Dial M for Murder

Dial M for Murder

Dial M for Murder Rating

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3

The telephone rings, trilling through the darkened living room three, four, five times. The bedroom light flicks on, illuminating the telephone and the desk it rests upon. A woman appears, yawning, in her dressing gown.

She answers the phone, but no one responds. “Hello?” she says again, looking at the handset in confusion. It’s in that moment she feels fabric tightening around her neck as she is shoved onto the desk, fighting for air …

“Dial M for Murder”, presented by Galleon Theatre Group, is not only a beautiful demonstration of inner turmoil, but simplicity on stage. Everything from the set design to the costumes is simple, elegant, and beautifully complementary. The set has been expertly crafted to enhance the impact the lighting has on key moments within the story. Key moments which have also been carefully paired with a spine-tingling score to set your nerves jangling.

Not only will your nerves be frayed, but you can expect to find yourself holding your breath in anticipation more than once, wondering “how on earth will they will get away with this?”

 

 

With a small cast of five you expect the chemistry to be high-quality, and the cast from Galleon Theatre do not let down their audience for a moment. With heartfelt confessions, scheming, dastardly deeds, and inquisitive inspectors, no interaction felt unhurried or unconsidered. Each moment was carefully plotted from the facial expressions to the smooth, natural use of the entire stage.

The stage, which has a distinct air of being its own character, is deceptively simple at first glance, but after some observation has clearly been well curated, not just for the performance but also for the actors. The set feels cohesive and lived in, just like the flat of a married couple should.

Be sure to keep your eye on this married couple, for their body language and voice control are expertly maintained … until they’re not. Dressed impeccably, and with barely a hair out place, Mr. and Mrs. Wendice navigate the new twist their marriage has undertaken, while a desperate Mr. Halliday and the calculating Inspector Hubbard do their utmost to make sense of how the slimy Captain Lesgate fits into the story. Be sure to watch the costumes carefully, each one perfectly suited for their character, and even being used as a plot point … The audience will find themselves on the edge of their seat to see if the good guys will prevail and the bad guys will get what’s coming to them, with laughs, gasps, and sinking feelings along the way.

To book tickets to Dial M for Murder, please visit https://www.galleon.org.au/html/dialMForMurder.html.

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Dial M for Murder – A Killer Thriller at the Ensemble Theatre

Dial M for Murder

Dial M for Murder Rating

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Where can you find yourself as an observer to a murder, a diabolical plot and the twists and turns of an inverted mystery? Onstage at the Ensemble Theatre’s Australian premiere of Dial M for Murder! Jeffrey Hatcher’s adaptation of Frederick Knott’s 1952 stage thriller masterfully explores classic motives for murder—fear, jealousy, revenge and greed—through a script that continuously kept me guessing about how the story would ultimately unfold.

Set in the 1950’s, two women reunite in London after an absence of time. Set and costume designer Nick Fry added small details which enhanced this period. There’s a rotary dial phone sitting on a wooden stand and art deco furniture in the loungeroom. Sitting together on the couch, a stylishly dressed Margot (Anna Samson) asks Maxine (Madeleine Jones) “How would you murder me?” Maxine begins to casually list, in alphabetical order, several ways that she could kill her. This was an intriguing start to the play, and we learn that Maxine is a writer of murder thriller novels. One of Hatcher’s changes to the original script features Maxine as a female (originally a male), giving a modern update to the story with these two characters being secret lovers in a lesbian relationship, even though Margot was married.

The cleverness of Hatcher’s script is hidden in the breadcrumbs of clues he leaves along the way. In this opening conversation, certain details are hinted at that the audience might not immediately notice but will later have an “aha” moment upon reflection. There is one method mentioned by Maxine highlighted in the characters’ conversation, and it is indeed used in a future scene which appears to throw some suspicion on Maxine.

 

 

There are many layers in Dial M for Murder, which could have gotten sticky if not for the wonderful way the director Mark Kilmurry kept the play at a suspenseful pace. Margot’s husband Tony Wendice (Garth Holcombe) wants his wife dead, Captain Lesgate (David Soncin) and Maxine find themselves involved in this situation and Inspector Hubbard (Kenneth Moraleda) is driven to discover the truth. Everyone finds themselves in a tangled web of misinformation and intrigue. As a ‘whodunnit’ mystery murder it is inverted because the audience knows exactly what happened and ‘who did it’ right from the beginning. Then we experience how the detective figures it out. Kenneth as the Inspector reminded me of Columbo and his almost bumbling way of cloaking what he was thinking to appear not so intelligent, until he lays out the crime and you realise how brilliantly logical his mind worked.

Anna Samson brought depth into her character Margot, showing her character’s vulnerability. Her stillness in the aftermath of a tragedy showed reality bleeding into her consciousness and it was powerful. Kudos to Madeleine Jones for Maxine’s broad New York accent.

Garth Holcombe was simply outstanding as Tony! Standing tall dressed impeccably in a dark suit, he appeared as an upper-class suave gentleman. However, it wasn’t long before the audience saw the real Tony; a smug, sneaky, and malicious man intent on carrying out ‘the perfect crime’ to kill his wife. It wasn’t so much in his dialogue, but in the quiet, small, almost imperceptible movements he made – such as a twitch of his mouth or a shift of his eyes that Garth performed which screamed loudly of Tony’s duplicitous and arrogant nature.

Madeleine Picard’s music and sound design during the play’s tense moments was atmospheric and evocative, reminiscent of the suspense found in a Hitchcock film. Combined with Matt Cox’s lighting design, especially during the storm where flashes of lightning dramatically illuminated the characters’ struggle in the life-and-death situation, the effect was truly exceptional.

Scattered throughout the play were some funny lines which were delivered perfectly by the cast to create some pockets of dark humour. Dial M for Murder was a tightly produced, fast paced play which was entertaining and had the audience at the edge of their seats. Although this is a ‘you-know-who-dunnit’ murder thriller, it’s one that keeps you guessing with numerous surprising twists and unexpected developments until the very satisfying conclusion. Don’t miss it!

Dial M for Murder is playing at the Ensemble Theatre. 78 McDougall St, Kirribilli
Season run: 28 Nov 2025 – 11 Jan 2026
Time: 2 hours 20 minutes, including interval
Tickets: www.ensemble.com.au/shows/dial-m-for-murder

To book tickets to Dial M for Murder, please visit https://www.ensemble.com.au/shows/dial-m-for-murder/.

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