Steel Magnolias

Steel Magnolias Rating

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21

Steel Magnolias is a well known 80s movie, but it may be less remembered that it was actually a play first, written by Robert Harling, and inspired by the true story of his sister, Susan. Having been performed on stages all around the world, this iconic show with a super-strong all-female cast is now on from 10-25th May 2024 at Beaumaris Theatre, a small welcoming bayside venue.

This amateur theatre group have consistently produced a wide variety of Theatre Arts since starting up in 1953 in the attic of Bill & Angela Martin; a bonus story I was interested to read about in the program. Amongst the many fantastic posters covering the walls are past promotions of comedies, dramas and musicals, so it seems this amateur theatre group is still very active and exciting. Steel Magnolias is their 302nd production and expertly directed by the vibrant Debbie Keyt, who was happy to chat amongst the attendees and gratefully thanked everyone for coming. Debbie is also president of the group’s Committee and this is her 25th show as a Director with the locally treasured Beaumaris Theatre.

Steel Magnolias is set in a beauty salon in Louisiana wherein six excellent Melbourne actresses will share with you a journey of friends bonded together through love and loss. A story about being both delicate and tough, hence the title name.

My first impression upon sitting in my seat, was the extremely accurate 80s era presence in the colourful set (I was a teen in the 80s myself). The audience is on the ‘mirrors’ side of the salon, so we would closely see into the ‘reflection’ of them for the next two hours. Splashing water, bright lighting, music on an old radio with some appropriate song choices and great sound tech. made for a most realistic setting.

First on stage is salon owner “Truvy” played by Trudi Sheppard and “Annelle” played by Caitlin Leong. Annelle is Truvy’s new assistant – a little mysterious at that and which side-story is portrayed instantly, so you are already intrigued and thinking “hmmm …what is going to happen with her?”.

Truvy is extremely loveable in each scene as the best hair stylist in town and the show depicts what probably actually does go on in every hairdressing salon, but especially in a country town. It’s typical tell-tale of women visiting their preferred salon where they feel they can literally ‘let their hair down’ to talk about what’s going on in their lives, what’s important to them and how they feel about each other and the people close to their hearts.

It’s hard to pick a favourite character, especially if you see it as a woman yourself – you will probably relate to each one of them in some way, or, picture in your mind, a friend you could easily have represented by one of them somewhere within the plot. Equally, you might smile at a visualisation of your husband, an in-law or a neighbour from the extended verbal storyline as you can clearly picture what is going on outside the salon’s window, even though you cannot see it.

The topics quickly unfold of a mother and her daughter who is getting married, then having a baby under extreme circumstances, with the love and support needed from each other and from the ladies they catch up with and confide in at their salon visits.

Full of comical moments where you can be smiling one second, gasping the next and crying (or trying not to) when they cry, this play should not be missed by anyone who enjoyed the movie, loves celebrating women and friendship, or perhaps even for nostalgia of times at your own hairdressing salon, which, like the play, often does far more than just tease up a few curls!

The absolutely believable accents from the Deep South of America make the show extra entertaining and not once did these actresses slip up on their dialogue, which is extensive. Comic timing is also everything and I must applaud the cast for their obvious well rehearsed dedication in bringing this script totally alive to have me reflecting upon its message for the next week at least. I especially loved the part where the audience was dead silent in sadness and then within minutes we were all laughing hysterically at an almost girl-on-girl fight about expressing human reactions, ramped up with courageous spirit by Wendy McRae as “Ouiser” and Kate Harvey as “Clairee”. I could hardly believe they could do that scene without bursting into laughter themselves, I’m sure they did in practice!

I do hope that Claire Abagia, in her first production at Beaumaris, dreamily playing “Shelby” with her youthful outlook, and her stage-mom “M’Lynn” played with such great concerned emotion by Samantha Stone, a Drama and English teacher, enjoyed working together as much as we did watching them. As the two characters at the centre of this story, they could have genuinely been a real mother-daughter duo in their intense interactions. My favourite was the stare given from M’Lynn at Shelby’s new hairdo, it was exactly how I remembered my Mum once looking at mine. Later on, my Mum said she too had thought the same thing.

This production of Steel Magnolias is certainly lots of fun, and very memorable. As it was my first time taking my Mum out to see a play on Mothers’ Day too (the reason we chose initially to go for something different to do), the surprise afternoon tea provided by the theatre when the interval doors opened was also indeed, a hit!

Congratulation to the Beaumaris Theatre Team. I thoroughly enjoyed and highly recommend their latest rendition of Steel Magnolias.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Mystery Radio Theatre

Mystery Radio Theatre

Mystery Radio Theatre Rating

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3

If you need a night of laughter, intrigue, and a touch of whimsy, the Mystery Radio Theatre at The Butterfly Club in Melbourne is your perfect destination. This unique theatre experience is a triple threat, blending musical comedy, improv, and sketch shows into one captivating performance that will leave you wanting more.

From the moment you step into The Butterfly Club’s cozy confines, you’re transported to a world of mystery and mirth. The atmosphere is electric, and the anticipation is palpable as you settle in for an evening of entertainment.

This month’s original play, “Murder Me Again, My Darling,” delivers a punchy blend of gritty comedy-noir and slapstick humour. Led by the soft-boiled detective Jake Steele, the audience is thrust into a web of intrigue involving beautiful identical twins, crime bosses, corrupt politicians, and a gumshoe who still lives with his parents. It’s a hilarious homage to film noir, complete with unexpected twists and turns that keep you guessing until the end.

What truly sets Mystery Radio Theatre apart is its ensemble cast of talented actors who breathe life into each character. Their mastery of minimal rehearsal allows for a fresh, spontaneous performance that feels like improv. Quippy lines and charming ad-libs only add to the infectious energy of the show, creating moments that are as endearing as they are hilarious.

But it’s not just the performances that shine—The Butterfly Club is a star. Nestled in a classic Melbourne laneway, this quirky venue oozes charm and character. As you descend into the intimate performance space, you’re embraced by the crowd’s warmth and the madcap antics unfolding on stage. With no bad seat in the house, you’re treated to up-close views of every facial expression and comedic flourish, making you feel like a part of the show.

The attention to detail extends to the sound design, with cleverly timed sound effects that enhance the show’s overall ambience. From the crackle of a vintage radio to the footsteps of a gumshoe on the trail, every auditory cue adds to the immersive experience.

And the excitement doesn’t end with one show—each month brings a new live radio play with its unique storyline and cast of characters. From English country estates to Agatha Christie-inspired murder mysteries, there’s always something fresh and exciting. Live ad reads, musical guests, and interactive elements keep audiences engaged from start to finish, ensuring that no two performances are the same, and you’re always in for a delightful surprise.

With a stellar lineup of actors, a charming venue, and a rotating roster of original comedy murder mysteries, the Mystery Radio Theatre at The Butterfly Club is a must-see for theatre lovers and comedy enthusiasts alike. So, grab a cocktail, settle in, and prepare for an evening of laughter, suspense, and fun. Can you spot the killer? There’s only one way to find out.

Showing monthly from June to September this year, grab your seat now; the venue is small and will most likely sell out.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Shadows Of The Past

Shadows of the Past

Shadows Of The Past Rating

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4

Since 1991, Endeavour Theatre Company has been delighting audiences with its community productions. Their latest offering, Shadows Of The Past, a murder mystery written and directed by talented member Clyde Goodenough, exemplifies the best of a small but committed theatre group.

On arrival at the venue, a full house was present, and audience members found a “Guess Who Did It” sheet of paper on their seats to be submitted at intermission. This interactive element added an engaging twist, making the audience feel like active participants in solving the mystery.

The play centres on Mrs Willoughby, an imperious matriarch, who invites her nephew Jonathon, his American fiancée, her solicitor Mason James, a nun with a past with Jonathon, and an eccentric psychic for a weekend of ‘revelations’ and the reading of her will. Adding humour is Musgrove, the old bumbling butler. Amidst a storm, secrets unravel, leading to murder. But who did it? Adding to the Clyde Goodenough Cluedo-like characters are the police sergeant and Inspector, which add to the intrigue in the second act.

The play is set in the Willoughy Hall manor, and the room is replete with ornate couches, fancy paintings on the walls, a roaring fireplace, making it clear we are in a wealthy manorhouse. In addition, there were clever scene changes as we found ourselves in other rooms within the manor. Clever use of lighting to isolate private conversations not overheard by other Willoughby Hall guests enhanced the mysterious ambience. After each scene, the curtains briefly closed with suitably mysterious music playing, giving the audience time to think about what they had seen and ponder what was coming.

Like the best murder mysteries, it is also important to bring the element of fun, and the script delivers enjoyable moments for all cast members. Opening nights are always challenging and exciting, and an opening night for a brand new play, never performed before in front of an audience, is an even higher level of difficulty. Suffice it to say the performances from the ensemble cast got stronger and stronger as the play progressed, which bodes well for a successful production run.

The ensemble cast also navigated the delicate balance of playing exaggerated stereotypes that a murder mystery show requires without falling into caricature. Their understanding of their characters grew stronger as the play progressed, promising even better performances in future shows.

Congratulations to Endeavour Theatre Company and all the cast and crew for putting on an excellent show. This is a fun production with a well-thought-out story and script. While the first act effectively introduced the characters and set the stage, it would have been great to witness a bit more foreshadowing—like subtle hints or a character’s brief slip—that could enhance the suspense and make later revelations even more impactful for the final act.

My personal endeavour to correctly guess the murderer was a dismal disaster! Can you guess the murderer correctly on your visit?

Don’t miss this opportunity to support local community theatre and enjoy a well-crafted, entertaining murder mystery. ‘Shadows Of The Past‘ runs for only two weekends, so be sure to catch it while you can with session times as follows:-
– 19th May 2:30pm
– 25th May 7:30pm
– 26th May 2:30pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Merrily We Roll Along

Merrily We Roll Along

Merrily We Roll Along Rating

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2

According to theatre director Tim Hill, he asked himself how he could get the massive Broadway production of Stephen Sondheim’s “often forgotten masterpiece” Merrily We Roll Along done in Brisbane’s smallest theatre, Ad Astra. He answered the question admirably by getting a great cast and crew. Friday’s show was to a packed house that thoroughly enjoyed it.

The musical, told in reverse, starts with Frank, a rich and famous songwriter and film producer (Stephen Hirst) at a party in his swank Los Angeles pad in 1976, after the premiere of his latest film. The years roll back, and we watch how he went from a penniless composer, along with his oldest friends, theatre critic Mary Flynn (Natasha Veselinovi), and Pulitzer-winning playwright Charles Kringas, Frank’s former best friend and lyricist (Alex Watson).

All three were primed to change the world through words and music. However, success opened doors that led them away from what, and who, they loved the most. Misplaced marital trust, infidelity, unrequited love, an absentee father, drugs and alcoholism, almost all the gritty themes of our industry get illuminated, as we bop along to Sondheim’s brilliance buoyed by the talent of the exceptional players.

Most of the cast plays ensemble roles. But Jordan Twigg gives a gorgeous femme fatale feel to Gussie’s role. Chris Kellet gives Joe Josephson a creditable New York Jewish accent and feel. Heidi Enchelmaier gives Beth Spencer, Frank’s first wife, a poignancy, difficult to deliver in a musical.

At one point, Alex Watson almost rouses the audience to a standing ovation with Charley Kringas’ spitfire speech/singing. Chelsea Burton plays several characters, but as Meg Kincaid, she’s almost irresistible. Liam O’Byrne creditably camps up his characters. Two young fellows, Edward Hill, and Milo White, apparently play the role of Frank Jr. It seems Milo can look forward to a career in show biz.

Kudos to musical director Ben Murray, choreographer Tess Hill, and the crew for fitting the many facets together in this frolic. It’s fabulous. Most astonishing was the de-aging that all the characters embodied. Originally, when Sondheim first put the show on Broadway in the 1930’s, it was created for a cast of teenagers, and young adults, and wasn’t much of a success. This production of the show demonstrates that it really should have been.

This is the first time the production has been brought to a Queensland stage, and if Friday’s show is anything to go by, it will not be the last. It plays until Thursday, June 6 at Ad Astra, 57 Misterton Street in Fortitude Valley. You can learn more by going to https://www.adastracreativity.com.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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