Failure: A Love Story by the Villanova Players

Failure: A Love Story by the Villanova Players

Failure: A Love Story by the Villanova Players Rating

Click if you liked this article

3

Failure: A Love Story is a Dramedy that also explores the use of music in the 1920s-themed Character-centric play. We follow ‘Mortimer Mortimer’ played by the delightful Lachlan Gregory Hugh, on his ill-fated courtship of no fewer than three women of the ‘Fail Family’ and the journey of his life until death. The story is delivered uniquely, where the characters take turns offering narrations in the third person, flitting in and out of the story.

The play competently and creatively incorporates the use of projections to help transport us to the very many various locations in the play. The Projections often provide us with unique family portraits, some hilariously photoshopped.

Other unique aspects of this production include using puppetry to bring to life a pet snake and the smooth vocals of Milton Scully, who plays a personified Gramophone. Although Milton excels vocally, they are raw on-stage with no backing track provided, which could have elevated the Jazz vibes of his performance. He still gives it his all, showing us masterful carrying of tune, pitch and tone.

Another odd aspect is the appearance of a dog played by Shane Fell, whose end-of-life euthanasia is played for laughs. This sounds shocking, but Shane’s bold choice and comedic performance make this a stand-out comedic moment.

The main stand-out performances belong to Lachlan Gregory Hugh and Sabrina Fu, who play Mortimer Mortimer and Nelly Fail, respectively. They bring vibrancy and energy to the stage, appearing confident and collected in their performances. Erin Hall and Sophie Morrison bring consistency and grounding to their performances as the other ‘fail’ sisters. Nathan Seng excels in his role, convincingly playing the shy and awkward adopted ‘fail’ brother.

All actors were well-spoken, projecting to the entirety of the theatre throughout. Nathan Seng has a great voice in the snippet of singing we get from his character, and the chorus singing moments sound great. Although once again backing tracks, and more upbeat dance choreography could have lifted the energy in these scenes to support the actors’ performances. We are delivered very clean and precise blocking throughout the performance, showing this cast could’ve competently handled more energetic or elaborate configurations.

This production was crafted with care and talent in the prop department, showcasing amazing handmade pieces. From a clockwork coffin to a Gramophone-themed megaphone, the props used were excellent. The lighting once again plays it safe, only being incorporated occasionally as a story-telling device, but all actors are well-lit. The pacing seemed to be the greatest difficulty in this production, with narrations often dragging and struggling to support the story in building to its climactic points of drama.

Unfortunately, this impedes some of the comedic timing at points and makes the third act, as we travel towards the ending, feel quite long. There is, at times, masking from the cast as they wait in limbo to jump in for their section of narration. However, the jokes that do land delight the audience and keep us invested in the journey of Mortimer Mortimer. Lachlan really does bring a great surge of vitality to the stage with his performance, and he should be commended.

Failure: A Love Story provides us with a cozy journey. It is funny while fated to tragedy and intimately explores a person’s journey through love. The cast should be commended on their successful performance and efforts.

With only two nights remaining, book your tickets to Failure: A Love Story @ https://www.villanovaplayers.com/coming-soon

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

MARVELous The Show

MARVELous

MARVELous Rating

Click if you liked this article

0

If you’re a Marvel fan, you’ll want to get to the National Theatre in St Kilda this week. MARVELous has hit Melbourne for one week only.

But you don’t just have to be a Marvel fan to enjoy the evening of dancing, singing, acrobatics, stunts, and a variety of hilarious parodies that draw reference to a range of pop culture songs and movies outside of the Marvel franchise.

The audience were a-buzz on opening night, and lapped up the high energy, risqué performances (there is nudity, so keep the kids at home!).

Deadpool and his interaction with the audience kept everyone engaged throughout the show. And each of the individual parody skits were captivating and entertaining to watch.

The show definitely entertained the audience; a wonderful way to escape the real world for a couple of hours and have a good laugh and enjoy the spectacle on stage. There is a great mix of both Marvel-specifc and -non-specific pop culture references along the way to cater for a wide range of tastes.

There is some serious talent in the cast, with amazing dancing, vocals, and acrobatics on show.

 

The show was let down at times with some very slow, silent set changes, which disrupted the flow of the show and could have easily been filled with something as simple as some music, or even just some more character interaction time with the audience, which was in itself a great feature of the show in general.

Several technical issues with sound, lighting, and wardrobe unfortunately drew the attention away from the performances at times too, and it seemed that seating location played a big part in the sound issues too, with those seated towards the back of the audience having the most issues with hearing the cast members at all in the first half. Along with the technical issues, a bit more tightening up of the show in terms of transitions between sets and even the movements of cast within scenes would push the show into presenting as a much more professional category of shows that it deserves to be seen as.

MARVELous the show, really is quite a unique, entertaining, high-energy, and very clever concept. Hopefully, the technical glitches were just some opening-night cobwebs (ah the joys of live theatre!) in what was otherwise an incredibly fun, and extremely funny and enjoyable night out.

Make sure to keep the kids at home for this one, as it’s adults only (well, 15 plus) with lots of partial nudity and plenty of risqué moments.

Get in quick to see MARVELous at the National Theatre in St Kilda 6th – 10th November 2024. Book your tickets now before this marvellous show ends @ https://marveloustheshow.com.au/

Photographer: Ben DIngley

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Arts Theatre Cronulla Presents: The 39 Steps

The 39 Steps

The 39 Steps Rating

Click if you liked this article

3

High-paced physical comedy and a wildly multi-talented cast carry this chaotic and hilarious staged version of Hitchcock’s The 39 Steps at Cronulla Arts Theatre.

Director Cheryl Butler’s production is charming and deft. With a cast of four and a character list of more than 150, this production is a serious ask of its ensemble. The four actors switch accents, attitudes, and hats at pace throughout the play and manage to get both laughs and sympathetic groans from the crowd.

 

Gavin Leahy’s Richard Hannay is charming and moves almost like Ray Bolger’s Scarecrow in the Wizard of Oz film; his pratfalls and facial expressions add jokes to the already enjoyable script. He and Angela Gibson (who play the three key female characters who cross Hannay’s path) both have genuine chemistry and some of the most precise timed visual gags.

The two clowns, Gary Clark and Kathryn Bray have several sequences where the gags are layered as they switch characters and accents with simple movements or costume shifts. These two actors create the groundwork for the moments of romantic chemistry, always following them with a wink and a nudge.

Despite a reasonably long run time for a comedy, the show doesn’t lose your attention. The night we attended, the laughs only seemed to build as the night went along. Using a standalone door as a prop starts slightly funny and grows to be consistently hilarious. The suits are sharp, the staging is mostly minimal, and that’s also worked into the comedy of the thing. The prop work, especially from Kathryn Bray, is excellent.

 

Patrick Barlow’s stage adaptation takes a loving and goofy approach to the source material. The iconic plane chase appears in shadow puppet relief, and there’s a dramatic and hilarious action sequence on a train that both pays tribute to and pokes fun at the original.

If you’re looking for a faithful Hitchcock adaptation, this is not the play for you, but some passing knowledge of the film will deepen the experience of the show and add a few jokes that might go over the head of someone going in cold. The energy required to convincingly carry off a clowning play is immense, and Cronulla Arts Theatre’s production of The 39 Steps has it and then some. I would thoroughly recommend it.

For Tickets to The 39 Steps, please book @ https://www.artstheatrecronulla.com.au/the39steps

The season runs from 25 October to 30 November, with Wednesday, Friday, and Saturday at 8 p.m. and Sunday matinees on 27 October and 3, 17, and 24 November at 2 p.m.

Photographer: Dan Binger, Graham West, Jeffrey Gall, Mark Phillips, Peter Gale

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

The Old Fitz Presents: The Female Of The Species

The Female of the Species

The Female of the Species Rating

Click if you liked this article

6

Arriving at the Old Fitz for the play, your night is already off to a great start. As the only surviving pub theatre in Australia, this atmospheric venue is a perfect setting for a play loosely inspired by a true Australian story of a feminist writer held hostage at gunpoint by a disgruntled student.

Upon entering the theatre space, the audience is immediately enveloped in the sounds of the Australian bush—chirping birds and buzzing cicadas—creating a vivid backdrop for the intimate setting of writer Margot Mason’s home. The stage is adorned with an eclectic array of books, hinting at the intellectual battles to unfold.

 

Lucy Miller delivers a standout performance as Margot, a revered feminist writer grappling with debilitating writer’s block. Her character embodies the struggle to stay relevant in a rapidly changing landscape of female representation and sexuality. Her latest book needs a new hook, but what new angle is there to explore on female sexuality?

Enter Jade Fuda as Molly Rivers, the fervent student whose admiration for Margot quickly reveals a darker undercurrent. Initially praising and fanatical, Molly’s obsession morphs into a chilling mission: to kill the woman whose work she holds responsible for her mother’s abandonment and subsequent suicide.

The dialogue shifts deftly between humour and tension as the play explores the evolving definitions of womanhood through the years. Margot and Molly’s banter serves as a comedic dissection of feminist ideals, questioning what it means to be an “ideal” woman—be it a nurturing homemaker, an ambitious careerist, or a childless self-improver. Margot is blamed for altering the “ideal” by swapping and changing the parameters in her every book, a relatable observation into the ever-shifting opinion of our own generation.

 

With the arrival of Molly’s exhausted homemaker daughter, Tess Thornton, who has disappointed Molly as she chose to dedicate herself to motherhood instead of a career, the three women represent polar opposites on the feminist scale. Who is the most “correct woman” you ask yourself as the story continues with the arrival of three men, equally as polarising and almost caricature like, leaving the audience reflecting on the complexities of female identity and the intersections of admiration and resentment.

The Female of the Species is not just a play but a thought-provoking exploration of feminism wrapped in sharp wit and dark humour.

Overall, with its strong performances, engaging script, and the Old Fitz’s charming ambience, this production is a must-see for anyone interested in the ongoing dialogue about womanhood in modern society.

The Female Of The Species season runs November 1 – 23, with session times as follows: 7pm Tuesday through Friday, 2pm and 7 pm Saturday, and 5 pm Sunday.

For tickets, please book @ https://www.oldfitztheatre.com.au/the-female-of-the-species

Photographer: Noni Carroll Photography

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!