Every Note Speaks What Words Can’t

No Love Songs

No Love Songs Rating

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1

What is it about a love song? It awakens something in us we can’t put into words. Love is the ultimate subject—it defines us, moves us, and makes us count. It comes in many forms, each as complex and transformative as the next.

Through bold storytelling and evocative melodies, No Love Songs swiftly shifts from the thrill of a new love to the profound, painful reality of losing yourself within it. Overflowing with enormous compassion and warmth, it delves into the raw intricacies of identity, relationships, and loss.

Inspired by the real-life experiences of co-writers Laura Wilde and her partner Kyle Falconer, the show draws from Falconer’s second solo album, No Love Songs for Laura (2021). Co-written by Johnny McKnight, delves into the relationship dynamics between Lana, a new mother, and Jessie, a songwriter at a crossroads. Beyond exploring career ambitions and new parenthood, it fearlessly addresses the often-unspoken challenges of postnatal depression. While this may seem like a confronting topic (and it is) the show’s heartfelt authenticity and humour make it both engaging and ultimately hopeful.

The success of this show hinges on the power and skill of its two actors, who bring a deeply personal journey to life through a duologue of contrasting perspectives that navigates the complexities of parenthood. Through soliloquies and inner monologues, the audience gains insight into their internal struggles, highlighting the deep yet often amusing gap between what they feel and what they express.

An undeniable spark lit up the stage whenever Keegan Joyce and Lucy Maunder performed together. Opposites truly attract—Joyce’s self-effacing, endearing charisma perfectly complemented Maunder’s bold, brassy power. Both hit every note effortlessly, their palpable chemistry making each moment feel relatable and electric, leaving me to wonder if they were a couple in real life.

The Foundry is the perfect new space for this inaugural musical – intimate enough to capture moments of stillness, yet expansive enough for the vocals to soar. The minimal yet impactful musical accompaniment—guitar, keyboard, and percussion—acts as the third character, subtly deepening the emotional layers of the story without overshadowing the intimate moments. The songs were catchy, not Top 40 hits, but expertly crafted to integrate and enhance the narrative. At times, the atmosphere strayed into rock opera territory, amplifying the intensity but there were also poignant, quieter moments that could have been pared down just a bit to sustain the overall momentum of the performance.

What stood out most was that Lana and Jessie felt like real people, pouring out their hearts, songs, and stories while stumbling through a world full of challenges beyond anyone’s full understanding or control. Their dynamic felt less like a performance and more like a confession.

As the audience shuffled out, an elderly gentleman turned to me—a complete stranger—his voice heavy with emotion, and said, “I now understand what my mother went through.” I paused, absorbing the weight of his words, and replied, “Me too.” At that moment, it became clear why Wilde and Falconer wrote this show.

Postpartum depression remained a taboo topic until the late 20th century, with stigma lingering despite growing awareness in the 2000s. This story has rarely been told publicly – let alone shared on stage- but it resonates powerfully across generations. By sharing these deeply personal experiences, we help others, and ourselves, to connect, heal, and feel less alone. When there is no villain, no antagonist, no clear balance – sometimes, that makes both life and theatre equally difficult and beautiful.

This is not your usual escapist musical filled with hearts and roses. It’s an aching, engrossing love letter to the messy, wonderful, awful chaos of being human. Great stories unravel hearts and open minds. Raw, cathartic, and unflinchingly authentic, No Love Songs delivers just that.

No Love Songs is on tour around the country. For date/time sessions for your local area and to book tickets to No Love Songs, please visit https://www.nolovesongs.com.au/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Duel & Dual: Martial Arts Meets Magic

Duel & Dual

Duel & Dual Rating

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Setting the stage for competition, a bare black stage holds a red and green digital counting clock, and two chairs with identical trophies upon them. As each of the two magic champions seek to out-do the other, a playful battle for the ultimate title commences. Exploring the nuances between rivalry and camaraderie, Duel and Dual showcases the different yet complementary talents of both performers through illusionary magic, martial arts, and mime.

Close-up Magician, Tu Strange, and Stage Magician, Mu-Syuan Chang, take turns to impress the audience with their different skills and occasionally attempt to sabotage the other. Strange’s comedic and showman-like personality certainly allows him to engage up close with the audience, even including them directly in his tricks and inviting them to copy his movements to demonstrate their authenticity. He has no qualms exuberantly inviting people to join him onstage, including helping with a 52 card pick up, and often all but demanding a hug at the end of tricks without saying a word.

Chang is much quieter in demeanour yet no less talented, as he gracefully moves around the stage seemingly conjuring playing cards and coloured confetti from nothing. Accompanied by music, he almost dances as he displays incredible dexterity with various items which almost defy gravity.

Both dressed in black, the magicians almost seemed to blend into the background at times, allowing the magic of the moment to take precedence. While this wasn’t completely mimed, with a word or two uttered quietly to amusing effect, the lack of dialogue allowed all aspects of the visual spectacle to take centre stage. The alternating of acts between the performers gave the impression of gentlemen taking turns to attack rather than everything happening at once.

However, it would’ve been very exciting to have seen more of a fast-paced physical battle that utilised more of the martial arts, mime, and magic illusions together. The newfound friendliness at the end, while almost heartwarming, was a bit of an abrupt finish to the performance. There wasn’t much time allocated to working together, and there was certainly a missed opportunity of having them complimenting and helping one other’s acts in a friendly capacity rather than only as rivals.

The alternating red and blue lighting is cleverly employed in the opening few minutes of the show, highlighting the two very different competitors as dramatic foreshadowing to a serious showdown. To complement this, basic spotlighting and stage washes were utilised to great effect, as long as both performers were within in that light. The soundscape, alternating from dramatic instrumental to bursts of popular music, also felt appropriate given the contrasting personas of the performers and often allowed the music to speak for them.

Each magician commanded the small performing space in their own way, often making it feel bigger than it was – unless there was a call for audience participation; some of which could be difficult to see around the flat seating. There are also moments when it is unclear whether to applaud or to simply enjoy the spectacle in silence, particularly if you have never been to a magic show before.

Marketed as riveting tale of rivalry between champions, it operates more as a magic show in alternating styles that is loosely linked with friendly competition. A rigorously rehearsed show that encourages flexibility in audience involvement, this is a great night out for families looking for something different that’s away from the busyness of the popular Fringe gardens.

To book tickets to Duel & Dual, please visit https://adelaidefringe.com.au/fringetix/duel-dual-af2025

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Film Review- Bonhoeffer: Pastor. Spy. Assassin.

Bonhoeffer

Bonhoeffer Rating

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2

BONHOEFFER: PASTOR. SPY. ASSASSIN is not just another war movie; it is the dramatization of Dietrich Bonhoeffer’s journey as he grapples between upholding his pacifist moral convictions or joining the resistance in a plot to assassinate the Führer and save millions of Jewish lives.

A German Lutheran pastor known for his resistance to the Nazi dictatorship and his intense opposition to Adolf Hitler’s genocidal eradication of Jews, Bonhoeffer’s extraordinary human spirit in the face of adversity rises during the darkest of days despite the odds that are clearly pitted against him.

From Angel Studios, Bonhoeffer: Pastor. Spy. Assassin is written and directed by Todd Kamarnicki with Dietrich Bonhoeffer effectively represented by Jonas Dassler. This political period drama is beautiful presented with cinematic mastery visible through the creative vision of Kamarnicki. Costuming and location choices are authentic and believable as the audience is seamlessly transported back and forth between time periods.

This film is let down by some historical inaccuracy, perhaps more so by the omissions within Bonhoeffer’s story. While this does take some of the essence away from depicting the depth of his spirit, at over two hours long it does well to create impactfully dramatic moments that direct the audience toward an understanding of his loving relationship with God and family and the heart-wrenching moral and emotional conflict this man faced.

Bonhoeffer: Pastor. Spy. Assassin will be appreciated by those of Christian faith, but in saying that, those of no religion will not feel uncomfortable. Bonhoeffer’s story deserves to be told – it is respectful and reverent and well worth the investment of two hours of your time.

Tickets to Bonhoeffer will be available for purchase in 135+ cinemas nationwide through Rialto Distribution, starting March 13.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

A Journey to Little Happiness: A New Musical

A Journey To Little Happiness

A Journey To Little Happiness Rating

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9

The title says it all. This show from Taiwan is a lot of fun. The five cast members bring this new show to life on stage. It was fitting on International Women’s Day to see this cast of five women show the acting prowess coming out of Taiwan.

As we enter the venue, we are greeted by the cast in the audience space, making rhythmic sounds and movement. The house lights go out, and the cast moves straight onto the stage and into their first song. And from this first song, the audience is captivated. We know we are in for a good night of musical theatre.

The story is simple yet beautiful. It revolves around an email written 10 years previously. This then causes the five friends to have a reunion. Not a traditional reunion, but one at their old childhood hideout. This causes a range of childhood memories as they embark on playing some of their favourite games. Long-forgotten memories are released whilst playing the games. The audience participates by spinning a chocolate wheel to pick games. We have hopscotch, skip rope, and kick the can. As they play these games, it stirs their memories of gentler times.

And how, now, 10 years later, life has changed. It is more complex. The joys of childhood have faded. But the games do, in fact, strengthen their friendships, and they vow to meet again. It shows how important our early friendships are in our lives. We need to cherish these memories and friendships as they shape us for adulthood.

The choreography and musical pieces significantly enhance the narrative. The music includes elements of traditional Taiwanese musical instruments and rhythms. Chien-Lin Chen wrote the music, and Cindy Chen choreographed. The costumes are based on what children would have worn, with adult elements.

The venue is a little on the echoey side for a musical, but the audio team and cast coped well, and the mixing was clean and crisp. The lighting was a little on the turn on lights to see, until the end when colour was introduced. This colour element helps reinforce the strengthening of their friendships and a brighter future.

This cast works well as an ensemble. The natural acting style makes it very believable. The cast consists of Hsaio Lu, Zhao Zhao, Cynthia Yang, A Hsin, and Pei Chi. The cast is directed by Qiu-Yi-Bao Lai. He has a great sense of the story being told. This is a worthwhile show to see, so keep an eye open for it.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.