Roxy Lane Theatre: At Home With The Sheridans

At Home With The Sheridans

At Home With The Sheridans Rating

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Nestled in the affluent leafy western suburbs of Perth a dramedy unfolds between childless couple Mr and Mrs Sheridan, two burglars and Mr Sheridan’s mistress.

Written by Perth playwright, Yvette Wall and directed by Russell Chandler, the Roxy Lane Theatre presents a play that breaks through the superficial exteriors of society which categorises people into classes to reveal characters that perhaps are not so different from one another.

As Chandler puts it “what is the real difference between successful white collar middle aged Western Suburbs dwellers and younger disaffected and troubled youth that have fallen off the tracks?”

When seasoned burglar Jake and his accomplice and first-time home intruder, Marilyn break into the Sheridan’s house, they don’t get very far in their quest to steal when Max Sheridan arrives home early with his mistress Zoe. Unbeknownst to Max and Zoe who are in the living room, Jake and Marilyn are hiding in the master bedroom. It doesn’t take long until the four become acquainted. A brawl between Max and Jake ensues and just when things couldn’t get worse for Max, his wife arrives homes.

The play gives the audience the opportunity to see the different dynamics between the characters and a deeper insight into who they are. In the first scene it’s Jake and Marilyn. Both characters are troubled young souls who got an unfair start to life and haven’t done much to turn their lives around. It is revealed that Marilyn has a young son in foster care and is in an abusive relationship. Underneath Jakes tough exterior he cares for Marilyn and tries multiple times to get her to see that her abusive Paul does not love her.

When Jake and Marilyn are hiding in the bedroom, the audience gets to see the dynamic between Max and Zoe which is funny and playful until Zoe drops a bombshell of secret and shows him a picture that will change his life forever.

The final scene is between Max and his psychologist wife Beth which I’m not sure how realistic their resolution is but it’s fair to say it appears to end well for all five characters.

Out of all the characters, Beth, played with such grace and elegance by Emma Kirby, is the most kind-hearted and likeable. The other actors Michael Hewson, Genevieve Wilson, Chris Harris and Lisa Divall were all convincing in their performances and it was clear to see the stage chemistry between them all.

At Home with the Sheridan is an enjoyable, short and sweet play that takes a light-hearted and humorous approach to societal structures.

To book tickets to At Home With The Sheridans, please visit https://www.taztix.com.au/roxylanetheatre/.

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8 Women: Old Mill Theatre

8 Women

8 Women Rating

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I always love a good murder mystery. It’s a genre that never goes out of fashion. 8 Women is one of those good old fashioned murder mysteries with comedy, drama and mystery all rolled into one.

Presented by Playlovers at the Old Mill Theatre in South Perth, 8 Women is an international award-winning play by French writer, Robert Thomas.

Set in an isolated mansion in the snowy French countryside, a man is found dead with a knife in his back, and all 8 women are suspects.

What is meant to be a time of celebration as they all come together for the Christmas holiday season turns into 24 hours of mayhem as they each suspect the other of murder. All 8 women are known to each other, and they each have a motive for killing the patriarch of the family, Marcel.

There’s the lady of the house and Marcel’s wife, Gabby. Gabby’s neurotic sister, Augustine, and Gabby’s mother, only known as Granny, which Marcel has kindly allowed both to live with him and Gabby at the mansion. Then there’s Marcel and Gabby’s daughters, Suzon and Catherine, their nanny, Madame Chanel, the sultry maid, Louise and Marcel’s sexy sister, Pierette.

Tension between the women grows as secrets are revealed on their path to discovering the identity of the murderer. As Catherine declares, the murderer must be one of them.

Whilst there was no clear indication as to which decade this was set in, there were very strong vibes of a 1950s melodrama.

As the play is naturally all spoken in English for the audience to understand, it became apparent that these were meant to French characters when upon Suzon’s return from London she says she learnt some new English words and says them in French.

The actresses each play of their roles superbly and the chemistry between them is palpable. The play however was far too long. There were scenes that really didn’t add anything to the story and could have been left out. It was so long that towards the end, I had almost lost interest on finding out who amongst them was the murderer.

Nevertheless, it was an enjoyable play with an ending that you either love or hate. Expect hair-pulling, taunting, crying and lot of screeching as the women turn on each other in search of the truth.

To book tickets to 8 Women, please visit https://www.taztix.com.au/playlovers/.

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Alice By Heart: Limelight Theatre

Alice By Heart

Alice By Heart Rating

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3

Originally presented at London’s National Theatre in 2012, Alice By Heart is an incredibly ambitious musical for Limelight Theatre to take on, but unsurprisingly, with a massive and dedicated team behind them, they manage to pull it off!

The story itself is quite ‘curious’ to put it simply. Set in the London Blitz of World War II, Alice tries to escape the devastation by entering back into her beloved story of Alice In Wonderland. The plot switching between the two worlds of the reality of the London blitz and the dream-like world of Alice In Wonderland is at times confusing. It also assumes you have an intimate knowledge of the story of Alice in Wonderland, and I would definitely recommend refreshing your knowledge of it before you go! The songs, though, are catchy and entertaining, and the jokes are flying fast (if you manage to catch them).

Keeley Roper’s choreography was incredibly professional, inventive, fascinating and always had you guessing what was coming next.

The ‘wearable art’ or costumes created by an enormous team of eight was also impressive, and I loved how creative and surprising the costumes were – they had a life of their own. There is one moment in particular that the reveal of a costume will surprise you!

This cast is strewn with WAAPA graduates, and after reading the program after the performance, this wasn’t surprising for me as the talent was apparent. Ella McCaughey has the voice of an angel, and she seems to hit every note effortlessly. I would have liked to see a stronger opinion of who Alice is from her, although this may be a limitation of the script. Blair Price-Morgan as Alfred was a great match vocally for Ella and I loved hearing their duets – so romantic! I would say that Price-Morgan’s dictation could have been clearer at times.

Zoe Violet’s singing voice as the Cheshire Cat was impeccable, although some more power behind it could have been nice. Brittany Isaia as the Red Queen/ Red Cross Nurse started off a little wobbly, but by the end, she really held her own in her solo, giving us some good laughs too. Alicia Lorie as The Hatter/Harold Pudding also is worth a mention for her characterisation and commitment. The rest of the ensemble were incredibly hardworking, and their dedication was clear.

The live band was a joy to hear and I am absolutely astounded at the professional and talented team that Limelight Theatre always seem to get behind them – it really is a credit to the whole extended community.

Overall this production is fabulous and a spectacle for your eyes! This kind of musical is rarely (if ever) done in Perth and I commend the director Naomi M. Capon for branching out and doing something different. If you want to see some unique theatre, this is not one to miss, and I recommend booking your tickets urgently before the rest of Perth gets wind!

To book tickets to Alice By Heart, please visit https://www.taztix.com.au/limelight/.

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The Hanging: Maitland Repertory Theatre

The Hanging

The Hanging Rating

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4

The Australian backdrop, twisted characters, and a gothic tone. The Hanging, written by Angela Betzien and directed by Aimée Cavanagh is one that all thriller-lovers would hate to miss.

Discover the secrets that surround teenage Iris, her boarding school English teacher, and the detective in charge of finding Iris’ two missing friends. Watch as the characters evolve before your eyes, listen to the dynamic changes in cadence, and experience the horror of the devolving mystery.

With unique stage design, simple lighting cues, and basic sound changes, the actors use little aside from their voices and realistic characterisation to immerse you in their world, leaving you no choice but to focus on the very parts of the play that you may not wish to see.

If forced, I would be hard pressed to choose a star of the show, with all actors giving their very best to the roles given to them, and working together to surprise the audience as they examine the human condition and all that is ugly to witness, yet captivating to see.

With an homage to the classic Australian text ‘Picnic at Hanging Rock’, The Hanging is a play that, while short, is one I can see becoming one for the ages, and the cast and crew at Maitland Repertory Theatre Company did a spectacular job bringing it to life.

Warnings: contains references to drug use, child abuse, suicide, pregnancy, termination, descriptions of gore, and coarse language.

Performance times:

Evenings at 8:00pm:
May: Wednesday 7, Friday 9, Saturday 10, Friday 16, Saturday 17, Friday 23

Matinees at 2:00pm:
May: Sunday 18, Saturday 24, Sunday 25

To book tickets to The Hanging, please visit https://www.mrt.org.au/2025-plays/the-hanging/.

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