Film Review- Bonhoeffer: Pastor. Spy. Assassin.

Bonhoeffer

Bonhoeffer Rating

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BONHOEFFER: PASTOR. SPY. ASSASSIN is not just another war movie; it is the dramatization of Dietrich Bonhoeffer’s journey as he grapples between upholding his pacifist moral convictions or joining the resistance in a plot to assassinate the Führer and save millions of Jewish lives.

A German Lutheran pastor known for his resistance to the Nazi dictatorship and his intense opposition to Adolf Hitler’s genocidal eradication of Jews, Bonhoeffer’s extraordinary human spirit in the face of adversity rises during the darkest of days despite the odds that are clearly pitted against him.

From Angel Studios, Bonhoeffer: Pastor. Spy. Assassin is written and directed by Todd Kamarnicki with Dietrich Bonhoeffer effectively represented by Jonas Dassler. This political period drama is beautiful presented with cinematic mastery visible through the creative vision of Kamarnicki. Costuming and location choices are authentic and believable as the audience is seamlessly transported back and forth between time periods.

This film is let down by some historical inaccuracy, perhaps more so by the omissions within Bonhoeffer’s story. While this does take some of the essence away from depicting the depth of his spirit, at over two hours long it does well to create impactfully dramatic moments that direct the audience toward an understanding of his loving relationship with God and family and the heart-wrenching moral and emotional conflict this man faced.

Bonhoeffer: Pastor. Spy. Assassin will be appreciated by those of Christian faith, but in saying that, those of no religion will not feel uncomfortable. Bonhoeffer’s story deserves to be told – it is respectful and reverent and well worth the investment of two hours of your time.

Tickets to Bonhoeffer will be available for purchase in 135+ cinemas nationwide through Rialto Distribution, starting March 13.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Maori Mini Film Festival: Marahoro

Marahoro

Marahoro Rating

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On the island of Rapa-Nui, teenager Marahoro is not only in the midst of his transition from boy to man, but embarking on an exploration of his relationship with his heritage and culture. This 2024 short-film, directed and written by Sofia Rodriguez Pizero, explores generational tensions, the conflict of duty and desire, and what it means to embrace oneself completely.

Poike Tuki Mejia stars as the film’s lead and does so much justice to the position Marahoro is in. He’s young, but craving freedom and adventure. This places him in opposition to his father Tu’umaheke, played by Aka-hanga Rapu Tuki, a cultural leader who directs the Mana Ma’ohi Ensemble (which is a real cultural performance group, for those interested in travelling to Rapa Nui to visit!).

Tu’umaheke strives for excellence. His passion and appreciation for their heritage manifest in his high demands of the ensemble. Young men exert their energy, but do not move in their dance properly. Women perfect their dances, but then fail to sing loudly enough. Even the drummers, some of them Tu’umaheke’s seniors in age, face his wrath. For all the ferocity Tu’umeheke musters, there is no doubt that he motivates his group.

 

But this does not come without a cost. Marahoro, a member of the ensemble, struggles with his father’s methods of cultural preservation. Whether it’s through placing stress on his dance group, demanding Marahoro spend more time practicing cultural movements, or by limiting his opportunities to see his friends, Mejia beautifully conveys the strained relationship many young men experience as they begin to question trusted, but disciplined, authority guiding them verse the ever-growing desire for autonomy, freedom and sensory pleasure.

The audience can be grateful that Marahoro offers a form of sensory pleasure as well. Pizero’s direction leads to commendable, deeply emotional acting. The working partnership between Pizero and cinematographer Fred Renata ensures that each frame of the film highlights either the intimacy of emotions in the characters, the richness and depth of cultural traditions, or the raw wonders of nature on the island. The film is clear and crisp in its camerawork, with a delightful vibrancy of colour throughout. With Mana Ma’ohi musicians and dancers taking part in the film, it’s beautiful and inspiring to witness several performances of song and dance.

Throughout the film, Marahoro yearns to spend time with his friends. A skilled surfer, Marahoro must compromise his time with his friends and in the water to sing and dance about swimming with turtles with the cultural group under the strict supervision of his father. Marahoro’s cautious attempts to question further the conflict between him and his father. While they both have the same love for their ancestors and, deep down, are driven to preserve and share their legacy, their alternative means of doing so threaten to drive them apart.

Marahoro must learn to be a leader. But is the only way to do so by following his father, or can he find a way to balance his youthful spirit with his own admiration of the land and its people?

To book tickets to the Maori Land Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Maori Mini Film Festival: A Worthy Individual

Tai

Tai Rating

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It’s quite hard to review an animated film objectively when we are so accustomed to big-budget games and movies with high-end graphics, like Pixar Shorts.

However,Ta’i is a poignant short animated film by Mii Taokia about the wanton and targeted destruction of the abundantly resourced and beautiful pacific islands by the ‘Island Eaters’ – a system of corrupt government scientists.

The pastel-hued, blurred visuals heighten the islands’ lushness and give a sense of dreamlike beauty, juxtaposed against the more sinister imagery of their oppressors. This is all underscored by a modern lo-fi soundtrack that subtly contrasts the intimate devastation.

Even the island Gods, goaded into action, are unable to stop the destruction until they combine their powers and share them with a ‘worthy individual’.

The film’s central tenet is that a place’s most valuable but overlooked resource is its people and that sometimes, they are the only way to create real change.

Indeed, an individual taking a stand for what is right and good is all that has ever effected change, and this message feels especially resonant in today’s political climate.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Maori Mini Film Festival: Walking Between Worlds

Tuia Ngā Here

Tuia Ngā Here Rating

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It was a real pleasure to review this soulful short film by Ngā Aho Whakaari as part of the Maori Short Film Festival and not just because it’s so impressive to see filmmakers who can create something so beautiful, with such incredible production values, on a small budget.

Exploring important themes of land and belonging – environmental protection, the preservation of cultural identity and intergenerational familial relationships – we are introduced to 16-year-old Hiwa who returns home from boarding school to discover her beloved grandfather, the local ‘land legend’, is seriously ill and unable to tend to the forest he has spent his life protecting.

Whilst her younger brother Pōtiki, who has clearly inherited his grandfather’s deep affinity for the ‘whenua’ (land), is determined to follow in his Korua’s footsteps, Hiwa struggles to integrate her simple, traditional values with the ‘modern’ world she inhabits at school.

Both children wrestle with the shifting dynamics in their family, and the darkly green and lush scenery is a beautiful but ominous metaphor, reflecting both Hiwa and Pōtiki’s realisations of the importance of their new roles as the next generation of guardians for the land and their family.

This film was part warning, part love letter to land and culture. As someone who has a deep connection to land myself, it was an invitation to recognise the ways in which we are called to stand as protectors for that to which we ‘belong. ‘ It’s definitely one to watch.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.