A Great Way To Spend 90 Minutes

Sydney True Crime Tour – The Rocks

Sydney True Crime Tour – The Rocks Rating

Click if you liked this article

1

Dark Stories: Sydney’s True Crime Tour | The Rocks

Dark Stories runs true crime tours in the heart of Sydney, bringing to life exciting tales of the dastardly crimes and misdeeds of Old Sydney Town.

This reviewer attended the true crime tour of The Rocks, meeting at a designated spot near the southern pylon of the Sydney Harbour Bridge.

Our guide, Chloe, welcomed us with a lovely smile, welcoming us with a snapshot of the history of the bridge and its surrounds. We were regaled with dark tales of ill-fated lovers, the slapdash unreliability of firearms, and an urban myth that continues to percolate today.

Chloe was a terrific guide projecting her voice, at times against traffic noise. She spoke clearly, was polished and professional, and full of interesting information.

The tour meandered through the often infamous streets and laneways of Millers and Dawes Points. Starting at Parbury Lane, we wandered, at a leisurely pace, along cobblestone walkways and narrow lanes, in an area which once housed merchants, convicts and sailors. We stopped at various points of interest to catch our breath and listen to another twisted and dark tale. It’s hard to imagine a time when these quaint, winding laneways were so feral, raw sewage ran alongside houses, and rats ran amok.

 

The Rocks was Australia’s first port town and dockyard, and its streets were rough and mean, ruled over by the Rocks Push, a violent gang of larrikins (thugs) with a predilection for robbery, assault and murder. They also viciously fought other local gangs. Walking these areas now, it seems a world away from such levels of colonial brutality and violence.

The walk took us to colonial ruins in Ferry Lane, through the Argyle Cut, past the Garrison Church, and up perhaps 50 steps to the start of the bridge climb. This was the steepest part of the tour but easily manageable. At Observatory Hill, we stood in the rotunda taking in the spectacular view of Sydney Harbour, the backdrop for one of Australia’s most horrifying unsolved true crimes.

From there, we trekked through back streets where Chloe offered more intriguing tales of ill-deeds and the macabre. There were many information plaques on buildings and walls, which complemented each story and added depth and mystery.

The tour finished at Cadman’s Cottage, which housed the watermen who made deliveries on the harbour, much like today’s water taxis. Here, we heard a mortifying tale of deceit and murderous intentions. The cottage is closed to the public, which seems a shame, as it would make a great little museum.

A few tips to get the most out of the tour. The walk goes for 90 minutes, so take the offered toilet stop at the start point. Be sure to bring water and a hat. If walking from Circular Quay, allow a good 15 minutes to arrive at the meeting place.

Dark Stories also offers a tour through the underbelly of Sydney crime with its Razor Gangs Tour around Darlinghurst. True crime tours are also available in other cities across Australia, including Maitland, Newcastle, Brisbane, Fremantle, Perth, Adelaide and Melbourne.

I highly recommend Dark Stories: The Rocks True Crime Tour. It was fun, informative, and a spookily forensic foray into Old Sydney Town.

To book tickets to Sydney True Crime Tour – The Rocks, please visit https://darkstories.com.au/sydney-true-crime-tour/.

Spread the word on your favourite platform!

Gioia Mia – Sweetheart

Italian Film Festival - Sweetheart (Gioia Mia)

Italian Film Festival – Sweetheart (Gioia Mia) Rating

Click if you liked this article

‘Gioia Mia’ or ‘Sweetheart’ is a gentle, coming of age film with a wonderful cast. It is a moving and thoughtful journey addressing abandonment and the young and old who have loved and lost, with secrets that still hurt. Written and directed by Margherita Spampinato in her feature film debut, we are enveloped in a young boy’s life where his only communication is with his phone.

Sent off to live with an old aunt who is full of regrets and frustration, the two clash as age, technology and a different way of life collide. Nico is played by Marco Fiore and his face flashes with obstinate retorts, trembles with hurt and sadness and finally beams with joy. Every event and conversation sweeps across his face. His aunt, Gela, played by Aurora Quattrocchi, is the classic, traditional religious aunt who has shut herself and her heart away. Her life is acted out quietly with restraint but with a fullness of emotion as she and Nico spark against each other as both are at different ends of a lifecycle. They learn how to bond and there are sweet moments as Nico moves from technology to tradition and Gela accepts him into her heart.

 

Without giving away the gentle plot, there is a tribe of grandmas hilariously offering advice when none is requested. They bake sugar cookies as that is their answer to grief, shouting orders from balconies in the traditional way whilst others use technology. It is a fading world in a beautiful fading town. The women have gone through life together and forgiven what could be as they observe their grandchildren play and grow.

A group of children is feisty with the leader, Rosa, a growing young girl played by Martina Miami, resenting an outsider. Martina is a foil to Nico as they clash and reject each other. They finally recognise they are both abandoned children with similar feelings, they bond together and there is a lovely sense that all will be right in the end.

With shades of ‘Cinema Paradiso’, the glorious Italian light is a backdrop adding to a sense of the summer heat and oppressiveness of life and emotions. With an emphasis on close up cinematography all of the acting is in the faces and is played without over-dramatising for effect. That being said, it is Marco Fiore and Aurora Quattrocchi who hold our attention and draw us in.

To book tickets to Italian Film Festival – Sweetheart (Gioia Mia), please visit https://italianfilmfestival.com.au/films/iff26-sweetheart.

Spread the word on your favourite platform!

How To Succeed In Business Without Really Trying Opens At Hayes Theatre Tonight

Feature-How to Succeed in Business Without Really Trying

How to Succeed in Business Without Really Trying officially opens tonight at Hayes Theatre Co, bringing one of musical theatre’s most enduring comedies of ambition and office politics to the stage. Winner of seven Tony Awards, this razor-sharp musical comedy proves that climbing the corporate ladder can be every bit as entertaining as it is unpredictable. Tickets are on sale now and selling fast at hayestheatre.com.au.

Award-winning director Cameron Mitchell (Tootsie, Putting It Together) reunites the leading men from his acclaimed production of Catch Me If You Can for How to Succeed in Business Without Really Trying. Leading the company is Home and Away alumnus Jake Speer (Kinky Boots, Barefoot in the Park) as the ambitious and resourceful J. Pierrepont Finch, opposite acclaimed stage and screen performer, Simon Burke (WICKED, Moulin Rouge) as the formidable company president, J.B. Biggley. They are joined by Georgia Laga’aia (Dear Evan Hansen) as the devoted Rosemary Pilkington and Lucy Lalor (The Prom) as the glamorous Hedy LaRue.

The executive team is brought to life by an outstanding supporting cast, with Wayne Scott Kermond (Hot Shoe Shuffle) taking on the dual roles of Mr. Twimble and Mr. Womper, Max Macdonald (Tootsie) as Budd Frump, Stacey Thomsett (Rent) as Smitty, Noni McCallum (Beetlejuice) as Miss Jones and Play School alumnus Kaeng Chan (Miss Saigon) as Mr. Bratt. Madeline Pratt (Annie) plays Miss Krumholtz, Taye Grant (Back to the Future) appears as Mr. Overington, and Zachary Webster (Chicago) returns to the Hayes as Mr. Gatch while also serving as Assistant Choreographer. Completing the company are ensemble members Katie Green (Tootsie), Kye Hall (Tootsie), and Kristina McNamara, who returns to the Hayes following her recent acclaimed performance in Dirty Rotten Scoundrels, performing in the ensemble while also taking on the role of Assistant Director.

A satire of big business and all it holds sacred, How to Succeed in Business without Really Trying follows the rise of J. Pierrepont Finch, who uses a quirky instructional guide to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant “company man,” the office party, backstabbing coworkers, caffeine addiction and, of course, true love.

Featuring classic songs including I Believe in You, Brotherhood of Man and The Company Way, this comic gem of a musical features a score by Frank Loesser and book by Abe Burrows, Jack Weinstock and Willie Gilbert. First staged on Broadway in 1961, How to Succeed in Business without Really Trying won the Tony Award for Best Musical and a Pulitzer Prize. Subsequently it has been revived on Broadway, most recently starring Daniel Radcliffe and Tony Award winner John Laroquette. Last seen on Australian stages in 1963, this new production promises to get toes tapping funny bones aching and audiences falling in love all over again with this gloriously irreverent take on ambition, office politics and the pursuit of success.

How to Succeed in Business Without Really Trying is a rollicking comic delight of satire and song—a joyful, knowing wink to the ambitious window washer lurking inside us all.

Producer: LPD Productions
Director and Choreographer: Cameron Mitchell
Musical Supervisor: Damon Wade
Musical Director: Kimberley Gilbert
Set Designer: Domonic Foffani
Costume Designer: Christine Mutton
Lighting Designer: Peter Rubie
Associate Producer: Kelsi Boyden
Assistant Director: Kristina McNamara
Assistant Choreographer: Zachary Webster

Season details
Venue: Hayes Theatre Co, 19 Greenknowe Ave, Potts Point
Season: To 27 September
Times: Wed-Sat 7.30pm, Thurs 1pm, Sat 1.30pm & Sunday 2pm
Price: Previews from $75; In season prices Adult from $84 Concession from $75
Bookings: www.hayestheatre.com.au | (02) 8065 7337

Spread the word on your favourite platform!

Late for?

Sorry I'm Late

Sorry I’m Late Rating

Click if you liked this article

First cab off the rank for this year’s Sydney Fringe Festival.

Sorry I’m Late

Productions credits:
Writer, Producer, Cast (Dorothy) – Izzy Azzopardi
Producer, Cast (Mackenzie) – Jessica Garnett
Director – Rebecca McNamee
Production Designer – Daisy Hughes
Lighting Designer – Lila Browning
Sound Designer – Tait Gibbons
Rehearsal Assistant – Lara Koscis

It was very heartwarming to see to full audience of mainly family, friends and loved ones of the cast and crew for their opening night. I’m sure the lead up to the run of five nights would have been a ton of tireless work to get this new work to the stage and presented for the 2026 Sydney Fringe Festival. The long list of production team for this two hander, certainly paints that picture.

This is a nonlinear, nonsensical, zero plot driven play.

The playwright describes it as; “Through this play, I wanted to interrogate a number of big ideas that ultimately converge under the thematic umbrella of ‘the fragility of time’: the artist grind, which often involves
the paralysis of self-doubt; the expectation of women to have it all.”

The director describes it as; “Sometimes we wake up and wonder: How did I get to this point? Where am I? And is this even where I want to be? be? I think that feeling is universal. Life can feel familiar, yet somehow we’ve lost our sense of where we are, who we are and we even question whether our choices are completely our own.”

 

Theatre of the absurd is existentialism and expresses what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion of silence. Or put more plainly a godless world with no start or finish and the perils of having to deal with other people.

The play really tried to attempt this, but it was filled with a bit too much Gen Z angst to really get there. If that is your cup of tea, then this is the play for you.

Pacing was an issue, particularly for the first half of the play but I take that down to opening night nerves.

I tip my hat off to the two actors for working their butts off to learn such a nonlinear script. That takes a lot of time, unless you have a photographic memory. Knowing, like most shows of the Sydney Fringe Festival, it was put together on a shoestring budget. That is something to be proud of.

Sorry I’m Late plays until September 5th at the Actor’s Pulse in Redfern.

(Take a cushion, the seats are not comfortable, but they do have air-conditioning).

To book tickets to Sorry I’m Late, please visit https://sydneyfringe.com/events/sorry-im-late/.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.