Never Before Has Divorce Been So Fun – Grand Horizons

Can you imagine a comedy play about divorce? And could you imagine that a theatre company could pull such a feat off? Happily, the answer is yes. Located at the lovely rooftop Pip Theatre in Milton, the comedy Grand Horizons is leaving guests in stitches. The Tony-nominated play written by Bess Wohl has been hugely successful, being awarded the best play on Broadway three years ago.  

The journey begins at the dinner table when Nancy French (Deirdre Grace) decides to end her fifty-year-long marriage to Bill (Steven Tandy). Bill appears apathetic to her divorce proposal, but their adult children, Ben (Brad McMurray) and Brian (Cameron Hurry) are far from pleased. Ben’s pregnant wife, Jess (Gabby Carbon), tries to moderate, appreciating the feelings of everyone involved whilst also fearing that this will set a precedent for her own family.

The scene is set with 50s swing music and an apartment reminiscent of a 90s family sitcom and follows the French family’s journey – learning that love isn’t as simple as it seems and that parents are far more complex individuals than their children choose to believe. The theatre was roaring with laughter on numerous occasions throughout the show, particularly at Bill’s stand-up jokes and the interaction between Nancy and Carla (Lisa Hickey).

It was an incredible performance by all, but the stand-out has to be Cameron Hurry (Brian), showing all of the melodrama and range you would expect from his character’s passion as a school drama teacher. In saying that, Brad McMurray (Ben) had an incredibly moving monologue in the second half that made the audience chuckle while tugging at their heartstrings. All the moments between Ben and Lisa were perfect as soon-to-be parents navigating a family break-up.

The play skillfully demonstrates that the relationship dynamics of a family tend to repeat themselves in the next generation. Having grown up in a stable but cold environment, Brian struggles to find love. He often questions if love exists, a sentiment all of the French family, barring Jess, share at some point in the show. His casual affairs tend to transform more into therapy sessions than romance, as seen with Tommy (Reagan Warner), needing more emotional intimacy than his closed-off family can provide him with.

Ben finds his role in the family as financial support, a position previously held by his father. Jess tries to avoid falling into the “mother” and “wife” roles and losing her personhood, which she sees in Nancy. The authentic portrayal of all of the characters allows the audience to feel like the proverbial fly on the wall taking in all the juicy interactions of an actual family usually only seen from behind closed doors.

Director Bronwyn Nayler keeps the show on point, not missing a beat. Deirdre Grace (Nancy) plays the dual roles of producing and starring; Genevieve Ganner and Sarah Robertson beautifully design the home and wardrobe, making it feel cozy and familiar. 

Steven Tandy (Bill) said it best himself by calling Grand Horizons “a hysterically funny play” and “a real winner!” There was never a dull moment in the show, and I wholeheartedly agree, never before has divorce been so fun.

Grand Horizons – Pip Theatre

  • Saturday 20 May 2023 – 2:00 PM & 7:00 PM
  • Wednesday 24 May – 6:30 PM
  • Thursday 25 May – 2:00 PM & 7:30 PM
  • Friday 26 May – 7:30 PM
  • Saturday Friday 05-May-2023 – 2:00 PM & 7:30 PM
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And Then There Were None – Review

Adapting a novel with a storied history, such as Agatha Christie’s “And Then There Were None,” is no small feat. The novel has sold over 100 million copies and has been adapted countless times for visual media. Pleasingly, the Sunnybank Theatre Group’s current production of this classic story is a very successful interpretation. Director Chris O’Leary has adeptly led his team of actors and crew to bring what is a faithful and engaging rendition of one of Agatha Christie’s most famous works to the stage.

Opening night provided a few nerves for the cast and crew who had unfortunately been unable to perform a planned Preview show earlier in the week.   However, a clearly well-rehearsed team on and off stage ensured there were very few bumps in both performance and production.

Standout performances were delivered by Ashlee Hermann as Vera Claythorne, Weylin Martens-Mullane as Anthony Marston (and Fred Narracott), and Diane Watson as Miss Emily Brent.  

Ashlee Hermann’s portrayal of the young Secretary was nuanced, and she skilfully conveyed the character’s inner turmoil.  Hermann’s performance peaked in the scenes where Vera reveals her secrets, with Hermann conveying the weight of the character’s burden very successfully.  Mention must be made of Hermann’s most excellent off-stage scream.  It was so terror-inducing that audience members visibly jumped in their seats!

Weylin Martens-Mullane a relative newcomer to the theatre delivered exceptional performances as both Anthony Marston and Narracott. Martens-Mullane proved his versatility, adroitly transitioning between the two characters.  His portrayal of Anthony Marston was particularly noteworthy with the audience visibly riled by the sense of entitlement and “devil-may-care” attitude he brought to the role of the young British aristocrat.

Diane Watson possesses an excellent theatrical pedigree and brought this to bear in her impressive performance as Miss Emily Brent.  Watson’s performance brought a sense of authority and poise to the character and her scenes with the other characters were particularly engaging.  Watson very skilfully delivered the character’s lack of compassion and empathy which underpinned her fanatical beliefs, however on the lighter side, Watson will have finished a cardigan by the end of the run, such were her skills with the knitting needles and wool that were integral to her scenes!

The remainder of the cast performed commendably, with each performer inhabiting their character and clearly relishing the opportunity to bring the story to life for their first audience. The set design was well-thought-out, with attention to detail that successfully transported the audience to the isolated island where the action takes place.  The lighting design was effective in heightening the tension and suspense to create an immersive experience.  

In addition to impressive production values and excellent performances, the Sunnybank Theatre Group offers a complimentary glass of sparkling wine on opening nights (served by some of the friendliest volunteer bar staff around). This generous perk certainly added an extra level of enjoyment to the evening. With standout performances, strong direction, and solid production values this production of “And Then There Were None” is not to be missed.  Highly recommended for a fun night out at the theatre to anyone who loves a good mystery. The production runs until 6 May 2023.

And Then There Were None – Sunnybank Theatre Group

  • Saturday 29 April 2023 – 2:00 PM
  • Saturday 29 April – 7:30 PM
  • Sunday 30-April 2023 – 2:00 PM
  • Friday 05-May-2023 – 7:30 PM

This review also appears in On The House

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