The Wizard of Oz – A Traditional Christmas Pantomime

The Wizard of Oz - A Traditional Christmas Pantomime

The Wizard of Oz – A Traditional Christmas Pantomime Rating

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6

Zealous Productions yearly pantomime must be Perth’s best kept secret and this year’s The Wizard of Oz is no exception. Housed at Subiaco’s Regal Theatre and in their fifth year – I’m surprised that this show is not getting more press!

I can’t sing high enough praises for this team who are all West Australians; seeing a show like this makes my job easy as a theatre reviewer. It made me proud to be a West Australian and see the home grown, grass roots creativity they are bringing to our stages. What I also loved while reading the 16 strong casts biographies was that many themselves are also creating their own work, which I believe is a must as a performer. They are not merely pawns who are part of an industry but passionate performers who are creating with their heart and soul.

As the curtains raised, I knew that the show was going to be good when I heard the claps and shouts from their loyal and yearly returning audience. It was clear that the audience knew what was coming and they were just as excited as the performers to be part of this year’s pantomime. We were encouraged to cheer for goodies and boo for the baddies and oh was it fun!

Audience involvement in a pantomime is such a necessity and Zealous Productions nailed this. There was a point in the production that they had literally everyone (yes everyone!) in the audience on their feet dancing to the Time Warp. It felt like I was at a family party yet I was really in a theatre with over 500 other strangers. There is nothing like the energy and connectivity cultivated by artisan performers and it leaves you so invigorated and buzzing.

Their cast was truly a strong cohesive team not to mentioned incredibly professional and talented. With most graduates of NIDA, WAAPA, VCA or with substantial experience, it was unsurprising how perfect this production was. Director Brendan Hanson had a talented team to work with but there was no doubt he is just as talented with a spectacular final product.

 

 

Special mentions go to Maree Cole as the awful Wicked Witch. I know Maree’s work and as someone who has been around for years – she is like a fine wine – she keeps getting better with age!

In her professional theatre debut Jayda D’Agostino was impeccable as Dorothy. Vocally beautiful to listen to, she was equally mesmerising to watch with her bright and sunny characterisation.

My seven year old daughter’s favourite character was the Scarecrow played by Noah Connelly. I can see why – with his amazing physicality; cartwheeling, jumping and flopping across the stage he was a spectacle to be watched.

Of course a favourite of all pantomimes is when we have a cross dressing character. Aunty Em/Glinda played by Chris Gerrish did not let us down. Incredibly quick witted and sharp with his jokes, I loved his hilarious vocalisation and overall big stage presence.

Another highlight was the tap dancing ensemble – how wonderful to see this on stage. Something you rarely see these days – especially not in Perth! It made me want to take up tap lessons again and maybe I just will!

Overall this production exceeded my expectation again and again. They really were at such a high and professional level with everything from the sets (the use of projection was really clever and visually very pleasing), use of a live band (this always tops a production for me) and the bright and fun costuming.

Zealous’ pantomime really should be apart of your yearly Christmas tradition, because if it’s not your missing out!

The Wizard of Oz runs from December 12 – 24th 2025 at the Regal Theatre in Subiaco.

To book tickets to The Wizard of Oz – A Traditional Christmas Pantomime, please visit https://premier.ticketek.com.au/shows/show.aspx?sh=OZXMAS25.

Photographer: Stephen Heath Photography

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Here You Come Again

Here You Come Again

Here You Come Again Rating

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4

“Are you a Dolly fan?” The man beside us asks before the show starts, but I’m not sure how to respond. Admittedly, I only know her three big songs (I’ll let you guess which), but never have classified myself as a fan. However, after this evening, I think I may have changed my tune.

‘Here You Come Again’ is an uplifting story about love, music, joy, and hope, set in a time many of us would like to forget. Yes, the ‘unprecedented times’ of early COVID lockdowns. Dash Kruck plays Kevin, an aspiring (and struggling) comedian, forced to social distance in his parents’ attic. Without work, a partner, or any hope for the future, he turns to his record collection and asks, “What Would Dolly Do?” As if by magic, Dolly herself, played by the show’s co-creator Tricia Paoluccio, manifests from a life-sized poster, breaking out into the titular number Here You Come Again, and guiding him along a journey of self-love and realisation.

Kruck’s portrayal of Kevin’s self-worth issues was extremely resonant, particularly as a creative. The struggle of not feeling worthwhile as a person seeping into your creative output is something I, and many others, could understand. Kruck brought a vulnerability and earnestness to the role that was deeply sympathetic, while also playing off Paoluccio’s comedic energy and shining in his musical performances.

Paoluccio’s performance was more than an impression of Dolly – it was an embodiment. Her vocals stunned, not only in quality and style, but also in likeness. Her cheeky comedic timing and infectious positivity was well-received, as she played into the less-serious components of the Parton persona (“It costs a lot of money to look this cheap!”).

Despite the story not being centred on Dolly, Paoluccio sprinkled the occasional tidbit throughout her chats with Kevin, such as her losing a Dolly Parton look-a-like contest. The mention of her marriage to Carl Dean was touched with a layer of sadness, given his recent passing in March 2025, yet the 60-year-long relationship was honoured with grace and love.

 

 

The ensemble was fantastic, not only contributing as minor characters throughout, but also singing, dancing, and playing alongside the live band. Kellie Rode was lovely as Kevin’s germophobic but well-meaning mother and was a great contrast to the gruff (but also well-meaning) Andrew Worboys as Kevin’s dad, who additionally led the band as the musical director and keys player. Rode was joined by fellow WAAPA graduate Bailey Dunnage, who played Kevin’s ex-boyfriend Jeremy. Dunnage also demonstrated some Magic-Mike level dancing (choreographed by James Maxfield) during the number Why’d You Come in Here Lookin’ Like That, in which we are also treated to a performance from Kevin’s drag persona, Polly Darton. Rounding off the ensemble was Laura Joy Bunting, who played the abrupt and bitter Tish, Kevin’s boss, as well as accompanying the band with acoustic guitar and lovely backing vocals.

Despite the singular location, the detail of the set kept you interested, with posters, stickers, toys and junk spread across the stage, making for an authentically lived-in environment. The Australian Adaption team (Fiona Harris & Mike McLeish) did a wonderful job in collaboration with designer Paul Willis in adding Australian iconography throughout, such as Humphrey B. Bear, a Milo tin vase, and kookaburra song over the eucalyptus backdrop. The lighting, by Jason Bovaird, was also fantastic, particularly during musical numbers and special effects moments.

The only detractor from the evening was during the finale, in which an overly enthusiastic audience member hopped on stage for an impromptu dance. While certainly indicative of the energy and vivacity in the room, it was a moment that should’ve been for the musicians to receive their flowers, and was disrespectful to the band, stage crew, and theatre staff. Congratulations to Tina Harris, Luke Herbert and Ash Murdica for handling the situation with such professionalism, while making the rest of us dance in our seats.

Whether you’re a huge Dolly fan, barely know her, or are somewhere in between, ‘Here You Come Again’ is an inspiringly joyous show that is sure to leave you smiling, and your toes tapping. I, for one, am certainly inspired to spend more time with Dolly myself.

Recommended: Dress in true Dolly fashion – however you like! (Though rhinestones, cowboy hats, and denim are strongly encouraged!).

To book tickets to Here You Come Again, please visit https://hereyoucomeagain.com.au/.

Photographer: Cameron Grant

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Perth Comedy Festival: Andrew Barnett

Andrew Barnett - Simple

Andrew Barnett – Simple Rating

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Keeping it simple, stupid is never as simple as it sounds. Especially if you’re Andrew Barnett (aka Barney), where life is anything but simple as the father of two teenage boys who don’t yet appreciate that the ultimate sign of coolness is being able to drive yourself to the shops to buy stuff with your own money.

Ah, yes, the woes of being middle-aged while surrounded by teenagers and TikTok is the comedic stuff that dreams are made of, and Barney nails it with his wry outlook that anyone over 30 will relate to. Warning: If you have the audacity to show up below the age of 30, it’s probably best that you don’t sit in the two front rows.

His ease of delivery makes it feel like you’re just chatting at the pub, where he’s doing most of the talking. Barney’s effortless style is down to an extensive career since 2010 as a stand-up comedian, writer and media personality, including TV, radio and podcast appearances.

He currently co-hosts the Not Another F#ing Rugby League Podcast and is a familiar voice on SEN radio, aired in New South Wales and Queensland, when he’s not performing at high-profile sporting, comedy, music and fringe festivals around the country.

Reigning from Sydney to join the Perth Comedy Festival on 2nd and 3rd May, and performing upstairs of the Regal Theatre in the Regal Chorus Room is the perfect setting for Barney’s laid-back banter.

He returns to Sydney for the Sydney Comedy Festival on 8 & 9th May. Keep an eye out at various Perth venues, including The Rechabite and Comedy Lounge, for his quick-witted, relatable and endearing observational humour.

Performances: 2nd – 3rd May 2025, 7pm
Regal Theatre, Regal Chorus Room, 474 Hay Street, Subiaco
Tickets: $41.58

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Rhys Darby: The Legend Returns

Rhys Darby - The Legend Returns

Rhys Darby – The Legend Returns Rating

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The first time I knew about Kiwi comedian Rhys Darby was when I happened to stumble upon a tv show in which he travels to Japan, “Rhys Darby: Big in Japan”, and I instantly became a fan so I was super excited when I found out that he would be performing a show in Perth for the Perth Comedy Festival and his show did not disappoint.

Although Rhys delves into a range of topics, which he manages to squeeze into his hour-long show, it centred predominantly on technology and its impact on society.

His take on Artificial Intelligence (AI) within society was especially cleverly portrayed using an analogy of a horse and carriage. The horses are the AI, the tech billionaires Mark Zuckerburg, Elon Musk and Sam Altman are the horsemen with the whips directing the horses where to go, the general population are the passengers inside the carriages not knowing where the horses are taking them, and the Baby Boomer generation are being dragged behind the carriages in this crazy ride. The whole image was brought to life energetically with Rhys impersonating the horses, the tech billionaires, the general population and the Baby Boomers.

With Perth known as being behind the rest of the world in everything, he jokes that Perth wouldn’t be aware of this, as AI hasn’t yet hit Perth.

Throughout the show, Rhys tells separate stories like Rumba the robot vacuum that escapes from home or the flying machine he invents to take his kids to school. In the end, he manages to weave all the stories into one cleverly crafted final story.

Rhys is also a man of hidden talents, or perhaps a talent of his that isn’t so well known. I was impressed with his voice, sound effects, and his beatboxing and DJ skills. During the performance, he manages to put together a live track of him beatboxing.

Rhys was full of energy throughout his entire show. He is not one to stand still. He is animated in the stories that he tells, and his passion for comedy and storytelling shines through in his performances. There are some comedians who are more popular with male audience and others with female audience. Rhys appeals to a wide range of audience members regardless of age, gender or ethnicity.

Unlike other comedians, he also delivered quite a poignant message about not getting too consumed with technology, to appreciate each other’s company whilst we can, as life is short and not to be so afraid of what the future holds in these uncertain times.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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