Wits and Whisky – Dorothy in Oz, An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure Rating

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Writer and director Alex K. Wregg brings his lifelong love of the Oz books by L Frank Baum to life at the 2025 Sydney Fringe Festival. His latest imaginative experience Dorothy in Oz is introduced as an experience where guests attend a birthday celebration for Princess Ozma of Oz. I had no idea about what lay ahead in our adventure and the mystery of this added to the suspense.

We started our journey in Kansas, sitting on hay bales and drinking a preshow drink from the bar titled Baum’s Marvellous Medicines – Potions, Tinctures, Remedies. It is here we met Dorothy, played with girlish charm by Bethan Williams. She was the guide that lead us safely into the world of Oz after she suspects a tornado was on the way.

The theme of the different lands where we begin is clear when we step through the tornado tunnel. There are tables beautifully decorated in vibrant colours, representing the different lands. As with all things magical, there were fairy lights adding to the atmosphere. The guests were greeted by The Scarecrow, played by Adam Watt, and we were able to gravitate to whatever table colour we wished to sit at to begin our night. Throughout the performance, Adam maintained the thoughtful and sweet nature of the Scarecrow and deserves a shout out for when he answered some of my questions with quick witted Oz related answers multiple times.

Production designer and build, Paul Bujak created a space that appealed visually and made me want to explore the area (the different lands) immediately! I did go for a wander around when I first came in.

 

 

On one wall, there was a poster of Oz, titled “The Marvellous Land of Oz” and it pulled together the five different lands; Winkie Country, Gillikin Country, Munchkin Country, Quadling Country, all of which surrounded the famous Emerald City. Bordered on four sides by the Great Sandy Waste, Shifting Sands, Impassable Desert and Deadly Desert, this map’s artwork was truly beautiful, and I could have studied it for hours.

In dual character roles, Marni Collier played Tip with a light-heartedness zeal and Ozma, and Kirsty McGuire’s performance as Mombi and Glinda made me laugh a few times! The four cast members bounced off each other to keep the flow going throughout the night and were there to support the guests if we got into any confusion about how to solve the given puzzles. There were lots of puzzles to be solved as a team (your country), and this was one of the highlights of the experience! I didn’t find the puzzles too difficult – think Escape Room meets family friendly World of Oz, and you can understand the fun to be had when working together with other people. I was on a table of five, but this number can vary, depending on the number of guests on the night. The puzzles were cleverly thought out to space separately the places where we went to complete the challenges.

Dorothy in Oz, An Immersive Cocktail Adventure, wasn’t your typical sit-down theatre performance. Instead, it was an interactive experience where guests became part of the story. Without giving too much away, it turned out to be a wonderfully fun journey into the Land of Oz that will captivate everyone, from the young to the young at heart. Although it has ‘cocktail’ in the title, the experience also caters for non-drinkers and has family friendly sessions, which will suit younger guests who have curious minds and wonderful imaginations.

If you want a diversion in our busy and hectic world, use your wits then relax with a delectable whisky-based cocktail, transport yourself to Marrickville Town Hall this September! For Sydneysiders, my message borrowed from The Wizard of Oz is “If I ever go looking for my heart’s desire, I won’t look any further than my own backyard.” Explore your own backyard and book tickets to this experience, before the tornado hits town!

Season Run: September 3-28, 2025
Venue: Marrickville Town Hall
Run Time: Approximately 1 hour 20 minutes
Tickets: www.dorothyinoz.com

To book tickets to Dorothy In Oz: An Immersive Cocktail Adventure, please visit https://www.dorothyinoz.com/.

Photography: Phil Erbacher

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Karate Man – A Brilliantly Clever Interactive Live Action Comedy

Karate Man

Karate Man Rating

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If you have ever played a video game, you’d feel the excitement of pressing a combination of different buttons on the controller and moving your character around the screen – to fight villains, explore different rooms and make decisions. The game always has a goal, often several, with riddles and various quests to complete before the goals are met, before you finally win the game. Perhaps it has taken hours to play. Imagine this. You know what I mean. Now think about the characters jumping out of the screen and are standing right now in front of you, swaying from one foot to the other, patiently waiting for you to give them a command on your controller. Your game has come to life – and you get to make decisions about what happens next. This is what happens in this comedic show Karate Man.

Co-creators and directors Bruno Dubosarsky and Daniel Scarratt have produced a truely unique and hilarious interactive play…and play we did! All audience members participated and became immersed into the story, by taking turns with the controller and pushing buttons, directing Karate Man to do what they wanted in response to the story’s many challenges.

The buttons were typical gaming commands such as kick, throw, punch, jump, grab as well as move left / right/ down and up, all of which Karate Man had to do immediately on command as soon as the it was read out by the game’s narrator. The sound effects added to the authenticity of a video game, complete with repeating sounds when the characters were waiting to be directed what to do.

 

This video game character was portrayed perfectly by Bruno Dubosarsky and done with such robotic fluidity that it was believable, his movements imitating the basic gaming commands of the 1980’s video games. As you can imagine, the fight between Karate Man, moving in a step by step controlled fashion (eg “right, right, jump, right, kick. Left, left, down, punch”) and his arch enemy Ross Roundkick, played with cheeky wickedness by Daniel Scarratt in the year 198X was hilarious and one of the highlights of the show for me. I was laughing so much as poor Karate Man was directed to move in ridiculous excess due to the audience still getting used to using the controls at the beginning of the show – it would have been exhausting for Bruno. At one stage, Karate Man was directed by the controller “left, left, left, left, left” right off the stage – the audience was crippled with laughter! I had never been to a Choose Your Own Adventure show like this before, and I loved it.

The story of Karate Man takes us into the lives of Karate Man and his wife Kara. Her name being half of his name seemed to be on purpose, and added to the cheesy charm of the show. Kara was played by Stephanie Ryan and her mannerisms of a video game character were spot on. Karate Man had to complete some challenges in this game and the audience was given three choices which led to different scenes and more goals to achieve. As the audience were making the decisions about where Karate Man was going to go next in our rendition of the play, I could see how the show would completely change on different nights. It would be interesting to return to experience another scenario and set of goals.

 

The supporting cast, Tim Dunk as the Time Fish, Juliet Rae Timmerman as Alex Coober and Maddie Atkins lent keen exaggeration into their video game characters and were very entertaining. All of the actors at different times were so funny, and I believe that some lines may have been impromptu.

The script was clever and contained some references to pop culture embedded. Prop designer Stephanie Ryan kept the stage simple. A few painted large posters were used, as well as a few other props, and was all this show needed as it was more reliant on the physical comedy and the script.

Shown as part of the Sydney Fringe Festival 2024, Karate Man was spectacularly funny and one of the most original interactive shows to hit the stage! Instead of playing video games at home, head out to the PACT Centre for Emerging Artists in Erskineville to have your own personalised adventure with Karate Man.

Show run: 17-21 September 2024
Tickets: $30 – $38
www.sydneyfringe.com/events/karate-man-a-live-action-video-game

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Leather Lungs: Shut Up and Sing – Big Boots, Big Hair, Bigger Heart

Leather Lungs: Shut Up and Sing

Leather Lungs: Shut Up and Sing Rating

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It’s September in Sydney – time for the largest arts festival in NSW The Sydney Fringe Festival, to come alive. Over 400 events are being hosted across multi venues. I visited the Village Green Festival Garden at Darling Quarter on a cold evening to watch the cabaret Leather Lungs: Shut Up and Sing. The outside was chilly, but fortunately inside the tent it was warmer and was about to become even more so with the arrival of Leather Lungs.

Bursting onto the stage with bright blue hair, long eyelashes, wearing a sequin dress and a bright pink taffeta coat, Leather Lungs exuded energy and radiance. Their introduction and comedic story telling immediately had the audience cheering. We discovered that although this opening night act was the first time they had performed at The Fringe Festival in Sydney, this New Zealand entertainer has had a full career performing their self written cabaret all over the world. Leather Lungs has sung with Adele and performed for the Beckhams, and has won the Best Cabaret Weekly Awards in 2020 and 2021.

Shut Up and Sing, Leather Lung’s solo show, blends storytelling and song together into a mesmerising walk through some experiences in their life. They begin with an original song which appears to be a dedication to their Nanna Gail and the very sound advice that she had given to them when she was alive. They share this memory as they reminiscence, conveyed in a sweet and gentle song about insecurity and being kind to yourself. Within the small tent, we could almost feel Nana Gail there with us.

Leather Lungs followed with a song that they and Nana Gail had sung when they were out exploring the woods – a cheeky rendition of Old MacDonald Had a Farm. Although this traditional nursery song doesn’t sound like the typical cabaret song, coupled with Leather Lung’s active physicality accompaniment around the stage and a hilarious repetitive impersonation of some farm animal noises, they had us in stitches laughing! This was also one song where we were encouraged to join in singing with them, which delighted the audience. 

Leather Lungs: Shut Up and Sing

Leather Lungs continued to capture the audience with their humour, wit and spectacular four octave vocal range! They had the skill of storytelling, highlighting some important serious themes, ranging from being in an unhealthy relationship and sharing some health issues, to balancing it with tales of growth, self acceptance and love. It was a beautiful mix in the show and Leather Lungs left us with the very real message to not be a bystander, and not to be complacent when faced with difficulties life will inevitably throw at us. Don’t depend on others rescuing you – a reminder as they purposely cut short the song “I Need a Hero”. We can rescue ourselves.

Leather Lungs reminds us via their song lyrics – “Life is no cabaret, but I’m inviting you anyway.. just Sing”.

Go see this show – it was and it wasn’t what I was expecting from a cabaret. Yes it was energetic. Yes there were songs, glitter, fabulously outrageous costumes, fishnet stockings, big boots and an even bigger voice. What I didn’t expect was the cohesive flow of life’s lessons told with tender charm – bravo Leather Lungs!

Leather Lungs: Shut Up and Sing, is playing inside the South Tent at the Village Green Festival Garden.
Dates: 17 – 22 September 2024
Tickets: $23
Duration: 55 minutes
Producer: Ben Anderson
www.sydneyfringe.com/events/leather-lungs-shut-up-sing

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