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Falling into Place: British Film Festival

1 November 2024 From The Front Row

Falling into Place Rating

★★★★★

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Set against the stark backdrop of a bleak Scottish winter, “Falling into Place” invites viewers into a world where two lost souls briefly collide in a bar, igniting a day filled with fleeting joy and profound connection. Directed and written by Aylin Tenzel, who also stars as the film’s emotionally troubled protagonist, the narrative explores the depths of despair and the search for solace in unexpected places.

Tenzel’s character is an artist grappling with the aftermath of a painful breakup, her self-worth at an all-time low. She isolates herself from her family, terrified that revealing her struggles will expose her vulnerabilities. Tenzel embodies this emotional turmoil with a raw honesty that resonates deeply, showcasing her talent as an actress and storyteller.

Opposite her is Chris Fulton, known for his roles in “Outlander” and “Bridgerton,” who plays a man equally enshrouded in grief. His character battles the aftermath of his sister’s suicide attempts and a relationship that has long since soured. Together, Tenzel and Fulton create an intense chemistry that pulses through the film, offering a glimpse of hope amidst their mutual pain. Their connection is not one of idealized romance but rather a bond forged in shared suffering—a recognition of their own self-destructive tendencies.

What sets “Falling into Place” apart is its unflinching portrayal of mental health issues. The film does not shy away from presenting its protagonists in an unflattering light; rather, it embraces their flaws and struggles, allowing audiences to empathize with their journeys. This authenticity is refreshing in a genre often dominated by idealized relationships.

While the film’s pacing may feel slow at times, the emotional weight it carries makes the eventual payoff worthwhile. Tenzel’s directorial debut is a powerful commentary on the healing power of shared experiences, making it a must-watch for those who appreciate intimate, character-driven storytelling.

The British Film Festival 2024 runs from Nov – Dec 8.

To book tickets to this or other films click https://britishfilmfestival.com.au/ for session and venue details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Film Review: Weekend In Taipei

24 October 2024 From The Front Row

Weekend in Taipei Rating

★★★★★

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From the visionary creator of The Fifth Element, Luc Besson comes the exhilarating action film Weekend in Taipei.

You don’t have to wait for long before the first action scene begins, 5 minutes in fact, where a brand new Ferrari takes you on a high-speed joyride through Taiwan’s capital, Taipei.

The film centers around a DEA agent, portrayed by Luke Evans, who is on a relentless mission to dismantle a formidable drug lord’s operation. Unbeknownst to him, this notorious criminal is married to his former love interest, adding an emotional layer to the narrative.

The plot takes viewers on a journey from the United States to Taiwan, where the reunion between the long-lost lovers sparks unresolved feelings and secrets. This rekindling of romance unveils a love triangle that complicates the agent’s mission, leading to a gripping confrontation between good and evil.

The combination of Luke Evans, known for his roles in Hollywood Blockbusters such as Clash of the Titans, a very likeable leading lady, played by Gwei Lun-mei, hailing from Taiwan, and ‘bad guy’, Sung Kang, who starred in the Fast & Furious franchise, makes for a strong cast.

Where the film lacks a strong story, it definitely overachieves in superbly choreographed fight scenes, with lots of humour thrown in. With the addition of a killer soundtrack, some gorgeous cinematography, and good duration, this film is perfect for an entertaining cinematic experience without the need for deep contemplation.

Weekend In Taipei will open in Australian cinemas in the coming weeks. Check your local cinemas for session details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Commandante: Nice Cinematography

20 October 2024 Sophie Donkin

Commandante Rating

★★★★★

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The opening of Comandante felt like a perfume ad for one of the big Italian fashion houses—a Dolce & Gabbana or Prada. A young woman in a 1940s dress looks longingly through a window. Her voiceover, while not saying much of consequence, gives the scene an elegance that got me interested to keep watching. The camera filter gives off the effect of that old Hollywood trick of Vaseline on the lens for that soft focus.

Comandante – translates to The Commander. There is nothing commanding about this film whatsoever. Okay, so we’re watching a war film. I got it. There is an Italian man now in the picture, in a singlet looking a little worse for wear. He looks troubled, and we see this is the case after some dialogue between the two characters. But then nothing happens. I was left waiting for nearly two hours. Can something happen?? The women farewell their men as they depart on a submarine to join the war effort. Okay, but nothing happens.

Comandante gave me Dunkirk vibes; that is to say, a picture featuring a lot of pretty boys, well men, and a few well-trodden older men stuck together under the sea. It is a film that tries to give us the real deal by showing lots of untidy chest hair and soft bodies. I was very aware that I was watching actors playing pretend, albeit non-glamorised, like Dunkirk.

I kept watching, waiting for something interesting to happen—a plot line, an intriguing character, anything! And then I realised something wasn’t going to happen.

The main protagonist, Captain Salvatore Todaro (Pier Francesco Favino), is a rugged-looking man with a steely presence and an incongruous penchant for lyrical turns of phrase. And yet, he is oh so dull.

The only different thing that woke me up was a funny sequence where the Belgians teach the Italians how to make chips. With that being my only memorable takeaway from this film, I think it’s clear to say I was not enamoured.

Comandante was made in collaboration with the Italian navy, who Comandante is for, a whimsical love letter to life on the sea perhaps? I felt guilty zoning out, but I can’t pretend to be interested in a film that may have good intentions and most probably has an audience somewhere. It felt like a film for my dad to watch on a quiet Sunday afternoon and probably fall asleep to.

I was very surprised when I read that Comandante opened the Venice Film Festival in 2023 after Challengers, starring Zendaya dropped out. It’s not surprising, I suppose, as Comandante could be sold as a story about Italian pride and their role in the Second World War, therefore making it ideal for the Venice Film Festival.

But there is nothing groundbreaking or emotionally charged about this film. It seriously falls short.

To book tickets to this or other films, click https://italianfilmfestival.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Milky Way Film Review

15 October 2024 Manuela Kacomanolis

The Milky Way Rating

★★★★★

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The Milky Way, the creation of multi-talented Israeli director, writer and editor Maya Kenig is a thought-provoking story with a hint of dystopia surrounding two young mothers and their newborn babies.

Although both women live very different lives, Tala a single mum and struggling indie musician, and Nili, a wealthy married housewife, their desperation for wanting the best for their own child leads them to consciously choosing to have each other in their lives.

When Tala accepts a job at a breast milk production company called The Milky Way, she sees it as an easy way to make money. The women who work there are required to pump milk in their plush cubicles fitted with pumping equipment, a comfortable reclining armchair, and a screen showing images of their babies and much like dairy cows, uninterrupted views of the green paddock.

The job is portrayed like any other regular job where the employees have lunch breaks, must seek approval of management if they need to take time off, and are reprimanded for breaking the rules. It doesn’t take too long for the feisty and head strong Tala to start breaking the rules.

Curiosity gets the better out of Tala, played by real life musician, Hila Rauch, when she hitches a ride with a milkman on his way to do his rounds and discovers that one of the homes he is dropping off milk is the home of the woman who is receiving her breast milk, Nili, played by Hadas Yaron. Wanting to know more about this woman, Tala sneaks into the house and hides herself. She manages to escape but fate brings her back to Nili when she realises she has left her phone in Nili’s house.

Nili eventually finds out that she has been the recipient of Tala’s milk but her paranoia steers her to making a proposal too good for Tala to refuse, especially given Tala’s precarious situation at that time.

The women form a friendship and bond over motherhood but there’s always an imbalance of power that looms in the background of their friendship. That imbalance of power comes to light when Tala crosses a line with Nili and is forced reflect on whether she is giving more of herself away than just her milk.

The film touches on ethical and moral issues in an entertaining manner without it being so obvious. The exploitation of vulnerable lower income mothers, the judgment women face for not breast feeding are just a few.

More strongly targeted at women, this is a film any woman will find engrossing whether they’re a mother or not.

To book tickets to this or other films click https://www.jiff.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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