Campfire @ Fringe World Perth

Campfire

Campfire Rating

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Campfire is a hilarious jump-scare comedy currently showing at Fringe World Perth. With a rich mix of physical theatre, clowning, acrobatics and floor work, it’s wildly entertaining. This show will delight every member of the family, so pack your bug spray, and let’s head deep into the bush for some hilarious and playful camping chaos.

The premise is simple and instantly relatable. Best mates Louis and Griffin head out on a camping trip, armed with enthusiasm but very little practical skill. They fumble through the basics, but they’re just so excited to be spending time together that doesn’t really matter. After a series of missteps – including a highly relatable moment involving a camping tent that made my day, and a rather awkward moment running out of water – they settle in for the night, toasting marshmallows by the fire. As darkness falls, the tone subtly shifts. A curious, lonely, animalistic bush spirit begins to follow their every move. What starts as intrigue soon becomes a fight for survival, as from sunrise to sunset the friends stumble through the wilderness, their survival skills, masculinity and friendship tested at every turn as the spirit causes escalating high jinks.

 

 

Created by Melbourne/Naarm collective Split Focus, Campfire is a confident showcase of multidisciplinary performance. The storytelling is driven almost entirely through the body, with dynamic acrobatics, aerial work, tumbling, floor work and clowning woven seamlessly into the narrative. The physical skill on display is impressive, with very movement serving the story.

The music and sound design build cinematic tension, while the clever use of lighting and shadow kept the audience on its toes as they are guided through moments of joy, fear and tenderness. I really enjoyed how the performance used clowning to move the audience through this story of hilarious emotional ups and downs. Performed in the close quarters of the Gold Digger tent, the audience is close enough to the action to feel every near-miss, every moment of trust, and every comic pause. There was raucous laughter, punctuated by audible gasps and soft “awws” during the more tender moments.

At its core, Campfire is a playful and generous exploration of friendship, vulnerability and connection, and, importantly, how to perfectly toast a marshmallow. This show is very well executed storytelling. It’s funny, impressively physical, and a joyful Fringe experience. By far one of the best shows I’ve seen at Fringe, pack your bug spray and join this trio into the bush.

To book tickets to Campfire, please visit https://fringeworld.com.au/whats-on/campfire-fw2026.

Photographer: Ven Tithing

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Campfire Unleashed

Campfire Unleashed

Campfire Unleashed Rating

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Campfire is a warm, expressive, and impressive act of acrobatics and physicality. The audience follows two friends, Louis (Green) and Griffin (Hooper), as they hike through the bush. They have strange interactions with an aberration (Naz Turner) who is up to some mischief. This dance piece is bursting with expression and athleticism. A whole narrative, character development and plot, is conveyed solely through dance. Campfire unleashed is filled with rich creative dance, with the three dancers using their powerful bodies to effectively tell the story of two friends and the mysterious person in the bush. All the dancers were able to move around the stage gracefully with ease, no language was needed, as the dancers articulated themselves with their bodies.

 

 

The show starts with Turner mysteriously dancing around the stage. It felt like he was a spirit welcoming the audience, acknowledging the bush and land the show is set on. Once turner creeps off stage, Louis and Griffin greet each other warmly with exaggerated chest bumps, and quickly get to hiking. The audience then gets to watch as both boys try to set up camp with whimsical athleticism. Shockingly, somehow, the boys end up having to share a sleeping bag! Louis and Griffin remain consistently and dramatically expressive throughout the whole ordeal, expressing their wild personalities through their movements and interactions with each other. Louis, Griffin, and the aberration then each have their solo dance numbers, highlight specific skills of each dancer in impressive and unique ways. Each dancer utilised new forms of dance, surprising the audience with their different movements.

Throughout the performance each dancer exhibits a great deal of control in their movements. The physicality and countenance of each performer builds drama and tension through every movement. Each dancer is afforded their own moment to creatively express their characters thoughts and feelings, be it fear, terror, or elated excitement. Although there are serious moments of anxiety pepper throughout the show, overall Campfire Unleashed remained light hearted and silly. Even more impressively, the silly characters remained sexy, given the visibly powerful bodies of all three dancers. The creative and modern dancing was sown together in ways that I didn’t expect, forming an experience both astounding and delightful.

To book tickets to Campfire Unleashed, please visit https://www.theatreworks.org.au/2026/campfire-unleashed.

Photographer: Aaron Walker

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