Terry Pratchett’s The Truth – A Delight for Discworld Fans

As a longtime fan of the Discworld series, I had the pleasure of experiencing the stage adaptation of Terry Pratchett’s The Truth. The production, presented by Roleystone Theatre at the Don Russell Performing Arts Centre, successfully brings the vibrant world of Ankh-Morpok to life.

The storyline revolves around William de Worde’s bold steps into the role of Discworld’s first investigative journalist. And it is a baptism of fire as scandalous charges of attempted murder and embezzlement against the esteemed leader of Ankh-Morpok, Lord Havelock Vetinari, emerges.

The cast is large, with highlight performances from Lord Vetinari(Lilly Litchfield), Gangsters Mr Pin(Aaron O’Neill) and Mr Tulip(Peter Carr), William De Worde(William Darlington) himself. However, due to the large ensemble, keeping up with the frequent scene changes can take a lot of work, and every cast member gets their chance to shine.

For avid Terry Pratchett fans, this stage adaptation is an absolute treat. It encapsulates the unique humour and charm that Pratchett’s writing is known for. However, those unfamiliar with his work or who have yet to read The Truth might sometimes find the storyline a bit demanding to follow.

The production stays faithful to Pratchett’s style and includes his signature quirky commentary on contemporary life through the lens of Discworld’s foray into journalism. William’s frustrations with the public’s blind acceptance of information and reluctance to believe the truth resonate strongly in today’s society. The play cleverly satirises the willingness of some individuals to believe falsehoods while rejecting the truth.

Roleystone Theatre deserves commendation for taking on this ambitious endeavour. The adaptation captures Terry Pratchett’s brand of humour and seamlessly weaves it into the narrative.

In conclusion, Terry Pratchett’s The Truth on stage is a must-see for fans of his Discworld series. The production effectively brings Pratchett’s beloved world to life with solid performances, creative staging, and the infusion of his distinctive humour. While it may be slightly challenging for newcomers to grasp the storyline fully, the overall experience is a delightful tribute to Pratchett’s legacy and satirical take on truth and journalism.

Terry Pratchett’s The Truth only has three sessions remaining. Book a session for Friday at 7:30 pm 7th, July or Saturday at 2 pm/7:30 pm 8th July.

This review also appears in On The House

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Good Food and Wine Show

The Good Food and Wine Show rolls into the International Convention Centre in Sydney this weekend (June 23rd-25th), and it is not one to miss. Hall 2 of the ICC hosts a massive range of vendors this year, with food and drinks to satisfy all your cravings and curiosities.

A fun, carnival atmosphere hits visitors as they enter by Liqueurs on the Lawns, equipped with its very own DJ provided by Cointreau. For those who like a little spice in their life, Cointreau offers a spicy margarita made with Tabasco sauce, sure to warm anyone up in the cold Sydney weather. If spice is your thing, I recommend wandering over to the White Oat Distillery stall and checking out their Chilli Mango gin.

An avid gin drinker like myself is spoiled for choice this year, with local favourites Manly Spirits making a good showing and interstate distilleries like Underground Spirits, Canberra Distillery and Naught Distilling. This year’s surprise was Gin Mare, an olive and thyme savoury gin that would go perfectly with a nice charcuterie board and a lovely, crisp cheddar.

Speaking of cheeses, the Cheese Corner this year did not disappoint. Though small in terms of the number of vendors, the array of cheeses on offer was anything but. A nice mix of soft and hard cheeses is available to sample, and the general direction appears to be flavoured cheeses, with vendors providing less of the good old-fashioned basics, at least to sample. For those who purchased the Cheese Lovers ticket this year, the cooler bag provided with your ticket will be very useful.

Those with dietary restrictions need not miss out either. Amongst the cheese vendors is Noshing, priding themselves on creating 100% dairy-free cheeses that taste as good as the traditionally made cheeses available elsewhere. There were also a variety of non-alcoholic drinks to sample and many sugar-free and vegan options. The V2Food Plant-Based cooking stage could almost convince me to turn vegan, with the absolutely delicious dumplings and pies coming out semi-regularly.

There are classes and workshops aplenty for those who desire to brush up on their skills or perhaps try something new. I joined the Sodastream Mixology Moments masterclass in cocktail making. The two hosts, Penny and Stephanie, were a delight. They were incredibly personable and helpful and clearly loved what they were doing.

There is a also a little bit of celebrity action happening this weekend. Spanish-Australian chef Miguel Maestre, known for his work on Channel 10s The Living Room is teaching several classes and demonstrations, giving lucky viewers a chance to try his cooking firsthand. My Kitchen Rules judge Manu Feildel is also making an appearance and teaching some classes of his own.

The 2023 Good Food and Wine Show is full to the brim with delectable food and drinks ready for the eager foodie or keen wine connoisseur. Any lover of good food would be a fool to miss out on this event.

This review also appears in It’s On The House.

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Money Money Money – When Dad Married Fury

David Williamson’s When Dad Married Fury is a cheeky comedy that explores the tensions created in the family unit when inheritance is discussed, especially when a new, young, beauty-queen wife joins the picture. Hunters Hill Theatre’s production brings both the funny – and flawed – character traits to the fore whilst tackling the darker themes of the play.

The simple set lets all the tension and drama hold its own space. Red-painted walls and a giant lit-up dollar sign make it no secret what the play’s themes will be about. Clever staging choices also made certain scenes and themes stand out. For example, the character of Judy had just lost all her savings and house and was now living somewhere “too small for a cockroach”. Her primary place on the stage was in a cramped corner on a small lounge. The furnishings were simple and homey but did a great job representing her small and crowded new home.

While the musical score was minimal, intentionally allowing the drama on stage to unfold naturally, there were delightful and well-thought-out entrances for the father, Alan. These emphasised that Alan is a “smooth operator”, and David Kirkman’s strong acting exuded coolness.

Michael Richmond and Dave Went, who played the brothers, Ian and Ben, respectively, had great stage chemistry, and it was clear they were having a lot of fun bouncing off each other. A nice touch was when the actors gave each other a brotherly punch as they walked offstage after the audience applause. This may have been an opening-night-only-comradery, but it was a treat.

Moving to the more serious themes of the play, the character of Laura reminds the audience that the drama on the stage is so far detached from the grim reality of the political world around them. Although Laura requires broodiness and dismay in her portrayal, there is also much room for fun and lightness in her character. Melissa Jones shows the darker side of Laura well, but as the production season progresses, I hope Jones can experiment, play, and explore all that Laura has to offer.

Fury (Laura Stead), Alan (David Kirkham

Another serious theme the play explores is the harsh reality of financial risks. Whilst the brothers are fighting over who should get how many millions, Laura’s mother, Judy, is trying to adjust to her new life after her late husband lost all his money in Alan’s get-rich-quick scheme. Jan Johnson did a superb job drawing the audience in and pulling on their heartstrings. The passion in her monologue in Act 2 was amazing. Johnson’s Judy provided a definite sense of humanity to the monetary debate of inheritance.

Hunters Hill Theatre’s production of the play was simple yet effective. Excellent stage choices, great acting, and a cast that clearly enjoy each other’s on-stage company make this play a joy to watch.

When Dad Married Fury runs for two more weekends starting from 7:30 pm Friday 23rd June through to a closing matinee session on 2 pm Sunday 2nd July.

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Lord of the Flies Rules Maitland

You want gore? You got it. You want action packed fight scenes? You got it. You want monologues that will move you to tears? Right here.

Reamus Theatre’s Lord of the Flies is a gripping rendition of William Golding’s classic tale. Set on a deserted island during the 1950s, a group of school children find themselves stranded after their plane goes down during an evacuation attempt. It is a cautionary tale of what mankind can become if modern democracy, rationality, and compassion are abandoned.

It was clear that a lot of consideration went into the staging of this production. There was a need to create at least six different locations within the small stage, often with all twelve cast members on stage at the same time. Thoughtful planning of levels and ramps, as well as creative stage entrances/exits, allowed multiple locations to be on stage at the one time (an aesthetically fitting bonus was that the ramp between the levels was made by creating an aeroplane wing!).

The audience was made to feel the drama quite intensely too thanks to the thrust stage, with some of the more physical fight scenes being done right in front of the first-row audience.

The success of the staging was aided greatly by thoughtful lighting choices, with spotlights helping to clearly define different locations on the stage. Red and blue lights were used symbolically throughout the performances, and lighting was also employed to shift the scene between day and night. Sound design was also used to help transition from day to night, and all sound cues in this performance were executed with perfect timing.

Furthermore a lot can be said about the costumes in this production. As the characters stayed on the island, their clothes became more and more raggedy and discolored. The costume degradation was subtle yet severe and created a very convincing illusion of time passing. The props and fake blood were also incredibly realistic leaving the audience disgustingly impressed by the actors comfort with the gore of it all.

The cast of twelve performed this play adaptation with passion, zeal and – some more than others – with an almost crazed look in their eye. The energy of the entire cast was felt by the audience, as well as their joy from performing the play.

Although each performer stood out in their own right, I do want to make a few specific mentions of great performances. Robert Joey McKinnon presented a delightfully physical Henry, who’s actions made the audience laugh even during the darker moments of the play. Jace Pickard provided a crazed determination and strong vocal projection for this production’s Jack. Likewise, Hannah Richens’ Roger was a force to be reckoned with, and Bronte Fegan delivered Piggy’s final monologues heartbreakingly. 

But the most intense and moving scene was the final.  Lead actor and co-director Thomas Henry showcased his talent through Ralph’s final moments of the play. Although I am tempted to say more about Thomas Henry’s performance during the latter half of act two, words would not do justice and I will instead encourage – no, URGE – you to experience it yourself.

This production of Lord of the Flies was an absolute pleasure to watch. Kill the pig, spill it’s blood, catch this show! With only two more sessions remaining please get buzzing and book your tickets now.

  • Friday 16 June 2023 – 8:00 PM
  • Saturday 17 June 2023 – 8:00 PM

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