The Good Food and Wine Show

Good Food and Wine Show

Good Food and Wine Show Rating

★★★★★

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The Good Food and Wine show returned to the Perth Convention and Exhibition Centre (PCEC) for another fabulous year of tastings, cooking demos and a chance to experience the best our beautiful state, and others, have to offer.

Western Australia is known for its wine regions, with the Swan Valley just a hop, skip and a jump for most of us to reach and of course the stunning Margaret River and surrounds where you will find most of Perth as soon as a long weekend pops up on the calendar. While several WA wineries were on display this year, those who can’t quite justify the exorbitant flight prices east were in for a treat, with tastings from South Australia’s best across the Barossa, McLaren Vale and Clare Valley.

My taste in wine has usually leaned towards whites and the occasional rosé, but in recent years I’ve become partial to a lightweight red to complement a meal. The Barossa is known for its Shiraz, so it was the perfect chance to sample a few. Wine not your thing? Never fear. The growing number of distilleries was exciting to see, with my unofficial award for prettiest display (and best name) going to Billy Stitch Distillery. The most unexpected pop-up had curious customers sipping peanut butter whisky, which I’m still not quite sure about.

There’s something for everyone, with general admission from $49.95 and the option to add a tasting glass. Serious foodies and winos could upgrade to one (or several) of a large selection of masterclasses, or the cooking school. The ultimate experience on offer, though, would have to be the VIP Lounge presented by Singapore Airlines. At $185 it includes a three course lunch inspired by their First and Business Class menus, five glasses of wine plus a bottle to take home. For those of us who dream of sitting at the pointy end of the plane, this might be the closest we get.

 

 

Just making the most of the included offerings? The cooking stage, aka The Good Food Kitchen, was the place to be, with standing room only for Miguel Maestre. You never know what you’re going to get from Miguel, and he did not disappoint. From wielding a samurai sword as part of his food prep to a musical interlude on a toy saxophone backed by a drummer, you didn’t want to look away. And don’t get me started on the mouthwatering katsu sandwiches he was making… yum!

The SmoothFM Drinks Lab was a popular, calmer option, with complimentary 30-minute tasting sessions showcasing different regions and a Spirit Lovers Masterclass to end the day. Sessions were walk-in only, so you had to be quick. We sadly weren’t, but still enjoyed listening in.

You can spot the seasoned attendees a mile off, wheely trolleys at the ready. Those without the boot space, or who came in on the train, could wander over to Australia Post’s Pick and Pack to have their wine home delivered. Spotting this early on felt seriously dangerous, removing any excuse of “we can’t carry all this”.

Those just there for the food could graze between stalls offering tastings of cheese, nuts and even water drops (which I had no idea was a thing).

The Good Food and Wine Show may be over for another year, but I’m sure most attendees headed home with more than a couple of bottles of a new favourite wine, or like me, a dish they’re determined to recreate. Although I think I’ll leave the samurai sword to Miguel.

To book tickets to Good Food and Wine Show, please visit https://goodfoodshow.com.au/perth-show-26/.

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Primal

Primal

Primal Rating

★★★★★

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It’s the most wonderful time of the year! No, not Christmas, Fringe World Festival! It’s a time where Northbridge is abuzz with chatter of people who have just been to see a show and may not be quite sure what they just witnessed but loved it anyway, and the excitement of those on the way to their very first Fringe experience. It’s a time that brings people of all ages into the city and there truly is something for everyone…you just have to know what to choose. And there comes the hardest part of Fringe; there are SO many shows to choose from, with many a talented artist or group having toiled away for months or years to bring it to life with all their blood, sweat and I’m sure a lot of tears, only to experience small audiences. Quality over quantity definitely counts in some cases, with an engaged crowd providing the energy the artists thrive off to deliver their very best work.

One show that is definitely not light on energy from either the artists or the crowd is Primal, described as a circus for grown-ups inspired by the raw energy of the animal kingdom and the complexities of human relationships. From the opening musical number we were hooked; this 65-minute thrill ride in the Heath Ledger Theatre at the State Theatre Centre of WA, had me unsure of whether to be amazed or terrified with the strength and flexibility of this suite of performers. Clearly I’m getting old when I’m thinking ‘wow that is incredible, but how is she not hurting her neck?!’

 

 

From burlesque numbers, to amazing aerial acrobatics and sheer displays of female strength with the subversion of traditional gender roles, with some comic relief thrown in, Primal is exactly the sort of show that Fringe is all about. With a blank stage as their canvas, you weren’t distracted by fancy set pieces and became fully engaged, if not mesmerised by each act. The amount of trust the performers had in each other was clear as the tension in the theatre built of where they would take the show next. We had been instructed by the show’s fabulous emcee to hoot and holler as much as we wanted and the audience grasped that challenge with all their might. One stand out act in particular, early in the show had me waiting for the fire sprinklers in the theatre to go off, partly due to the heat between the performers.

I almost don’t know how to describe this show further without spoiling it, so you’re just going to have to trust me when I say this is one of the must-see shows of this year’s festival.

Primal runs daily from Wednesday 28th Jan to Sunday 1st Feb. While there is a matinee on the Saturday and Sunday for those who prefer to be ‘home by 9’; don’t let that fool you, this is an 18+ show.

With one week down and three more to go, there is plenty of time to experience the buzz of Fringe. Get out there and see as much as you can, big or small. Sure, ask your friends for recommendations but above all pick some random shows, because you never know what you may find…and that is the best part of Fringe.

To book tickets to Primal, please visit https://fringeworld.com.au/whats-on/primal-fw2026.

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The Vicar of Dibley

The Vicar of Dibley

The Vicar of Dibley Rating

★★★★★

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Bringing to life any stage adaptation featuring not only well known, but well-loved characters is no mean feat, but The Limelight Theatre in Wanneroo has taken on the challenge with full force in their November season of The Vicar of Dibley.

Crowds were lined up all the way outside the venue when we arrived, eagerly awaiting this matinee performance on a sunny Sunday. If the front of house volunteers were at all overwhelmed by the rush of people, they didn’t show it, as they scanned tickets and shuffled us all to our seats for the performance to begin.

The hit 90’s show, which this play follows, is set in the small village of Dibley, where, following the death of their long-time vicar, the parish eagerly awaits the arrival of his successor, only to be confronted with a female vicar, ready to challenge the way things are done. Based on the Dawn French led series created by Richard Curtis, the stage play has been adapted by Ian Gower and Paul Carpenter.

The production was impeccably cast, with many whispers amongst the packed audience each time a new character appeared. Leisha Fox was unwaveringly spot on in her portrayal of the iconic Geraldine Granger, from the voice to her mannerisms; you could get so caught up in her performance you may forget you weren’t looking at Dawn French. Em Carver’s silly and sweet Alice Tinker was a joy to watch and the chemistry between her and the vicar, as well as with love-struck Hugo (Limelight regular Jason Pearce) made for very convincing performances.

Gordon Park was suitably snobbish as Parish Council Chairman David Horton and there was almost an audible cringe from the crowd each time Chris Juckes’ Owen Newitt spoke, oblivious to his tendency to overshare. Roger Oakes, as fan favourite Jim Trott and Ajay Karia as Frank Pickles made great additions to this strong cast in their supporting roles, and Gwen Browning was subtly wonderful to watch as experimental cook Mrs Cropley.

Director Shelley McGinn also happens to be the group’s Wardrobe Manager, and you can tell, with clear care taken on the details for each character’s costumes, for some of which there were many. The group made clever use of the stage, a split between the parish hall and the vicarage straight down the middle and a small section front of stage for the traditional end-of-episode chats between Alice and Geraldine.

Unlike some stage adaptations of TV shows that are a standalone story, The Vicar of Dibley play is a compilation of episodes of the show bringing familiar moments and jokes to the stage. So well-remembered is this show, I could often hear people around me finishing the lines before the cast had a chance; it was hard to find it anything but charming when I was doing the same in my head.

For those wanting to join in the fun, I am delighted for the group that there are only very limited tickets remaining, so you’ll want to be quick. It’s great to see so many people back out supporting community theatre with shows achieving more than one sell out performance in their run.

To book tickets to The Vicar of Dibley, please visit https://www.taztix.com.au/event/limelight/.

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One-Acts By Locals: Presented by JETS

One-Acts By Locals

One-Acts By Locals Rating

★★★★★

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In recent years the Joondalup Encore Theatre (JETS) have relocated their performances from their home at Padbury Hall to the St Stephens High School Theatre in Duncraig. It’s an impressive space with comfortable seats and all the mod-cons you see in high school theatres these days; not like in my day where we would resort to hiring a stage for the drama room that seemed like something from Ikea, arriving in about 20 pieces, with the kids expected to construct it.

The premise of JETS’ April season is three one-act plays written by locals. I love that Community Theatre provides a platform for local talent, with years of experience or not, giving them a chance to share the stories that may have spent years in a notebook as an idea, or even a fully fleshed out script.

The first half of the evening featured two plays by Johnny Grim, ‘A Little Love and Understanding’ and ‘Jilted Lovers Helpline’. As we entered the theatre, the stage was already set with three men happily chatting at a table, drinks in hand; as the lights dimmed, the conversation grew louder, making a natural start to ‘A Little Love and Understanding’. Mike’s wife is ready to leave him, and he is completely clueless as to why, so he seeks guidance from his two friends (who aren’t exactly living love’s young dream themselves) and his two grown up daughters. Cue conversations about the changes in relationships from the early days of flowers, date nights and romantic gestures to the mundane tasks of everyday life and responsibilities of family that tend to get in the way as the years go by.

‘A Little Love and Understanding’ features a talented cast who drew the audience into the situation, much of the conversation being relatable to the audience in one way or another. The set was simple but effective, good use of props and movement around the space, while subtle perfectly suited the situation.

Gone are the days of the slow open and close of curtains between every scene, audiences nowadays will quite happily sit and watch the quick shuffle of sets between scenes, it feels preferable to be waiting awkwardly for what can feel like an eternity for the curtains to open once again. JETS made clever use of the space with most of what was needed for the first two plays on stage from the start, featuring as background pieces, and then switched out to front and centre when required.

In ‘Jilted Lovers Helpline’ we are introduced to receptionists Mary and Jasmine who are on the frontline of calls from women scorned and men on the verge of a mental breakdown all due to a little thing called love. The two actresses kept us engaged in both their conversations with the aforementioned jilted lovers on the phone, and their own workplace interactions including a conversation around whether you would actually split lotto winnings having bought a ticket for a friend that won (something I’m sure we’ve all considered). Again, the simple set – a couple of desks, computers and accessories worked well for the script which included a few real laugh out loud moments.

Following a short interval we returned for ‘Playing for Sheep Stations’ written by Audrey Poor, where we were taken into a nursing home where the Bingo stakes are high and we see that high school style drama and office politics don’t end, even once you’re elderly. The largest cast of the night featured in a story that both made you laugh and tugged at your heartstrings around the harsh reality of aging. The largest cast of the night bounced off each other well in this enjoyable piece.

With four shows only across one weekend it takes an ambitious group, so well done to JETS. Although I’m sure the cast and crew’s exhaustion will be outweighed by the buzz of performing.

To book tickets to One-Acts By Locals, please visit https://www.taztix.com.au/jets/.

Performance Dates:
April 12 @ 7.30pm
April 12 & 13 @ 2.00pm
Tickets:
$25 Adult, $20 Concession
Groups of 5+ @ $18 each

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