The Last Word

The Last Word

The Last Word Rating

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3

With an eye-catching poster featuring an image of the star throwing a bunch of SCRABBLE tiles off the board into the air, one could be forgiven, walking into the Butterfly Club, on a cold Melbourne night, that the show, like the poster, may just be a bunch of ideas and various tiles haphazardly thrown together in the hopes a decent score is found. All doubt was removed at the second “The Last Word” star and creator slinked onto the stage.

It’s not often a performer that you are not familiar with, takes a stage, and with literally just a raise of their eyebrow has you giggling and instantly at ease, this is however the feat that Imogen Whittaker managed in her sold-out Monday night performance.

With nothing but a microphone and a piano, along with a whole bunch of therapy behind her (though, as Imogen tells us, she was dumped by her therapist- ouch!), she launches into song and starts the show. Within just a few bars, you know you are in the hands of an up-and-coming pro, instantly the clever, humorous wording has you thinking you are in the hands of a star like Tim Minchin. The music and lyrics already feel like they belong in a smash hit like Matilda (we won’t talk about Ground Hog Day), and the audience takes an audible sigh of relief knowing that the hard slog to get out on a wet Monday will well and truly be worth it.

Through the next 50 minutes or so, Imogen Whittaker draws you in with her charm, honesty, and a little self-deprecation. Managing to tell stories that are uniquely her own, though with wording and feelings that like today’s Astrology Star Sign forecast, the audience could easily interpret to be current and applicable to themselves.

A particular favorite was – Last First Date
“I think I’m going to get RSI
From how many times
I swipe left and right
And put on my nice shoes and dress
Just to be in evidently unimpressed”

A hilarious ode to the pitfalls of dating and kind of a Groundhog Day (not the Minchin one- no, this one wasn’t tedious) of first date after first date after first date and how they all start to feel the same, the guys all sadly similarly bland and not right and how Imogen wishes that she could find the one and have her “Last First date”. Knowing laughter from the audience and friends nudging each other in agreeance throughout.

The Last Word

Other stories of the wacky world of dating are put into song- like the one about the guy she dated for some time, to then find out the reason he was emotionally unavailable was that he was married and bumped into him and his wife at a country bakery where he introduced her as “a family friend”. Awkward. But hey, this ‘ACE’ of a guy brought her a piano- so I guess he is ok?

Another about a failed ‘showmance’ in what we are repeatedly and cheekily told was “the worst production of FAME ever staged” that leaves Imogen wondering if she was in love with the actor or the character. Then there is “Drunk Call”, awaiting an ex who has moved on, but she “Leaves my phone on even though I know you are out, in case I’m the one you‘re still thinking about”.

With brilliant lyrics and music that have you reminded of Missy Higgins, Musicals like Once and Matilda, and an instantly likable personality that draws you in, this was a joyous night at the theatre held by a performer who knows her talent and leans into it with grace and confidence. Despite some sound issues, from the microphone not sounding on for the first number to then barely being able to hear the wonderful piano playing for a few numbers, this is a highly recommended show.

“The Last Word” like the show’s promo poster, is a collection of letters and words of Imogen Whittaker’s experiences. She played a brilliant game and clearly won with the tiles of life that have been dealt her way.

I can’t help but feel that she still holds her ‘Q’ and ‘Z’ close to her chest. But I tell you, when she does decide to put them on the table, not only will she win again, she will score big and it will be one of the most exciting games. This is not Imogen’s last word, and I eagerly await her next.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Cabaret De Paris

Cabaret De Paris

Seven Moulin Rouge trained showgirls in sparkly sequinned skimpy bikini outfits, balanced by feather headdresses and boas and in impossibly high heels accentuating their very long legs, flanked by two athletic male dancers who finally take off their shirts in the last number.

This ensemble of highly skilled and sexy dancers are the heart and soul of the Cabaret de Paris: A Burlesque Extravaganza, produced by Michael Boyd and choreographed by Todd Partrick and Matt Browning. But Rhonda Burchmore, veteran cabaret entertainer, is the major drawcard for this Parisian-styled revue.

This show has been kicking around since at least 2016. This post-COVID version of the show keeps the same format but with a few new numbers and some personnel changes, including Rhonda as the new leading lady.

It’s a very portable show, doing three shows in 2 days at iconic theatres across Australia since last year. This explains the minimalist set design and recorded music rather than live musicians. Instead, the $250,000 worth of lavish costumes were a feast for the eyes and brought the era of French cabaret a la Lido and the Moulin Rouge to life.

Musically, there was a lot of variety – from upbeat bass-heavy electronic dance music (Parlez Vous Francais) to jazz big band more traditional ballads evoking old-school Paris (think bandoneon).

The can-can mashup was an example of this in one number – from a modern dance rhythm version, Voulez-Vous, to a 1950 adaptation of Can-Can Polka with kitschy lyrics by Jimmy Kennedy to the original whirling dervish Galop from Offenbach’s Orpheus in the Underworld. The choreography of this number was particularly engaging, with the mix of modern and traditional styles and the oh-so high kicks!

I was absolutely drawn into Michael Boyd’s magic of illusion and was riveted to watching Veronica on the pole and on the floor for her contortion act. Similarly, the short acrobatic act of the male dancers and the intense adagio style pas de deux (acrobatic dance duo featuring high lift poses) were breathtaking. However, Rhonda Burchmore provided the substance of the show with her solid singing chops and personal stories.

Rhonda is celebrating 42 years in showbiz, and I was reminded of Tina Turner, who also flaunted her legs on stage well into her mature years. She looked wonderful in the gorgeous gowns and even entertained us with a very discreet strip tease, assisted by her charming male assistants, culminating in a dramatic costume change.

However, the price of wearing the stilettos that go with such ballgowns is very painful bunions, as she admitted when she rushed to sit down. Most of us ladies are now relishing the current fashion trend of wearing sensible shoes with just about anything.

I would love to see a version of this show where Rhonda gets to wear Hoka One Ones with the sumptuous evening dresses. After all, she’s six foot one “and worth the climb” – she doesn’t need the extra height.

Alas, the Cabaret De Paris was showing only for this weekend, but keep an eye out for this troupe of performers as new show dates are coming soon.

This review also appears on It’s On The House, and check out more reviews at Dark Stories Theatre to see what else is on in your town.

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Glitz, Glamour and Grandeur – Cabaret De Paris

Step into a world of glitz, glamour, and captivating performances as Cabaret De Paris takes you on an extraordinary journey showcasing a dazzling display of talent, energy, and pure entertainment. Get ready for an unforgettable experience in a world of vibrant colours, sophistication and alluring acts paying tribute to cabarets in France.

Under the expert direction of producer and performer Michael Boyd, Cabaret De Paris delivers a captivating experience that combines the allure of Parisian showgirl charm with jaw-dropping illusions and remarkable artistry. This production showcases the finest performers, each bringing their unique skills to create a night of pure glitter and enchantment with his own mind-bending magical act that leaves us in awe.

Leading the ensemble is the incomparable Rhonda Burchmore, a true icon of the stage. With her golden voice and larger-than-life personality, Rhonda commands the spotlight, effortlessly captivating the audience with every note she sings. Her impeccable stage presence and timeless beauty remind us why she is hailed as Australia’s leading lady of cabaret.

The choreography by Todd Patrick, a dance maestro with an impressive repertoire, elevates the performance to new heights. Each routine is flawlessly executed, blending elegance, grace, and excitement. The cast’s flawless synchronisation and precise movements are a testament to their exceptional talent and countless hours of dedicated practice.

The costumes designed by Cathie Costello are a visual feast for the eyes – a delightful explosion of colour, glamour, and elegance. From the shimmering gowns to the mesmerising outfits adorned with feathers and jewels, every detail reflects the extravagance and sophistication of the Parisian cabaret tradition. The seamless combination of vibrant colours, elaborate accessories, and intricate designs enhances the overall visual spectacle.

The production features an incredible variety of acts, adding a delightful touch of humour and surprises and ensuring that there is never a dull moment throughout the 90-minute extravaganza. Accompanied by a delightful mix of music, spanning jazz, pop, and the iconic French Cancan, the show effortlessly transitions from one mesmerising performance to another. The carefully curated soundtrack sets the mood and enhances the immersive experience, keeping the audience engaged and enthralled.

Cabaret De Paris is a mesmerising celebration of the rich traditions and artistry of the cabaret genre. With its intoxicating blend of top-tier talent, breathtaking visuals, and dynamic performances, this production is a testament to the enduring appeal of the Parisian cabaret scene, leaving you with an insatiable desire to relive the magic again and again.

The Cabaret De Paris is on tour now and will be visiting Perth and Canberra through June 2023, but be sure to check for future dates and locations coming to your town soon.

This review also appears in On The House

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