A Night Full of Magic and Music

A Magical Guide to Fighting Fascism

A Magical Guide to Fighting Fascism Rating

★★★★★

Click if you liked this article

3

A Magical Guide to Fighting Fascism is a two act play about three women from three different time periods who are all connected based on intriguing historical events. It is written, composed, directed, and produced by Asha Cornelia Cluer, marking her Western Australian debut as a writer and director.

The play opens with a beautiful song sung by Chloë Jean Vincent, who enchants us with her mystical voice, drawing the audience into the performance. From the beginning, the show offers plenty of clever stage effects, leaving the audience to ask, “How did they do that?” As the play took off, something that caught my eye was the use of a screen in the background, using surtitles to translate foreign dialogue to us as well as marking new locations the story takes place in. The play is told using three languages, the majority in English, but it also uses Hebrew and Spanish to tell the stories of the characters. Federica Longo Huntington and Adriano Cappelletta stole the show, bringing lots of laughter from the audience. They play the part of the ensemble, proving to be very versatile as they played multiple roles (and with multiple accents), while the three women from different time periods were played by three different remarkable actresses. Melissa Westlake plays Cote in both flashbacks and her present day – she is able to change her stage age with the use of her expressions and movement, proving to be a powerful actress. Jo Morris plays Mayim, a busy and powerful woman, she encapsulates this character with wonderful integrity. Macy Curtis plays the teenage Javiera. For those who have grown up in Australia, the character is incredibly relatable and she reminds us of our youth, wanting to know more about who we are at the core.

 

 

Throughout the show, there is live music performed by Keshet, who is on stage with his guitar during the performance to help tell the story with music. The soft music adds to the magical feeling of the stage along with simple yet effective lighting, such as candles, fairy lights strung in a tree, and spotlights, which were designed by Adelaide Harney. Sound effects, designed by David Stewart, throughout the performance were not overused but perfectly timed when needed. The costumes, designed by Jamie Jewell, were simple yet one-of-a-kind, including a selkie, which is a wonderful show of his creativity.

Although the show was only performed for one night only on June 13th, I sincerely hope there will be a chance in the future for others to watch this beautiful production.

To book tickets to A Magical Guide to Fighting Fascism, please visit https://www.ashacorneliacluer.com/magical-guide.

Spread the word on your favourite platform!

All the Music, Less of the Mystery: MJ The Musical Hits Crown Theatre

MJ: The Michael Jackson Musical

MJ: The Michael Jackson Musical Rating

★★★★★

Click if you liked this article

3

Michael Jackson is everywhere right now, in movies, musicals and on TikTok, and it’s hard to believe seventeen years have passed since his death. MJ The Musical arrives at Crown Theatre as exactly what it sets out to be: a joyful, spectacular celebration of one of pop’s most extraordinary careers. The various controversies of Jackson’s life are acknowledged briefly and then set aside. This show’s purpose is the music, and on that front it delivers in abundance.

The story plants itself firmly in the middle of the Jackson legend: the high-stakes preparation for the 1992 Dangerous World Tour. The production amps up the drama, depicting Michael risking everything including Neverland itself to mount the show he envisioned, and it works as a theatrical device even if history tells a slightly different story.

The narrative moves through flashbacks, tracing the through-line between the uncompromising father who drove the Jackson Five and the equally uncompromising adult Michael who would mortgage his world for his art. The structural device works well, giving the show genuine emotional grounding without slowing the momentum. The controversial Don King reunion tour gets a brief mention, a nod to the murkier corners of the Jackson story, but the production is ultimately more interested in celebration than examination. What you get instead is the music, and plenty of it.

 

 

Billie Jean and Smooth Criminal land with exactly the weight you’d expect, the Jackson Five numbers give the flashback sequences genuine warmth and a touch of bittersweet nostalgia, and Thriller earns its place among the highlights without swallowing the show whole. There is more besides, spanning a career’s worth of era-defining moments that had the Crown Theatre crowd singing along from the opening number. The setlist alone is worth the ticket price.

The lighting throughout is spectacular, dynamic and precise, building toward a closing sequence that delivers a proper visual spectacle fully worthy of the Dangerous era itself. Ilario Grant carries the lead with quiet authority, bringing a softness to Michael that never tips into imitation. Derrick Davis does strong double duty as both the domineering Joseph Jackson in the flashback sequences and the production manager in the present-day rehearsal scenes, a structural parallel that gives the show much of its emotional spine and one of its most interesting ideas. The ensemble brings full commitment to every number, and it shows.

The Crown Theatre crowd needed little encouragement. There was hollering at key moments, warm applause that lingered after each number, and a room full of people visibly reconnecting with music that shaped them. The audience skewed toward those who lived through the Jackson era firsthand, and the nostalgia was palpable and entirely earned. By the final bow, a standing ovation rose naturally, and then the cast returned for one more number, just when you thought it was done.

For the dedicated MJ fan, this is an essential night out. For everyone else, it is an enormously entertaining show that plays the favourites, fills the room with sound and light, and sends you out smiling. Don’t go looking for deep philosophy. Just go.

To book tickets to MJ: The Michael Jackson Musical, please visit https://mjthemusical.com.au/tickets/perth/.

Photographer: Daniel Boud

Spread the word on your favourite platform!

The Playboy of the Western World

The Playboy of the Western World

The Playboy of the Western World Rating

★★★★★

Click if you liked this article

1

First performed in Dublin in 1907, The Playboy of the Western World was written by Irish playwright John Millington Synge, and so scandalous for its time, it was met with protests. Deemed a traditional Irish comedy, the three-act play translates well to modern society as a timeless masterpiece.

In a nutshell, the playboy, Christopher Mahon (Garrison Cox), shows up one night at Pegeen’s (Rebekah Hannah) tavern with a questionable past. He boasts about a grandiose story involving his father, Old Mahon (Ron Arthurs), which elevates him to hero status and gets all the ladies of the village in a flutter, including Widow Quin (Siobhan Vincent), Susan Brady (Kirsty Plews), Honor Blake (Piper Gibson), Nelly (Olivia Keary) and Sara Tansey (Isabella Di Giovanni). In fact, Christopher is such a hit with the ladies that it causes much angst among the men, especially Shawn Keogh (Ian Staunton), who has been promised to Pegeen.

Michael James Flaherty (Gavin Crane), Jimmy Farrell (Stuart Ridgway), Philomena Cullen (Dame Kerry Goode OAM) and Philly Cullen (Ben Vaughan-Sanders) are innocent by-standers, for the most part, who bemusedly watch it all play out from the sidelines.

Reigning from around the globe, mastering the Irish accent is a testament to the talented cast that I really enjoyed once I relaxed into its musicality and lyrical rhythm. 

 

With all three acts performed in the tavern, with walls crafted from papier-mache, it’s a cosy setting, made all the more atmospheric by Perth’s chilly nights as the train rattles past and planes thunder above. A big thanks to the set design crew, including Jake Newby (also lighting design), Graeme Dick (also stage manager), Nera Camponovo and Paris Jenner.

Directed and performed by Siobhan Vincent, who did a brilliant job of bringing the story to life at the historic Garrick Theatre. Acknowledgement must go to her assistant, Marion West, who also handled props and set dressing, and to Sarah House for stepping in for Siobhan during rehearsals.

Isabella Melbin (assistant stage manager), Conor Barclay (lighting operator), Ricky Penrose (sound operator) all deserve a round of applause. Tamar Basini’s talent and attention to detail for the costumes took me on a journey to the early 1900s.

The Playboy of the Western World is a scintillating tale of seduction, betrayal and violence and as relevant now as it was in 1907.

Performed at the Garrick Theatre in Guildford, get your tickets here. Shows start at 7.30pm from 4th to 20th June, with matinee sessions at 2pm on Sunday 7th, 13 & 14th June.

To book tickets to The Playboy of the Western World, please visit https://www.TAZtix.com.au/garricktheatre/.

Spread the word on your favourite platform!

Mj The Michael Jackson Musical Opens In Perth

Feature-MJ THE MICHAEL JACKSON MUSICAL

MJ THE MICHAEL JACKSON MUSICAL has opened in Perth at Crown Theatre, with the official Opening Night tomorrow evening, Wednesday 10 June. After an incredible national tour thrilling more than 750,000 Australians in Sydney, Melbourne and Brisbane, Perth is the final stop and the last opportunity to see the show in Australia! The stellar Australian principal cast is led by Broadway Star Ilario Grant as MJ and Australian performer Liam Damons as Michael in his teenage years. Rounding out the principal cast is Albany born and raised Tim Wright as Dave; original Broadway company member Oyoyo Joi as Michael Jackson’s mother, Katherine Jackson/Kate; Conlon Bonner as the dual roles of Tito Jackson and Quincy Jones; J. Daughtry as Michael’s father, Joseph, and his tour director, Rob; and Yashith Fernando as Alejandro. Joining the Perth cast are Kyle Lamar Mitchell as Berry Gordy and Nick, and Sarah Morrison as MTV journalist Rachel.

FACTS AND FIGURES
More than 7 million people worldwide have seen MJ.
Winner of four Tony Awards® for Best Choreography for the show’s Director and Choreographer, Christopher Wheeldon; Best Actor in a Musical for the show’s original Broadway star, Myles Frost; Best Lighting Design of a Musical; and Best Sound Design of a Musical.
Since its Broadway debut in February 2022, MJ has become a global sensation, with acclaimed productions staged in London, Germany and across the U.S.

Set in 1992, the musical offers a behind-the-scenes look at the creation of Michael Jackson’s iconic Dangerous World Tour. The production goes far beyond the signature moves and global hits, inviting audiences to share in the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status. Set over 3 days in the rehearsal room, the smash hit show is brought to life through the lens of an MTV journalist granted rare rehearsal-room access. The production features more than 25 of Michael Jackson’s greatest hits – including Beat It, Smooth Criminal, Man in The Mirror and Thriller.

Brought to Australia by leading producer Michael Cassel, alongside original Broadway producers Lia Vollack, John Branca, and John McClain, the Australian production of MJ premiered at Sydney’s Lyric Theatre on Saturday 8 March 2025 to roaring acclaim.

The internationally renowned creative team includes Tony Award winning choreography by Christopher Wheeldon OBE, Scenic Design by Tony Award and two-time Emmy Award winner Derek McLane, Lighting Design by six-time Tony Award winner Natasha Katz, Costume Design by Tony, Emmy, and Academy Award winner Paul Tazewell, Sound Design by Tony Award and Olivier Award winning Gareth Owen (Come From Away), Projection Design by two-time Tony Award nominee Peter Nigrini (Dear Evan Hansen), Hair & Wig Design by two-time Emmy Award nominee Charles LaPointe (The Color Purple) and Make-up Design by Joe Dulude II. Musical Supervision is by Tony Award nominee David Holcenberg (Matilda), and the Orchestrations and Arrangements are by David Holcenberg and Tony Award winner Jason Michael Webb (The Color Purple).

All Perth performances are on sale now until 19 July 2026 and selling quickly! So book your tickets now as you won’t want to miss the final chance in Australia to see MJ THE MICHAEL JACKSON MUSICAL.

Tickets available from Ticketmaster and mjthemusical.com.au.

 

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.