Lost In Yonkers

Lost in Yonkers

Lost In Yonkers Rating

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7

Neil Simon’s Tony Award and Pulitzer prize-winning comedy Lost in Yonkers is an absolute delight.

Presented by the Roxy Lane Theatre in Maylands, which provides a warm, community theatre welcome from the moment you step through the door. This is clearly a group that enjoys what it does and works hard to put on a good show.

Directed by Karin Staflund, Lost in Yonkers centres on brothers Arty (Daniel Keenan) and Jay (Toby Shepherd), who are sent to live with their grandmother (Sarah House) and Aunt Bella (Seren Healy) in the summer of 1942 while their father goes away to work off a debt he owes to a loan shark.

The prickly Grandma Kurnitz is estranged from her son Eddie (Zane Alexander) and his boys. However, she begrudgingly agrees to take Arty and Jay in at Bella’s insistence and makes it clear this will be no holiday as they’re forced to work in her shop downstairs.

Throw in an uncle who is a local gangster (Geoff Miethe) and Aunt Gert (Julia Webster), who is so frightened of her mother that she struggles to breathe; you can tell it’s going to be a long summer for Arty and Jay.

The cast’s youngest member, Daniel Keenan, steals the show as Arty. With an extensive number of lines to remember and maturity beyond his years, he brings the right amount of humour and warmth to his role. Seren Healy’s portrayal of childlike Bella is both hilarious and heartbreaking as a young woman stuck between her learning difficulties and wanting a life and family of her own.

The cast’s accents were fabulous, and the clever use of the time between scene changes with train sound effects and lighting, while you could already hear the hum of the local train in the background, added to the experience.

The set was well done and made great use of the space given. At times, a sofa bed was front and centre. There were also a number of costume changes for each character, all of which suited the characters to a tee.

With nine performances to go, and if opening night is anything to go by, this is one local production you don’t want to miss.

August 17, 18*, 23, 24, 25*, 29, 30 and 31, September 1
Evening shows at 7.30 pm
*Sunday matinees at 2 pm
Bookings at https://www.TAZtix.com.au/roxylanetheatre/ or phone TAZ Tix 9255 3336.

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Garrick Theatre: Steel Magnolias

Steel Magnolias

Steel Magnolias Rating

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5

The “Steel Magnolias” performance at the Garrick Theatre was a touching and emotional experience that highlighted the strength of female friendship, resiliency, and the quiet strength that can be found in the community. The brilliant cast brought the well-known Robert Harling play, set in a small-town Louisiana beauty parlour, to life with amazing authenticity and emotional impact.

Cast and Performances
The cast of Steel Magnolias was a remarkable group that skillfully combined humour, melancholy, and true warmth to bring their roles to life. Every character, from the sassy Truvy to the soft-spoken Annelle, was portrayed with a depth that made them seem genuine and relatable.

Truvy Jones (played by Lea McCall) was radiant, balancing her character’s no-nonsense attitude with an underlying tenderness. M’Lynn Eatenton (played by Sally Forbes) delivered a powerful performance, and Shelby Eatenton-Latcherie (played by Grainne Kennedy) brought a vibrant energy to the stage. Her portrayal of Shelby’s spirit and determination, despite her health struggles, was both inspiring and heartbreaking.

Clairee Belcher (played by Heather Marshall) provided a wonderful mix of wit and wisdom, Ouiser Boudreaux (played by Kylie Calwell) was a standout with her gruff exterior and soft heart, Annelle Dupuy-Desoto (played by Allison Sermon) showed remarkable growth throughout the play, evolving from shy to confident in such a natural way.

Direction and Production
Lynne Devenish’s direction was sensitive and insightful, allowing the natural chemistry between the actresses to shine through. The pacing was well-handled, ensuring that each scene transitioned smoothly and maintaining the audience’s engagement from start to finish.

The set design was an impressive recreation of a Southern beauty salon, complete with vintage posters, salon chairs, and an array of beauty products that added an authentic touch. The intimate setting made the audience feel as though they were eavesdropping on the private conversations of the characters.

Lighting and sound design by Geoff Holt were used effectively to enhance the mood, with subtle changes that reflected the shifts in tone throughout the play. The costume design by Maggie Adams was also noteworthy, with each character’s wardrobe reflecting her personality and socioeconomic background.

Emotional Impact
“Steel Magnolias” is a play that tugs at the heartstrings, and this production was no exception. The themes of love, loss, and the enduring strength of women were portrayed with a delicate balance of humour and heartbreak. The emotional climax was handled with sensitivity, leaving a lasting impact on the audience.

Conclusion
The Garrick Theatre’s production of Steel Magnolias is a triumph of heartfelt storytelling and exceptional performances. It reminds us of the power of community and the enduring bonds of friendship.

This rendition of the beloved classic is a must-see for both long-time fans and newcomers to the story. With its blend of humour, emotion, and authenticity, it captures the spirit of Harling’s play beautifully, making for an unforgettable theatre experience.

Book Online for Tickets @ www.TAZtix.com.au/garricktheatre

Phone Bookings: TAZ Tix 08-92553336

Venue: Garrick Theatre
16 Meadow St, Guildford

Performance Dates:
August 1, 2, 3, 4*, 8, 9, 10*, 10eve, 11*, 15, 16, 17
All evening shows at 7.30pm.
*Matinees at 2pm

Tickets: Adult $28, Concession $23, Members $22
Child Under 18 years $15
processing fees apply
Group bookings of 20 or more or Companion Card holders please call

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Film Review: Mr Blake At Your Service!

Mr Blake At Your Service

Mr Blake At Your Service Rating

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2023 French comedy-drama directed by de Gilles Legardinier in his directorial debut, Mr. Blake At Your Service stars John Malkovich, Fanny Ardant, Émilie Dequenne, Philippe Bas, Eugénie Anselin, Al Ginter, Anne Brionne, and Christel Henon and is based on the director’s novel Complètement cramé! (Completely Burnt Out!).

At times, it was slow and dragged a bit, always seemingly waiting for something to happen. The tempo was slow, the speaking was slow, and you felt the need to know more about the somewhat implausible characters, but maybe that’s part of its charm.

For most of the movie, there is a sadness that lingers over everything with an unlikely collection of lonely, odd characters.

Having seen the lead actor, John Malkovich, depict the evil guy in many movies, I found myself expecting him to suddenly turn into the big bad guy with all hell breaking loose AND then all of a sudden he sort of does!!!

It seemed like the premise held a lot of promise but never quite lived up to it. And then suddenly, it sort of just does!!! The mood goes from sad to silly, and suddenly, you almost…… I did say almost—don’t want it to end.

The plot was holey, the characters thin, and the tempo sluggish, but, despite myself, I found I was enjoying it anyway. Even though finally, after all that damned melancholy, without giving anything away, I was so happy I actually cried – real tears – maybe of relief!!

If you want a movie that you’ll probably like even with all its faults, this one’s for you. It’s especially for you if, like me, you love a happy ending (no!! Keep it classy, please!!).

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The Tundra Within Me

The Tundra Within Me

The Tundra Within Me Rating

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1

The Tundra Within Me is part of the Scandinavian Film Festival, Freedom From Fear stories. The film is set on the snowy plateaus of Northern Norway and revolves around an erstwhile reindeer herder who gave it all up to become an artist in the city.

The main character, Lena, is played by Risten Anine Kvernmo Gaup and presents the film’s main problem, ergo, a not particularly likeable central character. As a single mother with one son, Lena returns to her roots and almost immediately embarks on an affair with a local herder, Máhtte, (Nils Ailu Kemi,) who isn’t particularly likeable either. Neither party is represented as particularly appealing, which makes for dull, screen-time company. Sigh!

Unfortunately, first-time director and writer Sara Margrethe Oskal presents us with a predictable, linear narrative that is weirdly enervating. However, the film’s strengths are the landscape, the actual reindeers, and some beautiful footage of the Aurora Borealis.

As the plot progresses, there’s a (slight) love triangle presented, amidst a bit of phone-texting. (Roll of eyes) Lena draws by romantic-looking candlelight, what? Generally, artists need a bright, stable light source, and her naked, reindeer horns n’ skull themes are risible. (Any teenage, angst-ridden, ex-art students in da house?)

The Tundra Within Me

That being said, there’s a local yoiking competition, which is a kind of indigenous chanting, and singer Gaup can hold a tune. Perhaps this is why she was cast? This is a high point in terms of her performance. Credible supporting cast include Anitta Suikkari as the disapproving Márjá and the local bar-owner, (name unascertainable,) amidst other Guap-family members, including the son. No nepotism here!

It’s all a very tepid, or should that be icy? affair that is ultimately unsatisfying. Like the title, perhaps something has been lost in translation? Better writing and casting might have made a difference, especially when the film revolves around one character. The film does have something to say in regard to the clash between modernity and tradition, and it does provide an insight into the traditions of the Sápmi herding life; for that, it may be worth seeing.

My Rating: Slushy – as in the melting snow kind

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