The Cram Collective Presents: FAG/STAG

FAG/STAG

FAG/STAG Rating

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4

The CRAM Collective’s latest production of FAG/STAG is a winner! (CRAM stands for Create, Revise, Augment and Merge). They are a comparatively young company in every sense of the word and definitely a company to watch. Focussing on film and live theatre, they are developing a dedicated following, as indicated by the full house I attended and other full houses during the season.

FAG/STAG – “This rare breed of heterosexual human male enjoys the company of homosexual human males in preference to or en liu of, perhaps selectively, other heterosexual males.” – Urban Dictionary

This production explores what it means to have a best mate when you’re stuck being your worst self.

It features Corgan and Jimmy who are BFFs. Their lives are filled by Tinder, Grindr, white lies, big nights and too many pints. Lawn bowls, Donkey Kong, wiping vomit into the shower drain. Unanswered texts, bad sex, moving back in with Mum and Dad. In the month preceding the wedding of Corgan’s ex-girlfriend the two struggle to get their life in gear enough to even hire a suit.

The Howling Owl is a unique venue, right in the middle of the CBD and the home of Adelaide’s Premiere Gin Den as a bonus, this boutique theatre is the perfect setting for an up close and personal glimpse into the lives of two very different young men at an age when youth is beginning to diminish, and the realisation of adulthood is creeping in.

Jeffrey Jay Fowler and Chris Isaacs have crafted an extremely incisive script which is sure to resonate with young adults and those of us who can remember when we were that age.

 

Connor Reidy’s direction gives us an intimate look at the lives of two men whose bond is their friendship. Together with his cast and creatives he has focussed on their inner thoughts (voiced to the audience). Using 3 stools, a couple of bottles of beer and two Nintendo handsets, his direction takes us to the highs and lows of friendship especially when complicated by sexual orientation. The play also deals with the confronting topics of self-harm and drug use.

Reidy’s direction is supported by Antoine Jelk’s creative sound design linking the scenes, and Aaron Herczeg’s atmospheric lighting which perfectly sets the mood.

Henry Cooper and Connor Pullinger inhabit their characters of Corgan and Jimmy. They are totally believable and relatable to the audience. United by their love of Donkey Kong and friendship, they pour out their souls to us, the audience. They show us the good, bad, and ugly sides of friendship while drawing us into their lives.

I particularly enjoyed Jimmy’s love/hate relationship with his ‘ex’ and the melon air freshener in his car that serves as a reminder of their time together. I also enjoyed Corgan’s addiction to Tinder and his ‘swipe right’ girls, and the acceptance of his friend’s sexuality.

Both the actors give highly polished, emotional performances that begin as stand up but quickly dive deep into inner thoughts and feelings taking us on a wild ride!

FAG/STAG is sixty minutes packed with laughs, sighs and maybe some tears, that will leave you questioning relationship with your BFFs and your role in making these friendships meaningful and lasting! Bravo CRAM Collective!

The season is short and some sessions are already sold out. For remaining tickets, book quickly @ https://www.thecramcollective.com/

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Annie: Presented by Chookas Entertainment

Annie

Annie Rating

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13

“You’re Never Fully Dressed Without A Smile” and attending the Chookas Entertainment production of Annie definitely added infinite smiles to myself and every other person who attended last night’s performance. The Civic Theatre Playhouse venue allowed a personable, intimate performance and encouraged oodles of interaction and accolades from the audience.

For those unaware the story is set in New York City during the 1930s Great Depression. The musical production is based on Harold Gray’s daily comic strip “Little Orphan Annie” which debuted in 1924 in the New York Daily News. The engulfing theme is ‘hope’ in a trialing time of widespread poverty and hope for little abandoned Annie in her overly optimistic search for her parents. There is an overriding feeling that hope promises tomorrow “The sun will come out.”

Annie was played by Sage Brooks and she lit up the stage and the hearts of the audience. Her character delivery of Annie was sublime. Sage delivered Annie’s unwavering hope and optimism divinely. I was amazed at her unfaltering dedication to her character depth and the sheer amount of talent this young star beholds. She is a perfect candidate for Hollywood’s next movie remake of Annie.

Nicolette Black delivered a fabulous portrayal of the drunken, conniving Miss Hannigan with outstanding acting and vocal skills. Her impeccable comedic timing and subtle expressions were also thoroughly impressive.

DJ Konz was perfectly cast as Oliver Warbucks, providing a splendid portrayal of the self-discovering billionaire. DJ Konz showed a natural warmth in his stage presence and showcased his musical lustrous vocal abilities.

 

James Walker who brilliantly played Franklin Roosevelt has one of those warm, rich, melodic tones reminiscent of Christmas. My heart felt joyous every time he opened his mouth to sing.

I feel compelled to make a special mention of the character Molly performed by a seemingly very young Olivia King. What a superstar in the making! A triple threat singer, dancer and actor that stole the stage whenever she graced it.

All of the children in the ensemble gave a fabulous performance and their New York accents were ‘on point.’ Newcastle definitely has plenty of up and coming incredible talent.

The adult ensemble also delivered an energetic and vibrant performance. I particularly enjoyed the inclusion of tap dancing. The ensemble harmonies were ethereal especially in the finale number of “Tomorrow.”

The Music Director, Mathew Gallimore should be highly commended for his vocal and musical instruction. I thoroughly appreciated the unwavering, authentic character depictions throughout the vocal performances.

Music, sound and lighting were without fault and perfectly cued throughout. There was an excellent balance to the vocals and backing which I was overjoyed to hear.

Set designs and costuming were equally impressive, in particular the orphan costumes, down to their footwear, were perfectly authentic to the period. I found the set design of the beds to street doors conversion highly effective.

Congratulations to the director Danny Folpp, Maddie Watts (Choreographer and assistant Director) and Jody Miller (Producer) you should be beaming with pride at your brilliant achievement in bringing this fabulous production of “Annie” to Newcastle. ‘Chookas’ to the remaining of your performances.

Chookas’ “Annie” production will continue to run in the Civic Playhouse until the 14th of September, with multiple shows and times to suit. It is very reasonably priced at only $59 for adults and $39 for children. I urge you to get your tickets now if there are any remaining. Chookas’ production of “Annie” will guarantee you a night filled with joyous, heartfelt moments and plentiful laughs.

For tickets, please visit https://www.chookasentertainment.com/annie

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The Addams Family Inclusical – A Spectrum Of Success!

The Addams Family

The Addams Family Rating

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13

Once a year… it’s time for ‘Stars and the Moon Theatre’ to celebrate the stage with their intoxicating Musical Inclusical.

This year it is Wednesday and her kooky family who gather at the Alexander Theatre telling a gripping adventure with swordfights, potions, explosions, and scarier still, family dinners.

Director Lauren McKinnon, Musical Director Charlotte Greenslade, and Choreographer Benjamin Curé, together with an award-winning creative team, have brought the iconic Addams Family to life and it’s WAY better than good.

Stars and the Moon (STaM) is a unique ALL-ABILITIES theatre company. Their castmate model pairs performers with and without disabilities to support each other to make moving and accessible theatre with, not despite, their diversity. It is absolutely AMAZING! At first I did wonder “how will this work”, being on stage together as two people playing one character for all the roles in the show, but IT WORKS and dare I say it as my daughter agreed; we thought it was better than just one person.

Joining the contagious double-clap engages us immediately in the music we know so well… BA DA DA DUM… ‘click click’ and then ‘When You’re an Addams’ kicks in, I almost want to jump up to bunny hop and twist with them all giving quite the spooktacular opening.

So fantastic how they introduced all the “Ancestors” who complete the show atmosphere in strange and deranged costume sets of themes like cavemen, sailors, prisoners, clowns, ballerinas etc etc etc. Such fun and clearly this cast ensemble were loving the experience too. And the make-up, oh the make-up!

The set, the lighting and the energy from everyone on stage is so enthusiastic and who wouldn’t want to shake it with Cousin ITT – my favourite costume of seemingly bodylength dreadlocks, but can the Addam’s family be ‘normal’ for one night?

I’ve always loved the Gomez and Morticia characters. Gomez’ expression on everything is spot on, he’s so entertaining and Morticia is impeccable in her mannerisms and her unique ‘blackness’. Sometimes loving each other to bits and sometimes having a few marital issues, all four bounce off each other as if the roles were made for four people instead of two. The concept is again, genius!

 

The one-liners keep coming…. I’m still laughing at the hilarious mention of Scomo to Covid 19 and Morticia in the bedroom…

Wednesday as we all know has come into her own fame these days and it must’ve been a thrill to be cast as her – she is everything she should be and might be getting married… or will she? The acting by these girls is very good and they will keep you enthralled.

Pugsley took me back to watching him on The Addams Family re-runs as a kid and his electric chair face, ‘eeeek’… all he wants is for his sister to continue the torture…

The startling appearance of THING at the dining table was timed well and FULL DISCLOSURE showed off overwhelmingly impressive vocal talents – Alice, the mother of Lucas who might marry Wednesday, belting it out and standing on the table (a surprising move for her character) got applause that would’ve woken the dead!

Lurch and Uncle Fester were brilliant and could have stepped straight out of the TV series … they really have got all of this right and everyone plays their parts so well to intertwine this story of family differences.

So, will Gomez’ daughter Wednesday and Mal’s son Lucas tie the knot? Scenes throughout the show are full of comic emotion and messages about how to work things out, but if it all fails, well death is just around the corner to look forward to anyway.

This show was nothing like I expected. Yes, I knew it would be good as I had heard the STaM shows were high standard, but this? I did not expect a show where they could easily play in any theatre in Melbourne and still get a no-hesitation full-standing ovation from even the toughest critics. These people on stage are incredible, they absolutely crush the meaning of ‘all-abilities’, every single one of them – and their abilities as a group, WOW WOW WOW!!

My final note therefore are words from Grandma Addams “stop tik tokking and pick up a book” or grab a script – whoever you are – get into Theatre!

When I wrote this review there were very few tickets left and now they are SOLD OUT, so don’t miss their next show and check out INSTAGRAM @starsandthemoon_theatre or website https://www.starsandthemoon.org/

Theatre notes: Sign language is provided on the side stage with this show and the theatre caters for wheelchair access of course. Performers in wheelchairs are on stage too – remember, this is an ALL abilities show like no other!

Even though I did not personally know anyone in the show, I felt an immense sense of proudness on what this special theatre company had accomplished as they took their bows. Supporting the arts is so important, but supporting all-abilities in the arts, let’s champion these efforts.

Congratulations to the ENTIRE CAST & TEAM:

WEDNESDAY – Ruby Alford & Thanh-Tuok Autran
LUCAS – Alexander Gilbert & Dimitri Gosios
GOMEZ – Gabe Harari & Max Nunes Cesar
MORTICIA – Aisha Sivac & Lizzie Locke
UNCLE FESTER – Mark J Rintoull & Zac Parkes
PUGSLEY – Kade Groves & Meg Heathcote
GRANDMA – Jodi Sanders & Nixy Antmann
ALICE – Ashleigh Cole & Ellie Goldenberg
MAL – Bailey & Tal Ellinson
LURCH – Gilbert Esse & Joseph Folwell
THING – Jaimie Chapman & Viv Kane
COUSIN ITT – Zac Chester & Benji Arndt

ANCESTORS – Amy Tapp, Tamara Stanton, Asher Stanton, Brendan Saffer, Michaela Sacho, Michelle Gauci, Charli Cantoni-Bud, Lyndall Peachman, Ciara Wilson, Bille Ream, Daniel Kraus, Claudia Nanovich, Hope Challis, Monique Lustig, Uri Lowinger, Alice Johnson, Mia Penso, Adam Geller, Mark Polonsky, Conor Wilson, Theodora Tran, Cameron Miller, Kahli Anquetil-Kneale, Tahli McLean, Carlia Slade, Danni Miller, Dani Filip, Devin Goralsky, Ella Dunne Riseley, Netanel Morris, William Jasper, Lexi Kelsall, Zoe Better, Cheryl Plaut, Ebony May, Sally Elliott, Amit Shahar, Kate Skinner, Ryan Wilson.
Stage Manager: Ari Mosberg, Cast Manager: Tyla Manager, Front of House: Netanel Morris, Set Designer: Harry Gill, Costume Designer: Jessamine Moffett, Lighting Designer: Sidney Younger.

THE ADDAMS FAMILY book is by Marshal Brickman and Rick Elice, MUSIC & LYRICS by Andrew Lippa, BASED ON CHARACTERS CREATED by Charles Addams.

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Mad Nun Productions Presents Flick

Flick

Flick Rating

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4

From the moment ‘Flick’ (Madelaine Nunn) walked on stage, the entire audience was drawn into her captivating story and exploration of life, love, loss, and grief.

Brilliantly written, with a humanly comedic through-line, this one-woman show is exactly what we want to see in theatre.

The somewhat extraordinary, yet in other ways, quite ordinary and very relatable storyline was so beautifully crafted and conveyed by Madelaine. It felt like we were there with her; every awkward, funny, hopeful, or devastatingly sad step of the way.

‘Flick’ follows the story of a 30-something year old a palliative care nurse, who comedically draws the audience into her world of working with those at the end of their life. All whilst juggling her own experiences of love, lust, friendship, death, grief, and loss through various relationships she has in her own life.

With a blank stage, a single stool, and the most basic of lighting and sound, Madelaine’s performance alone took us deep into Flick’s world. The only visual hint for the audience, being that she is dressed in her work scrubs. It just goes to show that when the writing and acting is en pointe, there is no need for fancy sets, lighting, or sound. The performance speaks for itself, and the audience’s imagination is enough.

For anyone like myself, who has worked in healthcare (and even moreso, for those of us who have worked in end-of-life healthcare), so many relatable moments were expertly and honestly written into the show (in the often unexpectedly humorous ways that they present themselves in real life).

And even to those who have not had those lived experiences, the truth and honesty of the storytelling and character relationships were in and of themselves fundamentally relatable to our own human behaviours.

If I wasn’t genuinely laughing at the (often far too!) relatable moments, I was drawn to tears on more than one occasion through the very real moments of the deep sadness that come with grief and loss.

This show brilliantly explores and highlights the dichotomy and often seemingly non-sequitur nature of our human emotions and experiences: how there is so often unexpected humour in the face of death, melancholy in happiness, or how sometimes our behaviour in grief may just be a little bit (or a lot) on the crazy side. And what a wonderful way to remind people that these are all very normal aspects of the human experience.

Each character explored through the lens of Flick was so honest and relatable: from her co-workers, to her the patients, to her best friend, or her mother. I could very easily place real people from my own life into each character.

It’s not very often that you walk out of a show and think that you’ve been a part of something quite special. But walking out of the opening night of ‘Flick’, with a full-house, and a standing ovation, I had that feeling.

For a one-woman-show to draw in and captivate an audience for over an hour through one continuous story arc is a great achievement. Madelaine’s performance did just that, and we all experienced a rollercoaster of emotions and relatable human experiences alongside ‘Flick’.

I would love to say to go and get tickets to this show at La Mama, but being a part of the ‘Explorations’ program, there are only three performances, all of which have unsurprisingly sold out.

But I get the feeling that this is not the last we will be seeing of ‘Flick’ and Madelaine Nunn. So, keep your eyes peeled for where it goes next. And then make sure to get a ticket, as this is a show not to be missed.

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