9 to 5: The Musical

9 to 5: The Musical

9 to 5: The Musical Rating

Click if you liked this article

2

Don Russell Performing Arts Centre hosts Art in Motion Theatre company as they present 9 to 5: The Musical, based on the iconic 1980s film by 20th Century Fox, with music and lyrics written by the legendary Dolly Parton.

Walking into the theatre, it was both intimidating and exciting to see the band sitting right there, front and centre, staring at you as you walked in. It was intimidating because you walked around the corner practically into the band, and it was exciting because the musicians were normally hidden in the pit, and often, community-based musicals rely on recorded music. Who doesn’t love live musicians at a musical?!

My first thoughts on the show were that it was confronting. As a feminist in 2024, where gender parity is still very much a goal to strive for, it was confronting to see this portrayal of workplace culture in the 1970s (which really doesn’t feel like that long ago; if anyone mentions that it was half a century ago, we can no longer be friends) and to realise just how far we have come.

The show was light-hearted and funny and didn’t feel like a lesson in feminist agenda, yet seeing the way actor Aaron Lucas portrayed the villain, Franklin Hart, with the support of the whole male cast, made me uncomfortable, which may have been the intention. I heard someone in the packed audience say, ‘Can they say that now?’ which tells me that the director, Lys Tickner, did a great job of showcasing the themes of empowerment and feminism, without losing the fun-filled musical feel that kept audiences toes tapping.

For those unfamiliar with the show, 9 to 5 is set in an office in the 1970s. The office boss, Franklin Hart, is a sexist, pompous letch with zero ethics with his eye well and truly on Doralee Rhodes, played by Jen Gadeke, a married country girl who can’t seem to make any friends at work. Once the rumour of her affair with Hart is debunked, Doralee is befriended by the new girl and soon-to-be divorcee Judy Bernly, played by Stacey Gobey, and office supervisor Violet Newsted, played by Sarah McCabe, who has taken Judy under her wing, all of whom try to stay away from the office snitch Roz Keith, played by Mary Carter.

We know that when women circle, good things happen. So after a small mishap with poison, one thing leads to another. A kidnapping occurs, and from there, the friends take it upon themselves to hide their misdeeds while also setting the world to rights and creating the kind of workplace that people want to work in. Productivity goes up, escape happens, and the good guy (girls) wins in the end. All set to iconic Dolly Parton music.

The cast do a brilliant job portraying the characters and belting out a tune, I spent the show thinking ‘oh, she’s my favourite….oh no, she is…..ohhh I like her…’ between the female leads and when curtain call came I clapped and cheered for them equally but wanted to boo for Lucas (but did restrain myself), which I’m taking as a sign he did a great job portraying an awful character.

The sets were great. The set changes were really quite simple, and yet when Gadeke climbed the ladder to look for the missing file, I swear I saw a file move! I have to say that the scene with the photocopier might have been set in the 1970s, but it was a little too relatable for a 2020 office. While we may have come a long way with employment law, we haven’t come far at all when it comes to photocopier paper jams!

Hats off to the costume director. Noteworthy moments included the ensemble of Roz (how good are those glasses) and the ensemble of Frank in shorts. Some things can not be unseen; I think that vision will be with me for longer than I wish.

The music is wonderful, with some well-known (and some less well-known) Dolly Parton songs hosting over-the-top dance numbers and dream scenes. Even if you have never heard a Dolly Parton song, you will still be bopping along with the music. A great way to spend an evening.

9 to 5 is at the Don Russell Performing Arts Centre November 8, 9 and 10. With just one weekend, and three shows remaining, book your tickets for 9 To 5: The Musical as soon as possible.
https://drpac.sales.ticketsearch.com/sales/salesevent/138177

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Falling into Place: British Film Festival

Falling into Place

Falling into Place Rating

Click if you liked this article

1

Set against the stark backdrop of a bleak Scottish winter, “Falling into Place” invites viewers into a world where two lost souls briefly collide in a bar, igniting a day filled with fleeting joy and profound connection. Directed and written by Aylin Tenzel, who also stars as the film’s emotionally troubled protagonist, the narrative explores the depths of despair and the search for solace in unexpected places.

Tenzel’s character is an artist grappling with the aftermath of a painful breakup, her self-worth at an all-time low. She isolates herself from her family, terrified that revealing her struggles will expose her vulnerabilities. Tenzel embodies this emotional turmoil with a raw honesty that resonates deeply, showcasing her talent as an actress and storyteller.

Opposite her is Chris Fulton, known for his roles in “Outlander” and “Bridgerton,” who plays a man equally enshrouded in grief. His character battles the aftermath of his sister’s suicide attempts and a relationship that has long since soured. Together, Tenzel and Fulton create an intense chemistry that pulses through the film, offering a glimpse of hope amidst their mutual pain. Their connection is not one of idealized romance but rather a bond forged in shared suffering—a recognition of their own self-destructive tendencies.

What sets “Falling into Place” apart is its unflinching portrayal of mental health issues. The film does not shy away from presenting its protagonists in an unflattering light; rather, it embraces their flaws and struggles, allowing audiences to empathize with their journeys. This authenticity is refreshing in a genre often dominated by idealized relationships.

While the film’s pacing may feel slow at times, the emotional weight it carries makes the eventual payoff worthwhile. Tenzel’s directorial debut is a powerful commentary on the healing power of shared experiences, making it a must-watch for those who appreciate intimate, character-driven storytelling.

The British Film Festival 2024 runs from Nov – Dec 8.

To book tickets to this or other films click https://britishfilmfestival.com.au/ for session and venue details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Film Review: Weekend In Taipei

Weekend in Taipei

Weekend in Taipei Rating

Click if you liked this article

2

From the visionary creator of The Fifth Element, Luc Besson comes the exhilarating action film Weekend in Taipei.

You don’t have to wait for long before the first action scene begins, 5 minutes in fact, where a brand new Ferrari takes you on a high-speed joyride through Taiwan’s capital, Taipei. 

The film centers around a DEA agent, portrayed by Luke Evans, who is on a relentless mission to dismantle a formidable drug lord’s operation. Unbeknownst to him, this notorious criminal is married to his former love interest, adding an emotional layer to the narrative.

The plot takes viewers on a journey from the United States to Taiwan, where the reunion between the long-lost lovers sparks unresolved feelings and secrets. This rekindling of romance unveils a love triangle that complicates the agent’s mission, leading to a gripping confrontation between good and evil.

 

The combination of Luke Evans, known for his roles in Hollywood Blockbusters such as Clash of the Titans, a very likeable leading lady, played by Gwei Lun-mei, hailing from Taiwan, and ‘bad guy’, Sung Kang, who starred in the Fast & Furious franchise, makes for a strong cast. 

Where the film lacks a strong story, it definitely overachieves in superbly choreographed fight scenes, with lots of humour thrown in. With the addition of a killer soundtrack, some gorgeous cinematography, and good duration, this film is perfect for an entertaining cinematic experience without the need for deep contemplation.

Weekend In Taipei will open in Australian cinemas in the coming weeks. Check your local cinemas for session details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Commandante: Nice Cinematography

Commandante

Commandante Rating

Click if you liked this article

The opening of Comandante felt like a perfume ad for one of the big Italian fashion houses—a Dolce & Gabbana or Prada. A young woman in a 1940s dress looks longingly through a window. Her voiceover, while not saying much of consequence, gives the scene an elegance that got me interested to keep watching. The camera filter gives off the effect of that old Hollywood trick of Vaseline on the lens for that soft focus.

Comandante – translates to The Commander. There is nothing commanding about this film whatsoever. Okay, so we’re watching a war film. I got it. There is an Italian man now in the picture, in a singlet looking a little worse for wear. He looks troubled, and we see this is the case after some dialogue between the two characters. But then nothing happens. I was left waiting for nearly two hours. Can something happen?? The women farewell their men as they depart on a submarine to join the war effort. Okay, but nothing happens.

Comandante gave me Dunkirk vibes; that is to say, a picture featuring a lot of pretty boys, well men, and a few well-trodden older men stuck together under the sea. It is a film that tries to give us the real deal by showing lots of untidy chest hair and soft bodies. I was very aware that I was watching actors playing pretend, albeit non-glamorised, like Dunkirk.

I kept watching, waiting for something interesting to happen—a plot line, an intriguing character, anything! And then I realised something wasn’t going to happen.

 

The main protagonist, Captain Salvatore Todaro (Pier Francesco Favino), is a rugged-looking man with a steely presence and an incongruous penchant for lyrical turns of phrase. And yet, he is oh so dull.

The only different thing that woke me up was a funny sequence where the Belgians teach the Italians how to make chips. With that being my only memorable takeaway from this film, I think it’s clear to say I was not enamoured.

Comandante was made in collaboration with the Italian navy, who Comandante is for, a whimsical love letter to life on the sea perhaps? I felt guilty zoning out, but I can’t pretend to be interested in a film that may have good intentions and most probably has an audience somewhere. It felt like a film for my dad to watch on a quiet Sunday afternoon and probably fall asleep to.

I was very surprised when I read that Comandante opened the Venice Film Festival in 2023 after Challengers, starring Zendaya dropped out. It’s not surprising, I suppose, as Comandante could be sold as a story about Italian pride and their role in the Second World War, therefore making it ideal for the Venice Film Festival.

But there is nothing groundbreaking or emotionally charged about this film. It seriously falls short.

To book tickets to this or other films, click https://italianfilmfestival.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!