“There’s No Place Like Home” – Northern Beaches Youth Theatre’s GALE

Gale

Gale Rating

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After a devastating windstorm in her hometown, a teenage girl lands – literally and figuratively, in a completely foreign place. Now living with her two Aunties far from home in Seattle, Gale Winters (played by Anastasia) navigates the uncomfortable feeling of treading the unknown halls of high school alone. Anastasia completely encompasses Gale’s character with finesse, showing a vulnerability and later in the play, a strength that shines through. This is a transformation where the audience cheers her on through certain challenges and it is gratifying to see.

Initially, Gale is immediately targeted by the Queen Bee, an arrogant self-appointed leader of an adoring gang. Birdie, played with confidence and the believability of a high school bully by young performer Caitlin, picks on Gale and encourages her gang to say all sorts of insults to her. Caitlin’s Birdie was spot on – she was every “mean girl” ever portrayed in American high school movies, and Caitlin reminded me in looks of a young Helen Hunt.

It is almost immediate when the links are drawn between Gale and Dorothy, from The Wizard of Oz. Some of the insults include teasing her from being from Kansas, even though Gale repeatedly lets them know that she’s “actually from Iowa”. More parallels are drawn between Gale and Dorothy in a scene where she pulls out a little stuffed black dog and in a heartbreaking scene, talks to the dog and tells him she misses him, and is mercilessly teased by the classmates, who nickname her dog Toto. Her little dog who she names as Stormy is lost back home in Iowa, and her family are looking for him. As an audience member, I find myself crossing my fingers and hoping that little Stormy (the name is cleverly noted in relation to the weather as is Gale’s name) is found, recovered safe and sound.

 

 

Other parallels to The Wizard of Oz are cleverly woven into this play by playwright Emily Golden. One of Gale’s Aunts is named Aunty Miranda…”Aunty Em” for short, played by Rosie. Both Aunty Em and Aunt Z, performed by Eva, are safe and trusted adults for Gale. The principal of the school is named Mr Ozborne, whose presence the audience never sees – perhaps the head of the school is similar to The Wizard of Oz who is the head of Oz? The science competition which Gale and Birdie take part in is held in The Emerald City, all nods to the well-loved famous tale. But perhaps the most obvious nod to The Wizard of Oz are Gale’s new friends – Leo, who is Birdie’s twin brother played by Emma, Just Tina, played by Ruby and Scarlet, performed by Rylie. Leo has characteristics of The Cowardly Lion and the development of Leo as he gains more courage to stand up to his sister is an important turning point in the story. Gale’s friend Scarlet is reminiscent of The Tin Man and Just Tina could represent The Scarecrow. A standout performance from Emma, Ruby and Rylie as supporting characters was noted.

During times of high stress, Gale would stand in the middle of the stage and desperately chant. “There’s no place like home! There’s no place like home”. During these scenes, the supporting cast would swirl around her holding everyday items, and in the background, a wild stormy scene would erupt accompanied by the sound of angry rain and thunder. Well done to directors Chantal Harrison and Victoria Lockhart and the cast for creating this very effective and meaningful visual scene, representing the heartache of being displaced due to climate change events and the feeling of helplessness. Gale’s science project highlights attention to this as well.

Gale is a story of what it means to find yourself lost in an unknown place, to have the courage to find your own voice in the face of challenges, to discover true friendship and ultimately, a feeling of belonging.

The Northern Beaches Youth Theatre who presented Gale are people aged 12 -17 years old. It is a wonderful achievement for people this young to act and be responsible for the behind-the-scenes of this production – huge congratulations to everyone involved in Gale! If you have a chance to watch this, go and support a refreshingly bright cast and cheer on Gale as she faces an unknown future!

Season: June 18 – 27th June 2026
Venue: 10 Jubilee Avenue, Warriewood

Tickets: www.events.humanitix.com/nbyt-presents-gale-by-emily-golden

To book tickets to Gale, please visit https://events.humanitix.com/nbyt-presents-gale-by-emily-golden.

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Mi Todo Productions In Association With Qtopia Presents Casey And Diana

Feature-Casey and Diana

October 1991. Inside Toronto’s Casey House hospice, Thomas has been asking himself questions like – why hasn’t his roommate seen Steel Magnolias? And how did that diner get these eggs to smell like cat food? But now… he’s asking himself the most important question of all: what is the perfect ice-breaking question to ask a Princess?

Casey and Diana, by award-winning playwright Nick Green, was inspired by Princess Diana’s real visit to Casey House on 25 October 1991, 35 years ago this year. Since its 2023 Stratford festival premiere Casey and Diana has continued on to sold-out seasons across Canada and the US.

This award-winning play (Best New Canadian Play, Toronto Theatre Critics’ Awards (2024); Dora Mavor Moore Award nomination for Outstanding New Play (2024); Heritage Toronto Award (2024)) explores the extraordinary capacity of people to care – and how through compassion and forgiveness this capacity can grow. It’s an intimate and unexpectedly uplifting countdown to Princess Diana’s arrival – where empathy triumphed over stigma.

Darkly humorous and unflinchingly honest, the play honours caregivers and patients whose small, everyday acts of love built courage in the face of loss.

“Believe the hype, ‘Casey and Diana’ is stellar” Now Magazine
“A moving celebration of women who choose compassion over fear” Globe and Mail
“Breathtaking and poignant” Broadway World

Mi Todo Productions (Mary Jane, ★★★★.5 – John Shand, SMH, Es & Flo,★★★★ – Suzy Goes See) is proud to present the Australian premiere of this award-winning and moving play. Nancy Denis (Ma’p Boulé, ★★★★ – SMH) directs her first full-scale production with a stellar cast, featuring Chad Traupmann (Foam, ★★★★.5 – Sydney Arts Guide), Lucy Miller (Heaven, ★★★★ – Sydney Arts Guide), Gabriel Alvarado (Clyde’s, ★★★★ – SMH), Linda Nicholls-Gidley (Monster, ★★★★.5 – SMH), Isabel Burton (A Midsummer Night’s Dream, Bell Shakespeare) returning to Mi Todo Productions after her acclaimed performance in Mary Jane, and Lib Campbell (Cluedo, ★★★★.5 – Limelight) as Princess Diana in a show that transforms history into a living act of remembrance – a luminous story about dignity, care, and the sound of hope.

DATES: Wednesday 22nd July – Saturday 8th August
TIMES: Tuesday – Saturday at 7pm
LOCATION: Qtopia, The Loading Dock Theatre
BOOKINGS: https://tickets.qtopiasydney.com.au/Events/Casey-and-Diana/

TICKETS: From $29

WRITER Nick Green
DIRECTOR Nancy Denis
EXECUTIVE PRODUCER Chad Traupmann
PRODUCER Sasha Lian
STAGE MANAGER Alexis Worthing
PRODUCTION DESIGNER Maitê Inaê
COSTUME DESIGNER Laura Mazikana
MARKETING Maddy Withington
DIALECT COACH Linda Nicholls-Gidley
ASSOCIATE DIRECTORS Zakk Allen and Attu Ngor

CAST Gabriel Alvarado, Isabel Burton, Lib Campbell, Lucy Miller, Linda Nicholls-Gidley, Chad Traupmann

 

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A Queer Little Manslaughter?

A Queer Little Murder

A Queer Little Murder Rating

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My favourite thing about Pride Fest so far is no two shows I’ve seen have been even remotely alike and Savannah Hankinson’s “A Queer Little Murder” was no exception to this. In fact, it was super different from anything I’ve seen recently. The concept is a whodunnit Agatha Christie type murder mystery but everyone is gay. No seriously, Hankinson plays six different, lesbian characters and the whole thing is VERY gay. I loved it.

New York resident, Hankinson, has also trained in London and Russia. As such, her accent and character work were impressive and if she ever messed up switching between all of these, she was able to correct herself in the voice of the narrator and protagonist named ‘Try-Hard’. She mentioned at the start that she had just finalised and printed a new script that day, and I guess that’s Fringe* baby! This was a very meta, intellectual exercise which was a little bit more like going to a script reading crossed with a one woman show. However, there were parts that came more naturally when Hankinson really got into the flow, and these were super fun.

 

 

There were some very funny lines and lots of queer references which made for an enjoyable Tuesday night outing. I usually go into shows without reading much into them, or the performers, so I’ve only just now looked into Hankinson’s bio. She has taken this show to a very impressive list of Fringe festivals including in Hollywood, San Diego and soon she is going to Edinburgh! I see that it has sometimes been a full length play and sometimes the plot has been different, I wonder how often it changes? It would be cool to see Hankinson go script free to really connect with the audience and utilise the space more. Maybe in future shows she will.

My main gripe, as a lawyer, is that the murder was more like manslaughter and the evidence is not assessed very carefully. The whole thing wraps up quite quickly, and I wanted more depth and less background…

The set and lighting were fairly simple, but effective for telling the story as was Hankinson’s costume as ‘Try-Hard’ a pandering softmasc lesbian. There was quite a small crowd on Tuesday night at Qtopia, but everyone was gripped and willing to participate. It was marked as audience participation, so I was mentally prepared for this but honestly there could have been more!

Overall, Hankinson was a wonderful performer and I really liked the concept. A must see for anyone who loves crime shows and/or is gay.

*/Fringe adjacent festivals like Pride Fest

To book tickets to A Queer Little Murder, please visit https://tickets.qtopiasydney.com.au/Events/A-Queer-Little-Murder.

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Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly) Rating

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‘Yandha Djanbay (Go Slowly)’ returned to the Illawarra Performing Arts Centre after its 2025 MerrigongX season run. The audience was packed in with family, friends and theatregoers in a beautiful display of community. It was hard to turn any corner without someone stopping to say hello to another patron, but that’s Wollongong for you!

‘Yandha Djanbay’ is a beautifully lyrical one-woman show by Gunai woman Kirli Saunders that uses poems from her published collections in tandem with song and monologues. It was such a treat to hear a beautiful blend of each of these performance-styles with parts of the show spoken in her family’s native tongues. Saunders has a soothing and rich voice that came out of nowhere. Her regular speaking voice is calming, however when she began to sing, I thought at first it was a backing track it was so smooth. Like the ocean she spoke of so fondly, it felt like stepping into the calmest of waves and floating in the sun as she sang.

Her set was minimal. At first, it was an eclectic pile of “stuff” that was hard to make out. As the performance went on and each story unfolded, a prop was selected from the pile and left scattered around the stage. I like the symbolism of leaving parts of yourself behind rather than taking something to remind you of where you’ve been. The realisation that each item was also so deeply connected to the stories made for a beautiful moment, particularly when it came full circle and the big picture came into focus.

 

 

I adored the use of the screen and quotes from both her set and from Australian politicians and other influential characters. The humour of well-known jokes and asides to break up the abhorrent nature of each publicly said statement, broke up the performance into sections and allowed for the audience to take small moments of reprieve from the heaviness of each story. The use of visuals such as the ocean and cultural practices based on Dharawal and Wodi Wodi lands helped bring everything together and worked so well with her stories that it felt like breathing for the first time. I commend the production team for all their work.

Yandha Djanbay is a beautiful production that deserves to be seen, with deeply personal experiences and life lessons we all could learn from. The message to ‘Go Slowly’ is so versatile, especially in a world where everything seems to be happening at a million miles an hour. Each person has the space to take something unique away from the performance and its variety of themes, and that’s such a wonderful skill for a solo performer, especially when the source material is so personal.

Grab a ticket from the Merrigong Theatre Company website https://merrigong.com.au/shows/yandha-djanbay/ and make sure to check the performance warnings. The show closes Saturday 20th of June, so get in quick to secure your spot!

To book tickets to Yandha Djanbay (Go Slowly), please visit https://merrigong.com.au/shows/yandha-djanbay/.

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