Lead Cast Announced For The Shawshank Redemption

Feature-The Shawshank Redemption

The lead cast for the Australian tour of the stage adaptation of one of the most popular and enduring films of all time, The Shawshank Redemption, was announced today. Direct from its acclaimed UK tour, The Shawshank Redemption will play in Sydney, Melbourne, Perth and Adelaide from January next year, with other venues to be announced. Tickets are on sale from Thursday with presales starting today. Head to ShawshankLive.com.au to buy tickets.

Acclaimed television, film and theatre actor David Berry (Outlander, A Place To Call Home, Home and Away) will play Andy Dufresne, the quiet, smart former banker wrongly sentenced to life for murdering his wife and her lover. Cast as “Red” Redding, a long-term inmate known for smuggling contraband items into the prison who develops a friendship with Andy, is prolific stage and television actor Bert LaBonté (The Book of Mormon, Colin From Accounts, Cloudstreet). Returning to the stage after 20 years as the Warden, the deeply hypocritical, religious and cruel prison boss, will be one of Australia’s most recognised screen actors Rodger Corser (Doctor Doctor, Rush, Channel 9’s The Floor).

David Berry said, “I’m thrilled to be returning to the stage in such a timeless and deeply human story, alongside two extraordinary actors like Bert and Rodger.” Bert LaBonté claimed, “The opportunity to tell this iconic story – and to take on a role as rich and loved as Red was impossible to say no to. I can’t wait to get into the rehearsal room and begin exploring him.” Rodger Corser added, “After 20 years in film and television, I couldn’t resist the opportunity to return to the stage for a story as powerful as The Shawshank Redemption. Its themes of hope, resilience and friendship resonate just as strongly today as they did when the film was released more than 30 years ago.”

The Shawshank Redemption is a powerful stage production that places you just metres from the action. Raw, intimate and deeply moving, this is theatre at its most compelling – where every moment unfolds live before your eyes. Based on Stephen King’s celebrated novella, this gripping adaptation tells an unforgettable story of hope, friendship and the resilience of the human spirit.

Wrongly convicted of the brutal murders of his wife and her lover, Andy Dufresne is sentenced to life imprisonment in the notorious Shawshank prison. As he navigates the harsh realities of incarceration, he forms an unlikely friendship with fellow inmate Red, discovering that even in the darkest of places, hope can endure. But when the corrupt Warden seeks to exploit Andy’s talents for his own gain, a quiet and daring plan begins to emerge, one that will challenge the very walls of Shawshank itself.

“Electrifying – it truly is a must see show” – The Observer
“This production has nailed it … Gripping live theatre” – Broadway World

Adapted for the stage by Owen O’Neill and Dave Johns, and directed by David Esbjornson who directed Angela Lansbury and James Earl Jones in the Australian tour of Driving Miss Daisy, this acclaimed production captures the emotional power and humanity that have made The Shawshank Redemption one of the world’s most enduring stories.

The 1994 film adaptation, nominated for seven Academy Awards, has become one of cinema’s most beloved classics. Now, experience a story of hope, friendship and redemption brought vividly to life in an unforgettable live theatrical event.

THE SHAWSHANK REDEMPTION
Adapted for the stage by Owen O’Neill and Dave Johns, based on the novella Rita Hayworth and Shawshank Redemption by Stephen King
Directed by David Esbjornson
Produced by Impresario Productions, by arrangement with Bill Kenwright Limited
By arrangement with Knight Hall Agency Ltd in association with Paradigm Talent Agency

SEASON DETAILS

SYDNEY
Venue: Theatre Royal Sydney
Season: From 2 January 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 1pm, Sat 2pm, Sun 1pm
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or 1300 163 808

MELBOURNE
Venue: Playhouse, Arts Centre Melbourne
Season: From 3 February 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 2pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or call 1300 182 183

PERTH
Venue: Regal Theatre
Season: From 12 March 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 1pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or 08 9381 9943

ADELAIDE
Venue: Her Majesty’s Theatre
Season: From 1 April 2027
Performance Times: Wed-Thurs 7pm, Fri-Sat 7.30pm, Thurs 1pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or phone 131 246

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Rally In Red To Save Sydney Theatre – Sun 2 August

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For over 100 years, Marian Street Theatre has been a gathering place for Ku-ring-gai; from its early days as a memorial hall to its evolution into one of Australia’s most respected suburban theatres. Thousands of artists have performed there, and generations of locals have treasured memories of their own local theatre – but it has lain derelict for 13 years.

Residents, artists and community organisations will gather outside Gordon Library on Sunday 2 August for Rally in Red, a community protest calling on Ku-ring-gai Council to preserve the approved Development Application (DA) for Marian St Theatre before it expires on 19 August.

The rally follows Ku-ring-gai Council’s decision on 16 June to abandon the approved redevelopment after more than 20 years of reports, consultation and planning, placing $1.7 million of public investment in architectural design and community engagement at risk.

If the DA expires, the only approved pathway to reopening Marian St Theatre as a contemporary Arts Centre will be lost.

Marian St Theatre Action Chair Jessica Blaxland Ashby said the community was determined not to let that happen. “There are just weeks left to save the approved plans for Marian St Theatre. Stand with us before it’s too late.”

The approved redevelopment, designed by nationally recognised theatre architects Tonkin Zulaikha Greer, would transform Marian St Theatre into a contemporary Arts Centre with spaces for theatre, music, dance, exhibitions & community events.

Ku-ring-gai has 44 sports fields, 67 tennis courts, two golf courses and recently spent $26.6 million on two basketball courts inside a high school, yet has no dedicated, publicly accessible performing arts venue. The Marian St redevelopment would fill that gap and create a vibrant, accessible cultural destination.

The campaign has gathered momentum since Council’s decision, with the NSW Parliamentary petition attracting strong community support and the future of Marian St Theatre being raised in both the Australian and NSW Parliaments this week.

Federal Member for Bradfield, Nicolette Boele, said: “It’s critical when we recognise and we preserve cultural heritage. And to ensure that there is adequate arts infrastructure for our growing communities on the North Shore.”

State Member for Davidson Matt Cross said: “I thank all volunteers who are selfless in their work to promote culture and arts in Ku-ring-gai. I look forward to continuing my support for the group and I thank Marian St ACTION.”

Greens Senator David Shoebridge said: “I’ve experienced the love of live theatre at Marian Street Theatre and I 100% believe that opportunity needs to be there for future generations.”

Patron of Marian St Theatre Action and acclaimed playwright David Williamson said: “The design of the renovation is first-class, but the council keeps deferring a decision while approving expensive sports oval developments, demonstrating yet again where the arts rate in our national psyche.”

Marian St Theatre Action Committee member Tony Bates said: “The community did everything Council asked. We participated in consultation after consultation and were repeatedly assured these approved plans would be preserved. Instead, Councillors blindsided us all at the last minute. Put a shovel in the ground and get Marian St Theatre open.”

Rally in Red 12 – 2pm, Sunday 2 August 2026, outside Gordon Library, Gordon
RSVP: https://marianstaction.com.au/rally-in-red/

Sign the petition and find out more: marianstaction.com.au

 

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First Look At The Australian Cast Of Tootsie In Costume

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Rehearsals are well underway as the supremely talented cast of Tootsie, the smash-hit Broadway musical, prepare for the Australian Premiere at Teatro at the Italian Forum later this month. Wigs and sequins have been donned in preparation to bring this nostalgic classic to the stage at Sydney’s newest exciting venue. Tootsie opens on 26 May, with tickets on sale now at www.teatroitalianforum.com.au. Based on the beloved Oscar-winning hit film starring Dustin Hoffman, the Tony Award® winner for Best Book of a Musical promises’ laughs, heart, and a generous dose of nostalgia.

Leading the cast in the dual role of Michael Dorsey and his alter ego Dorothy Michaels, made famous on screen by two-time Oscar winner Dustin Hoffman, is Andrew Bevis (The Lord of the Rings, The Rocky Horror Show). The role of Julie Nichols will be played by Sydney Theatre Award winner Elenoa Rokobaro (Hadestown), while Alana Tranter (Beauty and the Beast) plays Sandy Lester. Brendan Irving (The Rocky Horror Show) plays Max Von Horn, Tyran Stig (Titanique) plays Jeff Slater, Donna Lee (Hairspray) is Rita Marshall, Chris Huntley-Turner (Friends: The Parody Musical) is Stan Fields, and Lachlan O’Brien (The Phantom of the Opera) plays Ron Carlisle.

The ensemble features Sam Austin, Lisa Callingham, Katie Green, Arthur Lees (swing), Maximillian Macdonald, Jessica Parris, Jamie Reisin, Julian Seguna, and Nicole Vella.

Described by The New York Post as “Broadway’s funniest new musical” and praised by Rolling Stone as “musical comedy heaven”, Tootsie is the laugh-out-loud story of a talented but difficult actor who struggles to find work until one bold, show-stopping act of desperation lands him the role of a lifetime.

Tootsie received 11 Tony Award nominations for its Broadway production, including Best Musical and Best Original Score. With music and lyrics by Tony Award and Grammy Award winner David Yazbek (The Band’s Visit, Dirty Rotten Scoundrels) and a book by Tony Award winner Robert Horn (13 The Musical, Shucked), Tootsie has had audiences rolling in the aisles.

This all-new production of Tootsie is directed and choreographed by award-winning director and choreographer Cameron Mitchell (Putting It Together, Sweet Charity) with co- musical direction by Kevin Wang and Nicholas Till (Putting it Together) and costume design by Angela White.

Fast-paced and outrageously funny, Tootsie explores identity, ambition, and ego, all while keeping the laughs coming.

TOOTSIE
Season: From 26 May
Venue: Teatro at the Italian Forum, Norton Street, Leichhardt
Performance Times: Wed–Thurs 7pm, Fri–Sat 7.30pm, Sat 2pm, Sun 1pm & 6pm
Prices: $75 for previews (26–28 May); from $85 for remaining dates (a handling fee of $6.95 per transaction applies)
Bookings: www.teatroitalianforum.com.au

 

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Contest: A Bold, Immersive, And Unforgettable Story

Feature-Contest

Space Jump Theatre Company invites audiences into the searing poetic intensity of Contest by Emilie Collyer. Running from 17–28 March 2026 at Flight Path Theatre, 142 Addison Road, Marrickville, this production delivers a taut, electrifying theatre experience, where power, endurance and the cost of competition collide on the court and beyond.

About the Production: The game slows. It’s a dance. A memory, a dream, the body remembers. Muscles tense and release, bones anticipate the landing after the leap we can do this in our sleep. We Play on.

When a new player, Cass, joins a suburban netball team, the fragile balance of the group shifts. She sees what others cannot or will not, and her truths, quietly spoken, ripple through the team. Secrets, unspoken grievances, and long-held frustrations rise to the surface, turning every pass, pivot, and collision into a reckoning.

Set entirely on the netball court, Contest, written by Emilie Collyer and produced by Space Jump Theatre Company, immerses women of every age, shape, size, and ability in a world governed by rules, expectation, and relentless pressure. Bodies move side by side, sweating, enduring, testing limits. The game becomes a powerful metaphor for resilience, courage, and endurance, both on and off the court, capturing the subtle, fierce, and unrelenting ways women persist.

Blending stylised movement, poetic dialogue, and raw physicality, Contest is a bold, immersive, and unforgettable story of connection, rivalry, and the extraordinary endurance of women. Every moment on the court resonates with intensity, intimacy, and the unflinching reality of human emotion.

But what still aches after the whistle blows?

Synopsis:
When new player Cass joins a suburban netball team, long-held tensions surface, and every pass, pivot, and collision becomes a reckoning. Set entirely on the netball court, Contest captures the fierce, subtle, and unrelenting ways women persist.

Event Details:
Dates: 17 – 28 March, 2026
Venue: Flight Path Theatre, 142 Addison Road, Marrickville, Sydney
Tickets: Available at www.flightpaththeatre.org
Run time: approx 75mins

Cast: [alphabetical]
GS: Melissa Jones
GA: Willa King
C: Suz Mawer
GD: Emma Monk
WA: Lana Morgan

Creatives:
Production Company: Space Jump Theatre Company
Playwright: Emilie Collyer
Producer: Kirsty Semaan
Director: Kirsty Semaan
Movement Director: Amelia Pawsey
Lighting Design: Theo Carroll
Composer/Sound Design: Charlotte Leamon
Set/Props Design & Construction: Jason Lowe
Production & Movement Assistant: Danette Potgieter
Tech Operator: Eliza Dodd
Promotional Video: Yarno Rohling
Marketing Images: SPbyKS

Production Highlights:
Idea-Driven Storytelling: A bold, immersive exploration of pressure, rivalry, and endurance, where every pass, pivot, and collision is charged with physical tension, revealing the subtle, relentless ways women persist.
Minimalist Design: A simple netball-court set and striking lighting turn movement into memory, dream, and dance, making every leap, stretch, and fall vividly felt.
Tension and Insight: The arrival of Cass, named after the Greek prophetess cursed to speak truths no one hears, disrupts the team’s fragile balance, exposing secrets, grievances, and unspoken power dynamics.
Kirsty Semaan’s Direction: A physically rigorous, poetically precise interpretation that captures courage, vulnerability, and the quiet ferocity of women on and off the court.
Space Jump Theatre Company’s Mission: Committed to presenting bold, thought-provoking theatre for, by, and about women that resonates, challenges, and lingers.

Content Warning:
This work contains strong language and references to sexual content, domestic violence, suicide, eating disorders and mental health challenges.

Sensory Warning:
The performance includes the use of theatrical haze and loud noise.

About the Director:
Kirsty Semaan (she/her) is a director, producer, and theatre-maker based on Gadigal Country (Sydney), with a passion for bold storytelling and visually striking stage productions. As the founder and Artistic Director of Space Jump Theatre Company, she is dedicated to championing Australian playwrights, amplifying female and underrepresented voices, and bringing impactful plays off the shelf and back onto the stage. Her directing credits include Woyzeck (2021), A Mouth Full of Birds (2022), and Driving the Holden (2022). In 2023, she co-produced and directed Long Story Short, a sold-out short-form theatre project. Most recently, she served as Assistant Director for Blood Wedding at Flight Path Theatre (2024). A Theatre and Performance graduate from the University of New England, her creative approach is further enriched by a successful 20-year career running a photography business, which has provided her with a unique perspective on visual storytelling and the expertise to deliver well executed productions from start to finish.

About the Playwright:
Emilie Collyer lives in Naarm/Melbourne on Wurundjeri Country and writes across poetry, performance, and prose, exploring the intersection of the personal, the existential, and the socio-political. Her plays include Contest, Dream Home, The Good Girl, and most recently Super (Red Stitch Theatre 2025), with The Good Girl having been produced internationally. Her work has won and been nominated for awards including the Theatre503 International Playwriting Award, Queensland Premier’s Drama Award, Green Room Awards, George Fairfax, Patrick White, and Malcolm Robertson. Emilie’s debut poetry collection, Do you have anything less domestic? (Vagabond Press 2022), won the inaugural Five Islands First Book Prize, and she was runner-up in the Gwen Harwood Poetry Prize 2024. She works as a dramaturg, text consultant, and teacher, and has just completed her PhD at RMIT, where she now serves as an Adjunct Industry Fellow.

About Flight Path Theatre:
Located in Marrickville, Sydney, Flight Path Theatre champions bold and innovative works, providing a platform for emerging and established artists.

Contest is supported by the Inner West Council and through the Australian Cultural Fund.

Experience the sweat and intensity of Contest at Flight Path Theatre, 17–28 March 2026: www.flightpaththeatre.org

 

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