St Jude’s Players Presents Silent Sky

Silent Sky

Silent Sky Rating

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Silent Sky is a historical dramatisation of the life of Astronomer Henrietta Leavitt written by American playwright Lauren Gunderson. It is an important story about the unique challenges surrounding the pursuit of achievement, particularly for women.

It explores the difficult decisions Leavitt faced in pursuing knowledge and fulfilling expected societal roles. Set during a time of social change in the early 1900s, the themes are still relevant today in many ways.

Henrietta Leavitt, born in 1868, discovered a relationship between the luminosity of pulsating stars known as Cepheids and distances. Her work is intrinsic to understanding the magnitude of the universe and is relied upon by Edwin Hubble, amongst others.

A sparkling cast of four women gave strong performances. Brittany Daw, as Henrietta, the protagonist of the play, was very endearing. Brittany balanced Henrietta’s strength with her humanity in the challenges she faced. Tianna Cooper, as Margaret, juxtaposed Henrietta so beautifully as a woman with a different sense of purpose.

Joanne St Clair’s performance as Williamina Fleming was excellent. Her Scottish accent was fantastic, and her delivery of Williamina’s flawless punchlines was spot on. Deborah Walsh’s performance as Annie Jump Cannon, a strong supporting female role, delivered comedy, strength, and warmth—a difficult combination executed perfectly.

Josh Van’t Padje, as Peter Shaw complimented these twinkling stars with his own stage luminosity, jumping well from a harsh Harvard supervisor to a coy suitor and eventually a somewhat confused and heartbroken man.

The set design, music, and lighting were particularly well executed, particularly with the abstract nature of the scene transitions and locations. I must confess I was particularly impressed by the majestically sized telescope centre stage! The costumes reflected the period well. The performance was well received by the audience.

Overall a stellar performance of Silent Sky by the St Judes players and Director Lesley Reed. St Judes Players community theatre group in Brighton has its 75th Diamond Anniversary this year. Silent Sky’s production is a twinkling diamond achievement for all involved.

I would recommend it to everyone. It is an inspiring, witty, and warm depiction of the challenges women face in following their dreams.

Don’t miss out – there are only two shows remaining, the 16th & 17th of August!

For Bookings:-

Telephone: 0436 262 628
Email: bookings@stjudesplayers.asn.au
www.stjudesplayers.asn.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Questions

The Questions

The Questions Rating

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State Theatre Company SA proudly unveils the world premiere of the latest collaboration between playwright Van Badham and composer Richard Wise—a modern and heartwarming rom-com that elegantly explores how simple, honest questions can cultivate profound connections and lead to love.

Set against the unique backdrop of the COVID-19 pandemic, “The Questions” tells the engaging story of a couple whose initial blind date is indefinitely extended due to a lockdown announced just as the visitor is about to make her emergency exit.

As their time together stretches into weeks, and in the absence of any internet or mobile phone coverage, the couple turns to Arthur Aron’s renowned intimacy-building questionnaire, featuring 36 questions designed to pass the time and, in an effort to foster a deeper understanding and acceptance of each other.

Van Badham’s script masterfully combines humour with genuine emotion, delivering dialogue that feels both authentic and relatable. The narrative captures the essence of emotional exploration and connection, with each musical number and piece of dialogue peeling back the layers of the characters, revealing traumas and fostering empathy.

The performances by Chaya Ocampo (Visitor) and Charles Wu (Resident) are compelling and dynamic, and their chemistry illuminates the stage. Their portrayal of a seemingly mismatched couple is both engaging and heartfelt, drawing audiences into their evolving relationship.

The inclusion of the neighbouring rock band adds an additional layer of charm and humour. Their role as observers of the couple’s journey provides a witty counterpoint, while their lively musical contributions enrich the production.

Jeremy Allen’s set design is exemplary, capturing the essence of modern, minimalist living. The compact lounge and kitchenette evoke a sense of social claustrophobia that heightens the intimacy of the narrative. Gavin Norris’s lighting design is particularly effective, creating the illusion of different settings and cleverly adding an urban chic touch with its cityscape backdrop.

Director Mitchell Butel demonstrates remarkable skill, seamlessly blending theatrical and musical elements to bring this vibrant and heartwarming production to life. Even those who are not typically fans of rom-coms or musicals will find themselves captivated by the production’s witty dialogue, clever lyrics, and the powerful message about connection despite differences.

The audience’s response was overwhelmingly positive, with laughter resonating throughout and a standing ovation for the cast. “The Questions” stands as a thoughtful and humorous exploration of human connection in an era dominated by digital facades. It eloquently demonstrates that true beauty lies in the courage to share our authentic selves—flaws and all.

Buy your tickets @ https://statetheatrecompany.com.au/shows/the-questions/ for one of these upcoming performances:-
Mon 5 Aug 2024, 6:30 pm
Tue 6 Aug 2024, 6:30 pm
Wed 7 Aug 2024, 6:30 pm
Thu 8 Aug 2024, 7:30 pm
Fri 9 Aug 2024, 7:30 pm
Sat 10 Aug 2024, 2:00 pm
Sat 10 Aug 2024, 7:30 pm
Mon 12 Aug 2024, 6:30 pm
Tue 13 Aug 2024, 6:30 pm
Wed 14 Aug 2024, 11:00 am
Wed 14 Aug 2024, 6:30 pm
Thu 15 Aug 2024, 7:30 pm
Fri 16 Aug 2024, 7:30 pm
Sat 17 Aug 2024, 2:00 pm
Sat 17 Aug 2024, 7:30 pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Let Sleeping Dogs Lie

Sleeping Dogs (2024)

Sleeping Dogs (2024) Rating

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Adam Cooper’s directorial debut Sleeping Dogs tries to reckon with jealousy, power, perception, and memory but never reaches the heights of genre classics like Se7en or Memento, which are clear inspirations.

Crowe plays Roy Freeman, an almost aggressively broken man whose recent brain surgery scars dice his scalp, his home littered with masking tape with notes to himself.

It is partially a sobering drama about a broken man suffering a debilitating illness and partially a gritty crime thriller, but never enough of either to satisfy fully. The Alzheimer’s diagnosis that bookends the film is under treatment effectively enough that Freeman is able to solve enough of the mystery for the plot to move forward. Despite this, whilst the final reveal hits more with a whimper than a bang, the story has spent so long focusing elsewhere that it never built the alternatives.

Sleeping Dogs (2024)

The story takes an extended detour into a flashback based on a manuscript that tells a compelling story of the corrupting power of influence, but it struggles to translate it back into the main plot, making it no more impactful on the plot than Freeman’s diagnosis.

Where this film does shine is in tone. The almost drained composition of shots when Freeman is our focal point is starkly contrasted to the vivid manuscript flashback, as author Richard Finn reckons with his perception of the murder and his relationships with Laura Gaines (Karen Gillan), a flighty yet brilliant researcher, and Joseph Wieder (Marton Csokas), a murder victim and manipulative psychologist.

These sections are awash with colour and vibrancy, a comment as to how each of our unreliable narrators is coming to the story and how they are analysing events with their own limited knowledge. Unfortunately, this sequence is front-loaded, and we lose this contrast from that point.

There is enough to satisfy a genre fan, but viewers may be baffled by the leaps it takes to justify a conclusion that didn’t reach the heights it was aiming for.

Sleeping Dogs is now playing in cinemas starting August 1st. Catch it at a cinema near you!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Spanish Film Festival: A Ravaging Wind

Spanish Film Festival: A Ravaging Wind

Spanish Film Festival: A Ravaging Wind Rating

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‘A Ravaging Wind’ is the story of a young girl, Leni, who travels with her preacher father, Reverend Pearson, around towns in rural Argentina.

He is an evangelical preacher spreading the word of God and healing sinners. It is a coming-of-age film about Leni as she is trapped in a lifestyle not of her choosing. Argentine director Paula Hernández starts the film as a road movie as we follow them from one church to another.

As they are heading to their next sermon, we start to see more of the character of Leni, played by Almudena González. As she runs errands for her preacher dad, Alfredo Castro, you start to see the doubt in her mind about the direction of her life. On the road, their aging car breaks down, and they are taken, car and all, to a local mechanic out in the middle of nowhere.

Spanish Film Festival: A Ravaging Wind

Here they met Gringo the Mechanic, played by Sergi López, who is opposed to faith and his son Tapioca, played by Joaquín Acebo. Here, we have a similarity between the two families, both being teenagers brought up by their fathers.

As the car is repaired, Reverend Pearson decides he wants to save Tapioca; in fact, he becomes obsessed with trying to save the lad. This echoes with Lenis in the story.

The quality of the acting really makes this movie stand out. Without it, the film would have been a slow-moving road movie. The cast seems to understand the characters and what the director requires of them. It’s a really nice ensemble piece and worth watching. I give it 4 out of 5 stars.

The Spanish Film Festival runs through June-July, 2024 in Adelaide, Brisbane, Byron Bay, Canberra, Melbourne, Perth and Sydney.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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