Nothing Rotten Here

House Of Rot

House Of Rot Rating

★★★★★

Click if you liked this article

'House Of Rot', Hayes Theatre, Potts Point, is a stunning piece of cabaret by Dino Dimitriadis and Victoria Falconer. Inspired by the documentary, 'Grey Gardens', about an aunt and cousin to Jacqueline Kennedy-Onassis. These two wealthy women suffer a dramatic decline from wealth to poverty and become eccentric recluses. Paul Capsis and Adam Noviello have a blast playing these two lost souls. Capsis is Big Edie and Noviello is little Edie.

The opening number doesn't feature the two protagonists. Victoria Falconer gives a beguiling rendition of 'Windmills Of Your Mind'. What a voice! Her vocal skills and piano playing panache have the audience in wonder. 'Windmills' also closes the show. It's such a poignant song for this cabaret. Falconer shines again when she performs a violin solo piece, which is deeply evocative.

Capsis and Noviello talk at the audience a lot. It's their theatrical trick. This technique is particularly effective for their banter. When Capsis utters "that he misses boredom", everyone erupts with laughter. Capsis' comic timing is a skill to behold.

This cabaret has an eclectic mix of songs. 'I Touch Myself' ( a nude Noviello playing piano), 'Tea For Two', 'Young And Beautiful' and 'I Am What I Am". When the Capsis and Noviello combination really soars is when they perform a duet of Sondheim's 'Send In The Clowns' and The Cranberries', 'Zombie'. It's such a daring duet that works. Noviello is very tall and slim. (A contrast to the small, stockiness of Capsis). He glides across the stage in a haunted, rebellious fashion. When Adam sings, one can tell that he loves to really launch his voice. It's powerful. Capsis does more than match this younger performer. It's obvious these two actors know how to bring the best out of each other.

 

 

'House Of Rot', is a special production in a special space. The set with it's black chairs, black walls and black floor, is striking. The actors are dressed in stylish black ensembles, as well. It all looks very slick.

Hayes Theatre in Potts Point, is quickly establishing itself as the place to be in Sydney. It's a cosy theatre, which is perfect for the claustrophobic existence of these two recluses. Loneliness, aging and isolation are all put under the microscope.

Any time Paul Capsis goes on stage, there is an expectation that the show will be world-class. Being able to get up close and personal with the performers on this show, is thrilling.

'House Of Rot', is a 70 minute romp. The time frame doesn't make you feel cheated. Quality triumphs over quantity every time. I'm sure Paul Capsis gets a standing ovation whenever he struts his stuff. He did his best to look genuinely surprised when the audience rose as one to salute him, Noviello and Falconer. I love Hayes Theatre too, for its intimacy. Musical theatre is joyous in a cosy space. The acting fraternity feel the same. At every Hayes performance, it's easy to spot actors in the audience. They adore the place.

You'll have to be quick to grab a ticket. This production will sell-out. 'House Of Rot', provides one of the most amazing theatrical experiences of the year.

To book tickets to House Of Rot, please visit https://hayestheatre.com.au/event/house-of-rot/.

Spread the word on your favourite platform!

The Roommate

The Roommate

The Roommate Rating

★★★★★

Click if you liked this article

We are taken to the Mid-West of the USA with a very tidy kitchen setting where everything has its place and would for the next umpteen years. Enter Sharon, wonderfully played by Lucy Bell with great comedic timing. Dressed in conservative jeans and the right blouse, her restlessness is evident. Her life is about to be turned inside out and upside down by someone who will reflect the questions she has started to ask herself. Who is she? Like water in a kettle the steam has to be released.

Jen Silverman's dialogue is vital and clever highlighting one person's search for freedom and another person demonstrating the price we may pay. The audience was in for a ride.

Robyn, her new roommate, a dry, sardonic and New York weary woman, shows up with obvious secrets trailing behind her. Wonderfully played with a great New York accent, she slowly reveals who she is as Sharon bluntly asks all the wrong questions. In hip New York clothing and announcing that she is alternative, two states and personalities meet. Boxes with Robyn's hidden past pile up in the neat kitchen stirring Sharon's curiosity propelling her forward to unleash her inner self. Even the milk has to change as Sharon is introduced to a different way of living and being.

 

 

The actors immediately present an uneasy chemistry between the two women revealing to Sharon that her learning French, pretending that she may go to Paris is all about seeking freedom but there is a price to pay. Sharon reflects all that Robyn isn't and the audience senses that she is seeking the opposite. Searching for a conservative community and escaping her past life, she collides with Sharon and the two set off on a venture and adventure.

As Sharon moves forward and Robyn goes backwards, the kitchen unravels, rubbish is on the floor and boxes and memories are unpacked. Sharon reveals her personality and the audience laughs with her, not at her, and there is a sense of 'go girl' as she reveals her alter ego. At the same time, the audience observes with sympathy and empathy as Robyn is focusing on containing her previous way of life but is drawn to Sharon's exuberant movement in to a new way of being and thinking.

The acting convinces the audience how Robyn is perfect as the foil to Sharon and the repartee between them is fast, funny and poignant at the same time. Distant children only visible on the phone add some sense of both women's history and issues. Without giving the ending away, both move forward and there is a wonderful twist at the end.

To book tickets to The Roommate, please visit https://www.ensemble.com.au/shows/the-roommate/.

Photographer: Brett Boardman

Spread the word on your favourite platform!

A Joyous New Musical

Uked!

Uked! Rating

★★★★★

Click if you liked this article

8

Uked! by Jane Cafarella, is a sing-along, play-along, bring your ukulele along, new musical at Bondi Pavilion Theatre. Like all charming romantic comedies, Uked! ensures you have a rollicking fun time.

The audience is introduced to Karla (Josephine Birch) who got dumped on her 50th birthday, by violin-playing Brian. We meet Karla in her lounge room. It's a lovely set design by Tom Fahy, complete with a daggy sofa, large screen and life-size You-Tube display. Determined not to wallow, Karla embraces the quest to master the ukulele. This quest sees her accessing numerous You Tube channels that teach how to play the ukulele. Birch is one of those performers with instant likeability. She plays Karla with such warmth and an endearing goofiness. Here's a woman who is single and has to look after her ailing Mum, whilst trying to find love. It's a story many single people can relate to, as loneliness is increasing in our society.

Ian Stenlake (Stingers, Sea Patrol, 39 Steps), plays a multitude of ukulele teachers and a potential love interest. Characters such as Tiny Tom (yes, a Tiny Tim send-up), Spruiken Uken Luke, Baba Bill and Pierre Vert. Stenlake has a fabulous voice and brings these online tutors to life with distinctive accents and personalities. Stenlake oozes charm. It's obvious he's having a ball. I know actors don't like being compared to other actors, but Stenlake can certainly match Hugh Jackman in talent and charisma.

As Karla learns songs, the audience can indeed play-along and sing-along, as the large screen displays lyrics and the chords. Gorgeous songs such 'Happy Together', 'Mr. Sandman', 'Love Is In The Air' and 'Cabaret', all feature along with many other toe-tapping tunes. Musicians, Kristin Harris and Jamie Sturgess bring a bounciness to the music. When all four performers pluck their ukuleles, it's sheer magic.

 

 

This musical is relevant. It brings our reliance on the internet into complete focus. Many of us search for love via the Web, which of course, can be a tricky space to navigate. Karla learns the hard way that not all people are authentic. Yet, in typical Karla style, she moves on and discovers true love may be closer than she thinks.

Jane Cafarella's 'Uked', is full of laugh-out-loud one liners. Karla announces that she went on a g and t diet and lost 2 days! There's NUTS (Newstead Ukulele Troupe) and GRUBS (Guilford Regional Ukulele Band). It's playful!

Ever since I saw Billy Connolly plucking his ukulele on stage, decades ago, I have been in love with this quirky instrument. The fact that Uked! is an interactive show adds to the enjoyment. If you don't have a ukulele, you can buy one or hire one at the box office. David Spicer, the producer of the show, will make sure you have a ukulele in-hand.

Ali Bendall has directed this production with a sense of collaboration. All the performers have a wonderful ease with each other. Uked! draws parallels with 'Muriel's Wedding', 'Once' and 'Mamma Mia'. Overcoming heartbreak to reach a happy ending, is worthy of celebration.

The Bondi Pavillon Theatre's semi-circle seating plan ensures everyone has a fabulous seat. Uked! is show you could see again and again, it's that charming.

To book tickets to Uked!, please visit https://www.bonditheatrecompany.com.au/shows/uked-the-first-play-along-ukulele-musical.

Spread the word on your favourite platform!

"There's No Place Like Home" - Northern Beaches Youth Theatre's GALE

Gale

Gale Rating

★★★★★

Click if you liked this article

3

After a devastating windstorm in her hometown, a teenage girl lands - literally and figuratively, in a completely foreign place. Now living with her two Aunties far from home in Seattle, Gale Winters (played by Anastasia) navigates the uncomfortable feeling of treading the unknown halls of high school alone. Anastasia completely encompasses Gale’s character with finesse, showing a vulnerability and later in the play, a strength that shines through. This is a transformation where the audience cheers her on through certain challenges and it is gratifying to see.

Initially, Gale is immediately targeted by the Queen Bee, an arrogant self-appointed leader of an adoring gang. Birdie, played with confidence and the believability of a high school bully by young performer Caitlin, picks on Gale and encourages her gang to say all sorts of insults to her. Caitlin’s Birdie was spot on – she was every “mean girl” ever portrayed in American high school movies, and Caitlin reminded me in looks of a young Helen Hunt.

It is almost immediate when the links are drawn between Gale and Dorothy, from The Wizard of Oz. Some of the insults include teasing her from being from Kansas, even though Gale repeatedly lets them know that she’s “actually from Iowa”. More parallels are drawn between Gale and Dorothy in a scene where she pulls out a little stuffed black dog and in a heartbreaking scene, talks to the dog and tells him she misses him, and is mercilessly teased by the classmates, who nickname her dog Toto. Her little dog who she names as Stormy is lost back home in Iowa, and her family are looking for him. As an audience member, I find myself crossing my fingers and hoping that little Stormy (the name is cleverly noted in relation to the weather as is Gale’s name) is found, recovered safe and sound.

 

 

Other parallels to The Wizard of Oz are cleverly woven into this play by playwright Emily Golden. One of Gale’s Aunts is named Aunty Miranda…”Aunty Em” for short, played by Rosie. Both Aunty Em and Aunt Z, performed by Eva, are safe and trusted adults for Gale. The principal of the school is named Mr Ozborne, whose presence the audience never sees – perhaps the head of the school is similar to The Wizard of Oz who is the head of Oz? The science competition which Gale and Birdie take part in is held in The Emerald City, all nods to the well-loved famous tale. But perhaps the most obvious nod to The Wizard of Oz are Gale’s new friends – Leo, who is Birdie’s twin brother played by Emma, Just Tina, played by Ruby and Scarlet, performed by Rylie. Leo has characteristics of The Cowardly Lion and the development of Leo as he gains more courage to stand up to his sister is an important turning point in the story. Gale’s friend Scarlet is reminiscent of The Tin Man and Just Tina could represent The Scarecrow. A standout performance from Emma, Ruby and Rylie as supporting characters was noted.

During times of high stress, Gale would stand in the middle of the stage and desperately chant. “There’s no place like home! There’s no place like home”. During these scenes, the supporting cast would swirl around her holding everyday items, and in the background, a wild stormy scene would erupt accompanied by the sound of angry rain and thunder. Well done to directors Chantal Harrison and Victoria Lockhart and the cast for creating this very effective and meaningful visual scene, representing the heartache of being displaced due to climate change events and the feeling of helplessness. Gale’s science project highlights attention to this as well.

Gale is a story of what it means to find yourself lost in an unknown place, to have the courage to find your own voice in the face of challenges, to discover true friendship and ultimately, a feeling of belonging.

The Northern Beaches Youth Theatre who presented Gale are people aged 12 -17 years old. It is a wonderful achievement for people this young to act and be responsible for the behind-the-scenes of this production – huge congratulations to everyone involved in Gale! If you have a chance to watch this, go and support a refreshingly bright cast and cheer on Gale as she faces an unknown future!

Season: June 18 – 27th June 2026
Venue: 10 Jubilee Avenue, Warriewood

Tickets: www.events.humanitix.com/nbyt-presents-gale-by-emily-golden

To book tickets to Gale, please visit https://events.humanitix.com/nbyt-presents-gale-by-emily-golden.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.