A Joyous New Musical

Uked!

Uked! Rating

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Uked! by Jane Cafarella, is a sing-along, play-along, bring your ukulele along, new musical at Bondi Pavilion Theatre. Like all charming romantic comedies, Uked! ensures you have a rollicking fun time.

The audience is introduced to Karla (Josephine Birch) who got dumped on her 50th birthday, by violin-playing Brian. We meet Karla in her lounge room. It’s a lovely set design by Tom Fahy, complete with a daggy sofa, large screen and life-size You-Tube display. Determined not to wallow, Karla embraces the quest to master the ukulele. This quest sees her accessing numerous You Tube channels that teach how to play the ukulele. Birch is one of those performers with instant likeability. She plays Karla with such warmth and an endearing goofiness. Here’s a woman who is single and has to look after her ailing Mum, whilst trying to find love. It’s a story many single people can relate to, as loneliness is increasing in our society.

Ian Stenlake (Stingers, Sea Patrol, 39 Steps), plays a multitude of ukulele teachers and a potential love interest. Characters such as Tiny Tom (yes, a Tiny Tim send-up), Spruiken Uken Luke, Baba Bill and Pierre Vert. Stenlake has a fabulous voice and brings these online tutors to life with distinctive accents and personalities. Stenlake oozes charm. It’s obvious he’s having a ball. I know actors don’t like being compared to other actors, but Stenlake can certainly match Hugh Jackman in talent and charisma.

As Karla learns songs, the audience can indeed play-along and sing-along, as the large screen displays lyrics and the chords. Gorgeous songs such ‘Happy Together’, ‘Mr. Sandman’, ‘Love Is In The Air’ and ‘Cabaret’, all feature along with many other toe-tapping tunes. Musicians, Kristin Harris and Jamie Sturgess bring a bounciness to the music. When all four performers pluck their ukuleles, it’s sheer magic.

 

 

This musical is relevant. It brings our reliance on the internet into complete focus. Many of us search for love via the Web, which of course, can be a tricky space to navigate. Karla learns the hard way that not all people are authentic. Yet, in typical Karla style, she moves on and discovers true love may be closer than she thinks.

Jane Cafarella’s ‘Uked’, is full of laugh-out-loud one liners. Karla announces that she went on a g and t diet and lost 2 days! There’s NUTS (Newstead Ukulele Troupe) and GRUBS (Guilford Regional Ukulele Band). It’s playful!

Ever since I saw Billy Connolly plucking his ukulele on stage, decades ago, I have been in love with this quirky instrument. The fact that Uked! is an interactive show adds to the enjoyment. If you don’t have a ukulele, you can buy one or hire one at the box office. David Spicer, the producer of the show, will make sure you have a ukulele in-hand.

Ali Bendall has directed this production with a sense of collaboration. All the performers have a wonderful ease with each other. Uked! draws parallels with ‘Muriel’s Wedding’, ‘Once’ and ‘Mamma Mia’. Overcoming heartbreak to reach a happy ending, is worthy of celebration.

The Bondi Pavillon Theatre’s semi-circle seating plan ensures everyone has a fabulous seat. Uked! is show you could see again and again, it’s that charming.

To book tickets to Uked!, please visit https://www.bonditheatrecompany.com.au/shows/uked-the-first-play-along-ukulele-musical.

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The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin Rating

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Thursday night’s rainy Halloween seemed a fitting time to see a play about the ageing, once-successful Australian writer and activist Miles Franklin, who is haunted by her past.

Moira Blumenthal directs The Kingdom of Eucalypts: The Enigma of Miles Franklin, a play by Australian-Hungarian playwright and psychologist Alice Spigelman, currently being performed at the Bondi Pavilion Theatre in Sydney. Spigelman has written an intriguing examination of a period of Miles Franklin’s life perhaps not all that well known.

While researching at the State Library of New South Wales for another project, Spigelman discovered that Franklin had curiously written some of her diaries in code. Spigelman wondered why a woman in her fifties needed to resort to such a habit, leading the playwright to find out why. The play goes some way in providing answers.

After decades spent overseas, a middle-aged Miles has returned to live in very straitened circumstances with her elderly mother, Susannah, in suburban Sydney. They are struggling so much that in one scene, Miles shamefully reveals they’re living off mouldy bread. The once-lauded writer, who had early success in her twenties with the novel My Brilliant Career, now finds herself ignored by the literary establishment.

Despite her years away from Australia, she sees that not much has changed in sexist attitudes towards female writers. In another scene, Miles rails against the fact that she still needs to adopt a male name in order to be published. Her choice of the nom de plume ‘Captain Bligh’ elicited chuckles from the audience.

 

It is through her friendship with Australian editor and publisher Percy ‘Inky’ Stephensen that Miles hopes to resurrect her flailing writing career. Miles, however, finds herself increasingly drawn into Inky’s political organising.

Spigelman has taken a clever approach to representing the bifurcated self that we see in the character of Miles. Two actors, Beth Daly and Sarah Greenwood, play the old and young Miles, respectively. This device allows us to see the impact of time on the writer’s psyche. Daly does an admirable job in portraying the now frustrated Miles, who at once seems world-weary but also still harbours hopes for a different future.

Greenwood plays the young Miles with a youthful energy, heightening our pity for her older self. Lloyd Allison-Young is excellent as the bombastic and eventually bitter Inky Stephensen, and James Coetzee very competently plays Edwin, Miles’ suitor in her youth. A highlight is Alice Livingstone’s portrayal of Susannah Franklin. Livingstone beautifully captures the elderly woman’s fussiness and also her deep love for her daughter.

The Kingdom of Eucalypts season runs from 30 Oct to 17 Nov. To book your tickets please go to https://www.moirablumenthalproductions.com.au/thekingdomofeucalypts

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