Tuấn’s Party – A Look at Friendship and Politics

Tuấn’s Party

Tuấn’s Party Rating

★★★★★

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Set during the 2022 federal election, Tuấn’s Party explores the unexpected win of independent Dai Le in Fowler. This smart and emotional play looks at the personal and political tensions hidden beneath a simple housewarming.

Directed by Neda Taha, the play follows newlyweds Tuấn (Terence Nguyen) and Natalia (Sarah Gattellari) as they host their first post-pandemic dinner party in St John’s Park. Their guests — childhood friend Kevin (Nathan Niguidula), fresh off the campaign trail for Kristina Keneally, and his girlfriend Nadine (Charnel Rizk) arrive just as the electorate begins to erupt with shock and celebration.

What begins as a regular night of chatting and discussing politics soon changes. It becomes a deeper exploration of identity, class, cultural expectations, and the fragility of friendship. Skeletons emerge from closets, conversations get heated.

 

 

Each performance was compelling and engaging. Nguyenn brings vulnerability as Tuấn, while Gattellari shines as Natalia. Niguidula captures Kevin’s earnest political idealism with humour and depth, and Rizk’s Nadine delivers a slow-burn performance that builds to an unforgettable climax. Olivia Xegas makes a short but sharp appearance as Kristina. She highlights the absurdity of political optics in a so-called “safe seat.”

While the script — co-written by Kobra Sayyadi and Bina Bhattacharya with the cast — is rich in humour and naturalistic dialogue, it doesn’t shy away from hard truths. Questions of authenticity, tokenism, migration, and loyalty are raised without easy resolution. The play takes inspiration from Don’s Party. However, it tells the story in a new way, focusing on Western Sydney.

Staged simply but effectively at PYT Fairfield, the set reflects a real home in transition — not quite polished, slightly chaotic, and full of history. It’s a fitting metaphor for the characters and the community they represent.

Tuan’s Party is more than just a night of drama — it’s a mirror to a region often misunderstood and misrepresented. It’s uncomfortable in all the right ways, and essential viewing for anyone who wants to understand what’s really at stake in Australian politics and personal identity today.

To book tickets to Tuấn’s Party , please visit https://pyt.com.au/tuansparty/.

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Maori Mini Film Festival: A Worthy Individual

Tai

Tai Rating

★★★★★

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It’s quite hard to review an animated film objectively when we are so accustomed to big-budget games and movies with high-end graphics, like Pixar Shorts.

However,Ta’i is a poignant short animated film by Mii Taokia about the wanton and targeted destruction of the abundantly resourced and beautiful pacific islands by the ‘Island Eaters’ – a system of corrupt government scientists.

The pastel-hued, blurred visuals heighten the islands’ lushness and give a sense of dreamlike beauty, juxtaposed against the more sinister imagery of their oppressors. This is all underscored by a modern lo-fi soundtrack that subtly contrasts the intimate devastation.

Even the island Gods, goaded into action, are unable to stop the destruction until they combine their powers and share them with a ‘worthy individual’.

The film’s central tenet is that a place’s most valuable but overlooked resource is its people and that sometimes, they are the only way to create real change.

Indeed, an individual taking a stand for what is right and good is all that has ever effected change, and this message feels especially resonant in today’s political climate.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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Maori Mini Film Festival: Walking Between Worlds

Tuia Ngā Here

Tuia Ngā Here Rating

★★★★★

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It was a real pleasure to review this soulful short film by Ngā Aho Whakaari as part of the Maori Short Film Festival and not just because it’s so impressive to see filmmakers who can create something so beautiful, with such incredible production values, on a small budget.

Exploring important themes of land and belonging – environmental protection, the preservation of cultural identity and intergenerational familial relationships – we are introduced to 16-year-old Hiwa who returns home from boarding school to discover her beloved grandfather, the local ‘land legend’, is seriously ill and unable to tend to the forest he has spent his life protecting.

Whilst her younger brother Pōtiki, who has clearly inherited his grandfather’s deep affinity for the ‘whenua’ (land), is determined to follow in his Korua’s footsteps, Hiwa struggles to integrate her simple, traditional values with the ‘modern’ world she inhabits at school.

Both children wrestle with the shifting dynamics in their family, and the darkly green and lush scenery is a beautiful but ominous metaphor, reflecting both Hiwa and Pōtiki’s realisations of the importance of their new roles as the next generation of guardians for the land and their family.

This film was part warning, part love letter to land and culture. As someone who has a deep connection to land myself, it was an invitation to recognise the ways in which we are called to stand as protectors for that to which we ‘belong. ‘ It’s definitely one to watch.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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