Meet The Performer – Tomas Clifford

Tomas Clifford

Hold onto your hats, folks! Today, we had the distinct pleasure of sitting down with the inimitable Tomas Clifford to chat about his latest musical-cabaret extravaganza, “Tomas Clifford Got Stood Up.” Fresh off successful runs in Perth, Tomas is ready to make his mark at the Melbourne Fringe Festival and beyond. Get ready for a unique blend of humour, music, and heartfelt storytelling.

About Tomas Clifford

What do you enjoy most about acting?

I love connecting to a live audience just like you have a gossip session with your friend over a coffee (or wine) – making everyone in the room feel like they’re the only person being told the story is the aim for me, because it’s that personal connection with the performer than I as an audience member love about cabaret and live performance.

What productions have you acted in before?

Tomas Clifford Got Stood Up has already had two festival runs in Perth, and we’re very excited to announce that this upcoming Melbourne Fringe Season marks the beginning of a national tour of the show (with more dates to be announced for 2026).

Do you want to work in film, live theatre or both?

As a composer, I would love to work on projects across all different media formats – movies, tv, you name it. My heart, however, will always lie in theatre/live entertainment composition, be in the form of a musical or an original cabaret. As a performer, I’m super open to opportunities that may come my way. I’ve never fully imagined myself as a screen actor, but I certainly wouldn’t say “no” – and stranger things have happened.

What strategies do you use to overcome stage fright or nerves before a performance?

I honestly believe that the best strategy to overcome nerves are 1) extreme preparation building up to the performance and having the fullest of confidence that you know what you’re doing; and 2) being ready to throw all that preparation away and respond to what you’re being given by the audience in the moment. It’s that balance of type-a organisation and type-b carelessness that make me more excited than nervous for a performance.

How do you maintain your physical and emotional health while working on demanding projects?

The three s’s: sleep, steam, and silence.

Is there anything else you’d like to add?

My original musical-cabaret Tomas Clifford Got Stood Up will be playing in Melbourne from the 1/10 – 5/10 as a part of this years Melbourne Fringe Festival!

Where can patrons purchase tickets to this production?

To book tickets to Tomas Clifford Got Stood Up, please visit https://www.melbournefringe.com.au/whats-on/events/tomas-clifford-got-stood-up.

Thank you for sharing your insights and experiences with us. Best of luck with Tomas Clifford Got Stood Up at the Melbourne Fringe Festival and beyond. We’re certain audiences everywhere are in for a treat!

Other interviews can be viewed in our Meet The Performer Series.

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Perth Comedy Festival: Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up Rating

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Heart, flair and talent to boot. That’s how to best summarise Tomas Clifford, who recently dazzled crowds at the understandable encore season of his cabaret Tomas Clifford Got Stood Up.

Having not been able to attend the initial run of the show during Perth Fringe, I was itching to see it, following nothing but praise from others who had snagged a ticket. Presented as part of the Perth Comedy Festival, and showing at the Rechabite – it was the perfect venue for this production, providing a sense of intimacy while also just enough grandeur to allow Clifford to milk his moment in the spotlight.

Though based on his own experience of a date gone wrong, whirlwind hour grapples with themes everyone can strongly resonate with – feeling alienated, the desire to be accepted and most importantly self love. Mostly sung through; the music and vocals – both written by Clifford – are outstanding, featuring an eclectic mix of genres that keeps audiences on their toes. His clever lyricism was both witty and thought-provoking, but it was ultimately his overall candidness that truly drove home the messaging. I really enjoyed the way the tunes were both performative yet conversational, helping to build rapport with the crowd.

Having previously seen Clifford on stage in acting roles, it was great to see his personality shine through here. The authenticity added a whole extra layer to the performance and it was very evident, as is told within the show, that he is so confident in who he is and was proud to celebrate that with the world.

Props must also go to the small but mighty band helping bring the story to life – drums, keys, bass and guitar, rounded out by the welcome brassy tones of a saxophone and trumpet – along with three backing vocals, all phenomenal in their own right. Clifford’s relationship with both his band and BVs was refreshing, ensuring they were just as much a part of the performance as he was – with the vocalists in particular helping to serve as other ‘characters’ in his life.

All in all, this was an excellently executed cabaret that audiences evidently had a lot of fun at – helped largely in part by that fact that Clifford was too. I cannot wait to see what he does next.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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