Jesus Christ Superstar

Jesus Christ Superstar

Jesus Christ Superstar Rating

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2

The Redcliffe Musical Theatre Production of Andrew Lloyd Webbers Jesus Christ Superstar has completely left audience members robustly cheering whilst ascending from their seats in appreciation of this spectacular local production.

The main cast members consisting of Jeandre Le Roux as Jesus, Erickson Ilustre as Judas, Stephanie Collins as Mary Magdalene, Jonathan Johns as Pilate and Kuna Smith as Simon Peter, were supported by an amazing local cast of performers as they enthusiastically brought the production to life. Whilst Act 2 section 6 consisting of Jake Hollingsworth who plays King Herod, completely stole the show by winning over the audience with his cheeky musical performance of King Herod’s Song.

Jeandre Le Roux who plays Jesus arrived on stage to both cheers and applause showing a respectful amount of acknowledgement from his fanbase within the audience and sharing with us his skills as a Tenor. Jeandre’s outstanding vocal ability shone as he progressed through each song as Jesus, projecting his vocals to each audience member.

An outstanding performance was given by Stephanie Collins as Mary Magdalene performing the classic ballad “I Don’t Know How To Love Him”. As an avid fan of the song for many years, I was engulfed in goosebumps with the tone and passion of the performance. The vocals of the support cast excelled and effectively aided each of the main cast as a fully functioning team whilst also providing effective dance performances and highlighting the true meaning of live musical theatre.

 

Due to the setting and the historical elements of the storyline the use of smoke and simple yet effective use of beige and khaki outfits for the costumes, represented the time period of the story as this was believed based on the visuals whilst effectively showing emotions via carefully crafted dramatic expressions. The Last Supper settings were simplified with the Apostles, Jesus and a very sparce table setting which considering when the storyline was set, was perfectly situated within the stage.

Set design was kept in a simplistic design of metal platforms and higher situated balcony’s in order to showcase the performers and not have a focus on fancy over designed pieces which based on the storyline was not in a need to be overly occupying of the stage space.

Lighting highlighted different sections of the production which in turn allowed the main performers to be thrust into the spotlight allowing them to shine when it was their turn to tell their story. The music was provided by a band consisting of modern day pieces such as electric guitar, drums, flute and a percussion section which made a highly effective impact for dramatic pieces of the storyline.

Although a modern day rendition of an original much loved London musical by Andrew Lloyd Webber and Tim Rice it has since its first stage incarnation on 12 October 1971 at The Mark Hellinger Theatre in London made an impact for many decades around the world with its cast carefully crafting the drama and cruelty of the past.

Jesus Christ Superstar is a theatre must-see.

To book tickets to Jesus Christ Superstar, please visit https://www.redcliffeentertainmentcentre.com.au/.

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Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

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14

From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrán)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

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The Many Faces Of Sherlock Holmes

A Night Of Sherlock Holmes

A Night Of Sherlock Holmes Rating

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4

Nestled in the burbs of New Farm is a church and in that church is the very vibrant Nash Theatre. Each year they produce a radio play – well, extremely well.

A simple set with actors dressed appropriately for the era (1930’s), mircrophone stands at the front of stage and the ‘On Air’ sign glowing with the “Applause” sign lighting up to remind you that you are part of a studio audience – it is marvelous.

But best of all is the live action foley – set up along the back of the stage were three foley artists and I have to say, the horses and carriage sounds – spot on. Congratulations to Mark Corben, Lara and Emma Latham who entertained us with their enthusiasm, facial expressions and creative techniques – yes, I am still giggling at the Baboon.

I often listen to the Sherlock plays on Spotify and I was pleasantly surprised to hear a new one among the mix; ‘ The case of the Blue Carbuncle ” – hilarious. With the actors playing a range of characters from the vagabond thief to the well educated Sherlock and Watson.

Presenting old time radio shows is a great way to entertain an audience without elaborate sets. The stories rely on the actors ability to react appropriately without props, and once again, director Jason Nash has produced excellent work. The American and English accents on the whole were consistent and added to the believability you truly had stepped back in time to the 1930’s.

 

 

The roles of Sherlock and Watson were shared amongst the cast which took each story to a different era and there were some interesting accents. Caleb Hocking’s Watson accent for “A Scandal in Bohemia” was definitely unexpected but very humourous and Bruce Edgerton has definitely found his niche with the different characters you find in radio plays. King of Bohemia suits you Bruce.

Radio plays have advertisements and the cast brought these to life very much reminiscent of an era where entertaining folks was simple and mixed with a good dose of humour.

The actresses on stage, Sandy Adsett, Jenny Bonney-Millett and Kiah Latham were immaculately dressed and authentic with their characters, it definitely was a more glamourous era. Bright red lips, pearls, diamonds, heels and furs, they each delivered applause worthy performances and it is a joy to go to a play where you can hear what people are saying – great diction, accents and expression.

The first story, ‘The Adventure of the Speckled Band,” was delivered with the emotion and mystery that set the actors up for a great show run, drawing in the audience and giving us all the shivers at the end. The stories were broken up by the jingles, which also offered great entertainment.

So if you are looking for good quality well priced entertainment here it is, take along a friend and enjoy the show.

Show runs until the 14 March, at Nash Theatre 52 Merthyr Road, New Farm

Tickets via Trybooking – https://www.trybooking.com/events/landing/1490448

To book tickets to A Night Of Sherlock Holmes, please visit https://nashtheatre.com/.

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Waitlist Now For Anastasia The Musical Coming To The Lyric Theatre Qpac, Brisbane From September 2026

Feature-Anastasia – The Broadway Musical

Producers John Frost for Crossroads Live and Opera Australia are delighted to announce that Broadway musical ANASTASIA will premiere in Brisbane’s Lyric Theatre at QPAC from September 2026. The crowd-favourite musical made its Australian debut in December at Melbourne’s Regent Theatre wowing audiences and critics alike. Tickets will go on pre-sale for the Brisbane season to those who have signed up to the waitlist on Monday 2 March and to the general public from Friday 6 March.

Time Out Melbourne called the musical a “charming theatre experience” that was “destined to deliver theatrical magic” while The Music said it was “a theatrical spectacle that dazzles on every front and will leave you spellbound” and Beat Magazine said that the musical’s “dazzling Australian premiere is rich with powerful performances.”

The cast includes Queensland’s own Georgina Hopson as Anya, Robert Tripolino as charming con artist Dmitry, Joshua Robson in the role of antagonist Gleb, Rodney Dobson as Vlad, the much-loved Rhonda Burchmore as Countess Lily and theatre icon Nancye Hayes AM in the role of the Dowager Empress.

“As a very proud Queenslander, I just can’t wait to share the magic of ANASTASIA with Brisbane audiences. It’s a beautiful story to be immersed in, accompanied by iconic songs that invoke a nostalgic feeling of our shared childhood including Once Upon a December and Journey to the Past,” said Georgina Hopson, who trained at Queensland Conservatorium Griffith University. “ANASTASIA’s message is the importance of home, love and family, and to me Queensland represents all of this so I can’t wait to share the story with local audiences,” she added.

The ensemble cast members include Sophia Bae, Elliot Baker, Billy Bourchier, Nicholas Cunningham, Davis Giotopoulos Moore, Todd Goddard, Stephanie Kurlow, Keian Langdon, Bella Minniti, Nathan Stafford, Alexis Van Maanen, Annie Wilson, Deone Zanotto, and Andrea Zappacosta with the Swings team featuring Manon Gunderson-Briggs, Iosefa Laga’aia, Nathan Pinnell and Emma Russell.

Inspired by the mysterious tale of Grand Duchess Anastasia Romanov’s rumoured escape in the dawning days of the Russian Revolution, and the 1997 Oscar nominated animated film of the same name, ANASTASIA has been brought to life on the stage by the Tony Award-winning creative team of Terrence McNally, Stephen Flaherty and Lynn Ahrens.

ANASTASIA is a lavish musical for all ages, transporting audiences from the twilight years of the Imperial rule to the euphoria and exuberance of Paris in the 1920s, as a brave young woman named Anya sets out to discover the mystery of her past. Pursued by an army officer determined to silence her, she enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

Directed by Tony Award winning director Darko Tresnjak, ANASTASIA premiered on Broadway in March 2017. It received a Tony Award nomination for Best Costume Design in a Musical and won more than 15 major international awards including Best Musical awards in Germany, the Netherlands and Spain.

The book for ANASTASIA was written by the late five time Tony Award winning writer Terrence McNally, whose credits include Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman and Ragtime.

Music and lyrics for ANASTASIA were written by the renowned writing team of Stephen Flaherty and Lynn Ahrens who have been referred to as “one of the greatest songwriting teams in Broadway history.” (Chicago Tribune).

“Fantastical, intelligent, well-crafted, and exhilarating, ANASTASIA deserves a coronation!” – The Wall Street Journal
“Captivating, beautifully staged and emotionally vital. ANASTASIA hits the sweet spot!” – The Hollywood Reporter
“One of the most gorgeous shows in years! Luscious, lavish, and a joy that leaves you cheering. This is a grandiloquent feast for the senses you won’t soon forget.” – The New York Observer

ANASTASIA – THE BROADWAY MUSICAL
Produced by John Frost for Crossroads Live and Opera Australia in special collaboration with Stage Entertainment Productions, Tom Kirdahy, Hunter Arnold and Dan Hinde

Regent Theatre, Melbourne until 20 February 2026
Crown Theatre Perth from March 2026
Lyric Theatre, Sydney from April 2026
Festival Theatre Adelaide from August 2026
Lyric Theatre QPAC, Brisbane from September 2026

WAITLIST NOW for Brisbane season tickets via www.anastasiathemusical.com.au

 

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