Girl of the Frozen North

Girl of the Frozen North

Girl of the Frozen North Rating

Click if you liked this article

2

The Tea Tree Players, under director Barry Hill, transports the audience to the freezing Yukon for this very amusing sing-a-long melodrama full of merriment and entertainment well worth attending as Adelaide’s own wintery conditions draw to a close.

The fun begins as the MC (Tim Cousins) introduces the play and the cast as they burst into song. The story proper begins during a day in June 1890 in the lobby of a dingy hotel in the Yukon Territory owned by the story’s villain, J Harrington Cesspool (Brian Godfrey). Cesspool is ordering around his employee Nanook (Georgia Gustard) as a fur trader Klaxon (Joel Strauss) enters with a bag of furs and haggles with Cesspool about their purchase price. After Trader Klaxon leaves, Cesspool tries to grab Nanook but she screams and the story’s hero, Corporal Dashiell H Goforth (Clinton Nitschke) of the Royal Canadian Mounted Police, enters the lobby to save her. Goforth then leaves but soon returns with Nettie Neetfoot (Charlie Klose), as she tries to evade the clutches of Cesspool, she explains that she is looking for her mother who has become lost in a blizzard as they searched for her kidnapped little brother. Nettie leaves the hotel to continue her quest.

As the story progresses, hotel guests Cleopatra Pannitt (Cathie Oldfield) the self-proclaimed “America’s gift to the Shakespearean stage” and her daughter Hyacinth Klutz (Selena Britz) both stuck at the hotel because the “touring troupe went broke at the local opera house”, are introduced. Goforth re-enters with the missing Mrs Neetfoot (Elizabeth Ferguson) and later Professor Fredrik Pjoole (John Hudson) from Washington DC arrives to study the local First Nations people’s “time-reversing experiments”. Goforth is accused of theft and tries to clear his name as the search for the missing continues.

 

 

Along the way, the MC emboldens the audience to “aaw”, “ooh”, “boo” and “cheer” but often the engaged audience is ahead of his prompting. Between scenes the audience is encouraged to sing along with the classics, “My Bonnie Lies Over the Ocean”, “Roll Out the Barrell”, “Knees Up Mother Brown” and “I Do Like to Be Beside the Seaside”.

Additionally, between a scene change in Act 1, the audience is entertained by the dancing Harry the Hippy Horse (Ashlee Brown as the head and Lachlan Blackwell as the other end). In a scene change in Act 2, ballerinas Tatiana Orlovski (Lachlan Blackwood) and Olga Ripsacorsetoff (Ashlee Brown) perform “The World Famous Balloon Dance”, which is one of the hilarious highlights of the whole performance.

The production team including Beth Venning for props and set dressing, Barry Hill for set design, Damon Hill for scenic artwork, Merci Thompson for costumes and Robert Andrews and Mike Phillips for lighting and sound design and operation, are to be congratulated for producing an excellent set, costumes and a near faultless technical performance.

The cast all perform superbly, Tim Cousins is warm and enthusiastic as the MC binding the performance and the audience participation skilfully together. Brian Godfrey, with his Riff Raff like appearance, makes a first-rate villain and is outstandingly juxtaposed by the brilliantly often over-the-top performance of Clinton Nitschke. Selena Britz is also commended for her performance and her song and dance routine. The rest of the talented cast also deliver outstanding performances.

The Tea Tree Players’ Girl of the Frozen North is great fun and is full of melodrama and audience participation. Barry Hill, the cast and crew are to be congratulated for this exuberant and splendid production.

Girl from the Frozen North runs from Wednesday 13 August 2025 – Saturday 23 August 2025

Venue: Tea Tree Players Theatre

Cnr Yatala Vale Road and Hancock Road, Surrey Downs SA 5126

To book tickets to Girl of the Frozen North, please visit https://teatreeplayers.com/production/girl-of-the-frozen-north/.

Spread the word on your favourite platform!

Neighbourhood Watch

Neighbourhood Watch

Neighbourhood Watch Rating

Click if you liked this article

6

The always reliable St Jude’s Players latest production is a journey from suburban Australia in 2007 to Hungary in World War Two with Lally Katz’s Neighbourhood Watch resulting in an excellent version of the play anchored by a marvellous performance by veteran actor Julie Quick as Ana.

Beginning the day after the election of the Rudd Labor Government in 2007 the play is centred in the neighbourhood of Mary Street in suburban Australia, where housemates Catherine (Ellie Schaefer) an out-of-work actor and Ken (Dylan Megaw) a diabetic want-to-be film maker are discussing the election. Across the road, an aging and often cantankerous Ana (Julie Quick) a Hungarian Australian refugee delivers a bag of leaves to her neighbour Katrina (Taya Rose) that have fallen from Katrina’s tree into Ana’s yard. Ana asks Katrina if she will pick her up from a specialist appointment the next day, but Katrina responds that she is too busy. Jovanka (Gail Morrison) an aging Serbian woman tries unsuccessfully to visit Ana.
As the plot progresses Ana and Catherine develop a friendship and as they talk Ana tells Catherine of her life story and the play travels to war time Hungary. As Ana’s journey unfurls, Catherine’s own story develops, affected by her own unhappy memories and life lessons are learned.

The multi award winning and one of Australia’s most performed playwrights, Lally Katz, based the character of Ana on stories that her real life aging Hungarian refugee neighbour told her. In Neighbourhood Watch, Katz honours her neighbour’s desires that her stories should not be forgotten. The plot explores the themes of isolation, friendship, war and the consequences of war, grief and the seeking of refuge. Katz weaves these themes cleverly throughout her play.

 

 

Director Lesley Reed, with many years of experience in professional and community based acting and recently directing productions for Galleon Theatre, Adelaide Repertory Theatre and the Stirling Players, has the formidable task of managing nine actors into around twenty five characters throughout the play and taking them from the Australian street to doctor’s rooms, chemist shop and cinema to war-torn Hungarian streets, tram, river crossing and dark fabric factory. This assignment she does seamlessly.

To help Lesley, set designer and construction coordinator Don Oakley, has provided innovative solutions to the staging given the limitations of stage size and budget, even if some solutions require a little creativity by the audience. Sarah Bradley’s original music is brilliant and adds another level to the production.

The whole cast, Julie Quick, Ellie Schaefer, Dylan Megaw, Nathan Brown, Taya Rose, Gail Morrison, Matthew Chant, Christopher Cordeaux and Megan Robson perform excellently, smoothly transitioning through their multiple characters. The experience of performing in over one hundred productions oozes from Julie Quick’s superb performance in particular. Her outstanding acting skills ameliorates the production.

St Jude’s Players’ production of Neighbourhood Watch is an ambitious project by this well-established theatre group, and they deliver an impressive result highlighted by superb acting worthy of the audience visiting Mary Street and beyond.

Reviewed by Rob McKinnon
Rating; 7 out of 10

Neighbourhood watch runs to 19 July 2025; remaining session dates and times are as follows:

Thursday August 14, Friday August 15, 7.30 pm.

Matinees Saturday August 16, 2pm.

Venue: St Jude’s Hall, 444 Brighton Rd, Brighton, South Australia.

Tickets (from July 17): https://www.trybooking.com/DCCMU
Or call 0436 262 628/email bookings@stjudesplayers.asn.au

To book tickets to Neighbourhood Watch , please visit https://stjudesplayers.asn.au/https-stjudesplayers-asn-au-wp-content-uploads-2024-11wp-content-uploads-2024-11-neighbourhood-watch_poster_final-jpg/.

Photographer: Les Zetlein

Spread the word on your favourite platform!

Frozen Jr

Review: Frozen Jr

Review: Frozen Jr Rating

Click if you liked this article

1

Based on the Academy Award winning Disney animated feature film, Frozen, the Adelaide Theatre Academy’s limited season of Frozen Jr at the Goodwood Institute, is a first-class vehicle to highlight the outstanding flourishing talents of the young cast in this highly entertaining production that brings Anna, Elsa and the crew alive on stage.

The plot develops in the Kingdom of Arendelle as Young Anna and Young Elsa play as summer is celebrated by the Townspeople. Young Anna pesters Young Elsa to use her magical powers to create snow and ice. Queen Iduna and King Agnarr prompt them that Young Elsa’s powers must be kept a secret. That night they build a toy snowman called Olaf, and Young Elsa inadvertently uses her powers resulting in Young Anna becoming unconscious. The King and Queen enlist the help of the Hidden Folk and their leaders Pabbie and Bulda revive Young Anna and remove the memory of Young Elsa’s powers from Young Anna’s head. Fearful of her potentially harmful magic, Young Elsa vows to hide her powers and removes herself from everyone including her sister.

The King and Queen travel away from the kingdom but are lost at sea and the sisters are isolated from the outside world and each other. Later Elsa is to be crowned Queen and for the Coronation the castle gates are opened after being shut for many years. Anna becomes excited with the prospect of having people back in the castle. Anna falls in love with Prince Hans and Elsa again loses control of her powers and flees, Anna tries to find her sister leaving Prince Hans in charge of Arendelle. In her search she encounters Kristoff and his reindeer Sven, then Olaf the talking snowman who all join her in her quest to find Elsa.

The show includes the favourite songs from the original film, “Let It Go” and “Do You Want to Build a Snowman?” as well as new songs for the stage.

 

 

With the limited confines of the Goodwood Institute and the large size of the cast, the set design is minimal, relying on a series of ladders that are moved throughout the show. While practical considerations are obviously in play in relation to the minimal set design, the minimalism may lead to confusion with the story amongst younger audience members of which there was a large number in the session reviewed. There were also minor sound issues but not enough to mar the show. Costumes are very good, however the stylised Olaf costume may again lead to confusion for younger audience members.

Two casts alternate between sessions, a “Winter Cast” and a ” Summer Cast”. The session reviewed was performed by the “Winter Cast”. The whole cast has impressive developing talent. They all performed to a remarkably excellent level considering their age and would all seem to have bright futures. Given the excellent performance of all the cast it seems unfair to single out individual members, but the leads Claire Wilkes as Anna and Lucy Parkes as Elsa, deserve special mention for outstanding achievements. Lucy’s singing voice is already at an accomplished level. Special scene stealing mention also to Olive Kennedy as Olaf.

The Adelaide Theatre Academy should be proud of their production of Frozen Jr as it highlights the brilliant developing talents of the cast in this charming take on Disney’s Frozen characters.

Frozen Jr runs to 19 July 2025; remaining session dates and times are as follows:

– Friday July 18th – 10:15am & 6:30pm
– Saturday July 19th – 11:00am & 6:30pm

To book tickets to Frozen Jr, please visit https://theatrebugs.com.au/theatre-bugs-shows-and-events/.

Spread the word on your favourite platform!

The Mountain – Fjallið (Scandinavian Film Festival)

The Mountain (Scandinavian Film Festival) Rating

Click if you liked this article

Director and Screenwriter Ásthildur Kjartansdóttir’s third full length feature is about grief, dealing with loss, guilt and growth. Filmed in the sparse beauty of an Icelandic autumn, it is a cosmic journey that handles these themes with sombre grace in this excellent film well worth the audience’s engagement.

Set in the port town of Hafnarfjörður, a town outside Reykjavík, Maria (Sólveig Guðmundsdóttir) an Astronomer, has planned a family trip to the highlands of Iceland to photograph what she hopes is a comet. When the weekend arrives however her husband Atli (Björn Hlynur Haraldsson), a one-time guitarist but now an Electrician stuck on a job with a client he despises, informs her that he has to work all weekend. Their nineteen-year-old daughter Anna (Ísadóra Bjarkardóttir Barney), an aspiring Musician, also informs her mother that she can’t go because her band will be performing on the weekend. Maria travels by herself but has an unfortunate accident and dies, which triggers a path of grief and guilt for both Atli and Anna. It also starts them on other paths as they deal with her loss.

Björn Hlynur Haraldsson, probably best known in Australia for his role as Pétur in the outstanding Lamb (2021) and as Dries in Northern Comfort (2023) shines in the role of Atli. Haraldsson’s portrayal of the grieving husband on a personal journey deftly depicts the wide range of emotion that Atli transverses in a very skilful manner.

 

 

The role of the daughter, Anna, is correspondingly exceptionally portrayed by Ísadóra Bjarkardóttir Barney. The Mountain – Fjallið marking her debut in a major film role, having previously played the minor role of Melkorka in The Northman (2022) (which also featured her actual mother, Musician/Actor, Björk, as Seeress, the blind sorceress). The scenes with Björn Hlynur Haraldsson outstandingly highlight the father and daughter relationship in crises.

The other roles of the mother, Maria, played by Sólveig Guðmundsdóttir, and Anna’s boyfriend Kári played by Vilberg Andri Pálsson are also portrayed very well as are the other roles by all the cast. Cinematographer, Bergsteinn Björgúlfsson, takes full advantage of the light and shades of the Icelandic landscape. For the indoor scenes he impressively utilises outside natural light as a focus for the action of the scenes.

The Mountain – Fjallið is the first officially vetted sustainable production in Iceland noted for “marking a significant milestone and contributing to the establishment of a standard for sustainability in the Icelandic film industry”, and has been awarded the prestigious Green Film Sustainability certification.

Although only her third full length feature film, Ásthildur Kjartansdóttir is a veteran Director of Photography, Producer, Sound, Editor, Script Supervisor, Writer, and Producer, The Mountain – Fjallið sees her at her peak power in this first-rate film. If the rest of the films in the Scandinavian Film Festival are of this standard, then it will be an outstanding Festival.

Reviewed by Rob McKinnon

Rating; 8 out of 10
Genre: Drama
YouTube trailer: https://scandinavianfilmfestival.com/films/sca25-the-mountain

To book tickets to this, or any films in the Scandinavian Film Festival, please visit https://scandinavianfilmfestival.com.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.