Meet the Director and Playwright Emily McKendry

Once Upon A Grimm Night

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Emily McKendry is a multi-talented director, actor and playwright originally from Taree in NSW. Her first two plays, “The Haunting” and “Murder by Invitation” were very well received. Emily co-founded Odyssey Theatre in 2023 alongside Rebecca Smith and Caitlin Addinell. Today we take the time to meet Emily, writer and director of “Once Upon A Grimm Night”, an immersive storytelling escape room experience currently being performed in Sydney.

About Emily McKendry

What’s your favourite fairy tale from childhood? Why?

It’d have to be Cinderella. I used to love the Disney film with the little mice and their corn, then was a bit shocked when I read the Brothers Grimm version: naaaasty. The live action remake is right up there with my favourite comfort films.

Which character from Once Upon a Grimm Night is most similar in personality to the actor/actress who plays them, and how?

I’d have to say Jared as The Narrator and myself as The Witch. Originally, I had thought that I would play the role of The Narrator but I always like to hold open auditions because you never know who will walk through the doors. We’d asked Jared to prepare for The Grimm but when he came in he’d prepared for The Narrator instead. His take on this wonderfully cabaret manic style Narrator inspired me to totally rewrite the character for him. As for The Witch – she’s socially anxious and prefers cats and crosswords to people – I did not set out to write myself but here we are.

What makes your show different from other interactive experiences?

I think the various types of interactivity blended within the one show whilst still maintaining a strong narrative structure. Most of the show is in fact scripted narrative, then on top we’ve got audience improvisation, escape room puzzles, and interactive potion making.

 

Why did you decide to perform your theatre experience at Old Government House?

You just can’t beat the immersive nature of an actual heritage location. We could try and replicate it somewhere else but it would cost a pretty penny and still never achieve the same ambience. One of my favourite parts of the show is when the audience enter The Witch’s lair – the gasps and audible appreciation of the setting give me little bursts of joy every time.

Do you have any funny or interesting stories of how people reacted during the last season of your show?

How long do you have? Audience interaction means that no two shows are the same. Unfortunately, a lot of them reveal spoilers for the show but The Witch scene always gets some hilarious audience responses.

There is a section where The Narrator asks the audience to consider their futures. One show Jared walked up to a lady and joked that he saw a lot of cats in hers, then with absolute glee she ripped her jacket open and revealed a T-shirt that was printed with the faces of all her 10+ cats. We couldn’t have written that better if we’d tried.

I know you’ve written 2 plays in the past. What inspired you to write this storyline in particular?

I used to write and be a Theatre Production Manager for Dark Stories Theatre, and a few years ago they got approached to create a production in a winery for a winter festival. It didn’t end up happening because there just wasn’t enough time to create it, but I got inspired by the idea of winter and harvest. Traditionally what would you do at that time of year? You’d gather around a fire and tell stories. BOOM; Grimm was born.

If there was any magical object you could bring into this Earth realm from Ever After…what would it be?

I’ve got to go with a classic – a magic wand. I grew up on Harry Potter and desperately wanting to be a witch and not a muggle. I’ve got my bibbity bobbity boo and levi-o-sa down pat.

Is there a sequel in the pipeline so we can see the adventures The Witch and Grimm Volkov get up to next?

You know, so many people have asked me that! I did leave the play open ended on purpose purely because I love the stories that linger with you and make you consider different possibilities. When writing the ending I’ll confess I created a rough outline of their future adventures but as for a sequel, who knows? Never say never.

Where can patrons book tickets?

To book tickets to Once Upon A Grimm Night, please visit https://www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta.

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Interactive Storytelling Once Upon a Grimm Night

Once Upon a Grimm Night

Once Upon a Grimm Night Rating

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Picture this. It’s 8pm and you’re driving through a forest. It’s pitch black, except for the beam of your headlights cutting through the stillness. Lining one side of the single gravel road, silhouettes of inky branches reach over, like fingers beckoning you to continue to the house. Old Government House in Parramatta, Sydney. I have to shake off thoughts of ghoulish entities and murderous strangers hiding in the shadows! Maybe my imagination had run awry because we’d just entered Halloween month. Most likely though, it’s because I was on the way to see Once Upon a Grimm Night, an interactive play by Odyssey Theatre! Just the title had scary connotations.

I need not have worried, because I arrived safely and in one piece at Old Government House’s door. After we were greeted by The Narrator, it became clear that in Once Upon a Grimm Night, guests were adventurer travellers and not hapless victims, and this was going to be a live theatre experience with tons of humour, not horror.

Once Upon a Grimm Night is the brainchild of Emily McKendry, who wrote and directed the play. Emily says that her love of all things magical and fantastical inspired her to write about characters from the fairy tale realm. Once Upon Grim Night is set in the world of Everafter, and due to cosmic forces, our world and theirs have crossed for a short time, and we needed to help find a special something.

The Narrator, played with delicious relish and cheeky trickery by Jared Gerschwitz, was a chaos-loving mischievous character who reminded me of Loki with wicked laugh. He guided us in a quest to save Everafter, introducing the wayfarer travellers along the way to the other characters.

We first met Cly, AKA The Maiden, in the garden playing with a frog. Cly had an earnest innocence about her. I loved the way Phoebe Lumley Tow portrayed Cly, who was quick to deliver some very funny lines in response to audience participation . As Cly started singing, I had the impression that she was channelling Snow White, or Cinderella, or any another female stereotypical female fairytale character (which I think may have been the point).

 

 

The third character whose namesake is in the title, is Grimm Volkov, resident Everafter’s hero / heartthrob with fabulous fairytale prince-like hair. Grimm is played with a natural charm by Harlee Timms. Grimm assisted us travellers (or, “Princes” as he nicknamed us all) in the quest to find what we needed to save the realm.

Grimm led us to meet The Witch, a character who we could not help but warm to because of her sarcastic yet hilarious humour. Emily McKendry portrayed The Witch, and her spin on this character was unique. She wasn’t really an evil wicked witch as fairytale land stereotypically paints witches to be. Emily was quick to improvise answers with funny quips and respond to our questions, making us feel comfortable in her dark and dank basement. One of the highlights of the performance was held in the basement, where The Witch chose different audience members / travellers to interact with the magic potions to uncover a mystery.

The set up of Once Upon a Grimm Night is very original, with physical puzzles for us travellers to discover and solve in certain rooms. The Narrator was there to encourage us to work together and to ensure that most guests had a turn.
The costumes of all the characters added to the fairy tale feel. The cast had taken care to ensure their characters looked the part, right down to little details like the jewellery they wore, (especially The Narrator’s extended silver sharp finger ring) waist belts, corsets, billowy sleeves and black boots.

Odyssey Theatre selected the heritage-listed Old Government House as a fitting location for their performance. It was a former country residence, home to Governors and their families from 1800 to 1847. The play was performed both outdoors and indoors, allowing the audience to explore the rooms and experience a set that matched the story. The performance lasted one hour, though I would have liked more time to explore the house and its rooms.

Once Upon a Grimm Night was a unique and enjoyable experience. The small group I attended with was lively, and there was a lot of laughter throughout the evening as the audience banded together to solve puzzles. The interactive nature of this play would be an excellent opportunity for companies to bring their staff together for bonding. With the holiday season coming up, it would make a fantastic choice for an end-of-year Christmas party. Whether you go solo or with a group of friends, it is certainly worth taking a trip into Everafter where you can enjoy a hands-on potion-making activity and take part in clue-solving challenges that are perfect for clue finding sleuths.

Season run: Friday 3 October – Saturday 25 October. 3 session available at 5.30pm, 7pm and 8.30pm
Duration: One hour, no intermission
Old Government House. Parramatta Park, Pitt St entrance. Limited parking is available nearby.
Tickets: www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta

To book tickets to Once Upon a Grimm Night, please visit https://www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta
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