Popera: Sex, Death & Politics

Popera: Sex, Death & Politics

Popera: Sex, Death & Politics Rating

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Uma Dobia presents this performance as a fun and interactive opportunity to educate the audience on the perils of what it is like to be a female within the world of opera.

Despite her obvious love and clear depth of knowledge of opera, this diva soprano damsel in distress openly blames opera for the docile and tragic stereotypical female roles within this art form. Setting out to set the record straight by influencing the audience about the distaste she has for this long-held ‘norm, ’ Dobia and her accompanying pianist ‘Carol’ start a nonsensical game show that is inclusive of unsuspecting audience members as they become part of the onstage entertainment.

Costumed in a racy red jumpsuit and knee-high sparkling silver stiletto boots (very impressed and left wanting some of my own), Dobia acts as the gameshow’s host for the evening’s frivolity, spinning the wheel for the adults only styled entertainment.

After her assistant and heart throb Trevor left her high and dry, which the audience learns about via a video message left by said assistant, Dobia takes charge of the stage and the show…between the tears and tantrums and unfortunate visuals of Trevor consistently shown by the tech crew who have not been informed of Trevor’s sudden departure, the audience is taken on a ride that interweaves pop and opera music through Dobia’s stunningly performed vocals.

This Adelaide Festival Fringe show performed at The Mill, a venue that provides a wonderful ambiance for a smaller production, did not have a large audience; however, Dobia did an incredible job, working hard to ensure those in attendance were thoroughly entertained.

Although the multiple-choice game show questions were, for the most part, unanswerable by its participants unless they had a reasonably comprehensive knowledge of opera, Dobia’s impressive vocals and call to arms for opera to ‘do better’ does not go unnoticed in the creativity of this informative, entertaining and saucy production.

To book tickets to Popera: Sex, Death & Politics, please visit https://adelaidefringe.com.au/fringetix/popera-sex-death-politics-af2025.

Photographer: Zena Photography

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Film Review- Bonhoeffer: Pastor. Spy. Assassin.

Bonhoeffer

Bonhoeffer Rating

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BONHOEFFER: PASTOR. SPY. ASSASSIN is not just another war movie; it is the dramatization of Dietrich Bonhoeffer’s journey as he grapples between upholding his pacifist moral convictions or joining the resistance in a plot to assassinate the Führer and save millions of Jewish lives.

A German Lutheran pastor known for his resistance to the Nazi dictatorship and his intense opposition to Adolf Hitler’s genocidal eradication of Jews, Bonhoeffer’s extraordinary human spirit in the face of adversity rises during the darkest of days despite the odds that are clearly pitted against him.

From Angel Studios, Bonhoeffer: Pastor. Spy. Assassin is written and directed by Todd Kamarnicki with Dietrich Bonhoeffer effectively represented by Jonas Dassler. This political period drama is beautiful presented with cinematic mastery visible through the creative vision of Kamarnicki. Costuming and location choices are authentic and believable as the audience is seamlessly transported back and forth between time periods.

This film is let down by some historical inaccuracy, perhaps more so by the omissions within Bonhoeffer’s story. While this does take some of the essence away from depicting the depth of his spirit, at over two hours long it does well to create impactfully dramatic moments that direct the audience toward an understanding of his loving relationship with God and family and the heart-wrenching moral and emotional conflict this man faced.

Bonhoeffer: Pastor. Spy. Assassin will be appreciated by those of Christian faith, but in saying that, those of no religion will not feel uncomfortable. Bonhoeffer’s story deserves to be told – it is respectful and reverent and well worth the investment of two hours of your time.

Tickets to Bonhoeffer will be available for purchase in 135+ cinemas nationwide through Rialto Distribution, starting March 13.

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MARVELous Maniacal Mayhem

MARVELous The Show

MARVELous The Show Rating

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MARVELous at the Adelaide Festival Fringe is an ambitious, high-energy, and BIG production that showcases the incredible talents of a remarkably athletic ten-member cast performing impressive aerial stunts, live vocals, and raunchy dance routines with technical proficiency.

This risqué parody aims to combine superheroes from the Marvel Cinematic Universe with musical theatre and film – a considerable stretch; however, the MARVELous company achieve this feat with ease.

Integrating these seemingly disconnected theatrical phenomena begins with a musical number reminiscent of a Las Vegas cabaret show that quickly turns the cheesy appeal of this style of theatre into a satirical spoof. Deadpool, in his inimatable style, narrates the twists and turns of an adult only bedtime story as only he can!

 

The industrial styled setting is impressive as the performers own the stage, transforming familiar musicals such as Dirty Dancing, Magic Mike, Wicked, Flashdance, The Greatest Showman and Hamilton into spectacular and hilarious routines.

The audience is bombarded with satirical references to the associated Hollywood stars, generating genuine spontaneous laughter as the cast’s delivery packs just the right amount of punch.

Cohesively integrated into this raunchy bedtime tale was the lighting, laser, and smoke effects complimented by an atmospheric rock-infused soundtrack, all topped off by eye-catching costumes that had just the right amount of tear away pants and sassy tongue in cheek nudity choreographed into entertaining dance routines.

MARVELous is a witty, clever and fun night out – with or without an insight into the Marvel Universe this risqué and comedic parody is great entertainment and a really good belly laugh!

To book tickets to MARVELous The Show, please visit https://gluttony.net.au/shows/show/1106/marvelous-the-show

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Diary Of A Magician: More Than Magic

Diary of a Magician: Year One

Diary of a Magician: Year One Rating

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Diary of a Magician: Year One performing at The Garage International @ Adelaide Town Hall as part of The Adelaide Festival Fringe is not just a magic show – it is an entertaining blend of magic, physical theatre, performance art, Chinese poetry and verse intertwined with engaging storytelling.

The journey that Taiwanese magician Mu-Syuan Chang takes the audience on begins as he contemplates an entry in his diary, opening the audience’s imagination to the possibilities that unfold before them.

Chang’s incredible dexterity is mesmerising as the audience is captivated by his nimble sleight of hand magic work enhanced by an enchanting soundtrack that complements each section of this magician’s year long journey in search of inspiration.

Classical Chinese poetry appears as cross-cultural dialogue at the back of the black box styled stage setting, which looks to have been constructed intentionally simply so as not to distract from the mastery of skill that Chang displays seemingly with ease.

His ability to wordlessly tell the story of a journey over time through mime held the audience’s intrigue for the fifty-minute performance which included Chang’s unique blend of physicality and clear technical skill that was thoughtfully choreographed and gracefully executed to the accompanying music.

Chang’s performance of Diary of a Magician: Year One was almost seamless. It was certainly captivating, unique, cleverly constructed and entertaining. For lovers of magic, it is a must see; however, even if you are not a lover of this artform, Diary of a Magician: Year One is a uniquely entertaining night out.

To book tickets to Diary of a Magician: Year One, please visit https://adelaidefringe.com.au/fringetix/diary-of-a-magician-year-one-af2025

To book tickets for the Adelaide Fringe, please visit:- https://adelaidefringe.com.au/

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