Jack And Millie

Jack and Millie

Jack and Millie Rating

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4

So, a story about cancer. A topic and illness infamously known as a big damper on pretty much everything. How does one convey a story with a sense of positivity, of movement, of life still continuing through this unpredictable time?

Enter Alain Beek, Actor and Director with Essence Productions whose story was told through Jack and Millie. And what a story it was!

Beek was joined on stage by Phil Cameron-Smith (who played Jack) and Ross Daniels (who played every other character) in this heart-touching story. Truly a loaded theatre cast!

Beek not only shared this story, but when she was on stage, I felt every one of her emotions, her eyerolls and her smiles. Beek is an inspiring story teller and the depth of her character was highly tangible to each audience member. She helped me understand this story in ways that just reading a script would not. Beeks’ character Millie felt wonderfully lived in, like a familiar coat you put on or a close friend to confide in. And that just helped to draw me in even more.

Cameron-Smith is Jack in this play and represents all the thoughts that Millie has about cancer. Some do hit home hard, but I was surprised to see how many of these thoughts were also comedic. Cameron-Smith had me laughing a lot and helped to put a more wholesome and positive spin on what should be quite a downcast story. He was funny, deadpan and at times unapologetic in his views which made for all the more riotous viewing! I would happily see a play all about Jack and his thoughts and feelings.

And filling in every other character we have Ross Daniels, and my, what stage presence! It was so easy to watch Daniels as he went between characters, especially in the Zoom scene (trust me, watch it and laugh a lot, because I have never seen anything more relatable). Daniels had this incredible focus to him, even off stage, and managed to play characters ranging from cold and informative to a supportive friend and buddy. And each one of these characters was so believable! Daniels also had these unique little movements or actions he would do to get into each character which was fascinating to observe.

As an audience member, I really enjoyed some of the choices that were made by the Director Nigel Sutton, especially props wise! The stage was only set with 2 big white boxes which were used in such simple ways and yet transported me to a restaurant or the park seamlessly. The costming for this play was also very simple, just plain whites for each character. And I think this all needed to be understated to let the story shine through which was more than successfully achieved. 

I did also want to commend the creative uses of sound effects, especially the ring tones for each character that gave such a unique insight into that character. The assumptions were handed to the audience with very little to go off and my imagination thoroughly enjoyed filling in the blanks. And other members of the audience afterwards expressed similar thoughts to me – this was a truly enjoyable experience.

So, in conclusion, please see this play if you can! This is a funny story full of life’s ups and downs, but left me feeling positive. It is said in the program of this show that this script is deeply loved by those who feature in it, and even as an audience member I was able to feel this. This was not a sad story, just an eventful one filled with delicious morsels of laughter to help you on the way. And one (I can confidently say) I would happily see again!

For further information about Essence Theatre Productions, please follow: https://www.essencetheatre.productions/

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Maybe He’s Born With It Maybe It’s ADHD

Maybe He's Born With It Maybe It's ADHD

Maybe He’s Born With It Maybe It’s ADHD Rating

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1

Do you need an emotional rollercoaster of a show that will make you laugh and cry and then, upon further thought, inevitably question all of your actions as possibly neurodivergent?

Yeah, neither did I, and yet I find myself wanting to go back for more!

Upon entering the theatre (and having no previous knowledge of Colin Ebsworth, my assumptions were a comedy show with probable laughs and maybe some relatable content. Little did I know that I would be crying both from laughter and sadness by the end.

Ebsworth is (in short) an insanely talented comedian and wordsmith who managed to convey so many different emotions of relatability, anguish, confusion, satire, wittiness and much more as we are walked through his experience as a neurodivergent child. As someone who has Autism (of which there is a lot of cross-over with ADHD), I found it refreshing to find someone who had some of the same issues as me growing up and was able to articulate it accurately.

All whilst sitting on a stool on a stage in a spotlight with a remote and a few lagers.

 

I also genuinely enjoyed the creative use of both vocal effects and music to enhance the story. And so did the audience! I took my best friend (who is ADHD incarnate) with me and her reactions were vivid and similar to mine. As were the rest of the attendees. We all gasped together, laughed together and felt deeply together. It is no mean feat to be able to create an atmosphere where everyone is invested both individually and as a collective audience.

This show is so important not just for those that are neurodivergent, but also for those that have neurodivergent individuals in their life. It’s content of this show will only continue to become more and more valuable as time goes on.

So, even though this show for Melbourne Fringe is sold out, I would unquestionably recommend that you keep an eye out for Colin Ebsworth and any of his future shows. I cannot wait to see what he comes up with next and will be attending prepared to feel the full range of emotions next time!

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

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Beowulf: Reforged – A Mastery of Spoken Fantasy

Beowulf: Reforged

Beowulf: Reforged Rating

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Have you ever yearned for a trip back in time to old fireside chats with the town bard? Perhaps with some mulled wine in hand and the outside world left for a bit? Then this is the show for you! Lit by fire, flame and some cleverly placed lights, Dr Felix Nobis enters the stage in the Waterside Forge and (surely through some type of magic) starts entrancing us into this fascinating tale of beasts, heroes and fantasy.

Not only was the tale a grand adventure of peaks and valleys to listen to, but Nobis presents this tale in a way that makes me want to listen and to witness this mastery of spoken word was breathtaking. This show was simplicity personified with minimal props, wardrobe, music and lighting, but the impact was maximised by Nobis’ narrator skills. He was able to take an old tale, breathe fresh life into it and present in a way that left the whole audience captured and hanging on to every breath and word from this fireside troubadour.

This story was further brought to life by an incredible harpist playing on the stage who seemed to spin golden spiels of tune from her strings. The immersion and old style melodies allowed me to go back in time to meat, stew and late nights in a tavern with your friends. Tonight, this was not just a show, but a place for the community all here to share in a magnificent tale.

The atmosphere of the show was one of comfort, with plush red chairs and old wooden benches. It almost felt a little bit ramshackle and mismatched, but in the best way possible. And to have the show set in a working forge, surrounded by old stone and fire? I really want to commend Georgie Wolfe and Ryan Hamilton on the design and production of this show and understanding that it didn’t need to be grand, in fact being more simplistic allowed Nobis to shine in his chronicles.

 

The audience reactions very much mirrored that of my own, with all of us gasping and laughing as Nobis’ weaved his story. This accompanied by the relaxed costume and blacksmiths props helped to immerse us all in a world long gone. And it felt relaxing to escape back there, even if it was just for 60 minutes.

This show delicately expressed what it was to be theatrical and dramatic in a fantastical sense, and, as a lover of fantasy and poetry myself, this is something I would love to see more of in our theatre community today.

Beowulf Reforged is part of the Melbourne Fringe Festival and only has four sessions left. For tickets, book now @ https://melbournefringe.com.au/event/beowulf-reforged/

Remaining Sessions:-
• Wednesday, 9 October, 7:30PM
• Thursday, 10 October, 7:30PM
• Friday, 11 October, 7:30PM
• Saturday, 12 October, 7:30PM

For further information about Beowulf Reforged, please follow: https://linktr.ee/beowulf.reforged

Photographer: Jaimi Houston

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The Critic Melbourne Film Review: Occasional Beauty

The Critic

The Critic Rating

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Behind a cloud of cigarette smoke and in a drunken haze appears Sir Ian McKellan (Lord of the Rings), playing the despicable Jimmy Erskine in The Critic (2024). In this film, there is the mention of ‘more beauty, less beast’, which McKellan solemnly denies and goes full beast mode.

This character was cruel, conniving, and calculating. His acting made me really detest him, as by design, and often kept my attention caught. But outside of this stunning display of mental brutality?

Well, with a stellar cast including Gemma Arterton, Ben Barnes, Mark Strong and Alfred Ennoch, I had high expectations, especially with Barnes and Strong being two of my favourite actors. And please be assured, it is not the acting that lets this film down as the talent is clearly plentiful.

But alas, this film does seem tonally confusing. One moment I was laughing at the wit and banter that Erskine dishes out, and in other parts, it felt like yet another plot twist that didn’t quite have the same effect as the one prior to it. This film deals with theatre and manipulation, bringing a beautiful pre-show to the Me Too movement as well as touching on love and betrayal, however it falters slightly on the delivery.

There was also a hint of historically accurate homophobia which (as a queer person myself) really excited me in the trailer. And whilst this does make an appearance, it feels like another theme (or even gimmick) shoved into the jack in a box that is this film. And it will inevitably leave the audience a little unsure when it explodes.

 

This film did exceed in its costumes and sets, all of which felt rich and lived in. The score and included music seemed to head in a different direction to the story, but as stand alone pieces, they are beautifully composed to reflect the time and socio-economic status that revolves around these characters. I do really want to commend the use of silence too, especially in hard hitting moments. The cinematography felt really inclusive, effortlessly showcasing the scenes and sets that had been curated and drawing you into this world.

Given this film supposedly had multiple re-shoots and rewrites, I would have thought some of the story would be smoother. But it felt clunky. And the audience in the theatre reflected this, with members not quite being sure on when to laugh and when to stay quiet, myself included.

All in all, go for the loaded and talented cast, stay for the stunning sets and music, and then duck out early, because you can probably guess what happens once it gets up to a certain point.

Please check your local cinema directory for session details.

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