We Are Not Wagging Our Finger At You… Yet

'Scenes from the Climate Era' by David Finnigan

‘Scenes from the Climate Era’ by David Finnigan Rating

★★★★★

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Last night I attended Underground Theatre Co’s production of “Scenes from the Climate Era”, written by climate activist and theatre maker David Finnigan.

I went in cold; I didn’t know anything about it. I recognized a few of the actors, I knew the venue and I expected it to be heavy and probably depressing.

It was heavy and intense. Most I agreed with, some scenarios just annoyed me, but the important and impressive thing is I was invested and reacting with my thoughts and emotions.

This play is about past climate crises and possible future crises. Giving scenarios in first person from actual events or possible events. Cyclones, fires, heat waves and human reactions. Climate change is complex, chaotic and not a quick fix.

The Geoffrey Rush Studio is under the old Schonell Theatre – closed since 2021 while UQ work out what they do with it. But luckily for UTC the studio is available to them and is an intimate space with tiered seating and ample room for a flat or raised stage.

The set was kept simple – white and black chairs lined up at the edge of the stage, a white and black table to be both table and raised podium, a backdrop that was back lit to create imagery from the actors and atmospheric conditions.

 

 

The lighting was simple but used well to set up different scenarios, as was the use of sound. With such a simple set and no costume changes the use of these could have been even more predominant without overpowering the actors or storyline.
You could tell the creatives were all passionate about this play and all gave an emotive performance.

The 8-member cast of Cullyn Beckton, Ava Kozlovskis, Lara-Kate Anderson, Abigail Thomas, Loretta Melit, Miller Braithwaite, Ruby Gleeson and Georgie Falting are all to be congratulated along with 12 creatives led by director Jai Bofinger rehearsed and brought this to production in only 7 weeks. There are 65 scenes to cover a range of human emotions and experiences.

This is a journey that invites you to listen to the danger of climate change from sharing and witnessing experiences with the actors on stage.

It runs for 90 minutes, and an interval would have given the audience a reprieve from the intensity and a chance to catch up with all the information. In saying that the actors were totally committed and an interval may have derailed the emotions and pace of the play.

Did I enjoy it you may ask. I often question my choices when thinking of the effects on the climate. My recent Shein purchases, takeaway plastic containers – this play set out to remind me that we are all part of the solution. But did I enjoy it.
YES – because I like being challenged and i was entertained. This play would not have been on my radar but as I had never seen or heard of it or the playwright, i was curious, and i was not disappointed. For further research and information look up the writer, David Finnigan, he is an interesting character himself.

It runs until the 25 April, tickets on Trybooking.com $20-$35

To book tickets to ‘Scenes from the Climate Era’ by David Finnigan, please visit https://www.trybooking.com/events/landing/1560499.

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Three Sisters – Chekhov

Three Sisters

Three Sisters Rating

★★★★★

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5

We were in for an intense and emotional rollercoaster that is always Chekhov and we got it. The set established the mood with an atmospheric living room and dining area reminiscent of a late nineteenth century painting with curios and antiques shadowed and lit according to the changing dynamics of the play. Chairs, tables and a piano would become central to the changing dynamics of a tight-knit family in the wrong place. Music was beautifully performed adding a melancholic mood adding to the underlying sadness as the dining table was changed for different times of the day reflecting the changing circumstances.

Enter the actors all strong in their own ways and at times challenged not to upstage each other with the drama of each revelation. As the family evolved, we started with a celebration and the characters established themselves in their best light and costumes as if anything were possible and personal dreams were almost real. The three sisters formed the core as the male characters danced around them reacting as disillusionment set in over the years. Dreams came and went and some of the wrong goals became reality with a realisation of the saying, ‘Be careful what you ask for, you may get it’.

 

 

The oldest sister, already slightly worn with responsibility was played by an actor who made the character believable and maintained a sense of sympathy from the audience as she struggled with others’ decisions that impacted upon the family’s fortune and frustration. The middle sister, strongly acted, was all suppressed passion, erupting eventually and then left with the scars of untempered desire. The youngest was presented as confident and fresh as a daisy being courted by a couple of men and presenting the first stirrings of the Russian future of work being the goal and reason for living only to find that it is just labour and not love. All female actors offered different facets of the sense of lack of control ending in a fractured life and family.

The male characters were equally strong and believable if occasionally upstaging others due to the bombastic nature of the character. The dream Colonel who offered a romantic view of life probably more than anyone, saw unhappiness as the main result of being. The idolised brother who quickly falls of his pedestal, marries the wrong woman disturbing the household and failing at his dreams ending in emptiness. The Baron who loves the youngest sister and as with the others, makes a choice that would impact upon his life. The minor characters offered a backdrop to a household that is struggling with identity, living with rose-coloured glasses of their past life in Moscow and refusing to see what is evolving around them.

The audience laughed, squirmed, became irritated and responded to the oncoming disillusionment as each character fell apart and the ending left asking for more and what happens to them next?

To book tickets to Three Sisters, please visit https://www.oldfitztheatre.com.au/three-sisters.

Photographer: Robert Miniter

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The Spooky Men For Celebratory Qld Tour – From 27 May

Feature-The Spooky Men’s Chorale: 25 Years of Pointless Grandeur - An Anniversary Tour

After a ‘warm up’ concert in Melbourne 3 May, the bearded, hatted, sensational singers celebrate “25 years of Pointless Grandeur” in Brisbane, Ipswich, Toowoomba, Gold Coast, Maleny & Noosa – before dropping into Sydney… then heading overseas for a 28-gig UK tour!

The spooky story so far…
On 4 August 2001, at Eastside Paddington Church, a genial scrum of bearded fellows shuffled onto the stage. How could any of us have known that 25 years later they would still be at it after nearly 1000 gigs, 8 albums, 14 tours of UK/Europe, and the small matter of singlehandedly redefining men’s singing?

But they are. And now, in the grandiose arena of the Enmore Theatre, the Spooky Men will celebrate their birthday with a show not quite like any other they have done. It will be a birthday party, a retrospective, and a showcase of everything they have become. There will be a number of chunky gems from the past, but also the very best pickings from their current spooky tool bag.

“It takes a rare skill to be very silly, thoughtful, and sing in perfect harmony, but the Spooky Men’s Chorale manage to achieve just that.” – The Guardian

The Spooky Men are not easy to describe: Founded by Stephen Taberner and Inspired by the great Georgian choirs of the Caucasian mountains, they aim to both celebrate and mock masculinity with a unique cocktail of mighty boofiness, charming stupidity, and exquisite tenderness that may well bring a tear to your eye.

Each show is a journey rich with theatrical and storytelling elements, but what is most notable is the humanity that is evoked. No subject is too trivial or weighty for their attention, and such ability to find new musical rooms to explore contributes greatly to their astonishing fan loyalty.

But, says Taberner, there is more: “This show will also offer the chance to join a massed audience choir, The Axis of Spook for a ridiculous musical sensurround experience. There will be special spooky guests, a musical favourites lottery and a massed spooky man finale!” And other surprises, too.

“Gird your loins: this is the one spooky show in the history of spooky shows that you should not miss….”
“Sheer musical excellence – like the ghosts of choristers long gone” Sydney Morning Herald

Iconic, eccentric, lyrical, larrikin… always supremely entertaining… The Spooky Men’s Chorale are very proud to announce their VERY SPOOKY QUEENSLAND TOUR from 27 MAY!

The Spooky Men’s Chorale: 25 Years of Pointless Grandeur – An Anniversary Tour

Melbourne Recital Centre Sun 3 May 7pm

Queensland Tour:
Wed 27 May – QLD Conservatorium Theatre 7.30pm
Thu 28 May – Macleay Island Community Hall 6.30pm
Sat 30 May – Ipswich Civic Centre 7.30pm
Sun 31 May – Toowoomba Empire Theatre 2pm
Thu 4 June – Hota Gold Coast 7.30pm
Fri 5 June – Maleny Community Centre 7.30pm
Sat 6 June – The J. Noosa 7.30pm

Thurs 11 June – Enmore Theatre, Sydney

All bookings www.spookymen.com

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The Admirable Crichton

The Admirable Crichton

The Admirable Crichton Rating

★★★★★

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The Admiral Crichton, J.N Barrie’s comedy about social class and division is just as relevant today as it was when first performed in London in 1902, with the 2022 Palm D’or winning film The Triangle of Sadness using Barrie’s story as a framework.

Crichton, played by Andrew Eddey, is the loyal butler to the Earl of Loam (Timothy Bennett), who doesn’t believe in the natural order of class divisions. His fellow aristocrats are embarrassed by his monthly tea parties where servants are treated as equals. Despite the ideology of his socially progressive master, Crichton himself believes that class and rank are the natural conditions of civilisation. When the Loam family along with two of their servants take a pleasure cruise, they find themselves wrecked on a tropical island, where natural capacity towards survival changes the rank of each person in the group. The resourceful and handy Crichton finds himself at the top of the new social order, leading to a range of moral and ethical choices amongst the castaways. You can see where Gilligan’s Island got their ideas from, like being able to build some of the modern luxuries of civilisation out of coconuts and driftwood.

 

 

The staging was great, with each environment brought to life by the set design and construction team. All the technical details such as sound and lighting were also superb, so the backstage team did a commendable job to support the performers. The direction by Steven Hopley was strong, bringing the story to life with a natural sense of timing, but I found that some of the humour was lost in the desire to use appropriate accents. The choice of delivery for some of the dialogue was also a little confusing at times, but that could just be a matter of taste. The performers still did a great job with each character. They were all well cast and seemed to be having lots of fun on stage. Andrew Eddy played the eponymous Crichton with an air of calm intelligence and dignity befitting a dedicated butler, while Timothy Bennett perfectly embodied the endearing, socialist-leaning Lord Loam. While I liked all the cast, the particular standouts for me were Amy Tustian as Lady Mary, one of Lord Loam’s three aristocratic daughters who becomes Crichton’s island fling, and Isabelle Serafim, playing the maid Tweeny.

The story has now been explored in all sorts of productions since it was first performed, and while the topic is no longer new or controversial, it’s still a fun evening at the theatre with some great performances and light-hearted comedy that carries with it a message we shouldn’t forget.

The Admirable Crichton is currently playing at the Genesian Theatre in Rozelle until the 16th of May.

To book tickets to The Admirable Crichton, please visit https://genesiantheatre.com.au/events/the-admirable-crichton/.

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