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Europa! Europa Film Festival To Open With The Testament Of Ann Lee

Feature-The Testament of Ann Lee

Europa! Europa Film Festival returns for its fifth year, screening again in Melbourne and Sydney and expanding for the first time to cinemas in Brisbane, Hobart and Auckland. For one month, from 19 February to 19 March, the festival will present an exciting line-up of European cinematic treasures, comprising 43 films from 22 countries. The festival has announced its opening night film, Mona Fastvold’s The Testament of Ann Lee, the remarkable true story of the founder of the devotional Christian sect known as the Shakers in the mid-18th century.

The third feature directed by Norwegian Mona Fastvold (co-written with her partner Brady Corbet, their follow-up to the Academy Award-winning The Brutalist), The Testament of Ann Lee is an ambitious and visually stunning musical portrait of an unconventional religious leader, who is played with reverent commitment by Amanda Seyfried, who is nominated for a Golden Globe for the role.

The film will screen on Thursday 19 February at Classic Cinemas and Lido Cinemas in Melbourne, Ritz Cinemas in Sydney, Angelika Cinemas in Brisbane, State Cinema in Hobart and Bridgeway Cinema in Auckland. In Sydney at Ritz Cinemas, the film will screen in 70mm.

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“We couldn’t be more excited to open our festival with this impressive feature from Mona Fastvold that is as propulsive and passionate as its subject” said Artistic Director Spiro Economopoulos. “This film encapsulates what Europa is all about: bold filmmaking and epic storytelling that spotlights fascinating subjects and showcases European talent.”

The festival has also announced its first retrospective strand spotlighting one of the most revered and influential directors of the 20th century with Michelangelo Antonioni: Modernist Master, which includes four films from the Italian director’s artistic zenith. Collaborating with icon and muse Monica Vitti on L’Avventura, La Notte, L’Eclisse and Red Desert, Antonioni shaped a century and invented a new film language that dissected the tensions between people and their modern worlds with an elegant, eerie cool. The four films will screen throughout the festival in Melbourne and Sydney.

THE DETAILS:
OPENING NIGHT FILM – THE TESTAMENT OF ANN LEE

MELBOURNE
Classic Cinemas, Elsternwick
Thursday 19th February
6:45pm – Opening night event
7:30pm – The Testament of Ann Lee

Lido Cinemas, Hawthorn
Thursday 19th February
6:45pm – Opening night event
7:30pm – The Testament of Ann Lee
Tickets include drinks, DJ and nibbles.

SYDNEY
Ritz Cinemas, Randwick
Thursday 19th February
6:45pm – Opening night event
7:30pm – The Testament of Ann Lee in 70mm
Tickets include drinks, DJ and nibbles.

BRISBANE
Angelika Cinemas, Woolloongabba
Thursday 19th February
7:15pm – Drink on arrival
7:30pm – The Testament of Ann Lee

HOBART
State Cinema, North Hobart
Thursday 19th February
7:15pm – Drink on arrival
7:30pm – The Testament of Ann Lee

AUCKLAND
Bridgeway Cinema, Auckland
Thursday 19th February
7:15pm – Drink on arrival
7:30pm – The Testament of Ann Lee
Tickets include a drink on arrival.

FESTIVAL DATES & VENUES
MELBOURNE
Classic Cinemas, Elsternwick
Thu 19 Feb – Thu 19 Mar
Lido Cinemas, Hawthorn
Thu 19 Feb – Thu 19 Mar
Cameo Cinemas, Belgrave*
Fri 20 Feb – Mon 2 Mar

SYDNEY
Ritz Cinemas, Randwick
Thu 19 Feb – Thu 19 Mar

BRISBANE
Angelika Cinemas, Woolloongabba*
Thu 19 Feb – Sun 1 Mar

HOBART
State Cinema, Hobart*
Thu 19 Feb – Sun 1 Mar

AUCKLAND
Bridgeway Cinemas, Auckland*
Thu 19 Feb – Wed 4 Mar

*New venue

 

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Annie

Annie

Annie Rating

★★★★★

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The appropriately cast production of “Annie: The Musical” was a spectacular success last Friday night and was a delight to the audience at QPAC’s Lyrics Theatre. The charming tale of the orphan, Annie, on a mission to find her true family continues to be widely beloved and celebrated in theatres around the world. The same should be said for this particular performance.

From set designs, to costumes to vocal technique, this production was one I find very difficult to fault. The use of colour, space and choreography was seamlessly integrated with professionalism and skill.

I admired the directorial style when it came to blocking, movement and the insistence on highly polished choreography. You can see examples of this in scenes with songs such as “Hard Knock Life,” and “Little Girls,” where such expression is important in identifying the intents and purposes of the characters who are contributing to the scene.

The sets had seamless transitions from scene to scene, with the various choices in lighting allowing for the cast to complete their songs or monologues without interference.

Spotlights and low, white wash lighting were used in scenes that showed the orphanage, the streets of NYC, and the alleyways in which the orphans would play. Warmer lighting was used for more cheerful and uplifting scenes, such as those within the Warbucks mansion or President Roosevelt’s office.

The band were highly polished, accompanying scenes appropriately and with the vigour and skill that the show demanded.

Casting was especially notable and each player was quite admired. From the ensemble to the leading roles, each performer put in their all and had the audience in the palm of their hands. Each scene was highly engaging and enjoyable, capturing the essence of family, honesty and seeking hope when things seem bleak.

 

Annie
Annie
Annie

 

Now for some notable mentions. Anthony Warlow played a highly believable and entertaining role as Oliver Warbucks. He exuded the confidence and humility that the character called for with professionalism and a natural talent to capture the hearts of his audience with his wonderful, versatile voice. His performance was highly enjoyable and quite the privilege.

Debora Krizak was a wonderful Miss Hannigan and was effortlessly entertaining. Her skills in physical comedy and vocal performance create a captivating portrayal of the orphanage manager, making the role more accessible for audiences to engage with, rather than simply being a villain in Annie’s story. Amazing work.

Keanu Gonzalez played a great Rooster Hannigan who exceeded my expectations. His vocals and dancing talents are highly commendable and a joy to watch. Gonzalez makes it seem like he was born for this role; playing the sly, young con man looking to live on “Easy Street,” and making it look fun and far too easy. I look forward to seeing Gonzalez in more productions.

Amanda Lea Lavergne played the marvellous, Grace Farrell who led Annie to the Warbucks mansion. Lavergne effortlessly captured the cheerful and beautiful secretary of Mr Warbucks elegantly and without missing a beat. It was a joy to watch how she portrayed Miss Farrell with her impressive vocal talent and expressive style.

I was excited to see Greg Page return to the stage and was overjoyed to see how he brought such life to his role, President Roosevelt. His smile and enthusiasm were contagious, his charisma, cheerful contributions to scenes, as well as his highly enjoyable vocal performance, were a testament to his experience and love of the craft. Page was a wonderful choice for this role, and I hope to see him succeed in future productions.

Finally, Matilda Casey’s portrayal of the orphan, Annie, was especially uplifting. Her bright and charming voice, along with her professionalism and expanding acting ability showed the audience throughout the show that she was definitely in the right place. Casey gave a marvellous performance and captured the hearts of her audience through Annie’s optimism and cheery disposition. I hope to see her in many more productions and seeing how her skill set grows over time.

Congratulations to all the cast and crew who made this performance of “Annie,” so great. I highly recommend the show and advise viewers to get their tickets ASAP!

To book tickets to Annie, please visit https://anniemusical.com.au/.

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About The Production – Centre Stage: A Variety Spectacular

Feature-Centre Stage: A Variety Spectacular

Today, we had a delightful chat with the electrifying host and performer of Centre Stage: A Variety Spectacular. This production promises to spotlight the incredible talents of Queensland’s emerging young performers.

About Centre Stage: A Variety Spectacular

What is this Production about?

Centre Stage: A Variety Spectacular is a celebration of young Queensland talent, showcasing the next generation of performers in one high-energy show. It’s a mix of circus, dance, vocals, magic, acro, and comedy, all created and performed by emerging artists produced by emerging artists. The goal was to build a platform where youth performers could collaborate across art forms and experience what it’s like to be part of a fully produced, professional-style theatre event.

What character are you playing, and what can you share with us about them?

I’ll be hosting the production and performing as a variety artist, blending juggling, magic, and comedy throughout the show. My role is to connect the different acts, keep the energy flowing, and bring the audience along for the ride. It’s fun because I get to be the link between all these amazing young performers and help set the tone for each act.

What’s challenging about bringing this script to life?

The biggest challenge has been weaving together so many different performance styles into one cohesive show, while still giving each performer their own moment to shine. It’s also a huge team effort behind the scenes, with young artists learning how to work in a professional production setting. Balancing creativity, timing, and stage logistics has been a learning curve, but it’s also what makes the show so exciting and rewarding.

Why did you want to be involved in this production?

Well i came up with the idea in early 2025 since I wanted to create a space where young performers could experience what it’s like to be part of a professional production, something that gives them real stage experience, collaboration, and confidence. I’ve been performing since I was five years old, and I know how important it is to have opportunities early on. From that one idea grew many.. many.. many different show types and names but we ended up with Centre Stage.

What sort of person is going to love this show?

Anyone who loves variety, creativity, and seeing pure talent in action! It’s perfect for families, theatre lovers, and anyone who enjoys music, dance, circus, acro, and magic all in one show. There’s something for everyone from high-energy dance numbers to heartfelt vocal performances and jaw-dropping circus acts. It’s fast-paced, funny, and full of heart.

William Piper

What will the audience be thinking about in the car as they drive home after this show?

I think they’ll be smiling and talking about how much talent and passion they just saw on stage. Hopefully, they’ll feel inspired, reminded that creativity and performing arts are alive and thriving in young people. It’s the kind of show that leaves you feeling uplifted and proud of what the next generation can do.

What’s going to surprise people about this show?

Audiences will be amazed by the sheer variety and talent on stage. The way these diverse acts flow seamlessly together in a high-energy, family-friendly spectacle is something people won’t expect. It’s a true celebration of creativity and collaboration that surprises and delights at every turn.

How is this production bringing something new to this story?

This production is breaking new ground by being an Australian-first youth collaboration that brings together Queensland’s brightest emerging performers across circus, music, dance, acro, and magic. It’s not just a show it’s a celebration of creativity, collaboration, and the next generation of live entertainment in a high-energy, family-friendly format. Audiences will see fresh, original performances that you won’t find anywhere else.

Who has the best costume?

The show features a dazzling variety of costumes across circus, dance, and magic acts, but one standout is Macca Cloke’s costume, whose vibrant blue, intricately bedazzled costume perfectly matches the energy/brightness of the show and creativity of their performance.

Is there anything else you’d like to add?

This show is a one-of-a-kind celebration of youth talent. It’s full of surprises, laughter, and incredible performances, and it’s a must-see for anyone who loves creativity, energy, and supporting local arts.

Where can patrons purchase tickets to this production?

To book tickets to Centre Stage: A Variety Spectacular, please visit https://www.trybooking.com/DFGLN.

Thank you for sharing the magic and excitement behind Centre Stage: A Variety Spectacular! Best wishes for your upcoming show; it sounds like its going to be an unforgettable show that will leave audiences buzzing. Break a leg.

Other production interviews can be viewed in our About The Production Series.

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Love Actually? The Musical Parody is All I Want For Christmas

Love Actually? The Musical Parody

Love Actually? The Musical Parody Rating

★★★★★

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Twinkling lights and Christmas tunes greet you as you weave your way through the theatre. Humming along to Feliz Navidad after posing for a photo op like you are debuting the red carpet, you finally get comfortable in your seat. Front row or humble rear seats, the site leaves you breathless:

Before wide-eyed and smiling patrons, the stage transports you into the heart of the iconic Christmas rom-com. Love or despise the characters, storylines and actors that make Love Actually a Christmas special, the contagious cheer and excitement elicited from the reminiscent depiction of the Christmas school concert is contagious. Christmas trees, tinsel, lights, presents and two doors that hold the keys to the exploration of notable characters and questionable notions of love ensures a night to remember.

Comprised of an ensemble of six talented actors that emulate the subtle mannerisms of the renowned actors of the film, it feels as if Hugh Grant, Bill Nighy, Emma Thompson, Kiera Knightley, Colin Firth, Chiwetel Ejiofor and the late Alan Rickman have materialised. William Kasper, Nicole Kaminski, Benjamin Hambley, Dylan Hodge, Stephanie Beza and Ashton Simpson launch the audience into a whirlwind of emotions – humour, surprise and happiness. If parody is a new venture for attendees, then Love Actually? The Musical Parody is the place to be. Clever and vulgarly quick-witted, the musical production takes flight in throwing subtle shade at actor’s for their notorious rom-com lineage and their not-so romantic antics, while featuring their more iconic roles in popular culture to enhance the absurdity of their character’s dilemmas.

 

Love Actually? The Musical Parody
Love Actually? The Musical Parody
Love Actually? The Musical Parody

 

The outrageous and belly-laugh-inducing antics continue throughout the musical production through catchy, original songs that act as a throwback to iconic music of the 2000s, as well as the not-so-subtle innuendo associated with the beloved characters and iconic moments. Although humour and jokes carry the show from start to finish, the parody production offers the audience a chance to reflect on the crucial question guiding the show – is this love, actually? While watching the characters fumble through unrequited and requited love, barriers in language and culture, or searching for ‘love’ abroad, the audience explores what love actually means – rather than accepting the definition presented by the film’s glamorous stars and flashing lights we were told to believe all those years ago.

Love Actually? The Musical Parody is bold, hilarious and is sure to make you leave the theatre with laughter trailing behind you. Regardless of your perceptions of the original film, the exploration of the staple Christmas movie is sure to make your thoughts and opinions of the storyline feel validated.

Think professing your love to your best friend’s wife through a cardboard montage is a tad creepy?

Maybe you are not the only one.

Should Emma Thompson have been granted justice after Joni Michell’s CD greeted her trembling grin, rather than a beautiful necklace she believed was her Christmas gift?

Perhaps you should attend to find out.

To book tickets to Love Actually? The Musical Parody, please visit https://loveactuallymusicalparody.com/.

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