STARBOUND MUSICAL THEATRE – Talent, Tenacity, Teamwork!

Starbound

Starbound Rating

★★★★★

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‘Talent, Tenacity, Teamwork!’ titles the program to the annual STARBOUND MUSICAL THEATRE production. In its 22nd year, those three words really do sum up the high standard and work ethic of everyone involved.

Founded by Jason and Georgina Parker, experienced teachers in the world of drama and all things associated with the stage, they run a tight ship and ask for no less than complete commitment for two weeks from each and every performer, but this well-known husband/wife team along with a myriad of mentors and creatives are also very welcoming, friendly and encouraging.

Every January their annual show ‘STARBOUND’ is a delightful, funny, energetic, thought provoking and outright entertaining mix of musical theatre songs perfected by the strong young cast of students aged 14 – 21 (this year there were over 100!). Each individual song performance could be dropped straight into the musical it came from no questions asked. These young people on stage are all out of the box and they are, without doubt, potential future stars!

Having had my own eldest just leave to live overseas and take up a professional performing contract, I know what these kids on stage are going through and what many are hoping for: to work as a professional performer. Anywhere, but in Australia especially, this is a tough ride, a tough ask and a tough goal to achieve. Participating in STARBOUND MUSICAL THEATRE gives every single person on stage that opportunity – to experience what its actually like to be in a professional show and have the support of a creative team to learn from. The best in the business join Jason and Georgina each year to offer helpful tips and guidance. Putting on the show is just part of this intensive course. Over long rehearsal days, friendships are made and belief is built.

 

 

They open spectacularly with TWENTY MILLION PEOPLE (‘My Favorite Year’), followed by OPENING NIGHT (‘The Producers’) and WHAT’S INSIDE/OPENING UP (‘Waitress’). Eagerly awaiting seeing ‘Waitress’ myself to come to Melbourne I absolutely enjoyed a little sneak-peak of the main character and all going on around her.

Following was my ‘pre-decided’ favourite number of the program I NEVER MET A WOLF WHO DIDN’T LOVE TO HOWL (‘Smash’). I watched the Smash series with my daughter after she received it on DVD as a gift years ago and we both squealed with excitement when we heard it was actually becoming a musical. Again, thank you Starbounders for showing off this new work – I have to remind myself that everyone on stage is under the age of 22. So much talent!!!

Lots more favourites continue on with pizzazz and enviable costuming. Who doesn’t love a chance to BEND AND SNAP (‘Legally Blonde’) or completely flip emotion and cry with ONE MORE DAY (‘Les Miserables’) bringing the house down prior to interval.

The fact they’ve done this in two weeks is unbelievable and something lots of the audience are talking about whilst perusing over the ‘Company 26’ names in the program waiting for the curtain to go up again.

An equally fantastic second act included colourful interpretations of ONE SHORT DAY (plus others from ‘Wicked’). Brilliant pink v. green lighting helped make these outstanding and in fact no props were needed in the show, the lighting guys throughout are to be commended.

We finish the two hour production on another of my all-time faves, CONFIDENT (‘&Juliet’ – happy to be hearing it again after my last review) and CAN’T STOP THE FEELING (‘&Juliet’) gives an entire cast party atmosphere with the audience and stairs full of smiles, claps and waves to their loved ones watching on proudly. The theatre is packed!!!

On a side note, I took my Mum to this show and I always ask what my accompanying guest likes best – she loved THE MARCH (‘Suffs’) and said it was extremely powerful! She had not seen or heard of it before but truly understood the message of equality sought and portrayed by the strong presence coming through a young female ensemble. To have given such presentiment deserves recognition. There are still parts of the world where standing strong for equal rights is more than relevant. I am sure the audience felt that final stance in the row of black dresses.

And here’s a few more side notes I’d like to applaud:

The Heathers group with CANDY STORE, I haven’t seen this show, but now I want to!

The jump splits line (Dallas Cowboy Cheerleaders inspired?) and all the choreography – NAILED

The ‘Cry-Baby’ transition from THE ANTI-POLIO PICNIC to WATCH YOUR ASS – two completely different songs but seamless, exceptionally well done (also loved the costuming and jiving here)

The guy playing Fiyero in DANCING THROUGH LIFE, exactly!

The tiny little girl who belted out CONFIDENT as confident as Demi L herself

I could go on and on… CONGRATULATIONS EVERYONE!

If you have children or young adults you know interested in pursuing a career in Musical Theatre, STARBOUND MUSICAL THEATRE is definitely one to check out – see ‘how to audition’ on their website:

https://starboundmusicaltheatre.com.au

“The best two weeks of the year” would be in agreeance I imagine for hundreds of young people over more than two decades, and yes, some have even seen success not only securing roles in professional shows in Australia, but on Broadway too!

This annual show isn’t just for those families who know someone in it, its for anyone and everyone who love Musical Theatre so follow their Instagram @starboundmusicaltheatre

The Alexander Theatre is easy to get to, free parking on weekends, lovely to sit in comfy seats, a lift for anyone needing it and I think the only thing missing is the mandatory ‘choc top’ on the menu, will have to suggest that to them haha.

To book tickets to Starbound, please visit https://starboundmusicaltheatre.com.au/.

Photographer: Georgie Parker

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Annie

Annie

Annie Rating

★★★★★

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The appropriately cast production of “Annie: The Musical” was a spectacular success last Friday night and was a delight to the audience at QPAC’s Lyrics Theatre. The charming tale of the orphan, Annie, on a mission to find her true family continues to be widely beloved and celebrated in theatres around the world. The same should be said for this particular performance.

From set designs, to costumes to vocal technique, this production was one I find very difficult to fault. The use of colour, space and choreography was seamlessly integrated with professionalism and skill.

I admired the directorial style when it came to blocking, movement and the insistence on highly polished choreography. You can see examples of this in scenes with songs such as “Hard Knock Life,” and “Little Girls,” where such expression is important in identifying the intents and purposes of the characters who are contributing to the scene.

The sets had seamless transitions from scene to scene, with the various choices in lighting allowing for the cast to complete their songs or monologues without interference.

Spotlights and low, white wash lighting were used in scenes that showed the orphanage, the streets of NYC, and the alleyways in which the orphans would play. Warmer lighting was used for more cheerful and uplifting scenes, such as those within the Warbucks mansion or President Roosevelt’s office.

The band were highly polished, accompanying scenes appropriately and with the vigour and skill that the show demanded.

Casting was especially notable and each player was quite admired. From the ensemble to the leading roles, each performer put in their all and had the audience in the palm of their hands. Each scene was highly engaging and enjoyable, capturing the essence of family, honesty and seeking hope when things seem bleak.

 

 

Now for some notable mentions. Anthony Warlow played a highly believable and entertaining role as Oliver Warbucks. He exuded the confidence and humility that the character called for with professionalism and a natural talent to capture the hearts of his audience with his wonderful, versatile voice. His performance was highly enjoyable and quite the privilege.

Debora Krizak was a wonderful Miss Hannigan and was effortlessly entertaining. Her skills in physical comedy and vocal performance create a captivating portrayal of the orphanage manager, making the role more accessible for audiences to engage with, rather than simply being a villain in Annie’s story. Amazing work.

Keanu Gonzalez played a great Rooster Hannigan who exceeded my expectations. His vocals and dancing talents are highly commendable and a joy to watch. Gonzalez makes it seem like he was born for this role; playing the sly, young con man looking to live on “Easy Street,” and making it look fun and far too easy. I look forward to seeing Gonzalez in more productions.

Amanda Lea Lavergne played the marvellous, Grace Farrell who led Annie to the Warbucks mansion. Lavergne effortlessly captured the cheerful and beautiful secretary of Mr Warbucks elegantly and without missing a beat. It was a joy to watch how she portrayed Miss Farrell with her impressive vocal talent and expressive style.

I was excited to see Greg Page return to the stage and was overjoyed to see how he brought such life to his role, President Roosevelt. His smile and enthusiasm were contagious, his charisma, cheerful contributions to scenes, as well as his highly enjoyable vocal performance, were a testament to his experience and love of the craft. Page was a wonderful choice for this role, and I hope to see him succeed in future productions.

Finally, Matilda Casey’s portrayal of the orphan, Annie, was especially uplifting. Her bright and charming voice, along with her professionalism and expanding acting ability showed the audience throughout the show that she was definitely in the right place. Casey gave a marvellous performance and captured the hearts of her audience through Annie’s optimism and cheery disposition. I hope to see her in many more productions and seeing how her skill set grows over time.

Congratulations to all the cast and crew who made this performance of “Annie,” so great. I highly recommend the show and advise viewers to get their tickets ASAP!

To book tickets to Annie, please visit https://anniemusical.com.au/.

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Love Actually? The Musical Parody is All I Want For Christmas

Love Actually? The Musical Parody

Love Actually? The Musical Parody Rating

★★★★★

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Twinkling lights and Christmas tunes greet you as you weave your way through the theatre. Humming along to Feliz Navidad after posing for a photo op like you are debuting the red carpet, you finally get comfortable in your seat. Front row or humble rear seats, the site leaves you breathless:

Before wide-eyed and smiling patrons, the stage transports you into the heart of the iconic Christmas rom-com. Love or despise the characters, storylines and actors that make Love Actually a Christmas special, the contagious cheer and excitement elicited from the reminiscent depiction of the Christmas school concert is contagious. Christmas trees, tinsel, lights, presents and two doors that hold the keys to the exploration of notable characters and questionable notions of love ensures a night to remember.

Comprised of an ensemble of six talented actors that emulate the subtle mannerisms of the renowned actors of the film, it feels as if Hugh Grant, Bill Nighy, Emma Thompson, Kiera Knightley, Colin Firth, Chiwetel Ejiofor and the late Alan Rickman have materialised. William Kasper, Nicole Kaminski, Benjamin Hambley, Dylan Hodge, Stephanie Beza and Ashton Simpson launch the audience into a whirlwind of emotions – humour, surprise and happiness. If parody is a new venture for attendees, then Love Actually? The Musical Parody is the place to be. Clever and vulgarly quick-witted, the musical production takes flight in throwing subtle shade at actor’s for their notorious rom-com lineage and their not-so romantic antics, while featuring their more iconic roles in popular culture to enhance the absurdity of their character’s dilemmas.

 

 

The outrageous and belly-laugh-inducing antics continue throughout the musical production through catchy, original songs that act as a throwback to iconic music of the 2000s, as well as the not-so-subtle innuendo associated with the beloved characters and iconic moments. Although humour and jokes carry the show from start to finish, the parody production offers the audience a chance to reflect on the crucial question guiding the show – is this love, actually? While watching the characters fumble through unrequited and requited love, barriers in language and culture, or searching for ‘love’ abroad, the audience explores what love actually means – rather than accepting the definition presented by the film’s glamorous stars and flashing lights we were told to believe all those years ago.

Love Actually? The Musical Parody is bold, hilarious and is sure to make you leave the theatre with laughter trailing behind you. Regardless of your perceptions of the original film, the exploration of the staple Christmas movie is sure to make your thoughts and opinions of the storyline feel validated.

Think professing your love to your best friend’s wife through a cardboard montage is a tad creepy?

Maybe you are not the only one.

Should Emma Thompson have been granted justice after Joni Michell’s CD greeted her trembling grin, rather than a beautiful necklace she believed was her Christmas gift?

Perhaps you should attend to find out.

To book tickets to Love Actually? The Musical Parody, please visit https://loveactuallymusicalparody.com/.

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Holiday Inn – A Holly Jolly Christmas Classic

Irving Berlin's Holiday Inn

Irving Berlin’s Holiday Inn Rating

★★★★★

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The Holiday Inn at Riverside Theatres Parramatta is a must-add to your Christmas schedule. Irving Berlin’s Holiday Inn, a Christmas classic will drift you into the magical Christmas season and inject you with festive cheer. If you’re not yet into the swing of the Christmas festivities, this spectacular musical will surely heighten your Christmas spirit.

The director Sally Dashwood has created a fabulous adaptation of the 1942 American musical beautifully capturing its warmth and charm. Dylan Pollard, as Music Director, sensationally delivered the fabulous musical score written by Irving Berlin along with the cast of seasoned professional singers and musicians. The show is fueled with many of Berlin’s well-known jazzy showstopping numbers such as “Blue Skies” and features the heartwarming Christmas carol we all know and love —”White Christmas.”

The choreography by Veronica Beattie George was a highlight throughout. The jazzy score leant itself to incorporating plenty of fabulous tap routines and partner dancing. The small ensemble of five gifted performers worked tirelessly to enhance and elevate the show. They executed the choreography with the greatest of talent and finesse, showcasing intricate tapping sequences, partner lifts and turns, and dazzling tricks. Their high energy and enthusiasm never faltered and they illuminated the stage from the moment the show began.

 

 

The leading character, Jim Hardy was delivered by Rob Mallet. His vocals were outstanding and I thoroughly enjoyed his rendition of Blue Skies and White Christmas which are two of my all-time favourites. The leading lady, Linda Mason, was played by Mary McCorry. McCorry’s performance was mesmerising; she not only stunned the audience with her angelic vocals but harnessed her 1940s Hollywood character with utmost conviction. Also at the side of Jim Hardy, and the somewhat ‘gelling agent’ between characters, was Louise Badger. This amusing character was presented by Paige Fallu. Fallu was utterly engaging and skillfully comedic; she held the audience in the palm of her hand.

The larger-than-life diva, Lila Dixon, was played by Paloma Renouf. Renouf injected heart and energy into this sassy role and she delivered a captivating performance alongside her fabulously talented dance partner, Ted Hanover, presented by Max Patterson. Patterson was absolutely electric on the stage. His dancing, predominantly tap, was utterly superb and he oozed pizzazz and stage charisma.

As beautifully quoted in Holiday Inn, “Now and then it’s good to pause in our pursuit of happiness and just be happy.” And so I urge you to rally your friends and family and take a pause to relish in the splendour of The Holiday Inn and – be happy! Don’t miss out on this heartfelt, holly-jolly classic musical.

To book tickets to Irving Berlin’s Holiday Inn, please visit https://riversideparramatta.com.au/whats-on/irving-berlins-holiday-inn/.

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