It’s simply MARVELous: A Risque Parody

Marvel

MARVEL: A Risque Parody Rating

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6

The big energy opening number to MARVELous: A Risque Parody gave the audience a taste of what was to come. There were showgirls dressed in sexy red, white and blue outfits, high kicking, singing and dancing around a muscular square jawed Captain America, played by Luka Lea-Vestic holding up his big round shield.

It was reminiscent to a scene from Captain America named “The Star Spangled Man with a Plan” except director, creator and composer Samwise Holmes cleverly wrote a parody called “The Man with America’s Ass” with lyrics such as “Who’s got a glorious gluteus maximus? The vote for the world’s greatest bum is unanimous. A posterior that’s all class. The man with America’s Ass”!

From here I guessed that this was going to be a mix between a satirical musical, a flamboyant gathering of colourful costumes and cheeky burlesque dancing. What I didn’t foresee was another layer – one which involved not only raunchy strip dancing, but dancing in many different styles, including a ballet act, dancing using a whirlpole and a modern puppet master dance led by Scarlet Witch, played by Brea Holland. Added into the mix was a good dose of aerial and stage acrobatics, with risqué humour woven in. Listening to the audience’s reaction to the performances around the theatre, it was clear that MARVELous was hitting all the right notes!

Each performance involved a seperate Marvel character act, unique to them and was unrelated to others. There was not a storyline from start to finish, rather a series of acts where the Marvel characters embodied their character traits and special powers. They performed a particular dance, sometimes singing along to parodies of a well known scene from a movie. When they were not performing as their main Marvel character, the cast of 12 supported each other by playing other roles onstage.

One stand out performance was by Megan Wonfor, who played Black Widow. Her fight scene with two ninjas dressed head to toe in black was phenomenal. The three of them did a “dance fight” full of acrobatic tumbles and sharp acrobatic leaps, all in time to music. It was visually one of the most beautiful fight scenes I’ve ever seen!

Another performance I really enjoyed was from Fat Thor, played by Thomas Remaili, who used the pole in his routine and made climbing up it and hanging off at zig zag angles look easy, despite wearing croc slip on shoes and having his legs and arms covered, which left me wondering how he was able to grip the pole. His huge prosthetic belly didn’t hinder Fat Thor as he performed his routine, and his humour had the audience laughing and cheering him on.

Deadpool, played by Justin Wise, was the show’s sassy narrator. When he was onstage, his role as the storyteller appeared to be more of a stand up comedian and involved him bantering with the audience to bring the show to a more personal level.

The choreography of all the dance acts was so varied, and executed with precision by the actors. If all the dance routines were too similar, it would have been a lacklustre show. Choreographer Luka Lea-Vestic ensured that audiences would be treated to a mix of styles that captured our attention.

James Wallis’ lighting, in combination with the creative three-story cityscapes scaffolding set design by Dan Potra, was effective throughout the show to both elevate the vibrancy of the mood and to build the suspense in darkened scenes. In one performance Iron Woman, played by Lulani Rawson, led a multi woman lineup of Marvel characters in a dance, with each performer using her lights on her hands to create exciting paths of lights into the audience as the male performers lit them up from behind. This was a mesmerising scene.

Action Reaction Entertainment have brought a dynamic show to the Chatswood Concourse theatre for fans of the Marvel Cinematic Universe. There were cheers and laughter as they understood and appreciated the jokes and references throughout the performance. Even if you weren’t familiar with all the characters, there were acts which brought in parodies of some very well known musicals as well. Despite some opening night hiccups with the sound, the soundtrack paired with the casts’ high energy performances ensured the audience had plenty of laughs and a MARVELous night out.

MARVELous: A Risque Parody is playing at the Chatswood Concourse.
Be aware that it is an 18 + event.

Show Run: Friday 26 July – 10 August 2024
Tickets: from $59 – $125

www.marveloustheshow.com.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Potted Potter – The Unauthorised Harry Experience

Potted Potter

Potted Potter Rating

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1

Every now and again a show comes along that is simply just good fun. Potted Potter is one of these shows. It is child-like (in the best possible way), hysterical and does not depend on a deep knowledge of the seven Harry Potter books.

The Playhouse, normally home to the State Theatre Company of SA, was packed with eager children of all ages, some dressed as their heroes, accompanied by apprehensive parents. The atmosphere was palpable.

The stage is shrouded with mysterious objects covered with sheets, a study corner with a desk standing on a pile of books, ominous shadows and eerie music. A perfect setting for horror story, but this production is everything but that!

Written by Daniel Clarkson and Jefferson Turner, with direction by Richard Hurst, set by Simon Scullion, lighting by Tim Mascall, video by Tom Hillenbrand and music by Phil Innes, Potted Potter was ‘born’ in 2005 as a 5-minute street show, and has evolved since then, travelling around the world, into the current 70-minute spectacle.

Featuring the comedic talents of Scott Hoatson and Jacob Jackson, the production rockets along and includes, puppets, quidditch, fast costume changes, quidditch, audience participation, quidditch, topical references and yes, of course, quidditch!

At roughly 10 minutes per book, this is no mean feat for Scott and Jacob, however, they handle the task with ease and never allow the pace or the humour to drop, complete with numerous ad libs and in jokes.

Hoatson plays the wizard himself, complete with the trademark glasses and more than a passing resemblance. Jackson plays all the other characters (except the golden snitch). Individually and together, they are masters of their art with enough material to interest children and adults alike. The rapport between them is amazing, particularly when using physical humour.

If you are a Harry Potter purist, be prepared to suspend your devotion to perfection for 70 minutes and embrace your inner child. There are references to Lord of the Rings, Jurassic Park, Australian political figures and more!

At times it is hard to determine where the script ends and the ad libs begin as the performers work at rocket pace daring us to keep up. The direction (Richard Hurst) is flawless and we could be forgiven for believing the boys are ‘making it up as they go along as the banter is completely natural.

Highlights for me include – Voldemort wearing bright red horns (a parody of Maleficent?), the final battle between Harry and the dark lord staged as a sing off to ‘I Will Survive’ and the terrifying (or is it?) Norwegian Ridgeback dragon battle with Harry.

As wonderful as these highlights are, the climax of the evening is the game of Quidditch with two lucky members of the audience as ‘keepers’. Blow up globes of the Earth bounce through the audience in search of the lifebuoy goals in the auditorium and the golden snitch is spotted and captured to win the game. Hoatson, as the snitch, in an amazing golden costume that defies my description, was lucky to survive the keepers in this performance.

Potted Potter – The unauthorised Harry experience – a Parody by Dan and Jeff is a joyous 70 minutes packed with hilarity, audience participation and downright good fun. It is sure to cast a spell on those who are young, and those us who wish we still were! A must see!

Dunstan Playhouse – Adelaide Festival Centre. May 10-12

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A Playful Parody – Potted Potter Returns to The Seymour Centre

A Playful Parody – Potted Potter Returns to The Seymour Centre

Potted Potter Rating

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2

What began as a skit in 2005 to entertain people lining up to buy Harry Potter and the Half-Blood Prince in a London bookstore has become Potted Potter, a smash hit sell-out show all around the world. This modest five-minute skit grew to incorporate the first six books in a one-hour show in 2006. Creators Daniel Clarkson and Jefferson Turner expanded their show in 2007 to include JK Rowling’s seventh book, which is where the magic lies in this current form.

It’s easy to see how Potted Potter has outlasted other parodies over the last 17 years. The formula is simple – make your audience laugh! And laugh we did for almost all of the 70-minute performance. There were audience members of all ages, from kids dressed up in their favourite Hogwarts house uniform as others donned witch’s pointy black hats to parents and the older generation attendees. At times, it was similar to a kid-friendly ‘clean’ stand-up comedy set, complete with a lot of audience participation and laughs. One part I shan’t spoil had the audience involved in a group game.

The script was deceptively clever, delivered in a rapid conversation between the two characters, Brendan and Scott. Despite the fast narration, there were no fumbles or tripping over the quick-witted lines. Paired with comedic physicality and perfect timing, the character’s expressions sometimes gave away their surprise when interacting, hinting at some smart stage improvisation. This appeared to keep the script fresh and was delivered so well that it was hard to tell whether it was improv or really good acting. Either way, it worked. They cleverly wove in lines that were particularly Australian too, at one time referring to the ‘bin chicken’, which made everyone laugh.

The set design by Simon Scullion was purposely basic, which didn’t place them at Hogwarts; rather, it added to the charm of a parody. The same was true for the costumes and props used. It was like Turner and Clarkson raided their dress-up and toy box at home and used what they had, such as a stuffed snake and various wigs. Rather than detract from the performance, they added a comfortable charm and a good spice of fun to the Potted Potter experience.

Composer Phil Innes created an air of Harry Potter expectation as the audience was being seated. The music as each book tale begins is cute in the repetition.

The performance also featured some magic, as expected from a book about this topic, as well as a hilarious musical duet complete with a dance break between the two characters to close the show. One of my favourite lines delivered by a ridiculously dressed character was, ” Look it up in the book of cool.”

This quirky performance of Potted Potter will appeal to people of all ages if you expect a lighthearted and quick tour through the seven books’ plot points.

Do you need to have read all seven books to enjoy this performance? No, not at all. It certainly referred to certain things that people who love the Harry Potter series would quickly understand; however, those who hadn’t read all the books gained an understanding of what was going on easily. The characters were all there, in fine form, represented by the two actors.

Potter Potter An Unauthorised Harry Experience is playing at The Seymour Centre, Sydney, from 12 – 21 April and will tour Melbourne, Adelaide, and Perth throughout May.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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