No Love Songs: Poignant And Impactful

No Love Songs

No Love Songs Rating

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1

“No Love Songs” was my first visit to the newly opened Foundry Theatre located inside The Star Casino’s glamorous building. The quaint size and layout of the theatre creates an immersive and intimate experience for the audience and I look forward to spectating many more shows in this fabulous new venue. The acoustics and viewing would be fantastic from any seat in the theatre which makes it, in my opinion, a very inviting theatre. 

The “No Love Songs” musical is based on the book written by Laura Wilde and Johnny McKnight which was inspired by real-life experiences of Kyle Falconer and his partner Laura Wilde. The featured songs are written by the musician Kyle Falconer.

The musical stars the incredible Keegan Joyce and Lucy Maunder and is co-directed by Andrew Panton and Tashi Gore. Music direction is expertly provided by Mark Chamberlain.

“No Love Songs” is a harmonious Yin and Yang balance of grief and joy, sublimely written to strike the audience with the juxtaposition of tears and laughter. The script is superbly written with natural flowing dialogue and a generous sprinkle of witty comedic gags, all of which were delivered impeccably by the stars Lucy Maunder and Keegan Joyce. 

The script delves deeply into themes of depression, loneliness and relationships. It highlights the importance of bringing light to the hardships of parenting and in particular post natal depression. Shedding light on these ‘once unspoken’ topics, yet still not spoken enough about, is vital for urging more conversations, actions and reassurance. 

The writer has truly achieved a very natural realistic depiction of struggling young parents in their personal relationship together and with their child. I’m certain most can relate to the struggles couples face: keeping in combined rhythm, picking up the missed beats for each other and being cautious not to drop the drumsticks altogether into a fathomless pit of no return. 

It was a stellar performance by Lucy Maunder and Keegan Joyce, two immensely talented industry professionals. The acting diversity of both is applaudable and easy to understand their great successes to date and undoubtedly in the future. They delivered unfaltering honest character portrayals coupled with brilliant vocals and musicianship. Neither could be faulted in their brilliant hard hitting performance. Their casting was a commendable choice and they admirably portrayed a convincing real-life couple. 

Staging, costumes and props were minimal which felt authentic to the script. Unnecessary props and elaborate staging would have likely depreciated the poignant impactful themes. The music may not leave you singing as you leave the theatre or asking Google to play the soundtrack but I don’t feel like that was the intention. The obvious intentions of the “No Love Songs” musical is to be conversation striking, thought provoking and impactful and these intentions are mastered to perfection. 

No Love Songs is on tour around the country. For date/time sessions for your local area and to book tickets to No Love Songs, please visit https://www.nolovesongs.com.au/.

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First Things First

First Things First

First Things First Rating

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2

First Things First…. I loved the play. Maitland Repertory Theatre has brought to the stage an enthralling comedic performance with a group of very talented actors.

The stage was set as a comfortable living room, practical and well dispersed for audience interaction. The audience is immersed into the crazy antics of the night’s unfolding drama, which all takes place in the living room of Pete and Sarah’s home.

The idiom “Oh, What a tangled web we weave, when first we practice to deceive“ rings loud, clear and undeniably true as the predominant theme in “First Things First.” We witness the very anxious, escalating to frantic main character, Pete, played by Matt Scoles, squirming his way through lie after lie in a very sticky delicate dilemma. How does one handle their supposedly dead wife spontaneously returning when you have recently remarried a new wife, who knows nothing of the previous marriage?

Well…our main character Pete handles it deplorably! Matt Scoles gave a fabulous expressive character portrayal with top notch comedic timing. He had the audience in his hands the entire night willing him to confess and put an end to the spiraling chaos. Louise Cowan gave a splendid portrayal of Sarah, Pete’s ‘new wife,’ She was ‘on key’ for the role of a timid, attention-seeking, needy wife.

 

The gorgeous long lost wife of Pete, Jessica, who is responsible for creating all the mayhem and chaos was performed tremendously by Jessica Gray. Jessica brings her own unfolding drama, mystery and surprises to the stage.

Devoted and loyal to Pete’s side and to his ludicrous spinning web of lies, is his best friend George played by Tez Tywal. This is the second time I’ve had the pleasure of watching Tez Tywal perform and I love the natural humorous energy and vibrance he brings to the stage.

A solid and perfectly composed professional performance by Jane Johns who played Margot, the doting and ever inquisitive mother of Sarah. Her skepticism towards her son in law is unwavering and rightly so.

And then there was Alan… who entered in the 2nd half at a time when we thought things couldn’t possibly get any more complicated. But they certainly did! A very enjoyable performance by Matt Robinson who plays the hilarious role of Jessica’s secret French lover. Matt skillfully had the audience in hysterics.

First Things First was a highly engaging and very enjoyable performance from a group of impressive skilled actors. Thoroughly recommended for couples and friends who are after a night full of laughter and great entertainment.

First Things First is running at the Maitland Repertory Theatre from November 20 to December 8, 2024.

To book tickets to First Things First, please visit https://www.mrt.org.au/2024-plays/first-things-first/

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Deep In The Hundred Acre Wood

Deep In The Hundred Acre Wood

Deep In The Hundred Acre Wood Rating

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6

As a lifelong lover of A.A. Milne’s stories and poems and the endearing E.H Shepherd illustrations of ‘Winnie The Pooh’ I was deeply intrigued to view the original script by Riley McLean of “Deep in the Hundred Acre Wood” presented by Bearfoot Theatre.

Let me begin with how fantastic it is to see original live theatre productions in Newcastle and I highly applaud Bearfoot productions in continuing to provide their fabulous contribution in our area and beyond.

I loved the immersive greeting of 1940s era tunes and the immediate introduction to Christopher Robin (Zac Scully) laying in the middle of the floor busily drawing pictures of childhood favourite characters; Pooh Bear, Eeyore, Kanga, Rabbit and Piglet. Edward bear (Winnie The Pooh) was perched ready beside a made-up mattress on the floor. I instantly felt connected to the Hundred Acre Woods – Deep In The Hundred Acre Woods I guess you might say.

The play began with the poem ‘Now We Are Six’ and I was enraptured as that is actually one of my all-time favorites. Plentiful exquisite literature of A.A. Milne, including his quotes and poems are beautifully and seamlessly woven into this creative tapestry. Attention to A.A Milne fans – I think you’ll love this respectful honour to his works.

Christopher Robin is shut in his room, hiding away from the bombing raids which bombard the city. He desperately tries to busy himself with the help of his beloved bear and a magnificent dash of imagination. There is a mix of endearing, playful, whimsical,comical, eerie and harrowing moments at different stages and sometimes all at once.

The bombing scenes are deeply eerie created by an effective sound track along with clever lighting and projected image techniques. The creeping stage hands wearing war masks definitely contributed to the disturbing atmosphere.

I have to admit I was skeptical about watching a one person play but Zac Scully was truly exceptional and literally blew me away with his ability to reincarnate one of my childhoods most beloved characters- Christopher Robin. One might presume that it would be an impossible task for a grown man to harness the character of a six year old boy, especially one so worldly famous and beloved but I assure you that Zac Scully mastered it! To merely say I was thoroughly impressed would be a gross understatement. He successfully reincarnated Christopher Robin with commendable skill.

 

The stage never felt empty or lacking by any means considering Christopher Robin was alone albeit his bear. However, Pooh Bear’s recorded voice effectively gave the impression of him being a solid secondary character.

“Deep In The Hundred Acre Woods” is a ‘What If story,’ a reimagining of the life of innocent six year old Christopher Robin, who was actually born in 1920 and instead displacing him into the thickest, deepest, darkest depths of World War Two. After some deliberation and upon hearing the Q&A responses after the show I’ve decided that It’s an intriguing notion to displace young Christopher Robin in this era as he and his father A.A.Milne were both devastatingly affected by World War One and World War Two respectively.

Riley McLean discussed the relevant parallels in current war torn countries and how they felt urged to shed light on the suffering of innocent children who are subjected to the atrocities of war. The walls were plastered with gruesome war drawings which we later learnt were real artworks from children afflicted in war torn countries- a chilling accessory.

Well done Riley McLean and the fabulous team at Bearfoot Theatre I look forward to your next production.

Although Winnie The Pooh is well known as a children’s favourite this reimagining does contain disturbing depictions of war and is recommended for older A.A Milne fans.

Deep In The Hundred Acre Wood is running from 9-12 October at The Tantrum Studio 101 City Road , Merewether.

Book now for tickets @ https://www.trybooking.com/events/landing/1272450

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Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens Rating

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7

SAUCY, SEXY AND SPACY

“Saucy Jack and The Space Vixens” production by Sun Street Studios was instantly engaging from the point of arrival. Mitch Maypole, played by Stuart Ussher, was casually chilling out the front of the Repertory Theatre greeting and directing people to the theatre’s entrance.

The production was held in the back section of the 160-year-old historical building. Ambient mellow lighting and casually dispersed armchairs immediately felt comfortable, relaxed and inviting.

The setting was cleverly laid out and utilised wonderfully by the performers to create an immersive atmosphere of actually being present in Saucy Jack’s Club. It included an effective wall projected neon sign reading “Saucy Jack’s”, a quaint stage for Saucy Jack’s Club performers and a ‘staged’ bar with seated and ready Dr Von Whackoff (David Smith). A dancing pole with a mini stage round was also engagingly fitted amongst the audience chairs.

“Saucy Jack And The Space Vixens” musical was completely unknown to me before this viewing and so I entered open hearted and open minded. The show was fruitful in witty word plays and comedic lines and fabulously delivered infectious laughter, which indeed had the audience, including myself, rolling in hysterics several times. The pinnacle moment was when Dr Von Whackoff revealed what he’d been hiding inconspicuously under his trench coat.

 

Chesty Prospects, played by Angie Hutchinson-Ussher, tragically falls victim to the killer at loose at the end of the first act. To the audience’s delight she remains ‘dead’ on the stage throughout the intermission allowing audience members great amusement to lay beside her and take selfies. Her commitment to her ‘death’ was highly commendable.

The Space Vixens sparkled and shimmered into the second act to investigate the ongoing murders occurring at Saucy Jack’s. Their metallic silver costumes along with their vibrant hair and makeup artistry brought all the fabulous, sexy, razzle dazzle their characters deserved.

Saucy Jack and The Space Vixens is a mature audience show in the adult sense only – not maturity. If you’re in need of a crazy, whacky intergalactic night full of laughs then grab your partner or a group of friends and I guarantee you’ll have a great time.

Top notch restaurants are also conveniently located nearby to make your night out complete.

For tickets, book @ https://www.mrt.org.au/2024-plays/saucy-jack-and-the-space-vixens/

The show is running until the 21st of September, and tickets are a steal at;
$35 adult
$30 concession
Group of 10- $30 each
Also, the drinks at the Repertory Theatre are really well-priced if you fancy one, two, or a few. Enjoy!

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