Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead Rating

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Tom Stoppard’s Rosencrantz and Guildenstern are Dead, directed by Tony Petani is performed by Grads Theatre Company 8-11 & 15-18 October. Could a show so closely entwine with Shakespeare’s Hamlet be performed anywhere other than UWA New Fortune Theatre?

Rosencrantz and Guildenstern flips the script on Hamlet and focuses on two minor characters who are questioning the events that are unfolding (oh, are they questioning, for any parents of 3 years old, this may inspire a new game to play, for those parents of children who have grown out of the questioning phase, which I am assured does happen, this may be triggering! 😊). It is billed as a hilarious exploration of fate, free will and the nature of reality. I would add that it allows the audience to consider that, while Rosencrantz and Guildenstern are described as minor characters, we are all the main characters in our own lives and our own stories.

Yet again, Grads Theatre Company put on an outstanding performance. So often there is one actor that is the stand out, show stopper. The entire cast delivered strong, engaging performances that kept the audience captivated from the moment the lights came up. Each performer brought energy and charisma to their role, creating a lively and entertaining ensemble. It was clear the cast was having fun on stage, and that enthusiasm was infectious.

 

 

While the actors are to be commended, it would not have been half the show without the crew. Congratulations to Fiona Reid for the lighting, Yvette Wetherilt for the amazing make-up, the players masks were brilliant! Extra special mention to Merri Ford for the costumes. Wow. The costumes may have been simple*, but they spoke volumes—each piece subtly anchoring the story in its era. Congratulations to all the crew who made the show what it was. Well done. *with the exception of the waistcoats which looked anything but simple, but given how many of them there were, I imagine they got easier by the end.

Thanks also to Grant Malcolm who put together the program, so I knew who to shout out in the review. All theatre companies should take note! https://www.grads.org.au/rosandguil-prog

The only suggestion I would make is that audience members should take along warm jackets and perhaps a blanket or two. It was chilly in an outdoor theatre, despite the October performance slot.

At the time of writing, there are still 5 shows remaining. You can find out more, and purchase tickets here https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead

To book tickets to Rosencrantz & Guildenstern Are Dead, please visit https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead.

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Hilarious Musical Comedy hits WA: Urinetown, The Musical on Stage This November

Feature-Urinetown, The Musical

Western Sky Projects returns to Perth’s Liberty Theatre this November with something wildly different – Urinetown, The Musical, a riotous Tony Award-winning satire that’s equal parts bold, hilarious, and just a little bit unhinged.

From the team that brought Perth audiences last year’s acclaimed production of She Loves Me, Western Sky’s brand-new production of Urinetown, The Musical brings together 18 powerhouse WA performers, a live 5-piece band, and a story that flushes conventional musicals down the drain.

Running at the Liberty Theatre in Perth from 7–15 November, Urinetown, The Musical is a fast-paced black comedy set in a town gripped by a catastrophic water shortage. As amenities dry up, even the most basic human rights are privatised – including the right to pee.

When one man leads a rebellion against the corporate-controlled toilets, chaos ensues in this anarchic and hilariously self-aware satire. Expect big voices, big laughs, and more than a few revolutions.

Written by Greg Kotis (book and lyrics) and Mark Hollmann (music and lyrics), Urinetown ran for over 960 performances on Broadway, and won three Tony Awards including Best Book and Best Original Score. Known for its razor-sharp wit, bold political commentary, and gleeful subversion of musical theatre tropes, the show has since been staged in over 30 countries worldwide.

Directed by Andrew Baker, with musical direction by Taui Pinker, choreography by Tess Howieson, set & costume design by Rhi Walker and lighting by Tess Reuvers, Urinetown continues Western Sky Projects’ mission to present ambitious, artist-led productions made right here in Western Australia.

Tickets are now on sale at www.trybooking.com/DBHAY

Audiences can choose between two ticket types:

Executive Tickets: Premium seating and a complimentary drink — perfect for those who prefer to and watch in style.

Rebel Tickets: General admission for the bold and brave.

Urinetown, The Musical
Liberty Theatre, Perth
7–15 November 2025
Evenings at 7.30pm | Saturday matinee at 2pm

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Hansard

Hansard

Hansard Rating

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Hansard is a sharp, fast-paced play by English playwright Simon Woods. Lively and bitingly witty, it still delivers a devastating message that feels just as urgent today as when it is set.

The story unfolds in 1988, the year Margaret Thatcher’s controversial Section 28 legislation was passed. It was a week of national upheaval in the UK as the act sought to “prohibit the promotion of homosexuality,” in direct response to a children’s book, Jenny Lives with Eric and Martin, which introduced young readers to different kinds of families. Its introduction ignited fierce protests and unrest across the country.

The play follows Conservative MP Robin Hesketh and his liberal wife Diana, whose ideological sparring is a demonstration on how politics can invade our homes and corrode even the closest bonds. The scene is set on a summer morning. Robin returns from parliament to his Cotswold home of thirty years, where Diana, hungover from a night on the gin, greets him amid the chaos of foxes tearing up his prized lawn and garden. What begins as a razor-sharp, playful exchange quickly darkens, as Diana challenges Robin’s defence of Section 28. In minutes, their banter spirals into something raw and searing, unearthing old wounds and unleashing devastating truths.

 

 

This is a remarkable production. It’s a true marathon for its two leads, Grant Malcolm and Suzannah Churchman. Across nearly two hours without intermission, their performances never falter. Together with director Barry Park, they masterfully balance biting humour with heartbreaking vulnerability, pulling the audience from raucous laughter into hushed, breath-held silence as the play drives towards its shattering conclusion.

The set design is thoughtful, working seamlessly with the flow of the play, and the cast is supported by a great team behind the scenes. Tarek Jabado is the Stage Manager, and Andre Beidatsch is the Assistant Stage Manager. Lighting design is by Mark Nicholson, and the costume design by Merri Ford.

Hansard is currently showing at the Garrick Theatre in Guildford and runs until October 11.

To book tickets to Hansard, please visit https://www.taztix.com.au/event/garricktheatre/.

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Moments in Motion

Moments in Motion

Moments in Motion Rating

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Exploring the themes of love, loss, mental health and jealousy, the Roxy Lane Theatre One Acts presents ‘Moments in Motion’ across three one-act plays, ‘The Birthday’, ‘Mandy’ and ‘Flushed’. With such a broad spectrum of topics, this is one of those productions that resonates, compelling the audience to look within and draw on their own lived experiences.

In a world premiere and directed by Tim Riessen, ‘The Birthday’ kicks off the night and revolves around Mrs Little’s (Pauline Atkinson) 89th birthday. Despite the cake rustled up by a nurse (Nita Teoh), there’s little cause for celebration as Mrs Little is in a coma. As her adult children gather around her, they reminisce about their childhood, along with much speculation about whether their mum can hear them. For anyone who has sat beside a loved one in their final moments, ‘The Birthday’ hits a nerve as this touching scenario brings writer Peter Flanigan’s vision to life as Robyn (Michele Diston), Gail (Julia Webster), Phil (Ian Fraser) and Lesley (Kezia George) each share their truth.

Also written by Peter Flanigan, ‘Mandy’ explores the mental state of Mandy (Melissa Cruickshank) within the family dynamic. As Mandy comes to grips with her depression, her confused state of mind flows in ebbs and tides, throwing the family into despair. The chaos is further exasperated by her overbearing mum (Josphine Wayling) and husband (Paul Cook, who also plays her father) and misguided friend Fran (Joanne Low), with tumultuous flashbacks from Mandy’s sister (Emily Plange Korndorffer) and grandmother (Jenni Glassford). Mandy’s daughter Jodi (Tahlia Verna) seems to be the only empathetic one. Directed by Luke Heath with assistant director Rob Herfkens, ‘Mandy’ tackles the heavy issues and should come with a trigger warning for anyone dealing with mental health issues.

 

 

On a much lighter note, the final play, ‘Flushed’, invites the audience into the trials and tribulations of the dating scene. Set in the toilets during a single’s night, three women explore their jealousies and dating woes as the night dissolves into despair. Written by Ron Nicol, and directed by Sandhya Krishnan, who also plays Tara and is the cause of Meg’s (Catherine Jane) rivalry, with Jan’s (Jackie Oats) wry observations bringing humorous relief to the tension. If you’ve ever been on a girls’ night out, you’ll relate to this one.

The production crew worked tirelessly behind the scenes to bring these stories to life, including Katherine Robertson (sound and lighting design), Rob Herfkens (stage manager) and Cade Smith (assistant stage manager, who also had a cameo in ‘Mandy’).

A special mention must go to set builder Jim Chantry, who managed to create three entirely different stage sets seamlessly, along with Jim Chantry, Kirsten Halford-Bailey (who also handled the set dressing and props) and Chris Harris.

Moments in Motion runs from 18th – 21st September 2025 at the Roxy Lane Theatre, 55 Ninth Ave (cnr Roxy Lane), Maylands

To book tickets to Moments in Motion, please visit https://www.taztix.com.au/event/roxylanetheatre/.

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