Melbourne Comic Jeremy Dooley brings his debut show Daddy Cool to Richmond for the Melbourne International Comedy Festival.
In an attic on Bridge Road, an intimate crowd gathers for Dooley’s stand up show. The lights are dim and the atmosphere is relaxed for this evening’s show.
Warming up the crowd is Canadian Richard Meneses who cracks jokes about being a backpacker, having left Canada to find himself. It’s a funny set that packs in a lot of laughs in a short time. Having cut his teeth on the Open Mic circuit Richard delivers a great set and performance that is memorable.
Lightly jogging onto the stage is the main act Jeremy Dooley, whose jokes are relatable and delivered perfectly with each punchline landing. He invites the audience to participate, which creates some very funny moments and makes for some great banter.
Being that this is a debut show, one could be mistaken for thinking Dooley has done the act before. He is comfortable being on stage, laughter comes easily, and he’s relaxed.
Dooley presents an hour of great storytelling, with some laugh-out-loud moments that captivate the audience. As the show winds up, Dooley has given the audience a solid hour of laughter and endearing moments that make for a fantastic show.
I had the pleasure of reviewing EJ Mann’s comedy show MAGPIE at Bernie’s Bar Newcastle. In her own words, “It’s a musical comedy show about being brave and living like one of Australia’s most fearless birds- the Magpie.”
EJ Mann is a Brisbane based comedian on tour for the Fringe Festival. She has been gaining great momentum in the comedy circuit and receiving wonderful acclaim and reviews from her shows. In a relatively short period, of only a few years, she has certainly made her mark in the comedic world as a RAW State Finalist, Funny Coast Laughable Finalist, and Brat Pack People’s Choice Winner.
EJ Mann’s references to Uber drivers, Elon Musk, and keyboard warriors on neighbourhood Facebook pages made the show incredibly relatable and hilarious. There is a meld of Facebook posts and comments from her neighbourhood page, which EJ brilliantly and most creatively creates into a humorous song. I recommend she join my local page, as there is great content there if she is after new material for her next show. Facebook community pages definitely seem to bring the most brazen characters out of the woodwork.
It was most endearing to hear EJ intertwining various quotes and stories from her beloved late grandmother into her performance and songs. She made various mentions regarding her family and personal relationships which created an intimate, personal atmosphere and allowed the audience to feel acquainted, at ease and more receptive to her material.
EJ talked about her self discovery and sexuality in a heartfelt entertaining presentation. What I loved most was how she seamlessly incorporated her original comedic songs, accompanied by her guitar, throughout the show. A very stylish guitar, too, I should mention. EJ sings with an authentic Australian accent and a reminiscent sweetness of Missy Higgins. I could draw comparisons to the comedian Garfunkel (Kate Micucci), whose work I also absolutely adore.
There was a steadfast theme of the brave and fearless Magpie bird which is cleverly intertwined throughout her material. I particularly loved the reference to a ‘Parliament of Magpies’ and their superior efficiency. There were also references to shallow peacocks and rainbow lorikeets which reinforced her ideas beautifully.
EJ Mann is undeniably bold and brave as the Magpie and reveals an authentic, raw, self-exposing performance with skilful comedic light. A solid and professional performance by an up and coming star in her field. It is hard to believe she has only been at this game for just a few years. EJ certainly portrayed the grace and confidence of a seasoned professional. I was truly impressed by her creative witty performance and wish her all the best with her remaining Fringe Festival performances.
Hayes Theatre Co has made their way to the Wollongong stage at the Illawarra Performing Arts Centre, with a fresh and flamboyant flair to Gilbert and Sullivan’s seminal classic of The Pirates of Penzance (or The Slave of Duty).
Usually, a cast of around 40 actors, this delightful production decided to challenge their performers by asking the five of them to play the entire ensemble. This feat could very easily have become confusing and overwhelming for both the actors and the audience, but this cast made the stage their own and gave it their all to create a fast-paced and dynamic performance with seamless or in Billie Palin’s case, intentionally comedic on-stage quick-changes.
The use of the piano was very well done, becoming a change-room, a monologue-worthy soap box, and an off-stage curtain, all while pouring out beautiful scores. That piano is arguably the sixth and most dynamic cast member. Whilst a few of the cast members played it during the 2-hour performance, it is the dedication and consistency of Trevor Jones that should be commended as he somehow managed to continue playing whilst being carted around and changing costume in the blink of an eye, and have the audience in stitches with his lyric changes and commendable diction and pace during ‘I Am the Very Model’.
It’s a personal favourite when a performance becomes an immersive experience like this one, and I adore it when the theatre staff take the theme in stride as the IPAC has done. From small costume additions to the ushers to a special cocktail for the event, in addition to on-stage seating and audience-actor interactions, The Pirates of Penzance had it all. Some of the audience members really stole the show during their five minutes of fame and it just made for a beautiful and joyful experience.
Amid some technical difficulties, the cast remained cool and level-headed. Aside from one hiccup, where the audience stepped in to maintain morale and keep the energy high, the cast didn’t miss a beat.
The vocals and dynamic accent work of Brittanie Shipway was absolutely breathtaking. Her operatic range and ability to stay in and switch between such polarising opposite characters is just incredible. She brought the “wow” factor times ten, which is especially hard to maintain when you’re onstage for all but a few moments of a show of this length. In the company of a big name like Jay Laga’aia who exudes passion and charisma, and is just such a treat to watch, Shipway made certain that she was not to be forgotten.
Maxwell Simon was everything that Fredric should be. His voice had such power and his portrayal of a naïve but determined to be self-assured boy was utterly hilarious. His physical comedy was just brilliant, capturing the attention of the audience whether he was in the spotlight or not.
The Pirates of Penzance is the perfect show to watch to end the week, so make sure to grab yourself a ticket before they sail away from Wollongong by heading to the Merrigong Theatre Company’s website for the remaining shows this weekend!
Mario “the Maker Magician” Marchese is a New York-based performer, author, and maker. He tours worldwide with his wife, producer, and children. He incorporates DIY electronics and robotics into his projects, using magic to inspire limitless creativity in children and families.
This is a fun and amazing show for the whole family. Mario is a dynamic performer. Larger than life, he commands the stage. Even on one of the hottest days in Adelaide, he still put on a stunning show. But I feel we are grateful as he sprays water about the venue, cooling and more sleight of hand.
The audience was totally engaged with Mario’s every move. The hand-made props add a gorgeous charm to the show. They remind you of the toys that children would make themselves with cardboard, paint, and sticky tape. It took me back to my childhood, and I imagine that a lot of the parents were remembering their childhood.
It was also relatable to the younger audience members, the arts and crafts they like to do on a rainy day. Magician David Blaine, whom he has toured with, has labelled Mario “the best kids’ magician in the world”. He has appeared on the “Sesame Street’ show and with Jimmy Fallon on the Tonight Show. Even David Copperfield has heaped praise on Mario.
The show revolved around robots that Mario had hand-built. There was a lot of audience participation in the show, and the kids loved it. The kids loved the magic, and so did the adults.
Mario touches on his favourite teachers and what they mean to him, reminding the audience that teachers have had a pivotal role in our lives. This is part of the misdirection. In fact, the show starts with some simple, sleight of hand tricks. They immediately draw the audience in. Mario has us all hooked. The pace accelerates, and more tricks are revealed. We are introduced to the simple but fun robots.
The pace of the production helps with the sleight of hand and misdirection, which are important in this show. Mario makes positive statements about children and how the simple act of getting up on stage as a volunteer is a brave moment in their lives. We should applaud this.
The audience’s reaction throughout the show is something to behold. I have never seen an audience so captivated, engaged, and incredibly noisy. He owns the venue, and he takes along his magic journey, meeting those who have influenced him, like Andy Warhol.
As the show progresses to the finale the strings of the story come together. And with an ending we did expect it comes to a close. We are left wanting more. Which is how all shows should end.
The takeaway from this fun, glorious production is “Follow your dreams”.
Performed by Mario “the Maker Magician” Marchese Written by Mario and Katie Marchese Produced by Katie Rosa Marchese and Chris Cox
To book tickets to Mario The Maker Magician, please visit https://adelaidefringe.com.au/fringetix/mario-the-maker-magician-af2025.
This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.
