Vegas In Concert: The Anthems Of Childhood.

Vegas in Concert

Vegas in Concert Rating

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3

Vegas in Concert at the Astor Theatre promised an unforgettable journey through the decades of iconic performances for the seasoned Vegas veteran or those experiencing the magic for the first time. It did not disappoint! We laughed, we sang, we danced, and some cried, but everyone left with the biggest smiles. I’m pretty sure there will be some audience members with incredibly sore quads this morning who will be regretting the number of standing ovations they gave last night, they sure got their squats in! It was a great night filled with great music and awesome entertainers. I’m sure the sore quads are worth it.

First up, the MC Joe White. He had us all laughing (and then seriously questioning our moral character as we thought about what it was we were laughing at), but my goodness, was he funny. Either he is a very skilled comic who could roll with the unintended audience participation and wing it in a seamless way, or the audience plant was one of the best I’ve seen. I’m still wondering what it was he was going to tell us about his sister in the story that got interrupted!

The laughs didn’t end with the MC. All acts were consummate performers, giving so much more than just singing a couple of songs. The show opened with Vito Grillo as Neil Diamond, and he ended the set on a high note with Sweet Caroline getting the audience off and singing early. Next up, Anita Springs is paying tribute to Olivia Newton-John. There were a few audience members in my row dabbing away the tears as the video tribute to Newton-John was played, but the mood lifted quickly as the songs flowed and had the audience singing and bopping along. I do have to give a special mention to the backing singers. When Springs sang ‘Let’s Get Physical’ and started doing side stretches, the look on their faces as they gave the most pathetic attempt at a side stretch and then laughed with each other was priceless! Such good fun.

To end the first act, Greg Andrew took to the stage as Elton John in the most beautiful jacket and with a pretty amazing voice to match. By the time Andrew was finishing his set, the audience couldn’t contain themselves anymore, and they were trying to find spaces to get up and dance. The closest I came to hearing a complaint was, ‘I really wish there was a mosh pit so we had somewhere to really get up and have a dance’ (I probably would have gone with a dancefloor over a mosh pit, but same same).

Opening the second act was Anthony Mara as Billy Joel (who also had a very lovely jacket), and what a great way to get the audience back in the mood for more. So upbeat and lively. I had been a little disappointed thinking he wouldn’t play Piano Man as it would bring the vibe down, but I was wrong. It ended the set on a high. Jay Weston then played the music of Roy Orbison, and according to the whispers in the queue for the ladies’ toilets, he was an unexpected crowd favourite. When people think of Vegas, apparently Orbison doesn’t jump immediately to mind, but Weston did a brilliant job and made my mum’s night when he played her favourite song, Penny Arcade, which got everyone bopping along.

The show ended with Jack Gatto performing as Elvis. When you think of Vegas, you do think of Elvis, and the audience was not disappointed. We were up, dancing in the aisles, singing, and having a brilliant night, and the band shone in the performance of American Trilogy.

Speaking of the band, I can’t end without mentioning how much fun they were. They genuinely seemed to be having a really good time. Special mention to the lead guitarist, who was rocking out to the music and really not taking himself too seriously at all, and the drummer. As someone who has photographed live music for many years now, I know drummers are hard to photograph. They put their head down and hide behind the kit. Not this drummer! He was having a whale of a time, singing, dancing, smiling, laughing, and genuinely looking like he was loving life. Their joy was infectious.

All in all, this was a brilliant show. These songs were the anthems of my childhood. I grew up with Mum and Dad playing the LPs and EPs of all of these artists, so they are the soundtrack of my memories. The show really didn’t disappoint, AND it was a three-hour show! I was expecting maybe 90 minutes with an interval, but it was 3 hours (with interval) and honestly, time flies when you are having fun; it barely felt like any time had passed at all. Highly recommend!

To book tickets to Vegas in Concert, on their upcoming NSW and QLD stopovers, please visit https://vegasinconcert.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

The Drowsy Chaperone

The Drowsy Chaperone

The Drowsy Chaperone Rating

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2

The Stirling Players return for their final production of 2024, The Drowsy Chaperone, and they’re certainly going out with a bang.

One thing you can count on when it comes to community theatre is the traditional complimentary glass of sherry, and The Spotlight Bar at The Stirling Theatre has you spoiled for choice with a range of different types.

This quirky little theatre at the Innaloo Recreation Centre drew a full house for their Saturday evening performance. The tiered seating was a plus for those of us who often find ourselves missing parts of the stage when there’s a tall person in front of us.

The Tony Award-winning musical by Bob Martin and Don McKellar opens on Man in a Chair (Ben Clarke), who, feeling a little blue, shares with us his favourite record, the cast recording of a fictional 1928 musical, The Drowsy Chaperone. The curtains open, and we’re told to use our imaginations as the recording comes to life.

And so, the stage is set for a hilarious evening with a young couple on the eve of their wedding, a disorganised best man, a desperate theatre producer, a forgetful lady of the house, two gangsters posing as pastry chefs, a self-proclaimed lothario and an intoxicated chaperone. Will the wedding go ahead, or will it be derailed through mistaken identities and the allure of a life in the spotlight?

Even with a relatively simple set, the production values of this show are top-notch; it’s easy to forget you’re in a community hall watching a local production; this could be a cast of professionals at The Regal or His Maj. The costume department was busy with the many costume changes, all of which perfectly suited the era, and a band playing live backstage immersed you in the production when you expect local theatre musicals to come with a backing track.

Danielle Battista shines as Broadway starlet Janet Van De Graff, building on her amazing performance earlier this year in Stirling Player’s production of Evita, and Sonni Byrne is pitch-perfect as the chaperone who is clearly more concerned with her own love life than that of her young charge.

The exchanges between bridegroom Robert Martin (Max Leunig) and his best man George (Oliver Temby) were also a joy to watch, providing strong vocals and great comic timing. I also have to congratulate the wonderful ensemble performers who were perfectly timed and made the most of the relatively small stage. But it’s Ben Clarke as Man in a Chair who steals the show with his hilariously understated delivery that had you waiting with bated breath to see what he’d come out with next.

This one-act, laugh-a-minute musical has to be one of the best shows I’ve seen this year. Having read the synopsis, I really didn’t know what to expect. Even my not-so-musical-enthused husband had a smile on his face every time I glanced over. With just a handful of performances left, get in quick.

To book tickets to The Drowsy Chaperone, please visit https://www.stirlingplayers.com.au/

Playing dates: December 5, 6, 7 at 7.30pm.
Matinees: Sunday December 1 at 2 pm.
Tickets: Adult $25, Concession $22 Members $20

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Christmas in Caulfield: Melbourne’s Christmas Wonderland

Melbourne’s Christmas Wonderland

Melbourne’s Christmas Wonderland Rating

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Christmas has come early to Caulfield with Melbourne’s Christmas Wonderland.

Walking into the Big Top, Christmas lights adorn the enclosure. There is a lot to see and do, and the first stop is the Frosty the Snowman jumping castle.

It’s then onto the Ball Pit before a ride on Rudolf’s train.

At 8:15 pm, we are invited into the Big Top for a circus show with Mrs. Claus and the Elves. We are delighted by acrobatics and aerial artists. Mrs. Claus narrates a Christmas story while we witness thrilling stunts.

Then it’s over to decorate elk antlers with festive stickers before visiting Mrs Clause’s Bakery to decorate gingerbread men’s cookies. It’s a simple yet fun activity for the whole family.

In a separate tent, we meet Santa and his Elves and pose for photos. Photo packages start at reasonable prices, and each visit comes with a surprise present from Santa.

 

Just outside Santa’s workshop is plaster statue painting, a fun activity for everyone. Paint a Santa, penguin or Christmas tree to take home and keep.

Every part of the experience is immersive, and Christmas has been magically brought to life under the Big Top with all your favourite Christmas characters.

The Christmas Wonderland is a fun experience for adults and children with plenty of activities. Whether it’s photo opportunities in Santa’s workshop with shiny baubles or roller skating, there is something for everyone.

Melbourne’s Christmas Wonderland is returning to Caulfield Racecourse from November 29th to December 24th, 2024. It is advised for children 10 and under.

To book tickets to Melbourne’s Christmas Wonderland, please visit https://www.melbourneschristmaswonderland.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Christmas Comes to Melbourne: A Christmas Carol

A Christmas Carol

A Christmas Carol Rating

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Since first published in 1843, Charles Dickens ‘ A Christmas Carol’ has captivated audiences.

As the audience enters the theatre, a dimly lit stage with minimal set design greets them, and the sound of carols echos the room.

We meet Ebenezer Scrooge ( Erik Thomson), who we soon learn is a joyless, loveless, grumpy old man.

Life has a way of teaching us lessons, and as Ebenezer soon learns via a series of ghost visits, he has lived his life in a way that will lead him to isolation and loneliness.

The Ghost of Christmas Past (Alison Whyte) takes him on a journey to discover how the choices he made in his youth shaped the course of his future.

As painful as it is, he must learn that every action he took has led him to where he is and given him insights into how his mistakes changed him. As he meets The Ghost of Christmas Present ( Samantha Morely), he learns that the man he has become has consequences for not only himself but also his family and his employees. His selfish, avaricious ways have caused him to have blood on his hands.

Finally, the Ghost of Christmas Presents itself in the form of his sister Little Fan (Aisha Aidara), who shows him the consequences of his mistakes should he continue on his current path.

Through the process, Ebenezer has a revelation. He awakens from the loveless life he has carved out for himself, all in the name of greed. It is with this awakening that he is transformed, and his life changes forever.

A Christmas Carol is a formulaic story, and as it is well known, we all know what happens. However, the performances of the cast and the incredible stage design make this production something special.

With scenic and costume design by Tony Award® winner Rob Howell, music and arrangements by Tony Award® winner Christopher Nightingale, and lighting design by Tony Award® winner Hugh Vanstone, the minimal set comes alive with breathtaking lighting and effects, making viewers believe that they truly are in London, snow and all.

Erik Thompson gave an exceptional performance, and his supporting cast was equally talented. The use of light and sound, whilst minimalistic, is impressive and effective.

Towards the end of the story, the audience is invited to participate, and the laughter from the crowd is infectious. The snow falling on the front rows and on stage is breathtaking and perfectly captures the atmosphere.

The story might be over 180 years old, but its predictable and transformative character story makes it a much-loved tale.

A Christmas Carol is, in some ways, a love story of sorts—it’s the story of an old man falling in love with life again, reinvigorated, and transformed into a better person. With that love comes redemption and happiness for all who come into contact with the new and improved version of Scrooge.

Jack Thorpe’s adaptation is nothing short of a fantastic telling of a much-loved story. It is a delightful production that is sure to leave audiences with a sense of wonder and excitement.

An Old Vic Production A CHRISTMAS CAROL
A version by Jack Thorne
Conceived and Directed by Matthew Warchus
Presented by GWB Entertainment
At the Comedy Theatre from 22 November to 29 December.

To book tickets to A Christmas Carol, please visit https://christmascarolaustralia.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.