Scandalous Cabaret

Scandalous Cabaret

Scandalous Cabaret Rating

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Scandalous Cabaret is a fusion of Circus, Comedy and Cabaret all rolled into one travelling act in a tent. With a larger cast of twelve performers they advertise their show as a ‘hybrid’ adults only Circus, that delivers a sensually themed collection of acts.

The performance contained many old favourites from the Circus arts however with modern twists. We see the Unicycle, but also a miniature version, a three-wheeled version and a two-story off-centred version. Juggling is another classic, but performed with bounce, movement and up to 7 balls at once.

The absolute standout of the act was the talented Trapeze artist who also performed an aerial act with chains and neck spinning. She was mesmerising, with incredible strength and fluidity of movement. A great commendation is needed for the choreographer of the acts, as every performance had amazing flow of movement and contained many transitions.

The choreography knew when to contrast stillness and movement, and constantly used symmetry between the aerial artists. This was evident across the board, including a contortion routine that contained so much elasticity and smoothness of movement. Another standout was a fire performance containing skin transfers and fire eating. This act had great transitions and practical use of fire palms, bubbles and wands with excellent variation between these things.

 

The individual circus acts were to an incredibly high standard, where it seems that achieving a continuum would be within their grasp. The dance choreography had a very classic jazz style and made little interludes between acts, which was not unwelcome. There was mention of tracking ‘gossip’ surrounding relationships as a story-line for the performance, but this was quickly forgotten.

It would be nice to see this story-line develop more or play a more active role in the way things are staged. We did get a nice classic jazz number that was sung quite well, it would be nice to see more showcasing of vocal talents in their line-up in the future. The song choices and comedy included in the show feel a little crude and immature, not giving a high-class cabaret feel to the show. It would be good to see the staging and theming evolve to better showcase the fantastic talent contained within their cast.

Overall, Scandalous was not very much so, but a great showcase of fluid choreography and talent. It still proved an entertaining time with nice reinventions of older circus acts, and a large cast of professionals.

Scandalous Cabaret runs 15th November – 14th December.

To book tickets, please visit https://scandalous.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Global Smash Club: A Full-Throttle Cabaret Spectacle

Finucane & Smiths Global Smash Club

Finucane & Smith’s Global Smash Club Rating

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5

Exuding colour, light, and all things sublime, Finucane & Smith’s ‘Global Smash Club’ celebrates its 20th anniversary exactly as it came into the world: with a glorious bang.

Opening night at Trades Hall saw the ETU Ballroom bursting with talent, as icons of Melbourne’s art and theatre scene took to the stage for an hour of cabaret, spectacle, and daring subversion. At the helm, Moira Finucane – Fringe legend and co-creator of the original ‘Burlesque Hour’ – isn’t one to shy away from making a mess. Her performances tore through the boundaries of convention with wild abandon and dubious liquids, stirring the pot in ways that left the crowd gasping for more (and more and more).

 

Performance art legend Maude Davey transformed the ballroom into a high-voltage dive bar with powerhouse vocals, off-the-charts energy, and a healthy side of rock and roll. Her cheeky acts blended classic burlesque with a contemporary edge, and were just so cool (seriously, Aussie-BBQ-meets-showgirl should be compulsory viewing).

Yumi Umiumare, the undisputed goddess of dark fever dreams, served up her signature whiplash concoction of surreal dance, twisted comedy, and Butoh, luring the crowd to the edge of reality with spellbinding intensity. The way her intricate costumes moved and flowed under her precise control was as hypnotic as it was impressive.

Sharing the stage with these powerful headliners was a dazzling ensemble of stars. Unforgettable performances from Mama Alto, Piera Dennerstein, Imogen Kelly, Zitao Deng, and Xiao Xiao suspended the crowd between moments of breathless awe and unbridled laughter. The evening’s magic was punctuated by a special appearance from Yorta Yorta Taungurung Wiradjuri elder and artist Glennys Briggs and country musician Ian Muir. With live music and art filling every corner, the show was an all-encompassing, neon-drenched seduction of the senses.

 

What makes ‘Global Smash Club’ truly irresistible, however, is the bold individuality of its performers. Each act overflows with personality, effortlessly balancing artistic expression and unhinged absurdity. If you’ve got a good sense of humour and don’t mind a bit of provocation, this will do you just fine. As for me, the odd fish that I am, I felt right at home in the chaos – though it still got a few dropped jaws out of me! By the end, I left no less than obsessed and hopelessly in love with the beautiful madness of it all.

‘Global Smash Club’ has everything you never knew you needed – cabaret, karaoke, the possessed demonic spirit of Hello Kitty. It’s a lucky dip of performance art that can’t be pinned down, and you either get with it or get left behind. Defying reason and transcending both genre and gender, this show asks: why be normal when you can be gloriously indecent instead? It’s cheeky, saucy, and it’ll leave you soaking wet (literally).

As a passionate farewell to this year’s Melbourne’s Fringe Festival, ‘Global Smash Club’ is more than just a show; it’s a sweaty, sexy homage to a powerful movement that refuses to simply survive – it thrives in all its naked glory. Catch it this weekend only at Trades Hall – satisfaction guaranteed.

For further information on Finucane & Smith, please check out: https://www.finucaneandsmith.com/

Photographer: Max Roux

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Leather Lungs: Shut Up and Sing – Big Boots, Big Hair, Bigger Heart

Leather Lungs: Shut Up and Sing

Leather Lungs: Shut Up and Sing Rating

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2

It’s September in Sydney – time for the largest arts festival in NSW The Sydney Fringe Festival, to come alive. Over 400 events are being hosted across multi venues. I visited the Village Green Festival Garden at Darling Quarter on a cold evening to watch the cabaret Leather Lungs: Shut Up and Sing. The outside was chilly, but fortunately inside the tent it was warmer and was about to become even more so with the arrival of Leather Lungs.

Bursting onto the stage with bright blue hair, long eyelashes, wearing a sequin dress and a bright pink taffeta coat, Leather Lungs exuded energy and radiance. Their introduction and comedic story telling immediately had the audience cheering. We discovered that although this opening night act was the first time they had performed at The Fringe Festival in Sydney, this New Zealand entertainer has had a full career performing their self written cabaret all over the world. Leather Lungs has sung with Adele and performed for the Beckhams, and has won the Best Cabaret Weekly Awards in 2020 and 2021.

Shut Up and Sing, Leather Lung’s solo show, blends storytelling and song together into a mesmerising walk through some experiences in their life. They begin with an original song which appears to be a dedication to their Nanna Gail and the very sound advice that she had given to them when she was alive. They share this memory as they reminiscence, conveyed in a sweet and gentle song about insecurity and being kind to yourself. Within the small tent, we could almost feel Nana Gail there with us.

Leather Lungs followed with a song that they and Nana Gail had sung when they were out exploring the woods – a cheeky rendition of Old MacDonald Had a Farm. Although this traditional nursery song doesn’t sound like the typical cabaret song, coupled with Leather Lung’s active physicality accompaniment around the stage and a hilarious repetitive impersonation of some farm animal noises, they had us in stitches laughing! This was also one song where we were encouraged to join in singing with them, which delighted the audience. 

Leather Lungs: Shut Up and Sing

Leather Lungs continued to capture the audience with their humour, wit and spectacular four octave vocal range! They had the skill of storytelling, highlighting some important serious themes, ranging from being in an unhealthy relationship and sharing some health issues, to balancing it with tales of growth, self acceptance and love. It was a beautiful mix in the show and Leather Lungs left us with the very real message to not be a bystander, and not to be complacent when faced with difficulties life will inevitably throw at us. Don’t depend on others rescuing you – a reminder as they purposely cut short the song “I Need a Hero”. We can rescue ourselves.

Leather Lungs reminds us via their song lyrics – “Life is no cabaret, but I’m inviting you anyway.. just Sing”.

Go see this show – it was and it wasn’t what I was expecting from a cabaret. Yes it was energetic. Yes there were songs, glitter, fabulously outrageous costumes, fishnet stockings, big boots and an even bigger voice. What I didn’t expect was the cohesive flow of life’s lessons told with tender charm – bravo Leather Lungs!

Leather Lungs: Shut Up and Sing, is playing inside the South Tent at the Village Green Festival Garden.
Dates: 17 – 22 September 2024
Tickets: $23
Duration: 55 minutes
Producer: Ben Anderson
www.sydneyfringe.com/events/leather-lungs-shut-up-sing

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Exotic Lives of Lola Montez at Chapel Off Chapel

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The Exotic Lives of Lola Montez Rating

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2

Attending the latest production of “The Exotic Lives of Lola Montez” at Chapel Off Chapel was an exhilarating and unforgettable experience. This show is a kaleidoscopic journey through the life of one of history’s most controversial and audacious women, brought to life by an all-female presenting cast.

The performance is a brilliant blend of fantastic singing, ranging from Broadway show tunes to opera and everything in between. It also includes burlesque dancers performing classic fan dances to full-frontal nudity, showcasing a spectrum of artistry and boldness.

The show is a highly feminist work, written and directed by women, and it tackles numerous significant questions relevant during Lola Montez’s time and today. Lola’s assertion that her body was her own and belonged to no one else remains a powerful statement in the current context.

Caroline Lee, a triple Best Actress winner and a direct descendant of Lola Montez herself, delivers a stellar performance. She expertly portrays a woman living life on her own terms in a time when women had limited choices. The narrative delves deep into what it means to live a life defined by one’s own desires and terms, questioning the value of a life lived outside societal norms.

The storyline beautifully intertwines Lola’s life with the historical context of Victoria and Melbourne, referencing artifacts that can still be seen in the National Gallery of Victoria. One notable episode from Lola’s life that is vividly depicted is her infamous horsewhipping incident involving the editor of the Ballarat Star. This event, among many others, is recounted with both humour and drama, creating a captivating narrative.

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The show also features burlesque performances that range from historical references to modern interpretations, including a male performer stripping down to a single piece of tape, leaving the audience in suspense. This daring and unapologetic approach is a recurring theme throughout the show, making it both provocative and thought-provoking.

Despite a few minor hiccups, such as occasional line drops by the performers, the overall experience was incredibly enjoyable. The production’s raw honesty, combined with its mix of storytelling and sensual performances, makes it a must-see.

Don’t miss out on this incredible performance that celebrates the life and legacy of Lola Montez in the most spectacular and unapologetic fashion.

**Performance Details:**

**Dates:** 21 – 30 June

**Times:**

  • Friday 21 June, 8pm
  • Saturday 22 June, 8pm
  • Sunday 23 June, 6pm
  • Wednesday 26 June, 8pm
  • Friday 28 June, 8pm
  • Saturday 29 June, 8pm
  • Sunday 30 June, 6pm

– **Tickets:**

  • $88 Table Seat*
  • $48 Standard
  • $38 Concession
  • $38 Groups 6+

**Duration:** 80 minutes (no interval)

**Contains:** Theatrical haze, coarse language, nudity, and lots of dancing. Suitable for ages 15+.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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