidy Dun) have such specific backstories and distinct voices, but they also become archetypes of the people who were there when the shooting happened, and who are in the audience now. Some of the characters don’t have direct connections to the massacre but simply being at the site forces them to confront other traumas that have plagued their lives. This is despite the strange façade that the first half of the play is built around: a tour of Port Arthur in which the massacre is never mentioned. When that façade breaks down and our characters are plunged to their lowest points, it is truly heartbreaking.

 

 

With the sparse and static staging, this iteration of Beyond The Neck lives and dies on the strength of its actors, and they more than pull their weight. Putting the focus on them was a very smart directorial decision because their work as an ensemble is meticulous and enrapturing. Four characters telling four stories at once could be confusing in the wrong hands, but there’s an almost magical direction of the audience’s attention in every actor’s use of gesture and voice. We always know whose story we’re in and what their character is like, and when the fourth wall goes up and the characters start interacting with each other properly and being honest about their stories, it feels well earned. The Young Mother did get somewhat lost in the shuffle, but I think that has more to do with the pacing of the writing than this specific production – it would have been nice to have more time given to her response to grief. Ultimately, the cast’s chemistry perfectly suited a play about the intermingling of personal and group trauma.

It’s sobering to think that in the wake of the Bondi shooting, Beyond The Neck may be more relevant now than Holloway ever envisioned when he wrote the play in 2008. But what has also stayed relevant is the sense of community and love that the play ends with. In a way, good theatre is an embodiment of that experience, and this provocative production created an intensely beautiful atmosphere. It’s a reminder that no matter what we face – death, grief, nightmares, abuse, isolation – we are never truly alone, and there is life on the other side.

To book tickets to Beyond The Neck, please visit https://www.theatreworks.org.au/2026/beyond-the-neck.

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Cast Of Dirty Rotten Scoundrels Announced For Hayes Theatre Co

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Producer Redfern Lane Productions is thrilled to announce the outrageously talented cast for Dirty Rotten Scoundrels, the devilishly cheeky, fun-filled Broadway musical opening at Hayes Theatre Co this May. In a glittering new production that’s all charm, chaos, and con artistry at its most delicious, this cast brings star power, impeccable comic timing, and just enough respectability to make the scams feel almost classy. Tickets are on sale now from www.hayestheatre.com.au

Music theatre star and Hayes Theatre Co favourite, Blake Erickson leads the cast as Lawrence Jamieson, a suave conman who believes in tricking corrupt, rich people out of their money to finance his lavish lifestyle. Currently on stage in the national tour of Cluedo, Blake most recently wowed audiences with his hilarious performance as Roger de Bris in The Producers and will later be seen on stage in My Fair Lady.

The cocky small-time American hustler Freddy Benson will be played by star of screen and stage, Rowan Witt who will make his welcome return to the Hayes. Rowan has starred in blockbuster productions Hamilton and Book of Mormon and played the leading role of Georg Nowak in She Loves Me at the Hayes. Currently, he can be seen in television series Ghosts Australia and Totally Completely Fine.

Christine Colgate, the naive and wealthy American heiress who is the target for Lawrence and Freddy’s con, will be played by Kristina McNamara (Ned Kelly, CHICAGO), and Jordan Shea (The Producers) plays police chief Andre Thibault. Two of the women conned by the pair, Muriel Eubanks and Jolene Oakes, are played by up-and-coming musical theatre stars Aurélie Roque (Pippin) and Scarlet Lindsay (Guys and Dolls). Rounding out the cast in the ensemble Oliver Clisdell, Emma Feliciano, Brendan Godwin, Madelene Kirkwood and Christopher Tendai.

This all-new Australian production of Dirty Rotten Scoundrels is directed by Rebecca McNamee (Abigail Williams), musically directed by Dylan Pollard (Woman on the Verge of a Nervous Breakdown) and making his choreography debut is Cameron Boxall.

Director Rebecca McNamee said “From seasoned professionals to talented graduates, the cast of Dirty Rotten Scoundrels is an exciting mix of diverse, worldly experiences! It is such an honour to work with talent who jump feet first into joy, nonsense and complex storytelling. Dirty Rotten Scoundrels is a big show and we have found the skill and energy to match! There is a reason that performers from some of Australia’s most successful productions want to be part of Dirty Rotten Scoundrels – because all their talents will be in full display. I can’t wait for you to join us in the Riviera.”

Based on the hit 1988 film starring Michael Caine and Steve Martin, this Tony-nominated musical comedy follows two cunning conmen — the elegant, ruthless Lawrence Jamieson and the wildly unpredictable Freddy Benson — as they go head-to-head on the French Riviera in a winner-takes-all game of deception. Their target? A sweet, unsuspecting American heiress. But in a world built on lies and reinvention, nothing — and no-one — is quite what they seem.

With a razor-sharp book by Jeffrey Lane and an irresistibly cheeky score by David Yazbek (The Band’s Visit, Tootsie, The Full Monty), Dirty Rotten Scoundrels is a riot of farcical foolishness, toe-tapping tunes, and whip-smart satire. Expect bold physical comedy, razor-edged elegance, and performances as dazzling as a Riviera sunset.

DIRTY ROTTEN SCOUNDRELS
Director Rebecca McNamee
Music Director Dylan Pollard
Choreographer Cameron Boxall
Set Designer Soham Apte
Costume Designer Angelina Daniel
Producer Ebony Tucker
Associate Choreographer Carla Venezia
Assistant Choreographer Lauren Mitchell
Lighting Designer James Wallis

SEASON DETAILS
Venue: Hayes Theatre Co, 19 Greenknowe Ave, Potts Point
Season: 22 May – 21 June
Times: Tues 6.30pm, Wed-Sat 7.30pm, Thurs 1pm, Sat 2pm & Sunday 1pm
Price: Tickets from $79 Adult, $69 Concession/Group, $60 Under 35, Previews from $69
Bookings: www.hayestheatre.com.au

 

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Hit Hayes Theatre Co Musical, The Pirates Of Penzance, Sails Into The Foundry Theatre

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For the first time ever, Hayes Theatre Co brings one of its landmark productions to the Foundry Theatre stage. After a sold-out extended season at Hayes in 2025, plus visits to Wyong, Wollongong and Canberra, Hayes Theatre Co-Artistic Directors Richard Carroll and Victoria Falconer will raise the Jolly Roger once again as they revive their acclaimed version of The Pirates of Penzance. Madcap, hilarious and bursting with invention, Carroll’s sparkling new adaptation harnesses the irreverent, genre-busting spirit of Gilbert & Sullivan’s sprawling satirical masterwork and launches it into the 21st century with raucous new life. And the wildest part? Just five actors play every role.

Original cast members Jay Laga’aia (The Pirate King and others), Brittanie Shipway (Ruth and Mabel) and Maxwell Simon (Frederic) return to the motley pirate crew once again, joined by new recruits Sarah Murr and Tana Laga’aia. Together, this fearless ensemble conjures a world of pirates, lovers, sisters, major-generals, and many, many more. Transforming in an instant as costumes, voices and characters fly past at breakneck speed, it’s a breathtaking theatrical feat, with no safety net and truly “all hands on deck”. A “riotous example” of Carroll and Falconer’s famous “What if?” approach to theatre-making, the production was hailed by The Sydney Morning Herald as “a stroke of hilarious genius.”

“Hayes shows thrive on being inventive, nimble and always entertaining, which aligns perfectly with the vision behind the Foundry Theatre. We’ve been looking for the right moment to bring a show to this space, and our rollicking, rowdy Gilbert & Sullivan reimagining is the ultimate way to kick off this exciting new partnership,” said Richard Carroll.

“There is a specific magic built into the DNA of every Hayes production – an intimacy that we know will translate beautifully to an innovative space like the Foundry Theatre. Expanding our reach to new spaces, creative partnerships and bigger audiences isn’t just a growth milestone, it paves an ambitious pathway that will directly fuel the creativity and scope of future Hayes productions,” said Victoria Falconer.

This is Gilbert & Sullivan like you’ve never seen it before; a full throttle tour-de-force, as five wildly outnumbered actors (swash) buckle up for an epic voyage.

★★★★★ “A practically perfect Pirates experience… Beautifully ridiculous charm” – Time Out
★★★★ “A hugely sophisticated show” – Sydney Morning Herald
★★★★ “A delight!” – Stagenoise
★★★★ “Keeps the laughs bubbling up” – Cultural Binge
★★★★☆ “Such a treat to watch” – What’s the Show

Batten down the hatches and jig along to the Foundry Theatre for The Pirates of Penzance or The Slave of Duty. Five Actors. Every Role. The original mega-musical – re-wired, re-booted, re-duced!

SEASON DETAILS
Venue: Foundry Theatre, inside the Sydney Lyric, Pirrama Road, Pyrmont
Season: 12 May – 7 June
Performance Times: Tues 6:30pm, Wed-Sat 7pm, matinees Wed or Thurs 1pm, Sat 2pm, Sun 1pm or 3pm (performances vary weekly)
Prices: From $59.90 (Transaction fees apply)
Bookings: ticketmaster.com.au or 136 100

 

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