Interactive Storytelling Once Upon a Grimm Night

Once Upon a Grimm Night

Once Upon a Grimm Night Rating

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4

Picture this. It’s 8pm and you’re driving through a forest. It’s pitch black, except for the beam of your headlights cutting through the stillness. Lining one side of the single gravel road, silhouettes of inky branches reach over, like fingers beckoning you to continue to the house. Old Government House in Parramatta, Sydney. I have to shake off thoughts of ghoulish entities and murderous strangers hiding in the shadows! Maybe my imagination had run awry because we’d just entered Halloween month. Most likely though, it’s because I was on the way to see Once Upon a Grimm Night, an interactive play by Odyssey Theatre! Just the title had scary connotations.

I need not have worried, because I arrived safely and in one piece at Old Government House’s door. After we were greeted by The Narrator, it became clear that in Once Upon a Grimm Night, guests were adventurer travellers and not hapless victims, and this was going to be a live theatre experience with tons of humour, not horror.

Once Upon a Grimm Night is the brainchild of Emily McKendry, who wrote and directed the play. Emily says that her love of all things magical and fantastical inspired her to write about characters from the fairy tale realm. Once Upon Grim Night is set in the world of Everafter, and due to cosmic forces, our world and theirs have crossed for a short time, and we needed to help find a special something.

The Narrator, played with delicious relish and cheeky trickery by Jared Gerschwitz, was a chaos-loving mischievous character who reminded me of Loki with wicked laugh. He guided us in a quest to save Everafter, introducing the wayfarer travellers along the way to the other characters.

We first met Cly, AKA The Maiden, in the garden playing with a frog. Cly had an earnest innocence about her. I loved the way Phoebe Lumley Tow portrayed Cly, who was quick to deliver some very funny lines in response to audience participation . As Cly started singing, I had the impression that she was channelling Snow White, or Cinderella, or any another female stereotypical female fairytale character (which I think may have been the point).

 

 

The third character whose namesake is in the title, is Grimm Volkov, resident Everafter’s hero / heartthrob with fabulous fairytale prince-like hair. Grimm is played with a natural charm by Harlee Timms. Grimm assisted us travellers (or, “Princes” as he nicknamed us all) in the quest to find what we needed to save the realm.

Grimm led us to meet The Witch, a character who we could not help but warm to because of her sarcastic yet hilarious humour. Emily McKendry portrayed The Witch, and her spin on this character was unique. She wasn’t really an evil wicked witch as fairytale land stereotypically paints witches to be. Emily was quick to improvise answers with funny quips and respond to our questions, making us feel comfortable in her dark and dank basement. One of the highlights of the performance was held in the basement, where The Witch chose different audience members / travellers to interact with the magic potions to uncover a mystery.

The set up of Once Upon a Grimm Night is very original, with physical puzzles for us travellers to discover and solve in certain rooms. The Narrator was there to encourage us to work together and to ensure that most guests had a turn.
The costumes of all the characters added to the fairy tale feel. The cast had taken care to ensure their characters looked the part, right down to little details like the jewellery they wore, (especially The Narrator’s extended silver sharp finger ring) waist belts, corsets, billowy sleeves and black boots.

Odyssey Theatre selected the heritage-listed Old Government House as a fitting location for their performance. It was a former country residence, home to Governors and their families from 1800 to 1847. The play was performed both outdoors and indoors, allowing the audience to explore the rooms and experience a set that matched the story. The performance lasted one hour, though I would have liked more time to explore the house and its rooms.

Once Upon a Grimm Night was a unique and enjoyable experience. The small group I attended with was lively, and there was a lot of laughter throughout the evening as the audience banded together to solve puzzles. The interactive nature of this play would be an excellent opportunity for companies to bring their staff together for bonding. With the holiday season coming up, it would make a fantastic choice for an end-of-year Christmas party. Whether you go solo or with a group of friends, it is certainly worth taking a trip into Everafter where you can enjoy a hands-on potion-making activity and take part in clue-solving challenges that are perfect for clue finding sleuths.

Season run: Friday 3 October – Saturday 25 October. 3 session available at 5.30pm, 7pm and 8.30pm
Duration: One hour, no intermission
Old Government House. Parramatta Park, Pitt St entrance. Limited parking is available nearby.
Tickets: www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta

To book tickets to Once Upon a Grimm Night, please visit https://www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta
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Sincere Apologies

Sincere Apologies

Sincere Apologies Rating

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Sorry, Apologies, My Bad… There are myriad ways to express regret when one has stuffed up. These are some of the expressions I pondered as an audience member of Bondi Festival’s show Sincere Apologies. Billed as an interactive experience, I will admit I felt a small degree of trepidation in attending; however, curiosity got the better of me and I found myself perched on a fold out chair on a very chilly July evening in the Seagull Room at Bondi Pavilion. The circular arrangement of chairs around strategically placed microphones created an Alcoholics Anonymous-esque atmosphere, as if we were all there to lay bare our deepest regrets.

After a delayed start, the essence of the show started to make sense. Like children at a birthday party, a brown envelope was passed around from chair to chair. When the music stopped, an audience member read aloud instructions to everyone present. Fifty envelopes were to be distributed among the audience. Unfortunately on the night I attended, the audience was quite small. This meant we doubled (or tripled) up on envelopes. This is a show that definitely works more effectively with a full audience.

Based on an original concept by Roslyn Oades and David Williams, the show’s writers Dan Koop, Jamie Lewis and David Williams, have created what proves to be an incredibly reflective and enriching experience. Within each envelope was an apology ranging from the very famous (does anyone remember Kanye West’s social media apology to Taylor Swift after his MTV awards rant?) through to the very personal (an excerpt from an email to Dan Koop’s mother apologising for his decision not to have children). Within the three envelopes I was assigned was an official apology from Eddie McGuire to Adam Goodes in 2013 when he compared the AFL player to ‘King Kong’; another featured part of the apology of a Japanese son apologising to Chinese people for his father’s war crimes. There were even stage directions to bow (deeply) after I recited the apology.

 

 

Themes of racism, environmental degradation and social justice run strongly throughout the apologies curated by Koop, Lewis and Williams for Sincere Apologies. At a time when deadly flash floods and heat waves seem to be fast becoming the norm, re-hearing apologies such as the one offered by the Exxon Valdez captain after the infamous 1989 oil spill was a reminder of how little we seem to have learnt from the past and perhaps, how little apologies mean when they are not made sincerely.

The culmination of the hour-long show proved to be quite moving; indeed, I would say even, disturbing. We are invited, through imaginary apologies, to speculate on the state of the world in fifty or even one hundred years time; a state that is pretty dystopian if we continue to live as negligently as we do now. I truly felt a sense of regret as I returned into the cold night, walking past the now dark Bondi Beach, that those imagined future scenarios may very well come true.

Sincere Apologies is a timely reminder that apologies matter and we must make them sincerely and genuinely, whether to those we love or to whole generations of people whose lives will never be the same. It is only when we are truly sorry that we can change the future.

To book tickets to Sincere Apologies, please visit https://www.bondifestival.com.au/event/sincere-apologies/.

Photographer: Mark Gambino

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Karate Man – A Brilliantly Clever Interactive Live Action Comedy

Karate Man

Karate Man Rating

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6

If you have ever played a video game, you’d feel the excitement of pressing a combination of different buttons on the controller and moving your character around the screen – to fight villains, explore different rooms and make decisions. The game always has a goal, often several, with riddles and various quests to complete before the goals are met, before you finally win the game. Perhaps it has taken hours to play. Imagine this. You know what I mean. Now think about the characters jumping out of the screen and are standing right now in front of you, swaying from one foot to the other, patiently waiting for you to give them a command on your controller. Your game has come to life – and you get to make decisions about what happens next. This is what happens in this comedic show Karate Man.

Co-creators and directors Bruno Dubosarsky and Daniel Scarratt have produced a truely unique and hilarious interactive play…and play we did! All audience members participated and became immersed into the story, by taking turns with the controller and pushing buttons, directing Karate Man to do what they wanted in response to the story’s many challenges.

The buttons were typical gaming commands such as kick, throw, punch, jump, grab as well as move left / right/ down and up, all of which Karate Man had to do immediately on command as soon as the it was read out by the game’s narrator. The sound effects added to the authenticity of a video game, complete with repeating sounds when the characters were waiting to be directed what to do.

 

This video game character was portrayed perfectly by Bruno Dubosarsky and done with such robotic fluidity that it was believable, his movements imitating the basic gaming commands of the 1980’s video games. As you can imagine, the fight between Karate Man, moving in a step by step controlled fashion (eg “right, right, jump, right, kick. Left, left, down, punch”) and his arch enemy Ross Roundkick, played with cheeky wickedness by Daniel Scarratt in the year 198X was hilarious and one of the highlights of the show for me. I was laughing so much as poor Karate Man was directed to move in ridiculous excess due to the audience still getting used to using the controls at the beginning of the show – it would have been exhausting for Bruno. At one stage, Karate Man was directed by the controller “left, left, left, left, left” right off the stage – the audience was crippled with laughter! I had never been to a Choose Your Own Adventure show like this before, and I loved it.

The story of Karate Man takes us into the lives of Karate Man and his wife Kara. Her name being half of his name seemed to be on purpose, and added to the cheesy charm of the show. Kara was played by Stephanie Ryan and her mannerisms of a video game character were spot on. Karate Man had to complete some challenges in this game and the audience was given three choices which led to different scenes and more goals to achieve. As the audience were making the decisions about where Karate Man was going to go next in our rendition of the play, I could see how the show would completely change on different nights. It would be interesting to return to experience another scenario and set of goals.

 

The supporting cast, Tim Dunk as the Time Fish, Juliet Rae Timmerman as Alex Coober and Maddie Atkins lent keen exaggeration into their video game characters and were very entertaining. All of the actors at different times were so funny, and I believe that some lines may have been impromptu.

The script was clever and contained some references to pop culture embedded. Prop designer Stephanie Ryan kept the stage simple. A few painted large posters were used, as well as a few other props, and was all this show needed as it was more reliant on the physical comedy and the script.

Shown as part of the Sydney Fringe Festival 2024, Karate Man was spectacularly funny and one of the most original interactive shows to hit the stage! Instead of playing video games at home, head out to the PACT Centre for Emerging Artists in Erskineville to have your own personalised adventure with Karate Man.

Show run: 17-21 September 2024
Tickets: $30 – $38
www.sydneyfringe.com/events/karate-man-a-live-action-video-game

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Bum-Believable Fun and Chuckles Galore

The Bugalugs Bum Thief

The Bugalugs Bum Thief Rating

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1

‘The Bugalugs Bum Thief’. Go on – you can’t resist. Say it out loud. Relish the alliteration and feel the silliness spread across your face. Bum bum bum! Let’s be real folks – the word ‘bum’ is a universal delight! Kids and adults alike can’t help but crack a smile when they hear it. And we get truckloads of bums in this humdinger of a show that’s totally cheeky, totally funny, and totally bonkers!

Adapted for the stage from beloved Aussie writer Tim Winton’s picture book, it’s a wonderful comedic goldmine of humour and wordplay. Not to mention a lesson in surrendering to the ridiculous. With its lighthearted and playful wit, this show is bottomless fun (pardon the bum pun) reminding us not to take ourselves too seriously.

In the crazy crayfishing town of Bugalugs, Skeeta Anderson wakes up to a terrible crisis – his bum’s gone missing! And he’s not the only one – the whole town’s bums have been pilfered! And now they can’t sit down! (cue some fabulous physical comedy) Skeeta embarks on a hilarious hunt to track down the sneakiest thief in town and get his bum back.

The talented trio of Ziggy Resnick, Madeline Li, and Toby Blome truly brought the house (and their pants) down in their ability to tap into the childlike spirit of kids on a mission, perfectly capturing an appetite for the unknown and the mischief that defines childhood.

Ziggy Resnick as Skeeta, embodied the innocence and curiosity of a kid in a ridiculous predicament, defying the limits, bringing a refreshingly genuine spirit to the character that was both heartwarming and hilarious.

Madeline Li and Toby Blome, as Skeeta’s trusty sidekicks, channelled their inner Scooby Doo gang members, displaying some remarkable versatility. They breathed life into a vibrant cast of eccentric Bugalugs townsfolk, including a hapless cop, Skeeta’s bum bereft parents and the intimidating Mrs Misery – complete with fluro-pink dressing gown, shower cap and a terrifying hairbrush – just to name a few.

The Bugalugs Bum Thief

Stef Furnari, talented percussionist and ‘one-woman band,’ added an extra layer of excitement and energy with her dynamic and lively drumming. These infectious rhythms accompanied several humorous Bugalugs songs and conundrums to great effect.

Audience participation? Of course! Bugalugs school teacher, Mr. Wally took the lead. We played several games of “Heads, Shoulders, Knees” and learned that Mr. Wally’s rule – “keep the ending close to the beginning” – is a sanity-saver during kids News Time. Lauren and James, our brave volunteers, shone bright.

Lauren almost overcame stage fright to share her favourite food, while James regaled us with a harrowing tale of his car hitting a rock and exploding luggage (talk about a show stopping steal!) Then Mr Wally’s bright red boxer shorts made a memorable appearance and everything was back on track.

Kids go wild for bum jokes because they’re the perfect blend of teetering on rude without being crude so this revival is a perfect bum-tastic treat for the funny bone. A marvellous celebration of catchy tunes and all things delightfully playful, superb entertainment for little ones aged 4-12. Now, for the big question…… just who was the brazen bum thief? Nah – that would be telling!

For the answer and all things to do with Bugalugs Bum fun, see: https://riversideparramatta.com.au/whats-on/the-bugalugs-bum-thief/ for further information.

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