Marco, The Invented Truth – 2025 HSBC Spanish Film Festival

Spanish Film Festival - Marco, The Invented Truth

Marco, The Invented Truth Rating

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Based on a true story, and what an exceptional tale. Marco, The Invented Truth tells of the deception that charismatic Enric Marco unrelentingly and unapologetically carried with him for most of his life. Premiering in Australia at the 2025 HSBC Spanish Film Festival, this film is a gem that is well worth the investment of a packed 100 minutes of time.

A Spanish factory worker in Germany during World War II, Marco contrived the story of being a Holocaust survivor, in his mind to highlight the plight of approximately 9000 Spanish deportees who were imprisoned in concentration camps during the war – less than half of whom survived. Enric Marco was appointed as president of the Amincal Mauthausen, the association set up to defend the rights of the 9,000 Spanish people who were sent to Nazi concentration camps. His tireless work, which included giving numerous talks to school children, was revered.

His courage while suffering the horrors of Flossenbürg, the camp in which he claims to have been held prisoner, was given great respect and admiration, and through his efforts, Marco brought the organisation to great heights. That was until his false assertions were uncovered by historian Benito Bermejo who declared him a fake; he had never been in a concentration camp. The reality was that Enric Marco volunteered to travel to Germany in 1941 to work for the German war machine.

Although in fact Marco was imprisoned in Germany, it was not in a concentration camp but rather a Gestapo jail, accused of spreading Communist propaganda. A master storyteller who never apologised for his indiscretions upset many, although he was unrelenting in his belief that what he did, he did for good reasons.

Written by Aitor Arregi, Jon Garaño, Jorge Gil Munarriz, and Jose Mari Goenaga, the building of the lie was directed believably by Aitor Arregi and Jon Garaño as they work to take the audience on a roller coaster of emotions that fall somewhere between sympathy and dismay. 2025 Spanish Cinema Writers Circle Award winner for Best Actor, Spanish born Eduard Fernández’ depicts Enric Marco with extraordinary poise. If for no other reason, and there are many, Marco, The Invented Truth is worth watching for Fernández’ stunning performance alone.

To book tickets to films at the Spanish Film Festival, please visit https://spanishfilmfestival.com/.

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Allons-y! Comic-Con Returns To Melbourne

Melbourne Comic-Con 2025

Melbourne Comic-Con 2025 Rating

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Fans made the hero’s journey to Melbourne’s Convention and Exhibition Centre this weekend to meet their favourite celebrities, buy their weight in merch and revel in two days of pop culture chaos at Oz Comic-Con. For a nerd, it’s paradise. For anyone else, stay out of the way because this is my Super Bowl.

Oz Comic-Con is huge. MCEC was absolutely buzzing with activity by the time I arrived–at 9AM! Inside, the hall was wall-to-wall full, from panels to cosplay competitions, interactive challenges, tabletop games, retail vendors and workshops. Travellers, take heed: it’s not for the faint of heart. I had to join the Vaders posted outside for more than one (suspiciously wheezy) breather…

Celebrity panels featured Breaking Bad’s Giancarlo Esposito, voice actor and comedian Brandon Rogers, The Boys’ Moff Gideon and–my personal OZCC highlight–Catherine Tate, Doctor Who’s Donna Noble. Other guests included voice actors, cosplayers, costume designers–I could go on. I quite literally did not have enough time in the day to check every event out, so a comprehensive schedule (or a time machine, ha ha) is a must-have for those looking to see anything in particular.

For theatre fans, OZCC hosted a Q&A with the Beetlejuice cast, who are currently completing a fantastic run at Melbourne’s Regent Theatre. In their panel, cast members Eddie Perfect, Karis Oka and Elise McCann touched on some behind-the-scenes insights that you rarely get to hear elsewhere, so I considered myself very fortunate for catching that.

Oz Comic-Con had a massive lineup in the artist alley this year. From movies, TV shows and anime to books and even music, artists showcased fan art and plenty of amazing indie work too. Authors were also in attendance, promoting their books, chatting with fans and signing copies all weekend. Artist alleys embody what OZCC is all about: connecting not only fans with the authors and artists they love, but fellow creatives with one another, supporting the ecosystem of our thriving local art scene. Crucial, creative, and so fun.

I only wish that all of these incredible events could have taken place in separate halls, or with a more thoughtful configuration of booths. MCEC has a wonderful plenary for use, which would have given the guests the undivided attention they deserved; I could barely hear myself think, packed into one room like sardines. With a bit of breathing space, perhaps each element would have had the chance to connect with con-goers on a more personal level.

Still, a large-scale event completely dedicated to a love of art will always leave you walking away inspired to create. Oz Comic-Con brings together people across all walks of life with a common thread: celebrating the hard work of creatives and shaping the future of pop culture and entertainment.

Oz Comic-Con will be travelling to the rest of Australia throughout the year, but will be back in Melbourne from the 6th-7th of December for a special ‘Xmas edition’.

For more information on Comic-Con 2025, please visit https://ozcomiccon.com/.

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Comedy With A Heart!

Spanish Film Festival – Babies Don’t Come With Instructions Rating

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Babies Don’t Come with Instructions is a 2024 Spanish comedy-drama film directed by Marina Seresesky and written by Marta Sánchez and Irene Niubó, based on the 2013 Mexican film Instructions Not Included.

Leo is a carefree womaniser, living a self-centred life in a small coastal town in the Canary Islands. His world is turned upside down when a woman from a brief, casual affair shows up, drops off their daughter, and leaves, making him responsible for her.

At first, Leo intends to return the girl to her mother, but his attempts fail. Forced to raise her, little by little, he learns how to be a father, and his values and priorities shift in unexpected ways. Years pass, filled with happiness, until the mother reappears intending to reclaim her daughter. Will he give her up easily, especially with a mystery illness?

Director Marina Seresesky has pulled out all stops to extract every nuance of Sanchez and Niubo’s script and given us a taste of the Canary Islands in all its scenic wonder.

The characters are well drawn, and the action is well paced. I particularly enjoyed the developing relationship between Leo and his ‘daughter’ Alba. It tugs at the heart strings and a tear or two!

Paco Leon’s Leo is vulnerable and takes us on a journey from a unexpected father to a devoted parent who cannot live without his daughter and wants to enjoy his little girl before time runs out! The scenes when he is climbing up buildings are beautifully photographed.

Maia Zaitegi’s Alba is everything a little girl should be – innocent, naïve, idealistic and devoted to her father. The scene when she returns to Leo after being taken to Munich by her biological mother is charged with emotion.

Silvia Alonso’s Julia has the difficult role of the mother who abandons her child and returns to get her eight years later. This could have resulted in a performance that creates a disagreeable character, but not so Alonso’s portrayal. One can see her viewpoint and we feel for her.

Malcolm Treviño-Sitté’s Modu is the best friend we all wish we had. He is loyal to his wife, but equally loyal to Leo and supportive especially when he learns of his life-threatening illness.

The remaining cast give solid performances that enhance the main characters and storyline.

It is interesting that the décor Alba’s bedroom grows as her relationship with her father grows. It is every little girl’s paradise with a swing, a slide from her bunk bed to the floor, toys everywhere and an immense picture wall of her and her father.

Babies Don’t Come With Instructions is a heart-warming comedy that is sure to please any theatre goer who is a parent or simply enjoys a good story with a message. It is a cinematic gem and definitely worth a watch!

To book tickets to Spanish Film Festival – Babies Don’t Come With Instructions, please visit https://spanishfilmfestival.com/films/spa25-babies-dont-come-with-instructions.

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Good Food & Wine Show – Melbourne

Good Food & Wine Show - Melbourne

Good Food & Wine Show – Melbourne Rating

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4

With eager hearts and bellies, we set about the walk down South Wharf to the Melbourne Convention and Exhibition Centre for our first taste of the 25th annual Good Food and Wine Show. This three-day foodie bender had been on our calendars for quite a while and with the Melbourne weather gods on our side, we knew the stars were aligning and we were in for a treat.

Upon entry we were met with an exciting blast of fragrances and laughter. It became clear that we needed a plan of attack for the 300 plus exhibitors before us. Often with these grand-scale conventions it’s easy to feel overwhelmed and spoilt for choice as to where to start. But armed with our complimentary wine tasting glasses, we forged forth into the throng.

The Harvey Norman stage hosted the chocolate queen herself Kristen Tibells. Audiences were treated to the eight distinct flavours of chocolate and the origins of cacao beans. Throughout the day, other A-list celebrity chefs hosted live demonstrations on this same stage. George Calombaris and Shannon Bennett took us through a culinary wonderland, their bubbly dynamic humorously punctuated by the surtitle screen above the stage providing commentary on the action happening below. Miguel Maestre also graced the stage with his infectious smile and delectable “Fiesta En La Cocina” demonstration for passionate cooking.

Being a “curd-nerd” myself (a term I learned from a friendly patron willing to let me jump the cue in front of him), I found myself instinctively gravitating toward the cheese district. First stop was the Smelly Cheese Co. grilling cheese toasties with their Quicke’s English Cloth 18 month Cheddar. Oh my heart. I would die happy. If I had all the time in the world, it wouldn’t have been enough to satiate my desire to sample every cheese stall. One such highlight was Long Paddock Cheese offering handmade artisan cheeses using organic cow’s milk from Castlemaine.

Their Bluestone was reminiscent of a creamy salty stilton and their Driftwood wrapped in spruce bark was baked to gooey perfection that you just wanted to dip a spoon in there and succumb to a cheesy coma heaven. However it was their signature cultured cream salted butter that took the spotlight. Simply spread on some crusty bread, you felt like a 17th century fop giggling over the luxury banquet before you.

Wines, gins and sakes were in abundance presenting flavours and aromas from all over the world. Lychee Estate took my eye with their “Horse’s Neck” cocktail. Located in the small Hong Kong town of Buluo, this distillery prides itself in providing “nourishment to the people and the fruit”. Their award winning lychee vodka and ten-year edition brandy boasts no less than 12 kg of lychees in every bottle. Their “Horse’s Neck” cocktail (a combination of their lychee brandy, ginger ale and lemon rind) reminded me of a great summer drink next to an Aperol spritz.

After sampling an unforgivable amount of sweets, snacks, pastries, condiments and alcohol, it was time for our slow and heavy departure. Word to the wise: next year bring a backpack for all your goodies and be sure to eat something before hitting the wines too hard.

To book tickets to the Good Food & Wine Show in your town, follow the link for session dates and times @ https://goodfoodshow.com.au/.

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