Funeral – King IV at Midsumma 2026

Funeral

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FUNERAL
KING IV
Thursday, 29th January, 2026

Inspired by the words; “It’s time to lay your old self to rest — and be reborn as the ultimate version of yourself, as you were always meant to be. This is your ending. This is your beginning. This is FUNERAL”, I ventured over to Howler in Brunswick on 29/1/26 to see ‘Funeral’, a “live music performance from dark, electronic, alt-pop phenomenon, KING IV.” (Pronounced I-V-Y.)

‘Funeral’ is the live performance of KING IV’s dance-pop album, ‘Psychopomp: the other side.’ Melbourne artist, Cheyenne Harper, is professionally known as King IV, who imagines herself as a conduit between two worlds, which provides her – and in turn, us – with a feeling of freedom and power.

The MIDSUMMA festival program is made up of diverse art forms and genres, so I knew ‘Funeral’ by King IV would be far from vanilla. I certainly got more than I expected – as I’m sure crowds discovered from King IV’s past gigs at Beyond the Valley, Melbourne Music Week and previous live and large events.

All songs are originals, written and composed by Harper and backed by a visual feast of cinematic projections and dark choreography, to live and synth-ed music. Don’t fear or judge the synthesizer. These songs are truthful and from the soul. There is a rawness and honesty thrown artistically and boldly in-your-face, and each track leaves you wanting more.

Beginning with a video wall as wide as the stage and evocative words conveying her “red being” crossing to the other side, we meet a sensual King IV with her 2023 single, ‘See you later’, a song about seeking pleasure and letting the light of passion free one from darkness.

King IV told Australian Music Scene in 2022 the song “…poured out of her after a night out clubbing and being love-bombed by the person she was out with.” When writing ‘See you later’, she was also influenced by psychotherapist, Carl Jung, and his quotes on passion, including, “…they must be on fire even if they make a fool of themselves…”

 

 

‘See you later’, is both erotic and clubby so, everyone at Howler moved towards the stage where we could be closer to even more surreal imagery from this extraordinary artist and her voice-over, asking;

“Did you become the forest? Or the space between the stars?
The wind crossed through the valley, or the harsh and ancient jars?
I reach for you in the wind…. in earth, in flame, in sea.
Whatever form you’ve taken, please leave a space for me.
Tell me if you’re alright, even if you’re not.
Even if you’re gone now. Is your soul forever lost?
Welcome to the cosmos and floating on the stars.
A break inside the universe. You’re always in my heart.”

She has taken us to the Afterlife. It’s something we’ve all considered, especially after profound loss.

King IV, as her “red being”, then returns with a plethora of pumping poetry.

A funky kick-beat of a song, ‘Wicked’, was one of my favourites.
“We can cross the seasons. We can reach the stars.”
I resonated with her “wicked witchy woman” story.

Next, ‘Night and Day’ with IV singing inside a red-lit coffin, standing centre stage. Loved the electric guitar riff on this one.
“I like it when you taste it. I do. I do. I like it when we’re naked. I do. I do.”

‘Murder’ mixed ethereal vocals and electronic layers.

‘Psychopomp’ was a stand-out.
“I’m a fire-breathing dragon. Always ready for some action.”

Ultra-talented Pat Gabriel, composer and musical director – @pattyboomba – plays the keyboard, the strings and other recorded pieces throughout the whole show and, it’s obvious to everyone he loves what he’s doing. Heavy on the bass, he interprets his talents within King IV’s compositions.

The Funeral dancers are fit and fast with dynamic and demonic moves, framing King IV fabulously along this unique journey she’s created for us.

‘Psychopomp; the other side’ is an excellent electronic, dance compilation, moody and theatrical, exploring hedonistic lifestyle, personal transformation and pushing each of us to claim our own unique identity.
“To truly transform, you must let the old self die – and trust that something greater is waiting to be born.”

Words of wisdom to live by as we venture into 2026.

Purchase King IV’s ‘Psychopomp: the other side’ album from Bandcamp, an online site that directly support the artists who make music.

@kingivsound

To book tickets to Funeral, please visit https://www.midsumma.org.au/whats-on/events/funeral-king-iv/.

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I Am Grease Grillson

I Am Grease Grillson

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I wasn’t sure what to expect as I entered The Jonesway Theatre in Northbridge to watch I am Grease Grillson, one of the many shows currently on for the Perth Fringe Festival.

For those who are unaware, the Fringe Festival is an opportunity for various performers and artists to showcase their talents.

Having met at clown school in France, yes there is such a thing as clown school, performer Elise Wilson and director Duncan Young teamed up for the creation of I am Grease Grillson.

You may come away from this show thinking what on earth was that all about. In this instance, it would be best to go to the show with an open mind.

 

 

The show opens with solo performer, Elise dressed in character as Grease Grillson in heavyweight lifting attire topping it off with a drawn-on moustache and body hair, lifting an elephant, not real of course as it’s all mimed.

The storyline is, by design or by limitation, a little thin. Grease Grillson, a heavyweight lifter who moves through life with a persistent belief that he is “not enough,” punctuated by flashbacks from his time in an orphanage through to his eventual success. The orphanage material usefully signals the origin of the character’s insecurity.

Nonetheless, as a performance grounded in clowning, mime, and physical comedy, it delivers consistent entertainment, proving that, even when the storyline is light, rigorous physical craft can carry the evening.

To book tickets to I Am Grease Grillson, please visit https://fringeworld.com.au/whats-on/i-am-grease-grillson-fw2026.

Photographer: Sophie Minissale

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Ro Dahl’s Drag Race

Ro Dahl's Drag Race

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Ever since I lived a stone’s throw away from Sydney’s infamous Stonewall Hotel on Oxford Street in Darlinghurst, I’ve had a fascination with drag queens. Their makeup, their costumes, and the way they move has always mesmerised me.

So when I got the opportunity to review Ro Dahl’s Drag Show, I was curious to see if Perth’s drag scene could bring it like their Sydney sisters—and bring it they did.

As I sat down in Perth’s iconic Connection Nightclub, I was whisked back to some blurry memories of visiting here as a younger woman. The audience was a diverse mix of ages, sexes, and ethnicities—everyone was welcome.

The show opened with our host for the night, the beautiful and elegant Moxie Heart as the glamorous Fantastic Mr Fox, instantly creating a warm and fun atmosphere. I must commend her impeccable drag queen voice—sweet, smooth, and polished. She treated us to an introductory dance flanked by the fantastic Peach Pit Crew; I felt like I was watching a Backstreet Boys music video from the ’90s—so much fun!

From that moment on, the smile was pasted on my face and didn’t leave for the entirety of this fabulous show. The joy the performers clearly exuded was contagious, with the audience clapping along throughout.

 

 

This group of showgirls is incredibly talented and endlessly entertaining. From watching Charlie Bucket (Jaxon Coke) twirl across the stage, flipping with outstanding acrobatics, to Veruca Salt (Veruca Sour) gracing us with her award-winning burlesque moves, the entertainment never stopped rolling.

The standout performance had to go to Sassie Cassie as the Witch. Her commitment to character is paramount, and she was definitely the performer who made me smile the most—nearly falling off my chair as she waltzed down the aisle during her act. Her makeup and costume were phenomenal. Knowing it can take her up to five hours to paint that beautiful face, I am in total awe of the dedication involved.

Special mention must also go to Beau Pash as Roly Poly Bird, a clearly seasoned drag queen who had the audience in fits of laughter. Brenda Wee as Matilda was absolutely adorable with clever costume reveals, and Bush Rat as Willy Wonka proved to be a highly talented dancer.

There is so much to love about this show—the energy, the extraordinary lip-syncing, the humour. It will leave you wanting more.

My 60-year-old mother, whom I took along, summed it up perfectly with her first comment: “When can we go again?” She truly enjoyed it immensely.

I implore you to get out of the house and see this Fringe show before you miss it. The art of drag is completely underrated, and I can guarantee you won’t go home disappointed—you’ll go home buzzing and wanting more.

To book tickets to Ro Dahl’s Drag Race, please visit https://fringeworld.com.au/whats-on/ro-dahl-s-drag-race-fw2026.

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How To Stay Married Without Exploding!

How To Stay Married Without Exploding!

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Do you remember that trapped feeling we had while in lockdown during the pandemic? Well, imagine being confined not only to your house, but to less than a square metre in your living room for 10 years. This unlucky predicament is exactly what Francis Molloy found himself in when forced to stand with both feet on top of an unexploded landmine in his living room.

Set in Berlin in 1955, Francis turns this strange turn of events into content by creating the reality TV show “How to Stay Married Without Exploding!” It’s the 400th episode, and it’s auspicious because his wife, Annette, plans to make her debut during this episode. Given the circumstances, you would think that marriage would be the least of Francis’ concerns.

This one-man production raises so many questions. Some answers are organically revealed, and others, the audience asks while acting as the TV audience. It’s the kind of show requiring a certain degree of suspended disbelief, and I challenge you to ask a question that Francis doesn’t have an answer to.

 

 

Played by the American-born theatre-maker Matthew J. Young, with further development, this has the makings of being transformed into a podcast or YouTube channel.

If you’ve ever felt trapped in any facet of life or relationship, you’ll relate. Performed at three historic venues, including Julio’s Italian Restaurant, the character-filled settings are the perfect backdrop to this nostalgic performance. It’s only fitting to order a martini as you cheer Francis along on his dark journey of self-discovery.

“How to stay married without exploding!” Plays from Friday 23rd January to Friday 13th February at Julio’s Italian, Midland Junction Arts Centre and Mahogany Inn and Distillery.

To book tickets to How To Stay Married Without Exploding!, please visit https://fringeworld.com.au/whats-on/how-to-stay-married-without-exploding-fw2026.

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